Lifestyle
When poor Black communities were struggling with COVID, this surgeon stepped in
Dr. Ala Stanford’s new memoir is Take Care of Them Like My Own.
Simon & Schuster
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Simon & Schuster
As a pediatric surgeon, Dr. Ala Stanford operated on children, infants and sometimes fragile premature babies. But when the pandemic hit in 2020, she left her job to found the Black Doctors COVID-19 Consortium, setting up shop in parking lots, churches and mosques where she provided tests and vaccines to underserved Philadelphia communities like the one she grew up in.
“I believe you go to the most vulnerable,” Stanford says of her outreach. “I’ve saved more lives in a parking lot than I ever did in an operating room.”
Early in the pandemic, Stanford realized that bureaucratic red tape was preventing vulnerable community members from getting access to COVID testing. She responded by contacting LabCorp, and ordering that the tests be billed directly to her.
“I wanted [testing] to be barrier free,” Stanford says. “I just said, ‘If you have been exposed and you need a COVID test, come to us.’ That’s it.”

After vaccines became widely available and COVID-19 became less deadly, the consortium expanded its services by establishing clinics in Black communities around the city. Stanford writes about her experiences with COVID and in community health in the new memoir, Take Care of Them Like My Own: Faith, Fortitude, and a Surgeon’s Fight for Health Justice.
The title of her book borrows from a guiding principle of her medical practice: “With every child I operate on, with every adult that I cared for during COVID and beyond, … I just try to treat them like I would pray someone would treat my children and my husband,” she says.
Interview highlights
Take Care of Them Like My Own
Simon & Schuster
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Simon & Schuster
On setting up COVID-19 testing sites for underserved communities
All of the data where people were having higher incidence of disease, the demographics, it was all on phila.gov. … Once I had those zip codes, I put them in order of sickest to least sick. And then I said, “OK, it’s Black people in the city of Philadelphia that are three times more likely to contract the disease and die.” So where do they trust? And for me, in my experience, it’s mosques. It’s churches, it’s community centers. And so I asked my pastor to help me identify a church or a mosque in each zip code where … the disease was the highest and that’s where we targeted. We went to where the need was the greatest. And we set up shop right there.
On how the 2020 pandemic “shelter in place” protocols impacted poor communities
When you’re saying to everyone, “Shelter in place,” and “Don’t go out into the public,” but you can’t afford to shelter in place because you have to go out into the public to support your family, when you’re saying, “Buy a bunch of food for a month and keep it stored,” and people don’t have the money to do that — it’s sort of like the adage of telling a bootless man to pull himself up from his own bootstraps. It’s like the recommendations were applicable for certain socioeconomic tiers in society and not for others. And so, in my mind, I hope we never have another pandemic again or a public health crisis. But those who have the greatest need are where you put the emphasis. And it’s not to say that you can’t take care of everybody at the same time, but there should be more emphasis on where you will see the greatest death and disease.
On the narrative that Black people wouldn’t get the COVID vaccine because of distrust in the government
Being [a] physician scientist, I said, “Why don’t we ask them?” So it was October of 2020 and it was flu season. And so in addition to doing COVID tests, we were also doing flu shots. And … when they came in, we did a survey … and we asked them if a vaccine were available today, what would make you take it? What would you be concerned about? … What I learned more than anything is that the majority of people said that they did trust the government to produce a vaccine, and yes, they would take it.
On why she got the COVID vaccine on camera
So when the vaccine came about, people had already started to develop a level of trust with us. But even that wasn’t enough for everyone. And so we led by example and we, on camera, went to get vaccinated. A lot of folks from the Black Doctors Consortium live on camera, we were vaccinated. And because people were saying, “Doc, when you say it’s OK, I’ll get it. When you roll up your sleeve, I will get it.” …

