Culture
Book Review: ‘A Season of Light,’ by Julie Iromuanya
A SEASON OF LIGHT, by Julie Iromuanya
In Julie Iromuanya’s luminous sophomore novel, “A Season of Light,” a father descends into madness following the news that 276 schoolgirls have been abducted from their classrooms in Nigeria, his place of birth. Until now, Fidelis Ewerike has been a model immigrant. A child soldier of 16 on the losing side of the Nigerian civil war, Fidelis escaped after surviving long-buried horrors as a prisoner of war. He and his girlfriend, Adaobi, married and created a brand-new life in Florida, a life beyond their means but worthy of the future they’d dreamed up for their two sheltered American children. The past has been sealed in a box in the attic for decades, dormant but combustible.
When the novel opens, it is late spring 2014, and Fidelis, now a lawyer in his 60s, has lost the tenuous grip that kept a fragile life in place. Learning of the schoolgirls’ abduction, he can’t help revisiting the war he endured half a century ago: becoming fixated on the “sovereignty of the Biafran nation” and getting in contact with an American “assemblage of aged veterans who planned to one day lead a battalion to the capitol and demand the emancipation of Biafra.”
This dangerous meandering into a past brutality that killed thousands, including members of his family, forces Fidelis to confront the long-concealed memory of Ugochi, his younger sister who disappeared during the war when she was just 13. His mental decline is “swift,” and so is his family’s social plummet, as Fidelis is asked to take an “indefinite leave” from his firm. The Ewerikes lose their “stately home” and move to a housing development “so saturated with decay” that it “could only beget the death of dreams.”
Adaobi at first conspires to hide her husband’s mental state, clinging desperately to her social status and the so-called American dream. When Fidelis witnesses his 16-year-old daughter, Amara, applying her mother’s red lipstick, it dawns on him that his child is on the cusp of adulthood. “Like all men, he had been taught that girls are trouble,” Fidelis thinks upon learning of the Chibok kidnappings. “It was the complicated stillness of these nameless girls’ expressions that haunted him.” Now he decides that the only way to keep Amara safe — his daughter bears an uncanny resemblance to Ugochi — is by force: “He crushed the lipstick in his fist. He cut holes into her leggings and miniskirts, poured bleach on her spaghetti strap camisoles. He threw her cellphone out of the window, and he put a lock on her bedroom door.”
Iromuanya is a spectacular storyteller. A narrative that could have been dark and foreboding instead has a pronounced brilliance, and a thread of unexpected humor. Adaobi, attempting to find a solution for her family’s downturn, joins the congregation of an albino pastor with a penchant for slapping his parishioners. Amara ends up falling in love with a boy she never would have had she been free to leave her home. And her 14-year-old brother, Chuk, comes closer to understanding their father’s childhood trauma when he is harassed by neighborhood bullies.
There is a halo surrounding this narrative of loss and grief, which for this couple have calcified into guilt. Instead of succumbing to the kind of self-hate that can devour a person “from the inside out, leaving nothing but a carcass,” this family manages to find their way back to one another. Having tried to spare their children knowledge of the past, these parents learn that it is silence that causes the most devastating fracture of all.
A SEASON OF LIGHT | By Julie Iromuanya | Algonquin | 248 pp. | $29
Culture
Can You Match the Places These Authors Lived With Settings in Their Books?
A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights places where authors were born (or lived) that later became locations in their books. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the works if you’d like to do further reading.
Culture
Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.
For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.
In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.
If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”
Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”
It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.
Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.
The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”
By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.
A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”
Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.
Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31
Culture
Summer’s Best Beach Reads
Take me to visit a dysfunctional family with oceanfront real estate
by Meg Mitchell Moore
Moore is a dependable ingredient in any summer reading soufflé. Her airy novels accomplish what they came to do: entertain and transport, without the pyrotechnics of, say, books that eschew quotation marks. In “Down With the Shipmans,” three sisters, laden with baggage, converge on their late mother’s beach cottage, only to learn that their father and his much younger wife are planning to sell the place.
The stakes are high, the drama is juicy and the views are sublime. Moore even provides two beach dogs — Leo (an unruly pit bull mix) and Cinnamon (“golden retriever, red bandanna, long pink tongue”) — to keep things lively. (Comes out June 2)
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