Ukraine is racing to reinforce its air defenses as a brief pause in Russian strikes on Kyiv and other cities approaches its expiration, and military and diplomatic experts warn the move may do little to change conditions on the battlefield and could ultimately strengthen Moscow’s negotiating position.

Earlier Friday, President Donald Trump said at the White House, “I think we’re getting very close to getting a settlement,” expressing optimism about the upcoming Russia-Ukraine talks. “Zelenskyy and Putin hate each other, and it makes it very difficult, but I think we have a good chance of getting it settled.”

The Kremlin said President Vladimir Putin agreed to a personal request from Trump to halt airstrikes on Kyiv until Feb. 1 to create what it described as favorable conditions for negotiations. Ukrainian officials stressed there is no formal ceasefire.

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As temperatures in Kyiv are expected to plunge to minus-26 degrees Celsius beginning Sunday, President Volodymyr Zelenskyy said Ukraine is moving to strengthen short-range air defenses against drones to protect frontline cities in the south and northeast.

“Protection against Russian drones must be reinforced in our cities, such as Kherson and Nikopol, as well as in the border communities of the Sumy region, where the Russians have essentially set up an ongoing ‘safari’ against civilians,” Zelenskyy said on Telegram.

Despite the pause, Russian lawmakers and regional leaders have publicly urged escalation. Russian parliament speaker Vyacheslav Volodin said deputies are calling for the use of more powerful “weapons of retribution,” while Chechen leader Ramzan Kadyrov said he opposed negotiations altogether.

Against that backdrop, experts told Fox News Digital the pause appears far more symbolic than transformative.

Vice Adm. Robert S. Harward, a retired Navy SEAL and deputy commander of U.S. Central Command, said the halt in strikes reflects political signaling rather than a military shift.

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“It’s symbolic in the sense of the dialogue and where we are in the negotiations,” Harward told Fox News Digital. “President Trump wants to illustrate to the U.S. that his relationship with Putin delivers results. This is a validation of that relationship, which could be an indicator of where the overall negotiations are on ending the war.”

Carrie Filipetti, executive director of the Vandenberg Coalition and a former senior State Department and U.S. Mission to the United Nations official, said Russia’s agreement should not be misread as a move toward peace.

“While I am certain that Ukrainian civilians welcome any brief pause, they also aren’t holding their breath because Putin’s war machine will not stop until his calculus is changed on the risks of continuing his war,” Filipetti said.

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She added that the short duration of the pause leaves Ukraine exposed.

“Given how short the pause is and the duplicity of Russia saying it agreed to a week-long pause that expires in two days, this does not meaningfully change any conditions on the battlefield,” she said.

Harward said Ukraine could face diplomatic consequences once the pause expires.

“The risk to Ukraine is that this further weakens and isolates their role and position in the negotiations,” he said.

Zelenskyy has also warned that Ukraine’s ability to defend civilians has been strained by delays in Western funding. He said European allies delayed payments under the PURL weapons purchase program, leaving Ukraine without Patriot air defense missiles ahead of recent Russian strikes that knocked out power across parts of Kyiv.

“This is a critical issue for protecting civilians and Ukrainian cities and Ukraine’s energy infrastructure during the brutally cold winter months,” Filipetti said. “As President Zelenskyy has said, there will be no electricity and therefore no heat for civilians if they don’t have enough Patriot missiles to defend against Russia’s ballistic missiles.”

Harward noted that the problem extends beyond Ukraine. 

“Air Defense has been in high demand globally, considering the threats from Russia and China,” he said. “Resources, expenses and the increased time to deliver and implement the capabilities add to the challenge.”

On whether the pause could open the door to broader de-escalation, both experts expressed caution.

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“This tactical pause only serves to reinforce Russia’s negotiating position,” Harward said. “Putin is showing the world that he is willing to listen and respond. In return, he’ll want more support of his position and demands.”

“Only time will tell,” Filipetti said. “Diplomacy can always appear fruitless until there is a real deal. If this short pause, delivered by President Trump’s continued engagement and pressure on Putin, can be used to build additional progress in the trilateral talks, that would be a very positive outcome.”

Reuters contributed to this report.

Published on 23/01/2026 – 15:00 GMT+1•Updated
30/01/2026 – 17:16 GMT+1

MiCa can seat 8 people and reach up to 25 km/h. It’s been designed to operate autonomously for up to 20 hours per day.

“When the vehicle understands what’s around it, then it’s able to see where the road is, where objects are possibly moving, where the pedestrian crossing is, where the intersection is, and based on that and the next bus stop it’s going to, it’s able to plan a path for its route,” explains Kristjan Vilipõld, Product Manager, at AuVe Tech OÜ.

