Tuner, now playing in theaters throughout Israel, is an offbeat, interesting drama and crime caper, with some funny moments.
Entertainment
Matt Rife is living his comedy dream. Now for the hard part — maintaining it
Comedian Matt Rife sits for a portrait at the Kookaburra Lounge.
(Dania Maxwell / Los Angeles Times)
Shortly after becoming the youngest stand-up comedian in history to sell out the Hollywood Bowl during the second installment of Netflix is a Joke in May, Matt Rife’s tireless pursuit of success finally caught up to him. His performance schedule clocking 40 to 50 shows a month led to a stretch of consecutive days without sleep as he stayed up prepping for shows, editing social videos and barreling from city to city. Though his body and mind were getting shaky on tour, he fought through it. Finally, just before a recent pair of shows in Indiana, he said he almost collapsed while leaving his hotel room and was forced to cancel the gigs just hours before showtime. Suffering blurred vision and painful ringing in his ears, he could barely walk or talk and had to be taken to the emergency room.
“I felt like I was legitimately dying,” Rife said during an interview at the Kookaburra Lounge in Hollywood. “It’s embarrassing, man, because everybody around me saw this coming.” His piercing blue eyes cast down briefly at the floor as he thought about the moment he almost pushed himself past his limits. “Everybody’s only response was, ‘Can’t believe this didn’t happen sooner.’”
Since that episode, Rife said he’s spent considerable time finding a balance that allows him to sleep and to pursue his dreams. His latest project, “Lucid: A Crowd Work Special,” premiering Tuesday on Netflix, is a new hour where he interacts directly with his fans, talking to them about their own dreams, fears and future aspirations. Though the goal of course is laughter, Rife said the special is about finding ways to relate to his fans through dialogue in a real, meaningful way and also remind himself to appreciate his own success.
“The concept of dreams in general was just something that was so special to me, because I am so lucky that I get to finally live my biggest dream, being this moment that I’m having right now,” he said. “And I know so many other people strive for that, not necessarily in comedy specifically, but everybody has something that they’re chasing.”
During the special he singles out members of the audience to talk about where they were in chasing their dream gigs or analyzing their goals— and yes, crack jokes and roast them a bit for our enjoyment. Though this isn’t his first crowd-work special (see 2023’s “Walking Red Flag”), it’s a definite budget upgrade from a single camera set-up. The new Netflix production shows Rife at the peak of his powers, sparking spontaneous humor out of the fans who packed into the Comedy Zone in Charlotte, N.C.
Rife is known for crowd work, and he thinks he does it at a higher level. “It’s something that’s just fun and exciting for me,” he said. “These are moments that are never going to be duplicated at any other show I ever do. … When you’re rehearsing your set, building the material on a show for an hourlong, material special, you can definitely get tired of telling your own jokes.”
For a comic who once struggled to sell tickets for weeknight shows at big-city comedy clubs, the rush of fame over the last couple of years feels surreal. “When I started doing comedy this was never even a dream of mine to be at this level. I was just like, if I could ever sell out a comedy club one time ever, that’s the epitome of what I think a comedian probably could be,” he said.
Humility aside, there’s no shortage of both love and hate on the internet for Rife. Since going viral on TikTok in 2022, he’s has become a fixture in pop culture, frequently making headlines for whom he’s dating, what house he’s buying or whatever backlash he’s stirred up for jokes that strike some as sexist and misogynistic. But negative feedback hasn’t had much of an effect on his tour numbers. To date, he and Taylor Swift are the only two artists who command enough of a feeding frenzy to break Ticketmaster when announcing a tour. The argument over whether his fame is a result of his movie-star looks or his talent is well worn at this point, yet few seem to factor in the breakneck pace at which Rife and his team operate to keep his momentum going.
Fellow comedian Erik Griffin, who directed “Lucid” as well as Rife’s previous specials including 2023’s “Matthew Steven Rife” and his Netflix debut, “Natural Selection,” has worked with the young star since Rife was just a teen who was hitting Griffin up online looking for a chance to open for the veteran comic onstage. “What I admire about him is his work ethic,” Griffin said. “Nothing was handed to him. He’s been working hard for 12 years now, the fan base has just caught up with it, and they’ve made him super famous.”
