Lifestyle
'Being bald is OK, but going bald is horrible': Men are opening up about hair loss
John-Jonne Smith enjoyed a flourishing head of hair for much of his life. The young millennial rocked different hairstyles and loved switching it up: a curly Afro one week, two-strand twists the next, micro plaited braids and a range of cornrow designs.
But when Smith was 18, during his senior year of high school, his hair started thinning.
“That’s when I first noticed it, but I was in denial,” he says. “Everybody knew me for having hair and different designs. I even taught myself how to braid my own hair when I was a kid, and sometimes I’d help my homegirls and cousins flat iron and braid their hair during class.”
By 21, a harsh reality had become unavoidable: Smith was in the beginning stages of permanent hair loss caused by androgenetic alopecia, which affects an estimated 50 million men in the U.S. by age 50. Doctors told Smith the sudden hair loss was hereditary, which didn’t provide much comfort considering the men in his family had full heads of hair well into old age.
Still, there’s a growing silver lining: In today’s digital age, the once hush-hush experience of a man privately processing going bald, or secretly seeking out cosmetic alterations — from temporary hair units (a.k.a. male hair pieces, or “man units”) to hair transplant procedures in cosmetic surgery hubs like Turkey — has entered the mainstream consciousness. Video mashups of barbers transforming their male clients with man units have racked up millions of views and sparked spirited commentary online, where men share heartfelt testimonies on how losing their hair rattled their confidence.
After his diagnosis, Smith frantically added hair powders and Rogaine to his daily morning and evening routines, attempting to hide his balding from the eyes of others.
Life is full of curveballs, he says, remembering a fateful day in L.A. he spent substitute-teaching a class of eighth graders. While the class was outside during a break, unexpected rain poured down. As Smith and his class rushed back into the classroom, patches of the hair he had started the day with were washed away, while other sections dripped down his face.
Actor and filmmaker Smith, who lives with male pattern baldness, has turned his hair journey into creative inspiration.
(Marcus Ubungen / Los Angeles Times)
“The kids were pointing and screaming like, ‘Oh my God, mister, what happened to your hair?!’ I checked my phone and looked at the camera and gasped,” he says. “I was like, ‘Who did this? Who did this to me?’ trying to play it off. Thank God I wore a hoodie that day and just put the hood on top of my head.”
There was no mercy from the middle schoolers: The roasting was plentiful. Thankfully Smith didn’t have to return to substitute teach at the school the next day.
“Using the Rogaine and the hair powders — that was my grieving for five years,” says Smith, who describes the period of time as fighting a losing battle that ultimately led to self-acceptance.
“Being bald is OK, but going bald is horrible,” says Stuart Heritage, journalist and author of “Bald: How I Slowly Learned to Not Hate Having No Hair.” “It sounds like such an overblown thing to say, but it’s almost like a small bereavement when your hair goes. There’s a fear of the unknown, and you do go through the five stages of grief.”
Becoming a member of the global no-hair club isn’t all gloom and identity crises though, says Heritage. Your personal maintenance routine becomes much quicker. Plus, not having hair can be a refreshing point of connection between men who’ve experienced hair loss.
Jesse Armstrong, creator of HBO’s “Succession,” has a story about noticing he was going bald. So does Larry David.
(Charles Sykes / Invision / Associated Press)
“If you can talk to a bald person about how they went bald, it’s always fascinating,” Heritage says. For example, when Heritage interviewed Jesse Armstrong, creator of HBO’s hit series “Succession,” about the Season 3 finale, the topic came up.
“I hope he doesn’t mind me saying this,” says Heritage. “He was at a university, and one of his professors sort of came up behind him and slapped him on his bald spot. And that was the first time he noticed that he was going bald.”
Then there’s Larry David, whom Heritage interviewed for his book. “He was playing softball, l think, and he was wearing a cap,” Heritage says. “He took it off to scratch his head and realized that he was just running his hands through flesh.
“The stories are in there; they just take a bit of prodding to come out,” he says. “Bald men would love to be able to talk about it, but I think they feel quite restrained by the boundaries of traditional masculinity.”
For Smith, a revelatory moment for both his look and his art came during the COVID-19 pandemic, as he was figuring out how to grow a solid body of acting work. “I was trying to find out what my niche was,” he says, recalling the questions that helped steer him in the right direction: What is my story? What am I embarrassed about? What am I trying to hide from the world?
