Entertainment
The reality TV roots of the MAGA coalition
Back in 2001, few politicians gave much thought to Joe Rogan — or even knew his name. They might have heard something about “Fear Factor,” the crass show on NBC where people ate sheep eyeballs and submerged themselves in containers teeming with rats in hopes of winning $50,000.
But the idea that the show’s blandly macho host would become one of the most influential figures in American life would have seemed as ridiculous as, well, Donald Trump getting elected president. Twice.
Nearly a quarter-century later, Rogan hosts one of the most popular podcasts in the world, “The Joe Rogan Experience.” During the 2024 election, it became one of the most sought-after bookings for politicians seeking to court younger male voters, despite — or perhaps because of — Rogan’s history of spouting misinformation on vaccines, COVID-19, trans people and other topics.
Although it’s too soon to know exactly what went wrong for Democrats in 2024, Rogan’s lengthy interview with and subsequent endorsement of Trump in the final weeks of the campaign already feels like a watershed moment. Many liberals believe they need to find a progressive version of Joe Rogan in order to combat Trump 2.0. They might start looking outside the traditional party structure and turning to a medium that has become a breeding ground for influencers on the right: reality TV.
Rogan is one of many influential figures in the conservative media ecosystem and the so-called manosphere who rose to prominence in reality TV, daytime talk shows and other forms of alternative entertainment. And as Trump gears up for a second term in office, he is casting his new administration like a reboot of “The Surreal Life.”
Shortly after his win in November, Trump nominated former Congressman Sean Duffy, who starred in Season 6 of “The Real World” and went on to win multiple seasons of the spinoff show now known as “The Challenge,” for secretary of Transportation.
“Maybe he’ll pick one of the ‘Teen Moms’ to be secretary of Labor!” joked Jimmy Kimmel, who described Duffy as “one of his least embarrassing picks.”
Trump also tapped Mark Burnett, the TV producer whose fateful decision to cast the serially bankrupt Trump as a successful businessman in “The Apprentice” paved the way for his first White House run, as special envoy to the United Kingdom.
Television producer Mark Burnett, left, with President Trump in 2017.
(Evan Vucci / Associated Press)
Dr. Mehmet Oz, the cardiothoracic surgeon known for touting dubious cures such as green coffee beans and colloidal silver on his daytime talk show, is in line to run the Centers for Medicare and Medicaid Services, an agency that provides healthcare coverage to more than 160 million Americans. Longtime Trump supporter and failed senatorial candidate Linda McMahon, former chief executive of World Wrestling Entertainment, may soon be running the Department of Education, an agency that Trump has pledged to eliminate.
Nor is the reach of reality TV limited to formal administration appointments. Dr. Drew Pinsky, known for appearing on VH1’s “Celebrity Rehab,” is now a conservative talking head who regularly sits down with the likes of Laura Ingraham and Alex Jones. Podcast bro Theo Von, who formerly starred on “Road Rules,” “The Challenge” and “Last Comic Standing,” also interviewed Trump last year on his show, “This Past Weekend,” which is not overtly political but attracts a young, male demographic that increasingly skews right.
“People will vote for someone like Donald Trump because they just think he’s real and authentic” despite his long history of dishonesty, says Nelini Stamp, director of strategy for the Working Families Party and creator of the Real Housewives of Politics, an Instagram account that uses Bravo memes to spread a progressive message. To them, being real “means you say what you want, usually the first thing that comes out of your head.” In other words: acting like someone on reality TV.
Of course, Trump is a creature of reality TV himself, someone who not only rebuilt his image and his fortune through “The Apprentice” but also borrowed the medium’s blunt imagery and tendency to manipulate the truth to stage two successful presidential campaigns.
But he has also remade the Republican Party and its accompanying media ecosystem in his image, transforming a group of neoconservatives and deficit hawks into faux-populist, conspiracy-addled culture warriors whose party slogan could easily be the oldest of reality TV cliches: “I’m not here to make friends.”
