Lifestyle
L.A. Affairs: I look like my date's teenage daughter. Knowing this makes me happy
The outside tables at Figaro Bistrot are far too close to one another. A group of women is seated beside us, drinking white wine and leaning together to murmur while giving me side-eye. My date gets up, excuses himself and heads to the bathroom. One of them leans over: “So is that your dad?”
I’m pretty sure I turn bright red and simply reply: “No.”
When he gets back, he places his hand on the thigh poking through the slit of my dress. The women’s eyes widen, and they look at one another and giggle. I’m not sure if I’m really into him. There’s a part of me that twists with disgust at the whole situation. But I ignore this — and ignore the giggles.
The conversation up until then revolves around a film he once wrote. “I spent about 10 years trying to get it picked up. But hey, it worked out in the end,” he says. His film won a number of awards and was widely critically acclaimed. “Everything I’ve written since then I haven’t really cared about.”
It shows. He hasn’t written a single film since his first that wasn’t panned. But I still feel a sense of pride that he wants me, this lowly grad student; maybe this is what it really means to date in L.A.
Until then, most of the men I’d dated in L.A. (who were around my age) were starving artists, aspiring filmmakers and musicians who worked in the meantime as grips and waiters.
Their dreams were always endearing, and having money doesn’t particularly matter to me. I was just never a part of their dreams. The previous men I dated always told me that I deserved better, that they weren’t looking for anything serious (always after a few months of dating, and it always turned out that I wasn’t the only one they were dating). I wasn’t sure whether I was looking for something serious either, but what I really wanted was someone who would see me as girlfriend — or perhaps even wife — material. There’s nothing more important than being lovable, even if the basis for this is being young and decently attractive.
My date is about two years younger than my father (who didn’t have me at a particularly young age). However, he has an Instagram and an iPhone and is a writer, which makes me feel like he isn’t too dissimilar to me after all. He finally asks me about myself: “What is your research about?” As a master of none, I never really know how to answer this question, so I recite a list of areas I’ve dabbled in. One of them is the bildungsroman.
“What’s that?” he asks. My image of him crumbles a little.
It dawns on me that the real reason I’d taken the upper limit off my Hinge settings and agreed to this date is that I thought I might find someone like my former professor, whose class on the bildungsroman was my main motivation for applying to grad school. I had a major crush on him; he had the exact same taste in music as me (think classic college-radio male manipulator), made stupid jokes and had a smile that made me melt. He was from Los Angeles, and I can’t deny that some of the motivation for me applying to USC was a subconscious desire to trace his steps.
But this man, my date, clearly wasn’t him.
Then he asks me if I want kids. “No,” I firmly reply. But then I find myself backtracking: “At least, not now.” I’m surprised that I say this. Am I scared that he won’t want me anymore if I don’t want kids, even if I’m realizing that I don’t want him?
“Women always say that. Why is it that every woman I’ve met has said that?”
“I don’t know. I guess I’m not really in the position to support a child right now.”
“But I am.”
He grins, and the twist of disgust grows. There’s something sinister about his smile that makes me realize that maybe this wasn’t such a great idea after all. But I find myself ignoring this.
“I guess we’ll have to see.”
The evening turns into night, and we end up inside the restaurant, sharing the same side of a booth. At one point, he asks to take a selfie. I oblige.
Should I be on a date with this man? I’m not attracted to him and I don’t find him interesting. But he seems like a man who actually wants me even if he doesn’t really know who I am. The other reason I agreed to this date is my deathly fear of aging and losing my attractiveness to men. I remember the first time I looked in the mirror at age 21 and realized that I was deteriorating.
Since then, I’ve religiously followed a retinol and sunscreen regime, but I still found the bags under my eyes growing and growing. I asked Reddit what I should do about this, and I was recommended under-eye filler. I debate the pros and cons of this every day. It pains me to know that one day it’ll be too late. As a decently attractive but still somewhat average woman (r/Rateme classified me as a 6 or 7, and in L.A., that means a 4 or 5), youth is mostly what I have going for me. And I know all too well that L.A. men aren’t interested in my pursuit of a PhD in comparative literature, which might even be intimidating.
The next day I apologize to him over Instagram. I never got his number. I tell him that I had a great time, but I don’t think we have enough in common.
“I think we have more in common than you think. I’m always here if you change your mind.”
A few hours later, he sends me the selfie he took.
Beside him, I look like his teenage daughter, and in a sick way, that makes me happy.
The author, a comparative literature PhD student at USC, lives in Studio City. She’s on Instagram: @sarahgarrodwrites
L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.
Lifestyle
John Cena wanted to step away from the WWE ring before he became ‘too slow for the show’ : Wild Card with Rachel Martin
A note from Wild Card host Rachel Martin: First a confession: I have never watched a WWE match in its entirety. Don’t get me wrong, I appreciate the athleticism and the performance, it’s just not my thing. But there is something about John Cena I’ve never been able to shake.
Yes, he is a wrestling legend, but he has built a career as an entertainer that transcends the ring. The first time I saw him lead a cast was the 2019 family movie “Playing with Fire” and his rapport with kids in that film didn’t seem like acting at all. The man contains multitudes!
He co-stars with Eric Andre in his newest film, “Little Brother.”
Lifestyle
Great movies you may have missed : Pop Culture Happy Hour
Xie Miao and Yang Enyou in The Furious.
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There have been some fantastic movies released this year, and we know you can’t see them all. So we’re recommending four recent movies we missed that you should add to your watchlist: The Furious, Tuner, She’s The He, and Heresy.
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Lifestyle
A judge says the Kennedy Center must update him on its plans — and address that tarp
A tarp covers the facade of the John F. Kennedy Memorial Center for the Performing Arts in Washington, D.C., on June 13. A federal judge has asked the arts complex’s leadership to explain the purpose of the tarp and the surrounding scaffolding.
Alex Wroblewski/AFP via Getty Images
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On Wednesday, the federal judge overseeing the Kennedy Center lawsuit ordered the center to give him a status report on the center’s operation and programming within the next few weeks. Judge Christopher R. Cooper also said that the Kennedy Center must explain the purpose and status of the tarp and scaffolding that have been placed over the front of the arts complex, where until recently both President Trump and President John F. Kennedy’s names were both displayed.
In a directive issued last Tuesday, Judge Cooper had given Kennedy Center administrators three days to update him on the arts complex’s immediate plans regarding construction, programming and public access. Trump, who now serves as the center’s chairman, had announced July 5 as the date the venue would close for major renovations.