Inspiration struck after Smith watched the film “A Boy, a Girl, a Dream,” in which a character struggles to release the work he created into the world. Reading the screenwriting book “Save the Cat,” which walks storytellers through the process of how to structure a screenplay, was also a major source of motivation for Smith to write, create and star in the short film “Bald” in 2020.
The positive reception the project was met with led to Smith creating two seasons (14 episodes) of “Bald,” the web series, which aired on Facebook Watch in 2021 and 2022. Today, Smith also hosts a comedy variety show, “Unserious,” airing on all major social platforms, and is shopping around a pilot and working on a feature-length version of the “Bald” short.
Smith has a hair kit applied to his scalp by Rhodes. “Previously, many barbers didn’t understand or they weren’t willing to understand,” say Rhodes, who opened a barbershop inside his home.
(Carlin Stiehl / For The Times)
These semi-autobiographical works offer a glimpse into Smith’s experience navigating identity, dating in Los Angeles as a bisexual man, hair loss and the discreet use of hair powders and man units, which the 20-something chronicles on his Instagram and TikTok accounts as well. A recent Instagram post lists the benefits of rocking a bald head; other videos show an array of hair transformations.
“It was breathtaking to know people resonated with what I put out there,” Smith says.
Artist and L.A.-based barber Jamal Rhodes, a.k.a. the Dope Barber, is Smith’s go-to person for haircuts and man units. He’s seen the growing acceptance of man-unit applications firsthand. “Previously, many barbers didn’t understand or they weren’t willing to understand,” says Rhodes, who began offering hair-unit services in 2020, shortly after relocating to Los Angeles from Houston.
The meticulous application process takes about two hours, and entails cutting the client’s remaining hair to prep the bald areas for the hair strips. Each hair strip is matched to the client’s unique hair texture, then the barber applies the hair strips to the client’s bald areas, blending them in with the existing hair.
“[Other barbers] were so quick to criticize or to make fun of what I was actually doing,” he says. Also, the men who came in didn’t feel comfortable asking for what they wanted out in the open of the barbershop. “I really wanted to give them that space to just be who they are when it comes to their hair,” says Rhodes, who now runs his barbershop out of his home.
For some, man units are a way to hold on to a sense of familiarity and confidence around their appearance. For a growing number of others, hair pieces are an option to reach for when the mood to remix their look strikes.
Jamal Rhodes preps Smith’s head for hair strips. (Carlin Stiehl / For The Times)
Rhodes applies man units to Smith’s scalp. (Carlin Stiehl / For The Times)
It’s fun to channel personal self-expression through hair, says Smith, who adds that rotating hair colors feels like a mix of playing dress-up and sporting a visible mood ring atop his head.
So far, he’s donned man units in black, dark brown and ginger for Paris Fashion Week, and, after a difficult friendship breakup, he was a two-toned platinum blond, which he calls his “breakup hair” and his “Kim [Kardashian] after Pete Davidson hair.”
Smith plans to try out man units in mahogany, blue and green in the near future. “If you see something on top of my head, it’s glued down and it looks very good thanks to Jamal,” he says. “We really work together to see what new thing we can try next and [fun ways to experiment] with color.”
Smith’s adventurous fashion taste also includes a wide array of hats — vibrant fitted caps, eye-catching cowboy hats, berets and more. “It becomes a conversation starter. Velour, satin, etc. — I love rocking a Black-owned business,” he says. “I’ll wear a colorful hat as a pop of color to a neutral fit if I’m growing my hair out for a man unit for the two-week duration — or, as some of us like to call it, the ‘ruff period of hair growth.’ Otherwise I’m bald.”
As more stories about men coping with hair loss enter the mainstream, Smith hopes people remember that whoever you are is OK. “You’re still gonna be able to live life and make the money and do the projects and live out your dreams, whatever that looks like for you. This is what my journey looks like,” he says. “I didn’t want to keep it from people, because I know I’m not the only one who’s going through this.”
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1. The process, which takes about two hours, involves prepping the scalp, matching hair strips to the client’s hair texture, applying strips to the bald areas and blending them with the hair. (Carlin Stiehl / For The Times)
“It’s fun to channel personal self-expression through hair,” says Smith.
(Carlin Stiehl / For The Times)
Lifestyle
‘The Invite’ is a marriage comedy with sex and heart
Lifestyle
L.A. Affairs: It’s hot when a man drives to me. But would this new guy make the trek from the Valley?
I met Dan on Hinge.
He lives in Woodland Hills, and I live in Venice. In Los Angeles, this is considered a long-distance relationship. In another city it might be nothing. Here, it’s a factor.