It’s well known that Trump watches a lot of TV, particularly Fox News, and often hires (and fires) people based on their telegenic abilities rather than other more relevant qualifications.
There’s also a well-established history of mostly conservative politicians and pundits embracing reality TV, dating back to 2010, when Sarah Palin signed up to do a Burnett-produced series for TLC shortly after stepping down from her job as governor of Alaska in the middle of her term. Palin and former New York City Mayor Rudy Giuliani have both appeared on “The Masked Singer,” while former Texas Gov. Rick Perry and former White House Press Secretary Sean Spicer turned up on “Dancing With the Stars.”
But this trend also suggests a more profound connection between the reality TV mindset — the kinds of personalities and viewpoints that thrive in the unscripted space — and the Trumpian worldview. It’s the reality TV-to-MAGA pipeline, and lately it’s overflowing.
“Reality shows tend to traffic in simple stories. There’s a hero, there’s a villain, there’s someone you love, there’s someone you hate. People are shown as one-dimensional on reality TV, and there’s always a person to blame if something goes wrong, and we see that in MAGA politics too,” says Danielle Lindemann, professor of sociology at Lehigh University and author of the book “True Story: What Reality TV Says About Us.”
Sean Duffy, shown in 2018, was a “Real World” cast member and congressman before President-elect Donald Trump nominated him to be Transportation secretary.
(Jacquelyn Martin / Associated Press)
“Most of us know that reality TV is not a pure mirror of reality, but we’re still connecting with it at the level of emotion, even if we don’t necessarily see it as 100% truthful,” she says. “Even people who support Trump don’t necessarily always believe what he’s saying.”
Duffy’s rise from “Real World” cast member to cabinet appointee is instructive. In 1997, the lumberjack and aspiring lawyer with a thick Wisconsin accent appeared in the Boston-set season of the groundbreaking MTV reality series. He repeatedly clashed with co-star Kameelah Phillips, calling her a “b—” and at one point likening her to Hitler because she expressed pride in her Black identity.
But Duffy, typical of “The Real World” in this era, which often cast sheltered conservatives alongside others who challenged their beliefs, didn’t suffer any consequences for the dustups. The following year, he participated in the spinoff “Road Rules: All Stars,” an early incarnation of the show that came to be known as “The Challenge.” There, he met and fell for his future wife, Rachel Campos-Duffy, who played a similar role in Season 3 of “The Real World,” set in the liberal bastion of San Francisco. She wasn’t shy about her politics, dragging her housemates to an event with Republican politician Jack Kemp, but she also kept an open mind, bonding with co-star Pedro Zamora, a gay AIDS activist who died of complications from the disease hours after the series finale aired. The Duffys married in 1999 and soon started a family that now includes nine children.
Duffy dabbled in reality TV for a few more years, then pivoted to politics. He served as district attorney of Ashland County, Wis., before staging a successful run for Congress in the tea party-fueled Republican wave of 2010. In the House, Duffy became an early supporter of Trump’s, speaking with Campos-Duffy at the 2016 Republican National Convention and defending the president throughout his scandal-plagued first term. Duffy resigned from Congress in 2019, citing the need to care for a child with health complications he and his wife were expecting. Both Duffys were soon hosting shows in the Fox News empire.
In interviews, Duffy has said that “The Real World” taught him about finding common ground with people from different backgrounds and belief systems. “You see the same thing here [in the House of Representatives],” he said in 2019. “If you give people a chance, and you build a friendship and a trust, it’s amazing the kind of legislation you can work on together and how many points of agreement you actually have.”
But reality TV changed in 2000 with the premiere of “Survivor” on CBS. The show, imported to the U.S. by Burnett, took the voyeurism of “The Real World” and added an element of Darwinian competition that other shows, including “The Challenge,” immediately tried to replicate. It’s notable that Duffy won $50,000 in “The Challenge: The Battle of the Seasons,” which aired in early 2002 and was the first season in which competitors were eliminated “Survivor”-style.
