Lifestyle
There’s room for everyone in ‘Now I Surrender,’ an epic American Western
Before the captivity narrative about a Mexican woman abducted by the Apache in the mid-1800s; before the storyline about Geronimo’s surrender; before the torrent of details about the life and peoples on the borderlands between present-day Mexico and the U.S.; there’s this first sentence:
In the beginning, things appear. Writing is a defiant gesture we’ve long since gotten used to: where there was nothing, somebody put something, and now everybody sees it. For example, the prairie.
That’s the opening of Álvaro Enrigue’s new novel, Now I Surrender. The words are spoken by Enrigue himself: He appears throughout the novel as a writer traveling on a road trip through the Southwest with his family. They’re visiting sites that tell the story of the Apache fight for survival.
That Prospero-like opening gives readers fair warning about how defiantly challenging, occasionally overblown, and, at times, magical this epic novel is going to be. In the self-conscious hallucinatory tradition of historical novelists like E.L. Doctorow and Don DeLillo, Enrigue keeps intrusively reminding us that this overpacked tale of the past is something he’s constructing, as much as resurrecting. And, like his predecessors, Enrigue subscribes to a paranoid reading of history. As a character in Libra, DeLillo’s novel about the Kennedy assassination, says: “This is what history consists of. It is the sum total of the things they aren’t telling us.”
There’s so much that “official history” hasn’t told us about “how the West was won” that Enrique here works furiously to fill in some of the silences.
The novel’s most engrossing, if brutal, storyline follows a young Mexican woman named Camila. We first see her running into the prairie after an Apache raid wipes out everyone else living on her elderly husband’s ranch. To give you a sense of how immediate and visual Enrigue’s writing can be, here’s the moment when the Apache catch up with Camila:
[S]he didn’t look back, but she clearly heard a group of horses breaking away from the herd of running cattle and swerving toward her. When the dust raised by the pounding of the horses’ hooves began to sting her eyes, she threw herself on the ground and curled into a ball, hoping to be trampled to death.
Then she was yanked up by her braids, her neck wrenched, her legs kicking, her brown underskirts a flower in the wind. …
Camila’s abduction spurs a second narrative featuring a rag-tag search party assembled under a Lieutenant Colonel of the Mexican Republic. The searchers ride far into the vast territory that was once known as Apachería. Enrigue tells us this ancient homeland of the various Apache tribes:
was taken away from us like cassette tapes or incandescent light bulbs. Where Sonora, Chihuahua, Arizona, and New Mexico meet today was an Atlantis, an in-between country. And straddling it were the Mexicans and the gringos, like two children, eyes shut, their backs to each other, while the Apaches scuttled back and forth between their legs, not sure where to go with strangers bubbling up everywhere, filling their lands.
The end game for the Apache began in March 1886 when their great leader and shaman, Geronimo, surrendered with a small band of warriors to the U.S. Army. According to the official transcript of that moment, Geronimo said, “Once I moved like the wind. Now I surrender to you and that is all.”
Enrigue’s novel, which takes its title from Geronimo’s eloquent words, loses some vitality when it focuses on the story of his surrender and afterlife as a prisoner of war and a curiosity: Geronimo appeared, for instance, at the 1904 World’s Fair in St. Louis and rode in Teddy Roosevelt’s inaugural parade the year after. Given that Enrigue writes with such unsentimental admiration about Apachería, perhaps recounting the story of Geronimo’s fall felt more a writerly duty, than a desire.
Now I Surrender has been described as a revisionist or “alternative Western,” which it is, but given its scope, I think it might be more apt to call it an “expandable Western.” There’s room for everyone in this epic of conquest and eradication: Native Americans, Mexicans, gringos, formerly enslaved people, immigrants and one lone writer gamely trying to tell their stories before the curtain comes down on the whole enterprise.
Xie Miao and Yang Enyou in The Furious.
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A tarp covers the facade of the John F. Kennedy Memorial Center for the Performing Arts in Washington, D.C., on June 13. A federal judge has asked the arts complex’s leadership to explain the purpose of the tarp and the surrounding scaffolding.