But I believe that with the right person, you can make anything work, so I stay open. I’m a native New Yorker, and if I were living in Brooklyn and a guy lived on the Upper West Side, that would be a 45-minute subway ride, which is truly nothing in New York. So with that same logic, I try to have flexibility with men in L.A.
When we started planning our first date, Dan suggested three options: a hike on mushrooms, a wine tasting or a walk on the beach.
A hike on mushrooms is something I’d only do with someone I already trust, not someone I just met online. I don’t do first-date hikes because I don’t like feeling trapped if the guy’s a dud. So I chose the wine tasting.
Then I learned the wine tasting was in West Hills.
On a Friday night, driving there from Venice would be insane. So I said I didn’t want to meet there because of the traffic. He suggested Malibu. That was also not ideal on a Friday.
I was getting annoyed — this was a pink flag because in my dating world, the guy is supposed to come to the woman’s neighborhood in the early days. I’ve gone out with plenty of men from the Valley who effortlessly suggested they come to me. It’s not rare or impossible.
I suggested he come to the Westside. I didn’t specifically say Venice, and in hindsight, I probably should have. He landed on Brentwood, which was manageable for both of us. On our first date, we met at an Irish pub on Wilshire Boulevard. He was cuter and more interesting than I had expected, and with the Guinness flowing, we had fun.
When I got home, he texted me: “Well, I like you 🙂 Less the tik tok and the lack of rock music in your life, but it’s not a deal breaker — there are other qualities 🙂 What are your thoughts?”
I noticed the slight negativity but was mostly dazzled that a man texted immediately after the date to say he liked me. In the modern dating economy, this felt rare.
The next day, both of our evening plans fell through, so we made a last-minute date. The wine tasting he originally suggested still sounded like fun, and although it meant me driving to the Valley, I was up for it now that we’d met.
We sipped flights at Malibu Wines & Beer Garden in its airy, romantic courtyard and played a flirty version of Truth or Dare. Halfway through, he dared me to kiss him.
We ended with sushi on Ventura Boulevard and a short make-out session in his car. He invited me to Thanksgiving at his uncle’s, which felt too soon, but also sweet.
After the second date, he texted and said he had his kids that week and was also hosting an event on Thursday, so his only day to meet was Wednesday. I said great.
On Tuesday night, he checked if we were still on, and I said yes.
Then he texted: “I’m flexible on time but not on location. I have a big event on Thursday, hopefully you can come to me again.”
My stomach tightened. This again?
So I texted back: “I drove to you last time, which was a bit of an exception for me especially in the early days, but the wine tasting location sounded special. Usually guys come to my area. How about we switch it up this time?”
He replied: “I appreciate the effort! Because of my event, I’d rather be close to a computer just if needed … Here is what i offer:
— I’ll come to your area anytime next week/end
— Lunch/dinner on me
I want to continue where we stopped last time 😉 No pressure of course, but let’s snuggle”
I responded: “Ok let’s meet next week. Snuggles sound nice … let’s see what happens …”
Then he wrote: “So I won’t see you tomorrow?”
I replied: “Unless you wanna come to me and bring your laptop along, let’s rain check until you have more flexibility.”
He said: “Dang, you are hard. I’ll let you know tomorrow around midday if it’s ok.”
And then — surprise — he decided to come.
He drove to Venice for a 5 p.m. date. He said his ETA was 5 p.m., and it ended up being 5:25 p.m., typical 405 Freeway.
When he showed up, he was in a cranky mood. On our way to KazuNori in Marina del Rey, I thanked him for picking me up and told him I think it’s hot when the guy comes to the girl.
“You’re just saying that because you want me to come to you more,” he said, not playfully, but aggressively.
That was basically the end for me. But there I was, in his car, heading to dinner. So I stayed pleasant and tried to make the best of it.
I shared that in the early stages of dating, I find it’s good etiquette for the guy to come to the woman’s neighborhood. He immediately disagreed and started ranting about how dating rules are ridiculous and how they swing in women’s favor. He resented paying for dates and declared he wasn’t looking to “sponsor a woman’s life.”
“If women want equality and equal rights,” he said, “then it should apply all across the board, including dating, and the man shouldn’t have to pay.”
I said women don’t actually have equal rights because we get paid less than men and often receive lower salaries than men in the same position.
I tried to change the subject and reset the mood, but he insisted we keep hashing it out.
I tried to explain masculine/feminine dynamics: providing and protecting, giving and receiving.
“What does the man get out of this arrangement?” he asked.