Reality shows like “Survivor” and “The Challenge” “really started to incentivize bad behavior,” says Susie Meister, co-host of “The Brain Candy Podcast,” who witnessed this shift firsthand as a cast member on “Road Rules” in 1998 and a competitor on multiple seasons of “The Challenge.” Cast members are acutely aware that they need to start drama to get called back for multiple seasons — and keep making money.
“It makes sense to me that we’ve seen mostly conservative politicians embrace that approach of uncensored speech and rejection of civility and politically correct language,” she says. “The public conflates that with the truth: ‘They’re telling it like it is.’ Instead of seeing it as shocking and crude, it’s seen as, ‘Finally, somebody’s being honest and being authentic,’ whether or not they are.”
Despite the value placed on “authenticity,” many reality TV stars adopt exaggerated personas to stand out. Meister is cognizant of the roles she played herself: She says she was cast because she was a virginal blond, but that going on “Road Rules” helped her evolve politically. Later, while pursuing a career in media, she faced subtle pressure to embrace a conservative, Megyn Kelly-style persona. “My agent said, ‘It’s a shame that you’re not conservative, because if you were, there are many more opportunities for women that look like you,” she says — i.e., white, fair-haired and conventionally attractive.
“Fox & Friends’” Steve Doocy, left, Ainsley Earhardt and Pete Hegseth interview Army 1st Lt. Clint Lorance in 2019. President-elect Donald Trump has nominated Hegseth to be Defense secretary in his second administration.
(Mark Lennihan / Associated Press)
American politics, particularly conservative politics, are increasingly dominated by brash figures who are able to command attention in a fractured media landscape — not discuss the nuances of policy. “Both the MAGA-sphere and reality TV tend to be populated by very charismatic, often flashy and bombastic people who capture our attention,” says Lindemann.
Trump, of course, played a fictionalized version of himself on “The Apprentice,” beginning in 2004. “Modern-day Trump was created out of ‘The Apprentice,’ which sold that [image] to Main Street America as the gold standard of success,” says Kwame Jackson, who was runner-up on Season 1 of the show and is now president of Kwame Inc., a consulting firm. “It was false, but America bought it hook, line and sinker. Unfortunately, it unlocked a lot of the most extreme demons of capitalism.”
Reality TV is also rooted in the anti-elitist idea that you don’t need to be talented, at least not in the traditional sense, to become famous. The conservative movement is, increasingly, driven by disdain for expertise and experience in science, medicine, government and more. “As long as you’re charismatic enough and believe the right thing, that is the only credential you need,” says Lindemann.
As 48.4 % of the country braces for another season of “The Trump Show” they were desperately hoping to avoid, many are wondering just how he managed another comeback — especially after 34 felony convictions, two impeachments and one violent insurrection.
Again, the answer lies in the collective mindset of reality TV, whose fans are highly tolerant of aberrant behavior and quick to forgive missteps. Stamp points to Teresa Giudice, the long-running “Real Housewives of New Jersey” star (and Trump supporter) who served 11 months in prison for financial fraud, then promptly returned to Bravo, and Erika Girardi, who remains a fan favorite despite questions about her estranged husband’s financial crimes.
“People can be a villain one season, and then you can like them another season,” Stamp says. Trump has had multiple “villain seasons,” she adds, but he’s also experienced several redemption arcs, most notably following the assassination attempt last summer, when the media framed him in a heroic light.
“People are like, ‘But Trump did Jan. 6! I can’t believe we have moved on!’” Stamp says. “That was four years ago. Have you ever seen reality television?”
Movie Reviews
‘Night Nurse’ Review: A Caretaker Explores Her Kink for Elder Abuse in the Year’s Strangest Erotic Thriller
There are any number of erotic thrillers in which rich old men are robbed blind and/or left for dead, but Georgia Bernstein’s admirably bizarre “Night Nurse” might be the first movie of its kind where elder abuse is the source — and possible subject— of its erotic thrills. If there are others, I’m not sure I want to know.