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On Wednesday, the federal judge overseeing the Kennedy Center lawsuit ordered the center to give him a status report on the center’s operation and programming within the next few weeks. Judge Christopher R. Cooper also said that the Kennedy Center must explain the purpose and status of the tarp and scaffolding that have been placed over the front of the arts complex, where until recently both President Trump and President John F. Kennedy’s names were both displayed.
In a directive issued last Tuesday, Judge Cooper had given Kennedy Center administrators three days to update him on the arts complex’s immediate plans regarding construction, programming and public access. Trump, who now serves as the center’s chairman, had announced July 5 as the date the venue would close for major renovations.
Last Friday, on Cooper’s due date, lawyers for the Kennedy Center filed a request asking for an extension. In that filing, Matt Floca, who was promoted as the center’s president and CEO in March, said that the Kennedy Center’s current management intends to present its board with “an array of options” for trustees to vote on at their next meeting on an unspecified date in mid-July.
According to Floca, the options are a complete closure for extensive renovations; a partial closure “enabling some continued public access and limited programming” while some renovations are undertaken; and “a highly limited series of phased closures to address only the center’s most serious infrastructure needs while scheduling and maintaining a full slate of programming.”
In his newest order, Cooper denied Floca’s request for an extension. And he mandated that the center file a status report within seven days of the center’s July board meeting or by July 31, whichever date is earliest. He also ruled that the report must “indicate the purpose for and status of the tarp and scaffolding,” which were erected by workers over the center’s front signage in the early morning hours of June 13.
When asked for comment Wednesday, the Kennedy Center pointed back to the documents its legal team submitted to the court.
The tarp and scaffolding on the center’s front portico went up after the Kennedy Center’s administration slow-walked the court-mandated removal of President Trump’s name from the front of the center and from all digital materials, which was supposed to happen no later than June 12. Workers removed the lettering overnight into the following morning, hours after the federal court’s original deadline, and covered the center’s sign with a tarpaulin.
As of Monday, the sign remains hidden from the public.
Trump’s name was scrubbed from all of the Kennedy Center’s digital content on June 4, the same day an email order to do so was issued by the complex’s legal team; NPR obtained this memo the day it was sent out to Kennedy Center staff.
These court orders are part of the ongoing lawsuit filed by Rep. Joyce Beatty, D-Ohio, against President Trump and the board of the Kennedy Center. Earlier this year, Cooper ruled that Beatty, an ex-officio member of the Kennedy Center board, must be allowed to participate in board meetings. NPR has asked Beatty if she plans to vote at the July board meeting, but did not receive an immediate response.
It would be very difficult for the Kennedy Center to revive a thriving programming lineup for the months ahead. Over the past year, many prominent artists canceled their planned appearances, citing the politicization of the venue. Most of the center’s programming staff have departed, either via layoffs or resignations. Unlike top administrators at other major performing arts venues around the country, Matt Floca has no experience in artistic direction, fundraising or arts administration; formerly, he was the center’s head of facilities, and he holds a bachelor’s degree in construction management.
Established artists who typically perform at the Kennedy Center generally have their touring schedules set at least a year in advance, if not multiple years ahead. In years past, the center has publicly announced its upcoming season in mid-spring for performances beginning in September and running through the following summer.
Currently, only a handful of outdoor free movie screenings of nostalgic favorites like The Princess Diaries and Clue appear on the center’s calendar of events, along with some participatory workshops for kids. In the past, the Kennedy Center presented over 2,000 arts and education events each year.
The center also recently became ensnarled in litigation with one of its longtime tenants and artistic partners. On June 12, the Washington National Opera, a company formerly in residence at the Kennedy Center, sued the complex for $17 million. It claims that the Kennedy Center had withheld “years’ worth of donor gifts, bequests and endowment funds” that had been intended specifically for the WNO.
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I tend to romanticize summer. The movies and TV shows I grew up with made me think that the season was about adventure and big-time transformation.
I imagined myself building a tight-knit friend group and getting out of a pickle together, like in The Sandlot or Camp Nowhere. Or traveling across the world, say, to Greece, like Lena Kaligaris, a character in The Sisterhood of the Traveling Pants, having a whirlwind summer romance and returning an entirely different person.
I’ve never actually had a summer like that.
Even when your expectations are more modest than mine, “so often, the summer just flies by, and we haven’t taken the picnics or gone for the day trip or whatever it was that we thought we were gonna do,” says happiness expert Gretchen Rubin.