Comedian Matt Rife.
(Dania Maxwell / Los Angeles Times)
Rife started in comedy at age 15, having become obsessed when his grandma took him to a Dane Cook show. Too young to drive himself to clubs, Rife had his grandpa take him from North Lewisburg, Ohio, to open mics as well as “bringer shows,” a rite of passage in which comics have to sell a certain number of tickets to get onstage. None of Rife’s friends were old enough to get inside a comedy club, so his grandpa would buy tickets. For Rife, the excitement of performing was initially eclipsed by fear.
The first time Rife went onstage for an open mic, he said, he almost soiled his pants. “I had all my jokes memorized but I was so nervous. And the host goes onstage. ‘We have a first timer tonight, give it up for the uncomfortably young Matt Reef,’” Rife recalled, adding that he was so nervous he thought his bowels were “gonna drop out of my body.” It was then that Rife recognized the feeling of stage fright for the first time. It excited him as much as it scared him, he said.
The pursuit of a career in comedy led him to leave Ohio and hit the road by age 17, and he settled in L.A. to pursue acting while still crisscrossing the country for gigs. During a decade of grinding, he put his looks, quick wit and work ethic to use, landing stints as a co-host of MTV’s short-lived “TRL” reboot and as a cast member of the sketch show “Wild ’N Out.” He also popped up on an episode of “Brooklyn Nine-Nine.” In 2017 his name surfaced in People magazine when he was briefly romantically linked to Kate Beckinsale.
He amassed millions of views on TikTok sketch and crowd work videos along with more than 30 million views for his three YouTube specials prior to “Natural Selection” last year. The comedian’s ability to build a relationship with a largely female fan base stems from his crowd work skills.
“He draws people in because he listens,” Griffin said. “So when he’s doing this crowd work with people, he’s genuinely interested in what people are saying. Those are the type of clips that have gotten that have gone viral for him, and those are the things that resonate with people. It’s not just crowd work for the sake of crowd work.”
(Dania Maxwell / Los Angeles Times)
Usually Rife is able to turn awkward or strange interactions into comedy gold. It’s much harder when an audience member tries too hard to be funny. “Don’t do that,” he says bluntly. “Just be yourself. I’ll bring the comedy out of you. Don’t worry. We’ll find it, you know, we’re Jordan and Pippin in this. Don’t be selfish.”
Though it’s always been Rife’s dream to entertain at the highest level, building that fame in the TikTok era has come with internet criticism. Whether people don’t like his looks or his humor or just want to elicit a response in the comments of social media, Rife is used to being a target for backlash, though he said he’s gotten better at ignoring it. It’s no coincidence that his two favorite comedians are Dave Chappelle and Ricky Gervais, two of the most popular and criticized comedians to hold a microphone.
“It’s a lot to juggle,” he said. “In the beginning, you really mostly only hear the positive … and then a very select group of people go, ‘Oh, this person’s very well loved and respected, and I myself might lack that love and respect in my own personal life, so therefore I don’t want this person to have it.’ So then comes the influx of negativity. You just have to really appreciate the good, because the bad is going to come with it, guaranteed. Nobody is universally loved.”
Through friends and therapy, he’s learned not to give negativity any oxygen in his world.
“I used to avidly respond back to people. Nobody could be meaner than me if I really wanted to be,” he said. “But you can’t do that, because whether or not you feel like you won that interaction or you had the better roast, what this troll or hater said to you doesn’t matter. You gave them exactly what they want. All they want is attention.”
While the topic of fighting for a dream is the focus of Rife’s newest special, the act of sharing his journey is at the heart of his next creative output, the book “Your Mom’s Gonna Love Me,” slated for December. Rife talks about becoming a comedy heartthrob before age 30, navigating his sex appeal in the public eye, battling depression and enduring failure before finally hitting it big.
