Entertainment
Justin Bieber’s ‘Standing on Business’: The biggest takeaways from ‘Swag’
Is it finally clocking to you? Justin Bieber is back.
The 31-year-old singer surprise-released a new album, “Swag,” Friday after teasing fans the previous morning with a series of billboards and social media posts. Bieber’s first album since 2021’s “Justice,” the new music prompted an online frenzy and revived a devoted community of Beliebers.
From his marriage to his paparazzi encounters, Bieber has faced incredible scrutiny over the last few months, which he addresses head-on in “Swag.” After listening to all 21 tracks, here are our biggest takeaways.
R&Bieber is back
Bieber has incorporated R&B elements in his music since early in his career and embraced the genre fully on the 2013 compilation album “Journals.” But even after coining R&Bieber in 2019, he’s struggled to be taken seriously.
When 2020’s “Changes” received a Grammy nomination for pop vocal album, Bieber expressed his confusion at not being nominated in the R&B category.
“To the Grammys I am flattered to be acknowledged and appreciated for my artistry. I am very meticulous and intentional about my music. With that being said I set out to make an R&B album. ‘Changes’ was and is an R&B album,” he wrote on Instagram. “It is not being acknowledged as an R&B album which is very strange to me. I grew up admiring R&B music and wished to make a project that would embody that sound.”
“To be clear I absolutely love Pop music,” he added. “It just wasn’t what I set out to make this time around. My gratitude for feeling respected for my work remains and I am honored to be nominated either way.”
On “Swag,” Bieber shows off his R&B chops. From opening track “All I Can Take” and the seemingly SZA-inspired “Yukon” to “Daisies” (which reportedly features Mk.gee on the guitar), he takes a more intimate approach than on previous albums. But still, longtime fans will hear hints of “Journals” and “Changes” throughout the project.
In one of the album’s unconventional moments, comedian Druski comments on Bieber’s more “soulful,” R&B-infused sound.
“I said this album kinda sound, you got some soul on this album too, bro,” he says on the interlude track “Soulful.” “Your skin white but your soul Black, Justin. I promise you, man.”
He’s not ‘Walking Away’ from his marriage
Since Justin and Hailey Bieber wed in 2018, their marriage has been under a microscope. Divorce rumors circulated within months of them tying the knot, and it didn’t help that many fans were still rooting for the singer to get back with ex-girlfriend Selena Gomez.
Bieber’s love for his wife is evident throughout his catalog — from 2020’s “All Around Me” to 2021’s “Hailey.” But in case anyone is still skeptical (they are), Bieber sets the record straight on “Swag.”
On album standout “Walking Away,” Bieber gets candid about his relationship troubles but also reaffirms that he’s committed to his marriage. “You were my diamond / Gave you a ring / I made you a promise / I told you I’d change / It’s just human nature / These growing pains / And baby, I ain’t walking away,” he sings.
Elsewhere on the album, he cheers on his wife. On “Go Baby” (which lyrically echoes 2021’s “There She Go”), he sings, “That’s my baby, she’s iconic, iPhone case, lip gloss on it” — a reference to the Rhode founder’s famous lip gloss-holder phone case.
Recently, Hailey sold her skin-care company, which she launched in 2022, to e.l.f Beauty for $1 billion. There she goes indeed.
Justin Bieber addresses scrutiny over his marriage to Hailey Bieber throughout his new album, “Swag.”
(Jordan Strauss/Jordan Strauss/Invision/AP)
The pregnancy announcement song
The Biebers’ pregnancy announcement in May 2024 was accompanied by an unknown instrumental track. Now, fans have identified it as “Devotion” featuring Dijon.
On the heartwarming track, Bieber sings, “When your lips and fingernails are all mine / I promise to take my time givin’ you devotion.”
The singer also celebrates being a father to Jack Blues Bieber, born Aug. 23, 2024, on “Dadz Love.” As rapper Lil B declares we need “less hatin’” and “more love,” Bieber repeats the track title (which sounds like “that’s love”) over and over.
There’s no cure for Bieber fever
Soon after the singer announced the surprise album, fans flocked to social media to express their excitement.
“New album – bieber fever hitting like it’s 2010,” TikTok user @jennyboba posted to the will.i.am collab “#thatPOWER.”
“Justin Bieber is back… I used to pray for times like this,” singer d4vd posted on X.
Others reactivated their old X fan accounts and created group chats to celebrate the release. “We’re creating a SWAG group chat to keep up with all the updates! Like or reply so I can add you,” @statsonbieber announced in a post that’s since received almost 6,000 likes and more than 600 comments.
Bieber fever may have been latent for years, but it’s making the rounds once again.
Bieber’s ‘Standing on Business’
Bieber’s had his fair share of viral paparazzi moments over the past year. Most notable was his encounter with photographers while leaving Malibu’s SoHo House, when he declared, “It’s not clocking to you that I’m standing on business.”
The singer’s misuse of African American Vernacular English has turned into an internet meme, but Bieber’s in on the joke. He’s shared several fan edits of the encounter on his Instagram, including one that riffs off the hilarious “I’m a mommy” moment on “Love Island USA.” And on “Swag,” Bieber includes an interlude aptly titled “Standing on Business.”