But this woozy debut feature doesn’t rely on its audience being turned on by the relationship between a nubile caretaker and her dementia-addled patient. Their psychosexual bond, meanwhile, hinges on cold-calling vulnerable old people under the guise of a grandchild in financial distress. (“I’m in trouble, nana, send me $10,000 or I’ll be left to rot in jail!” That sort of thing). With its slim wisp of a premise stretched into a Strickland-esque dreamscape that substitutes kink for conflict, the film itself hardly seems convinced by its own wrinkled lust — all desperate kisses and non-touching poses of subservience. More important to Bernstein is what that lust reveals about her characters’ deepest needs, specifically how their need to care and be cared for can be as easily perverted as any other form of desire.
As moody and weightless as the noir-accented score that blows through the movie like a curlicue gust of wind in an old cartoon (credit to musicians Sam Clapp and Steven Jackson), “Night Nurse” lacks the pulse required for its stray feelings to come alive. Still, the film ambiently taps into the latent eroticism of teasing out the distance between how you see yourself and who you really are. Bernstein plays with that distance like a telephone cord wrapped around her fingers, and Eleni — played by the excellent newcomer Cemre Paksoy, powerfully helpless — only frays even more as the receiver is brought near the hook. “Everything I did before today wasn’t me,” the nurse tells co-worker Mona (Eleonore Hendricks) after starting a new job at an Illinois retirement home. “It was somebody else.”
What she did before today remains unexplored (specifically, what she did to get herself fired from her last gig), but I’m guessing she’s probably changed less than she thought. There’s a faraway flicker in her eyes the moment she catches the vibe between Mona and Douglas (a ribald and elusive Bruce McKenzie), a white-haired seventysomething who shows early signs of dementia but still commands an undiminished sexual energy. “I’m not an invalid,” he coos as Mona bathes him in the tub, to which she replies, “yes, you are,” in a supplicant tone that hints at a rich history of power games between them.
Later that same night, Douglas will force Eleni to call a stranger, pretend that she’s their granddaughter, and ask for money — he’ll wrap the phone cord around the nurse’s body as she talks and shove her against the wall as they kiss. She’s into it. So into it that he has to clarify the terms of his whole deal: “If you’re looking for a pogo stick, I’m really not your guy.” But Eleni isn’t looking for anything to bounce on. She just wants to be needed, and maybe to need someone in return. Someone who will see her for who she really is and allow her the fantasy of pretending she isn’t being herself when she cons vulnerable strangers out of their money — when she exploits how enthralled those strangers are by the care they have for their loved ones.
“Night Nurse” doesn’t belabor the psychology, as Bernstein prefers to express her story through heavy-lidded suggestion. Somnambulating from the moment it starts, the film moves through a series of beautifully arranged poses that stretch their latent meaning thin across the surface (Lidia Nikonova’s cinematography lacquers every shot with a seductive dreaminess). We see Douglas smoking in a lawn chair with Mona and Eleni curled around his feet. Eleni riding in the backseat of a convertible as the wind blows through her curls. The full staff of nurses — all of them under Douglas’ sway — stumbling around his condo in a state of zonked out bliss as they roll on the prescription drugs they’ve stolen from the residents.
Once you’ve seen one shot of this movie, you’ve practically seen them all, at least until things escalate during a rushed and unsatisfying third act that forces Eleni into an honest confrontation with herself. People will do just about anything to feel needed — they’ll give whatever degree of care allows them to receive it in return. “Night Nurse” understands that desire, but remains far too numb to treat it.
Grade: C+
The Independent Film Company will relase “Night Nurse” in theaters on Friday, July 10.
Entertainment
Lucas Museum to give free annual passes to South L.A. neighbors, host community preview day
The Lucas Museum of Narrative Art, which is moving at light speed toward its Sept. 22 opening, announced Thursday that it will give free annual passes to its South L.A. neighbors living in the 90037 ZIP Code. The 300,000-square-foot, $1-billion museum located in Exposition Park will also host a special community preview day on Sept. 13, more than a week before the general public gets to step inside.