Rubin, author of The Happiness Project and host of the podcast Happier With Gretchen Rubin, has been sharing ideas on social media about how to make the season more memorable and satisfying.
She walks through four exercises to help you get what you want — and more — out of the season. Print out our worksheet here, fill it out and stick it on your fridge to keep you accountable. Or take a screenshot and post it to Instagram (don’t forget to tag @NPRLifeKit!).
🍑 Give your summer a theme
Pick a single word or phrase that you want to embrace this season — something that captures the feeling you want to have over the next few months.
“My theme for the summer is ‘ketchup,’” Rubin says. “It has a kind of a summer feeling, because you think of putting ketchup on your burger.”
“It’s a metaphor,” she says. It means to look for “whatever I could add [this season] to make something elevated and more fun.”
Meanwhile, my theme word this summer is “juice.” I no longer think that I need to travel far or completely transform to have a delicious summer. I just need to take advantage of the abundance that the season offers: ripe peaches and tomatoes, juicy softball pitches and the opportunity to feel juicy in my body when I wear a bathing suit.
Print out our worksheet here, fill it out and stick it on your fridge to keep you accountable. Or take a screenshot and post it to Instagram (don’t forget to tag @NPRLifeKit!).
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🪣 Create a summer bucket list
What do you want to do this summer? On my bucket list: ride the Ferris wheel at a summer fair, have more barbecues at my parents’ house and see the sunrise at least once.
There might even be something you don’t necessarily want to do but have been trying to accomplish for a long time — like cleaning out the garage or learning how to swim.
“Some people love a long list with a lot of easy things to cross off,” Rubin says. “I’m a fan of that approach myself.”
But some people like a list with fewer goals that are more ambitious. If you take this path, just make those items realistic, she says. “It’s easy to get discouraged if you set the bar too high.”
🏁 Set a fun challenge
It could be fun to gamify a few of the items on your bucket list — or to come up with an entirely different kind of dare for yourself.
You might try 10 new taco joints this summer or read five romance novels. Or you might come up with a theme, like “Freaky Flavor Friday,” Rubin says. Every Friday, you go to a different ice cream shop and try a new and ambitious flavor.
A good challenge can make your summer feel more memorable, she says. “If you did ‘Freaky Flavor Friday’ all summer long, that would stand out in your mind. Years later, you’d be like, ‘That’s the summer I discovered creamed corn ice cream.’”
Two challenges I’m considering: taking a swim class and rewatching all the best Pixar movies.
🖼️ Take a “five-senses portrait”
Experience the summer through your five senses — then reflect on each one. What does summer look like, smell like, taste like, sound like and feel like?
“It’s one thing to look at photographs, but that’s very flat,” Rubin says. “A ‘five-senses portrait’ puts you back into that experience. It’s a creative, fun way to look back on summer and capture the memories that you’ve created.”
Do this exercise either for your whole summer or for a specific summer adventure, she says. Do it with yourself or with a group. You can journal about it, make a collage, draw a picture or simply have a conversation.
When I think of summer, here’s what comes to mind: the smell of smoke from a crackling outdoor fire and the taste of toasted marshmallows on a stick.
More summer-worthy goals from Life Kit
Learn how to swim. Knowing how to swim can help you have fun at the pool or beach this summer. But it could also save your life. Here are some tips to start swimming at any age.
Focus on rest and relaxation. In Dr. Saundra Dalton-Smith’s book Sacred Rest, she outlines different kinds of rest you may be craving. From the mental to the physical, Dalton-Smith shares how to identify what kind of respite you need and how to embrace rest.
Get into running. Ready to kick-start a new running habit? Coach Martinus Evans breaks down a common misconception to get you into the mindset and offers quick tips on pace, form and more.
Declutter your home. Got piles of stuff you just can’t seem to get rid of? Professional organizer Star Hansen explains how to let go of unnecessary items and keep your home neat and tidy.
This episode was produced by Clare Marie Schneider. The story was edited by Meghan Keane. The visual editor is CJ Riculan. We’d love to hear from you. Leave us a voicemail at 202-216-9823, or email us at LifeKit@npr.org.
Listen to Life Kit on Apple Podcasts and Spotify, and sign up for our newsletter. Follow us on Instagram: @nprlifekit.
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