“I like that you pronounce business. Usually, when I say, ‘Standin’ on business,’ I say, ‘Standin’ on bih’ ’ness,’ ” Druski says after the now-famous audio plays. “I think that’s why he ain’t leave right there. You were pronunciatin’ every word — you can’t pronunciate every word when you doin’ that.”
Bieber samples another paparazzi moment on “Butterflies”: “You just want money. Money, money, money, money, money, money, money. Get out of here, bro. Money, that’s all you want, you don’t care about human beings. All you want is money.”
The song then transitions into an honest reflection on money and fame: “When the money comes and the money goes / Only thing that’s left, uh, is the love we hold,” he sings.
To be clear, Bieber’s contentious exchanges with the paparazzi are nothing new. “[What] do your parents think about what you do?” he asked one in 2012. “You tell them, ‘Yeah, I stalk people for a living’?”
But recently, these encounters — coupled with his sometimes outlandish social media activity — have led to increased scrutiny and speculation about Bieber’s mental health. Many have even drawn comparisons to Britney Spears.
“People are always askin’ if I’m OK, and that starts to really weigh on me,” Bieber tells Druski on the track “Therapy Session.” “It starts to make me feel like I’m the one with issues and everyone else is perfect.”
Following her husband’s surprise album announcement, Hailey reposted the tracklist on her Instagram story with the caption, “Is it finally clocking to you f— losers?”
Perhaps it finally is.
Movie Reviews
The Sheep Detectives Review: One of the Most Wholesome Movies of the Year
It’s a good year when we get movies like Remarkably Bright Creatures and The Sheep Detectives at the same time. If there’s one type of emotional draw we’ll never say no to when it comes to the fiction we consume, it’s wholesome. The kind of movies and TV shows that leave you with a bit more hope than you expected. The kind of stories that make you believe that humanity isn’t as broken as it really is.
The Sheep Detectives is essentially tailor-made for anyone who loves a good whodunnit that’s rich with nuance and humor. The clever decision to shift the genre into something both kids and adults could appreciate together is no small feat, and that’s largely where its mass appeal lies. Murder is a heavy subject to deal with—as is grief—yet this story makes sitting with the weight of both a little easier. It could kickstart a number of thoughtful conversations while it simultaneously delivers plenty of laughs along the way.
For adults, there’s also a huge appeal in the casting—the voice actors especially. Anyone who knows me knows that Ted Lasso is the kind of show I’ll always put first, so hearing Brett Goldstein voice a sheep is the kind of A+ decision that’s effortless to appreciate. Hugh Jackman, Nicholas Galitzine, Molly Gordon, Nicholas Braun, Emma Thompson, Julia Louis-Dreyfus, Bryan Cranston, Bella Ramsey, Regina Hall, Rhys Darby, Patrick Stewart, Hong Chau, and the whole cast do an exceptional job as well, making every moment of The Sheep Detectives thoroughly entertaining.

It’s hard to imagine anyone coming out of the movie not thinking it’s one of the best things we’ll watch all year, and that’s a high compliment considering 2026 is full of gems like Project Hail Mary and the upcoming The Odyssey. It’s the exact kind of movie we could all use, but more than anything, the kind of story we could use more of. If there’s any sort of sequel, sign me up. Let’s make it a trilogy. Give us more of the sheep.
The cinematography is gorgeous, the writing is sharp, the performances are thrilling, and the message is a gem worth holding onto. The Sheep Detectives is the kind of feel-good treasure that does an excellent job of reminding us why movies like this will always matter. There’s a thoughtful message about how grief is meant to be shared and why it’s so important to carry those who’ve passed with us. Yes, it’d be convenient to forget our pain by sheer mental willpower, but we aren’t meant to do that. As humans and as animals, I imagine that the good, bad, and ugly are all part of what makes life beautiful, and that’s a comforting message to sit with.
The concept of a whodunnit featuring sheep solving a murder sounds so wild on paper, yet everything about it results in the kind of movie that should signal to Hollywood we want more creative approaches to what’s familiar. There’s a reason The Muppets are so popular, and we shouldn’t be afraid of making things that sound a bit too whimsical on paper. In other words, The Sheep Detectives embraces the whimsy, and it’s exactly what makes it so delightful.
The Sheep Detectives is now streaming on Prime Video.
First Featured Image Credit: ©Amazon MGM Studios
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Entertainment
L.A. County heat advisory: When will high temperatures peak in SoCal?
The National Weather Service has issued a heat advisory for this week that includes Los Angeles County and other parts of the Southland, especially in valleys and away from the coast.
Temperatures are expected to rise in the Santa Clarita Valley, the east and west San Fernando Valley, as well as parts of the San Gabriel Valley and northwest L.A. County mountains beginning Tuesday and lasting through Thursday, with warm, seasonably elevated fire weather conditions, according to the National Weather Service.