Part of recapturing the dream is also talking about the people in his life who helped him achieve it, including close friends, early mentors and his grandpa — his first advocate in comedy — who died in November 2022, just before his career really began to take off. “He never got to see me have any of this, and he’s the reason I have any of this,” Rife said. “I’ve been so happy to be so distracted and keep busy and keep my mind off that kind of stuff. But through therapy and this book, which has been a massive form of therapy, it’s forced me to take time and reflect on all the things that got me to this point right now.”
After taking enough time to process his past, Rife’s new focus is on keeping his dream alive.
“That’s the new anxiety, by the way,” he said. “Because that’s the hardest thing. How many viral sensations are there a year? 30? Anybody can have a hot year, a hot moment of their career. So many musicians, actors, comedians have them quite often. Hard part is maintaining.”
Movie Reviews
Film review: ‘Tuner’ mixes classical music, crime, and Dustin Hoffman | The Jerusalem Post
It co-stars Dustin Hoffman in a story of a young piano tuner, Niki (Leo Woodall), a former music prodigy with perfect pitch who suffers from hyperacusis, a condition that makes him extraordinarily sensitive to loud noises.
In a series of events that are a bit improbable but that seem quite credible while you’re watching, Niki discovers his finely tuned hearing gives him a great talent for safecracking, which brings him to the attention of a crime gang.
It features a clever, often surprising screenplay, co-written by its director, Daniel Roher (who won an Oscar for the documentary, Navalny) and Robert Ramsey. There are also wonderful performances from the cast, which also includes distinguished actress Tovah Feldshuh of Nobody Wants This and Fauda star Lior Raz.
The characters have a nice, funny raport
When Tuner opens, Niki is working in a piano-tuning business in New York with a former musician, Harry Horowitz (Hoffman).
The beefy, laconic, young man treats the garrulous, wisecracking Harry with respect, listening patiently to all his jokes and stories about the good old days when he worked with jazz greats.
These two have a nice rapport, as Niki drives Harry all over the New York area in an old van and eats in diners with him.
Niki does the work while Harry sits on a sofa, critiquing him.
The two stick out like sore thumbs in the many mansions where they work on spectacular pianos that haven’t been played in decades, for clients who ask them if they can also repair toilets and modems.
Harry, who never made much of a living despite his talent, has fallen on hard times, and he and his wife, Marla (Feldshuh), are barely scraping by. Niki is also broke.
Recognizing what a great musician Niki is, Harry tries to cajole him into playing again, but the younger man refuses, living an isolated life and trying not to draw attention to himself.
The three incidents that set the plot in motion
Harry has forgotten the combination to his safe and needs to open it. When Niki goes on YouTube to look at a video on how to do it, he discovers that his sensitive hearing makes him a genius at safecracking.
Harry becomes ill and, due to a mess with Medicare, suddenly falls into a huge debt; and Niki meets Ruthie (Havana Rose Liu), an extremely ambitious pianist and composing student, who is astounded by his perfect pitch.
Soon, Niki’s talent for safecracking draws the attention of Uri (Lior Raz), an Israeli who runs a bogus security company, where he uses his knowledge of his client’s homes and passwords to steal what he contends are minor trinkets, but which add up to big money for his gang, much like Jon Hamm’s character in the Apple TV series, Your Friends and Neighbors.
Raz hams it up as a character who fits the stereotype of the obnoxious Israeli in the US, and lords it over his supposedly bright accomplice, Yoni (Gil Frank), and his much dimmer nephew, Benny (Nissan Sakira).
Much of the comedy in the movie comes from Uri browbeating the two, and if you can understand the Hebrew, it’s even funnier than the subtitles.
Criticisms of Tuner
Niki’s romance with Ruthie, which develops quickly, feels a little convenient at times, though the screenplay paints a realistic picture of the competitive world of high-level music students. You know, for most of the movie, that eventually Niki will reveal to her that he was once a great pianist, and when it comes, it’s something of an anti-climax.
After Hoffman’s character gets sick, he disappears from the rest of the movie except for a couple of scenes, and that’s too bad. It’s great to see Hoffman having fun as Harry, and the scenes where he and Niki banter help humanize the younger man, making him more likable and less self-centered.