Last Friday, on Cooper’s due date, lawyers for the Kennedy Center filed a request asking for an extension. In that filing, Matt Floca, who was promoted as the center’s president and CEO in March, said that the Kennedy Center’s current management intends to present its board with “an array of options” for trustees to vote on at their next meeting on an unspecified date in mid-July.
According to Floca, the options are a complete closure for extensive renovations; a partial closure “enabling some continued public access and limited programming” while some renovations are undertaken; and “a highly limited series of phased closures to address only the center’s most serious infrastructure needs while scheduling and maintaining a full slate of programming.”
In his newest order, Cooper denied Floca’s request for an extension. And he mandated that the center file a status report within seven days of the center’s July board meeting or by July 31, whichever date is earliest. He also ruled that the report must “indicate the purpose for and status of the tarp and scaffolding,” which were erected by workers over the center’s front signage in the early morning hours of June 13.
When asked for comment Wednesday, the Kennedy Center pointed back to the documents its legal team submitted to the court.
The tarp and scaffolding on the center’s front portico went up after the Kennedy Center’s administration slow-walked the court-mandated removal of President Trump’s name from the front of the center and from all digital materials, which was supposed to happen no later than June 12. Workers removed the lettering overnight into the following morning, hours after the federal court’s original deadline, and covered the center’s sign with a tarpaulin.
As of Monday, the sign remains hidden from the public.

Trump’s name was scrubbed from all of the Kennedy Center’s digital content on June 4, the same day an email order to do so was issued by the complex’s legal team; NPR obtained this memo the day it was sent out to Kennedy Center staff.
These court orders are part of the ongoing lawsuit filed by Rep. Joyce Beatty, D-Ohio, against President Trump and the board of the Kennedy Center. Earlier this year, Cooper ruled that Beatty, an ex-officio member of the Kennedy Center board, must be allowed to participate in board meetings. NPR has asked Beatty if she plans to vote at the July board meeting, but did not receive an immediate response.
It would be very difficult for the Kennedy Center to revive a thriving programming lineup for the months ahead. Over the past year, many prominent artists canceled their planned appearances, citing the politicization of the venue. Most of the center’s programming staff have departed, either via layoffs or resignations. Unlike top administrators at other major performing arts venues around the country, Matt Floca has no experience in artistic direction, fundraising or arts administration; formerly, he was the center’s head of facilities, and he holds a bachelor’s degree in construction management.
Established artists who typically perform at the Kennedy Center generally have their touring schedules set at least a year in advance, if not multiple years ahead. In years past, the center has publicly announced its upcoming season in mid-spring for performances beginning in September and running through the following summer.

Currently, only a handful of outdoor free movie screenings of nostalgic favorites like The Princess Diaries and Clue appear on the center’s calendar of events, along with some participatory workshops for kids. In the past, the Kennedy Center presented over 2,000 arts and education events each year.
The center also recently became ensnarled in litigation with one of its longtime tenants and artistic partners. On June 12, the Washington National Opera, a company formerly in residence at the Kennedy Center, sued the complex for $17 million. It claims that the Kennedy Center had withheld “years’ worth of donor gifts, bequests and endowment funds” that had been intended specifically for the WNO.
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