Forecasts indicate the mercury will reach 90 to 105 degrees in the interior, 80 to 90 degrees in the inland coastal plain — including downtown L.A. — with highs in the 80s and lower 90s in the foothills and canyons of southwest Santa Barbara County.
Rose Schoenfeld, meteorologist with the National Weather Service in Oxnard, said temperatures should be five to 10 degrees above normal for this time of year thanks to a high-pressure system building up over the region.
Though temperatures are expected to drop after Thursday, don’t expect that cooling to last.
“Looking ahead, you might be seeing some outlooks that look pretty favorable, but that heat will linger and redevelop with a pretty impressive heat wave for much of the west, that would be starting next weekend or so,” Schoenfeld said. “It doesn’t seem like we’re out of the woods, even if temperatures start to drop after Thursday.”
The rising mercury coincides a with major marine heat wave across the Pacific Ocean that has the potential to affect weather events around the world, bringing months of warmer oceans, which trigger thunderstorms and extreme heat thousands of miles away.
In recent weeks, record heat waves have baked parts of Europe, with temperatures hitting 104 degrees in some countries. France has reported more than 1,000 heat-related deaths.
In the U.S., record heat has gripped much of the Midwest and East Coast, with temperatures between 110 and 115 degrees in major metropolitan areas, with the National Weather Service issuing an extreme heat warning for much of the Midwest, Mid-Atlantic and Northeast.
The sweltering temperatures have disrupted travel and led to a number of cancellations planned for celebrations over the Fourth of July weekend, including Philadelphia’s Salute to Independence parade. The Great American State Fair, on the National Mall in Washington, was forced to shut down for a few hours.
Amtrak canceled some trains in the Northeast because of excessive heat that could affect the tracks.
Movie Reviews
Movie Review – The Isolate Thief (2025)
The Isolate Thief, 2026.
Directed by John Suits.
Starring Mackenzie Foy, Odeya Rush, Joe Pantoliano, Sean Bean, Jack Kesy, Ty Simpkins, Bryan Martin, and Martin Sensmeier.
SYNOPSIS:
A young woman struggles to conceal the gold she stole from violent outlaws who have seized control of her remote outpost, outwitting them amid a deadly winter where survival becomes a game of cunning and betrayal.
Set at a Union outpost in frigid temperatures, John Suits’ The Isolate Thief transcends what was likely a small budget with a fittingly chilly, oppressive look, and an ensemble that sneaks up on you as not only packed but smartly cast. Front and center is Mackenzie Foy shedding her Twilight and Disney-oriented roots for gritty period-piece work that she handles capably and convincingly, whether it be fending off wolves at the outpost, bandaging a wound, playing a deceitful game for survival, or wielding a firearm.
That’s only the start, though, as Joe Pantoliano shows up as a harmless graverobber only to re-enter the picture as the hostage of a group of Union soldiers led by Sean Bean on a search for gold thought to be discovered by him, which in reality has been hidden away by Mackenzie Foy’s parentless (her father recently died in the war, meaning she is all alone at the outpost), grieving, underestimated caretaker waiting for the right moment to make a break with the gold for San Francisco. The merciless candor with which the Union soldiers are comfortable torturing the drifting graverobber should also be enough to signal that something is off about the group and that our hero probably shouldn’t trust them.
Without giving too much away, Ada (Mackenzie Foy) is up against a violent group of outlaws posing as Union soldiers under orders from Sean Bean’s Fiddler, who will stop at nothing for this gold (accompanied by fellow evildoers played by a range of underappreciated names such as Ty Simpkins and Jack Kesy). In the forest, she also stumbles across a badly injured Emily (Odeya Rush), who has a connection to these outlaws, reduced to being treated as a sex object (they refer to her as an unflattering term for a prostitute, which feels inaccurate given that such a term would imply she has a choice rather than having her agency regularly taken as it is here), so broken by her experiences with them that she advises Ada to give in to their demands as defying them typically results more horrifying outcomes.
Even if the screenplay from Kevin Lefler doesn’t necessarily crackle the way a pressure-cooker story like this should (there’s a lot of The Hateful Eight in the film’s DNA, but without anywhere near that level of character and thematic complexity), the cast elevates the material and provides a quiet intensity simmering underneath the casual conversations and deceptions that we know will eventually blow up in Ada’s face. It’s also a story that isn’t afraid to go to some fairly bleak places and put these women through the wringer as they fight back and try to make it out alive.
What it boils down to is a simplistic cautionary tale of ruthless, misogynistic outlaws underestimating the women they are up against. That is also desperately felt when the women turn the tables in the third act. Effectively accomplishing what it sets out to do. A freezing locale is used for atmospheric advantage (the ground is frozen solid, meaning graves can’t be dug, to give an idea of just how cold it is) while allowing Mackenzie Foy to tap into some new acting tools demonstrating resourcefulness, alongside Sean Bean believably going from calm to terrifying on a dime. The Isolate Thief is a feminist period-piece Western that organically empowers through familiar, albeit competent and engaging, storytelling, culminating in some tense battle-of-the-sexes action.
Flickering Myth Rating – Film: ★ ★ ★ / Movie: ★ ★ ★
Robert Kojder
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