Woodall is one of the most in-demand young actors. He played a hunky love interest in both Bridget Jones: Mad About the Boy and the Netflix series Vladimir; he also appeared in the second season of The White Lotus.
He has a buff body and conventional leading-man good looks, and generally plays confident, happy-go-lucky guys, which means he is cast against type here.
Niki is the kind of role that might seem better suited for actors like Josh O’Connor, Jeremy Allen White, or Timothée Chalamet. Woodall has to work hard to convince us he is withdrawn and feels out of place in all the mansions where he tunes pianos, but his charm wins out, and soon, you come to accept him in the role.
Mixed music and mixed genres
The soundtrack features a mix of classical music and jazz, and it’s clear it was made by a director who appreciates both.
Tuner settles neatly into a mini-genre of movies that feature plot lines that combine piano-playing characters and crime, that include James Toback’s Fingers with Harvey Keitel, and Jacques Audiard’s remake of it, The Beat that My Heart Skipped with Romain Duris; Francois Truffaut’s Shoot the Piano Player with Charles Aznavour; and Eugenio Mira’s Grand Piano with Elijah Wood. It also recalls the spirit of Bob Rafelson’s Five Easy Pieces, which features Jack Nicholson in one of his best performances; here as a piano prodigy who has rejected his oppressive family and become an oil field worker.
Tuner shares some of the bleakness typical of 1970s films, like Fingers and Five Easy Pieces. At times, the movie moves jarringly between brooding, almost noir-like darkness and scenes with the chatty Harry or the bumbling gangsters.
It might have been a stronger film if Roher had gone in one direction instead of mixing genres, but it would likely have been less entertaining.
Entertainment
Tom Sandoval’s girlfriend Victoria Robinson arrested after patio fire pit altercation
Tom Sandoval’s girlfriend Victoria Lee Robinson was arrested after the two had an altercation that involved her father being pushed into a lit fire pit.
Sandoval, known for the cheating “Scandoval” that erupted on the reality television series “Vanderpump Rules,” filed a restraining order against the model and her father J. Will Robinson (who goes by Will) over a June 3 incident that was partially caught on video. He was granted a temporary restraining order and a subsequent hearing was set for July 16.
According to court documents obtained by The Times, the altercation involving Sandoval, Victoria Robinson and J. Will Robinson happened in the early morning hours after the couple returned home from a night out at a bar. Sandoval claimed in the petition that since the two became a couple in February 2024, Victoria Lee Robinson has been violent and attacked him physically, as well as changing the passwords on his phone and social media and tracking him using Airtags.
“The most recent physical incident occurred on June 3 when [she] punched my face and injured my neck and ear. During this same incident, Mr. Robinson, grabbed me and punched an approximately 12-inch hole in the door of my spare bedroom where I was barricading myself,” reads the petition.
In a video, obtained by TMZ, that captured part of the June 3 incident, Victoria Robinson and Will Robinson are seen sitting next to a lit fire pit on the patio when Sandoval and Will Robinson begin arguing. Sandoval is heard yelling at Will Robinson before he asks Victoria Robinson if she is recording and approaches her. Will Robinson stands and wraps his arms around Sandoval, seemingly to get him to back away from Victoria Robinson, and Sandoval turns and pushes Will Robinson, who falls backward into the lit fire pit.
After Will Robinson gets back up, he rushes after Sandoval into the home while Victoria Robinson screams for the men to stop.
According to the petition, the fight escalated, and Will Robinson phoned the police while Sandoval hid inside a spare bedroom. When police arrived, the petition claims that they initially put Sandoval in handcuffs, but after reviewing footage, Victoria Robinson was arrested for intimate partner battery with physical violence.
Robinson bonded out and was released the same day. The Los Angeles Police Department was not able to confirm the reason for Victoria Robinson’s arrest.
Representatives for Sandoval did not immediately respond to The Times’ request for comment. Victoria Robinson could not be reached for comment.
According to the petition, both Victoria Robinson and her father have lived in the Los Angeles rental home with Sandoval. According to the filing, the reality star hopped between hotels and friends’ houses after the June 3 incident.