It was like watching someone’s personality warp into Mr. Hyde. Then he brought up another point: He’s a single dad of two kids, so he gets tired; and because I don’t have kids, that should factor into who drives where.
At this point, I was barely engaging and focused on eating my hand rolls, and I couldn’t wait to get home.
The check came, and I happily split it, wanting nothing further from him.
In the car back to my place, he remarked: “It’s obvious we’re never gonna see each other again.”
Obvious, but did it need to be stated?
Then he showed me a Spotify playlist he’d made for me of his favorite electronic music, because he knows I like EDM.
“Oh, that’s sweet,” I said.
“Yeah, that’s how I show interest. Through things like this, not who drives to who,” he replied.
When I got out of the car, we wished each other luck, and I headed inside and shut the door.
Two hours later, he sent me the playlist. I’ve yet to listen to it.
It wasn’t the distance that ruined it. It was the resentment. I’m not looking for a man who feels burdened by the effort. I’m looking for a man who sees the value of courting a woman in the first place.
The author is a writer, comedian and former psychologist who lives in Venice. She is the creator of the new vertical series “Manfari.” She’s on Instagram: @solange_neue and @manfari.show.
L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.
Lifestyle
Smithsonian chief emphasizes ‘accuracy and integrity’ after White House report
Lonnie Bunch III is the 14th Secretary of the Smithsonian. He’s pictured above in September 2017.
J. Scott Applewhite/AP
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J. Scott Applewhite/AP
In a memo addressed to staffers sent Tuesday, the secretary of the Smithsonian, Lonnie G. Bunch III, defended the institution after the White House issued a 162-page report that characterizes the National Museum of American History as a place which has become “subject to institutional capture by a radical, activist ideology that is fundamentally opposed to telling the noble, honest story of the great country we know and love.”
In his email, which NPR has obtained, Bunch wrote in part: “While there will always be room for improvement, this report is not a fair characterization of the work and totality of the National Museum of American History. At the Smithsonian, our work is driven by scholarship, accuracy and an uncompromising commitment to tell the fullness of America’s story. As public servants and the keepers of this institution, we are charged with helping a nation find understanding, hope and clarity and as part of that duty, we are dedicated to excellence, reflection and growth.”

He continued: “We remain focused on what grounds us: a steadfast commitment to scholarship, nonpartisanship, independence, accuracy and integrity. For nearly 180 years, the Smithsonian has worked alongside partners across government — from the White House to Congress to our governing Board of Regents — guided by our enduring mission to increase and diffuse knowledge. That purpose remains: to pursue knowledge with rigor and to serve the American public with clarity and care.”
The White House report was issued on July 4 by the Domestic Policy Council under the title “Saving America’s Story: How Ideological Capture at the Smithsonian Institution’s National Museum of American History Erases Our Heritage.”

The council faults the National Museum of American History on a multitude of fronts, saying it underemphasized the Founding Fathers and early colonial and Revolutionary history; was not sufficiently celebratory of the country’s 250th anniversary; and that it engaged in “anti-white,” “illegal alien” and transgender activism.
It also accuses the museum of trying to “indoctrinate” teachers and students through its exhibitions, programming and teaching resources.
In the report, the council also specifically criticizes museum director Anthea Hartig, who has led the National Museum of American History since 2019 and is concurrently the president of the Organization of American Historians, calling her “an activist advancing an ideological agenda contradictory to the museum’s founding purpose of fostering patriotism.”

The Trump administration has made the Smithsonian museums one of its primary targets in its efforts to reshape cultural narratives to align with its viewpoints. In August 2025, the White House requested a “comprehensive internal review” of eight Smithsonian museums, including the National Museum of American History, following an executive order issued by President Trump in March 2025 in which he called for the removal of “improper ideology” from the Smithsonian’s offerings.
According to the Smithsonian’s charter, all of its 21 museums, 14 education and research centers, and the National Zoo are meant to be run independently of the federal government. The Smithsonian is overseen by Bunch and a board of regents, which includes Vice President Vance, Supreme Court Chief Justice John Roberts and other members appointed by Congress.
In an interview with NBC’s Meet the Press on Sunday, Bunch spoke about the Smithsonian’s 250th anniversary special exhibition at the Smithsonian Castle, which is called “American Aspirations.”
He told NBC: “It’s really important for people to understand that America is much an ideal as it is a place, that it’s a series of aspirations that have really shaped who this country is. And so for me, what is so powerful is to say, ‘Let us honor the words of Thomas Jefferson and the founders, but let us use those to challenge us to be better.’”
Jennifer Vanasco edited this story.

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