The company behind the prototypes was founded in 2018 in cooperation with Tallinn University of Technology. Its self-driving vehicles have so far operated in 17 countries, including several in Europe as well as in Japan, the US, Israel, Saudi Arabia and the UAE, both in demo activities and in closed testing urban circuits.

The company, co-funded by the EU, claims it offers a full-scope service that involves autonomous vehicles, their integration into various environments and fleet management. Managers here describe their product as “the world’s most compact and flexible autonomous shuttle, able to suit existing infrastructure.”

“Not only in Europe but globally, there are too many cars in traffic, and we need to find ways to get more people to use public transportation,” says Taavi Rõivas, Chairman of the Supervisory Board at AuVe Tech OÜ. “In this we see that the biggest bottleneck is not necessarily the quality or price of public transportation, but the fact that public transportation doesn’t take you to your doorstep. We provide this last mile.”

MiCa has just been significantly upgraded. Based on machine learning and real-life data analysis, its new capabilities include AI-based dynamic reaction to objects, overtaking vehicle detection or side detection.

The vehicles are fully manufactured in Estonia, one of Europe’s digital hubs. One shuttle can be completed in one week. Managers say their decision not to outsource the production aims to ensure quality, control all the processes and manage manufacturing risks.

“Half of the vehicle is electronics, sensorics and computers. The main challenge is to incorporate the mechanical, electronic and also the software sides,” says Kristian Pints, Production manager at AuVe Tech OÜ.

Investment in Research and Development is paramount as both technology and social expectations are constantly evolving, managers say. Thriving in other markets, the self-driving sector faces huge challenges right now in Europe, they conclude.

Paris‑based sales company Charades (“Urchin”) has boarded “Bloodsuckers,” a family thriller that marks the sophomore feature of Elin Grönblom (“Ella and Friends”).

Currently in post-production, the film is being showcased today at Göteborg Film Festival’s Works in Progress and will be officially launched by Charades at the EFM where a promo reel will be presented to buyers.

“Bloodsuckers” is produced by Mylla Films, an ambitious genre film and TV label launched by Patrik Andersson, whose credits include Ari Aster’s “Midsommar” and Jakob Abrahamsson, who previously worked at NonStop Entertainment.

The story follows Johanna (38), who heads off on a well-deserved vacation with her family. “A visit to the deep Scandinavian forest leaves her drawn to a mesmerizing dark bog, where relentless mosquitoes seem to awaken something within her. As their bites take hold, her self-preserving instincts emerge, transforming her into a mother driven to extremes to finally find some peace and quiet,” reads the synopsis.

Grönblom is a promising Scandinavian filmmaker who graduated with a MFA in Filmmaking from The New York Film Academy and made her debut feature, “Ella and Friends,” after having directed several acclaimed short films, including “My Dad’s an Alien!” and “Goldfish Love.”

Andersson and Abrahamsson, who are producing via their four-year old vehicle Mylla Films, said, “We are thrilled to be in the hands of Charades and to see the film launched onto the international market with the strongest possible partner for a feature like this, their love for bold, director-driven cinema makes it the perfect home for the film.”

“‘Bloodsuckers’ stands out through its singular blend of psychological thriller, dark humour and an unsettling portrait of family life, exquisitely crafted and executed by Elin Grönblom and Johanna Sonck it’s coming along both deeply Scandinavian and strikingly universal. It’s a film that will hit close to home – wherever home is – and we’re thrilled to be presenting it to the international market at EFM”

Charades’ co-founder Carole Baraton said, “We wanted to be a part of as soon as we heard its pitch, the film blends everything we love in Scandi cinema — (very) dark-humour, sharp social critique and close character study — and refreshingly takes on the sacro-saint institution of the family.” “We can not wait to bring Elin’s radical yet playful voice to audiences,” Baraton added.

Mylla films’ development pipeline includes Michael Marcimain’s “Devastation (“Förhärjelsen”), and Måns Mårlind’s “Before They Were Gods” with Nick Cave and Joakim Thåström.

The project is backed by Film i Väst, Sveriges Television, Good Hand Production and Nonstop Winning Formula, with the support from the Swedish Film Institute (commissioner Hanna Sohlberg), Finnish Film Foundation, Nordisk Film & TV Fond, Svenska Kulturfonden and Amos Andersons Fond; in association with YLE, Cinemanse, Nonstop Entertainment, MAEQ Studios and Peter Harrysson Media Invest. “Bloodsuckers” was produced as part of an initiative from the Swedish Film Institute and Sveriges Television called Moving Sweden.