Will Robinson told TMZ, “The DA did not file the case for a reason. I lifted Tom off of my daughter because he was overpowering and twisting her arm and trying to take her phone aggressively after yelling at us in a very aggressive and threatening manner.”
“This is my daughter’s home and we just want Tom as far away from us as possible and to keep his lies and drunken abuse away,” Robinson said.
Movie Reviews
Movie review: Hero of folklore worse off in ‘The Death of Robin Hood’
“Who lives, who dies, who tells your story?” This is one of the culminating lines from Lin-Manuel Miranda’s smash hit 2015 musical “Hamilton,” but it’s also the animating force behind Michael Sarnoski’s “The Death of Robin Hood,” starring Hugh Jackman in the title role. This legendary figure of English folklore has a specific meaning attached to his name, which is synonymous with the altruistic impulse to redistribute wealth. But in his take on the tale, focusing on the end of his life, Sarnoski suggests that perhaps Robin Hood wasn’t such a good guy, even if he was robbing from the rich to give to the poor. It all depends on who’s telling the story, right?
Sarnoski burst onto the scene in 2021 with his debut feature “Pig,” in which he outfitted Nicolas Cage with a long gray wig and sent him on a dangerous quest (to find his beloved, valuable pet). He does something similar in “The Death of Robin Hood,” outfitting Jackman in a long gray wig and sending him on a quest (to achieve some kind of salvation).
But first, Sarnoski has to establish that this Robin Hood isn’t the one we remember from the movies — he’s not the dashing cartoon Disney fox, or Errol Flynn, or Kevin Costner, or Cary Elwes, or Russell Crowe, or even Taron Egerton. No, this Robin Hood is much worse, sleeping in matted filth on the moors, reduced to a feral life of constant vigilance against murderous revenge-seekers for the years of evil deeds he’s carried out with his compatriot, Little John (Bill Skarsgård).
Now called Edward, Little John has achieved some measure of domesticity, but still, he and Robin go a-murdering once again, resulting in a yet another vengeful attack from a relative of their victims. A wounded Robin ends up in an idyllic priory on a coastal island, tended to by a healer, Brigid (Jodie Comer), learning the ropes from the local leper (Murray Bartlett). In this oasis, Robin’s identity is unknown, and he finds the space to embrace a gentler side of himself, particularly with Little John/Edward’s daughter, Little Margaret (Faith Delaney).
Set on the misty outlying islands of the North Atlantic, with its blend of bloody, brutal violence, primitive spirituality and meditative tone, “The Death of Robin Hood” is situated in the realm of films like David Lowery’s “The Green Knight” and Robert Eggers’ “The Northman.” Cinematographer Pat Scola pulls some arresting images out of the fire and fog, and the score of largely traditional Celtic music by Jim Ghedi is easily one of the best of the year. The film is a fine showcase for a different kind of performance from Jackman, and Comer is always a compelling screen presence.
But “The Death of Robin Hood” isn’t as hallucinatory or weird as it could — or should — be. Sarnoski gestures at bleakness but feints from full existential crisis; he tries and fails to be witchy. Despite all the mud and blood, nothing about this film is particularly earthy or embodied. It ends up as this profoundly dull and utterly pointless commentary on the concept of narrative and mythology. “What if Robin Hood was a bad guy?” OK, what of it? The best concept that Sarnoski presents here is the hell of living in an endless cycle of vengeance, but he allows his anti-hero to escape that all too cleanly and conveniently. This Robin Hood is just an old, tired man who ultimately finds some peace at the end of his life, even if it’s unearned.
As an audience, we’re left wondering what all of this is for, and who it’s for. Why trouble the Robin Hood myth at all, and why now? One can’t help but cynically wonder if the inspiration for this project was merely the convenience of recognizable intellectual property and available financing from Screen Ireland. This theory might be creatively pessimistic, but it is a nagging question, especially when the ones posed by the film are already so stale and tired. Expect no revelations from “The Death of Robin Hood” except the one that’s announced in the title.
‘The Death of Robin Hood’
2 stars (out of 4)
MPA rating: R (for strong bloody violence)
Running time: 2:03
How to watch: In theaters June 19
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