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Naradan Movie Review

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Naradan Movie Review

Naradan, directed by Aashiq Abu and starring Tovino Thomas, is a thought-provoking drama that originally released in Malayalam in 2022. After garnering attention through OTT platforms, the Telugu version began streaming on Aha recently. The story delves into the darker side of media ethics, focusing on a journalist’s ambition and the moral compromises he makes in his quest for power.

Plot Overview:
The Telugu version of Naradan is set in Hyderabad. The story revolves around Chandraprakash (played by Tovino Thomas), a young man from a middle-class family who works as a journalist for a reputed news channel in the city. Chandraprakash is respected and considered a key member of his organization. However, things take a turn when Pradeep (Balachandran) joins the channel, receiving a higher salary and position, causing intense dissatisfaction and jealousy in Chandraprakash.

Feeling undervalued, Chandraprakash quits and joins a newly launched news channel named Naradan. He becomes the driving force behind its programming and propels the channel to early success.

As his fame and wealth grow, Chandraprakash undergoes a transformation, distancing himself from his roots and loved ones, including a woman he once loved. His newfound arrogance leads to unethical actions, such as implicating a young man in a drug mafia case purely out of revenge. The narrative then delves into how Chandraprakash’s actions catch up with him, culminating in dramatic courtroom confrontations.

Analysis:
Naradan explores the lengths to which a journalist might go to achieve power and recognition. Director Unni R effectively crafts a gripping narrative that balances newsroom drama with courtroom sequences. The storytelling avoids unnecessary digressions and maintains a tight focus, delivering clarity and engagement throughout.

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The courtroom scenes, often considered dry in many films, stand out as the highlight of Naradan. The dialogue and arguments are skillfully localized in the Telugu version, making them resonate with regional audiences. Additionally, the interplay between two rival news channels provides an intriguing backdrop, leading to an unexpected turn as the story moves into legal territory.

However, the film deliberately avoids elements like romance, comedy, or conventional entertainment, focusing solely on its intense, character-driven narrative. This could alienate some viewers expecting a more balanced commercial film.

Performances:
Tovino Thomas shines as Chandraprakash, portraying the character’s arrogance, emotional conflict, and moral downfall with conviction. His performance captures the natural transformation of a man consumed by power and greed. The supporting cast, including Anna Ben and Sharafudheen, deliver competent performances, adding depth to the narrative.

Technical Aspects:
Cinematography: The visuals are functional, complementing the story without being overly dramatic.
Background Score: Yakzan Gary Pereira and Neha Nair’s music enhances the tension, particularly in key moments.
Editing: The film maintains a steady pace, although some sequences could have been trimmed for a crisper runtime.

Verdict:
Naradan is a character-driven drama that sheds light on the dark side of media ethics and ambition. While its slow pace and lack of entertainment elements might not appeal to all, it offers a gripping courtroom drama and compelling performances for those who enjoy intense narratives. Tovino Thomas’s strong performance anchors the film, making it a decent watch for fans of realistic cinema.

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Movie Reviews

Mana Shankara Vara Prasad Garu Review: USA Premiere Report

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Mana Shankara Vara Prasad Garu Review: USA Premiere Report

U.S. Premiere Report:

#MSG Review: Free Flowing Chiru Fun

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It’s an easy, fun festive watch with a better first half that presents Chiru in a free-flowing, at-ease with subtle humor. On the flip side, much-anticipated Chiru-Venky track is okay, which could have elevated the second half.

#AnilRavipudi gets the credit for presenting Chiru in his best, most likable form, something that was missing from his comeback.

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With a simple story, fun moments and songs, this has enough to become a commercial success this #Sankranthi

Rating: 2.5/5

First Half Report:

#MSG Decent Fun 1st Half!

Chiru’s restrained body language and acting working well, paired with consistent subtle humor along with the songs and the father’s emotion which works to an extent, though the kids’ track feels a bit melodramatic – all come together to make the first half a decent fun, easy watch.

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– Mana Shankara Vara Prasad Garu show starts with Anil Ravipudi-style comedy, with his signature backdrop, a gang, and silly gags, followed by a Megastar fight and a song. Stay tuned for the report.

U.S. Premiere begins at 10.30 AM EST (9 PM IST). Stay tuned Mana Shankara Vara Prasad Garu review, report.

Cast: Megastar Chiranjeevi, Venkatesh Daggubati, Nayanthara, Catherine Tresa

Writer & Director – Anil Ravipudi
Producers – Sahu Garapati and Sushmita Konidela
Presents – Smt.Archana
Banners – Shine Screens and Gold Box Entertainments
Music Director – Bheems Ceciroleo
Cinematographer – Sameer Reddy
Production Designer – A S Prakash
Editor – Tammiraju
Co-Writers – S Krishna, G AdiNarayana
Line Producer – Naveen Garapati
U.S. Distributor: Sarigama Cinemas

 Mana Shankara Vara Prasad Garu Movie Review by M9

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Primate

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Primate
Every horror fan deserves the occasional (decent) fix, andin the midst of one of the bleakest movie months of the year, Primatedelivers. There’s nothing terribly original about Johannes Roberts’ rabidchimpanzee tale, but that’s kind of the …
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1986 Movie Reviews – Black Moon Rising | The Nerdy

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1986 Movie Reviews – Black Moon Rising | The Nerdy
by Sean P. Aune | January 10, 2026January 10, 2026 10:30 am EST

Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.

We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.

Yes, we’re insane, but 1986 was that great of a year for film.

The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.

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This time around, it’s Jan. 10, 1986, and we’re off to see Black Moon Rising.

Black Moon Rising

What was the obsession in the 1980s with super vehicles?

Sam Quint (Tommy Lee Jones) is hired to steal a computer tape with evidence against a company on it. While being pursued, he tucks it in the parachute of a prototype vehicle called the Black Moon. While trying to retrieve it, the car is stolen by Nina (Linda Hamilton), a car thief working for a car theft ring. Both of them want out of their lives, and it looks like the Black Moon could be their ticket out.

Blue Thunder in the movies, Airwolf and Knight Rider on TV, the 1980s loved an impractical ‘super’ vehicle. In this case, the car plays a very minor role up until the final action set piece, and the story is far more about the characters and their motivations.

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The movie is silly as you would expect it to be, but it is never a bad watch. It’s just not anything particularly memorable.

1986 Movie Reviews will continue on Jan. 17, 2026, with The Adventures of the American Rabbit, The Adventures of Mark Twain, The Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.


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