The 90037 ZIP Code has a population of more than 65,000 and is bordered roughly by the 110 Freeway to the west, Slauson Avenue to the south, Central Avenue to the east and Martin Luther King Jr. Boulevard to the north. Residents can register for passes at lucasmuseum.org/lm37 and will be alerted in August when the program launches. Pass holders can reserve tickets for themselves and one guest.
Tickets for non-pass holders go on sale July 21. They cost $25 for adults and $21 for seniors. Kids 17 and under are free.
“Storytelling has the power to bring people together and create a sense of community,” said Lucas Museum Chief Executive Tracey Bates in a news release about the program. “Through LM37, we are inviting our South Los Angeles neighbors to make the museum part of their lives and take their own path of discovery through the art, programs and experiences that will help shape this new cultural hub for Los Angeles.”
The community preview day is designed to give local business owners, community partners, civic leaders and registered LM37 pass holders a sneak peak of the 10,000 square feet of exhibition space, as well as the expansive gardens with 11 acres of park space.
The opening programming, curated by co-founder George Lucas, features 20 inaugural exhibitions across more than 30 galleries, including one titled “Star Wars in Motion,” containing vehicle designs, high-speed racers, flying vessels, props, costumes and illustrations from the first six films in the beloved franchise.
More than 1,200 objects will be on display from Lucas’ personal collection of narrative art. Highlights include work by Norman Rockwell and Dorothea Lange, as well as a variety of manga, children’s book illustrations and comics.
Movie Reviews
Movie review: Supergirl is a blast
Last year’s “Superman” ended with Iggy Pop singing “Because I’m a punk rocker, yes I am” — an ironic coda for a superlatively square hero. But it rings straightforwardly true for Superman’s cousin.
Milly Alcock’s Kara Zor-El, or Supergirl, sports not a spandex suit but a Blondie T-shirt. When we meet her in Craig Gillespie’s “Supergirl,” she’s been on an interstellar bender for days. She’s more Courtney Love than Clark Kent.
Nonchalant and sarcastic, Kara is also a little Han Solo-ish, you might say, given that she moves capriciously through the galaxy in her junky spaceship while getting in fights in extraterrestrial bars. She’s a welcome, jagged riff on more buttoned-up superheroes, and Alcock is terrific in the role. If only “Supergirl” was as good as she is.
While the latest DC release, and second under James Gunn’s stewardship, has its moments, “Supergirl” struggles to match Kara’s punk-rock energy with an equally spirited supporting cast and story.
Skepticism seems to have gathered for “Supergirl” ahead of its release. Many fans have argued it wasn’t the right next step for DC Universe. But I’m not so sure. Alcock’s breezy cameo in “Superman” was one of that movie’s highlights. Handing the follow-up to her, and her faithful floating dog Krypto, strikes me as an extremely natural next step. When in doubt, follow the dog.
And much of “Supergirl” is winning. It resides almost entirely in space, touching down only momentarily on Earth. In its consistently creative production design, clever needle drops and underdog story arc, “Supergirl” resides a little closer to Gunn’s “Guardians of the Galaxy” movies than other DC entries. Its outer space is filled with cosmic detritus, mean characters and cute critters. Seth Rogen as the voice of a tiny alien co-piloting a space bus is an inspired concoction, as is a shabbier sci-fi realm with rest stops along the intergalactic highway.
-
News19 minutes agoTrump fires last members of election commission, inciting fears of midterm ‘chaos’
-
Los Angeles, Ca2 hours agoCalifornia teen e-biker baiting police to chase tracked by drone, arrested
-
Detroit, MI2 hours agoOur picks for state\nSenate from Wayne Co. | Endorsements
-
San Francisco, CA2 hours agoMan reported missing in San Francisco
-
Dallas, TX2 hours agoHow to buy France World Cup semifinal soccer tickets in Dallas
-
Miami, FL2 hours agoMiami-Dade Schools names six semifinalists for superintendent
-
Boston, MA2 hours agoLawsuit: ICE detained East Boston father despite legal status
-
Denver, CO2 hours agoVictor Marx wins GOP primary for Colorado governor, defeating veteran lawmaker after unorthodox campaign