We listened to what people’s fears were and … some of it was, “I’m scared of needles.” … Or someone said, well, “I’m allergic to eggs, so I think I might be allergic to the vaccine.” You had to ask rather than assume you knew 1.), that they didn’t want it, and 2.), the reason why. And so I let the people educate me so that I knew best how to care for them.
“You go to the most vulnerable,” Dr. Ala Stanford says her work in parking lots during the pandemic.
Simon & Schuster
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On middle- and upper-class people trying to get vaccines that were specifically for underserved communities
When I started seeing Teslas and Range Rovers in the parking lot in North Philly, I was like, “What is going on here?” Because most people take public transportation anyway. And these were some very expensive cars in my parking lot. And I would say it doesn’t help if you come to this community and take a vaccine and go back to your place in the suburbs or wherever, where you’re sheltering in place in your own bubble, and you’re not interfacing with the public, and then the people who are interfacing with the public — they’re going to work and they’re more exposed and they’re more likely to contract the disease — don’t have it. It doesn’t make the pandemic end any sooner if you do that. It’s not going to allow you to go on vacation any sooner if you take from those who are the ones who are most at risk. …
And what we started to do was oversample from the zip codes where the positivity rate was the highest, and people told me I was discriminating. Who was I? I didn’t have the right to do that. And I said, “This is a public health crisis and in a public health crisis you go to those who have the greatest disease, the greatest morbidity, mortality, and death, that’s where we went, right?” And later the city did the same thing. But for me, I got lots of sort of hate texts and direct messages and all those sorts of things, but I knew it was the right thing to do, so I just pressed on.
On the American Medical Association classifying racism as a public health issue in 2020
You have to acknowledge that bias exists in health care. So it’s great that the American Medical Association says it exists. But do you believe it? As someone in health care, do you believe that you play a role because of your own lived experience and bias that you bring into the exam room and into the operating room? And I think until the caregivers and educators acknowledge that we all have that bias, that we believe that we do, that we identify ways that we can change it and that we act on those things we identify, and then we share it with others. … Until we do that, that’s when you see real change.
Sam Briger and Thea Chaloner produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Meghan Sullivan adapted it for the web.
Lifestyle
Great movies you may have missed : Pop Culture Happy Hour
Xie Miao and Yang Enyou in The Furious.
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There have been some fantastic movies released this year, and we know you can’t see them all. So we’re recommending four recent movies we missed that you should add to your watchlist: The Furious, Tuner, She’s The He, and Heresy.
If you need a few more fun film recommendations, check out these episodes:
Fun movies you may have missed
Our favorite movies on Tubi
We debate the best movies to watch on an airplane
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Lifestyle
A judge says the Kennedy Center must update him on its plans — and address that tarp
A tarp covers the facade of the John F. Kennedy Memorial Center for the Performing Arts in Washington, D.C., on June 13. A federal judge has asked the arts complex’s leadership to explain the purpose of the tarp and the surrounding scaffolding.
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On Wednesday, the federal judge overseeing the Kennedy Center lawsuit ordered the center to give him a status report on the center’s operation and programming within the next few weeks. Judge Christopher R. Cooper also said that the Kennedy Center must explain the purpose and status of the tarp and scaffolding that have been placed over the front of the arts complex, where until recently both President Trump and President John F. Kennedy’s names were both displayed.
In a directive issued last Tuesday, Judge Cooper had given Kennedy Center administrators three days to update him on the arts complex’s immediate plans regarding construction, programming and public access. Trump, who now serves as the center’s chairman, had announced July 5 as the date the venue would close for major renovations.

Last Friday, on Cooper’s due date, lawyers for the Kennedy Center filed a request asking for an extension. In that filing, Matt Floca, who was promoted as the center’s president and CEO in March, said that the Kennedy Center’s current management intends to present its board with “an array of options” for trustees to vote on at their next meeting on an unspecified date in mid-July.
According to Floca, the options are a complete closure for extensive renovations; a partial closure “enabling some continued public access and limited programming” while some renovations are undertaken; and “a highly limited series of phased closures to address only the center’s most serious infrastructure needs while scheduling and maintaining a full slate of programming.”
In his newest order, Cooper denied Floca’s request for an extension. And he mandated that the center file a status report within seven days of the center’s July board meeting or by July 31, whichever date is earliest. He also ruled that the report must “indicate the purpose for and status of the tarp and scaffolding,” which were erected by workers over the center’s front signage in the early morning hours of June 13.
When asked for comment Wednesday, the Kennedy Center pointed back to the documents its legal team submitted to the court.
The tarp and scaffolding on the center’s front portico went up after the Kennedy Center’s administration slow-walked the court-mandated removal of President Trump’s name from the front of the center and from all digital materials, which was supposed to happen no later than June 12. Workers removed the lettering overnight into the following morning, hours after the federal court’s original deadline, and covered the center’s sign with a tarpaulin.
As of Monday, the sign remains hidden from the public.

Trump’s name was scrubbed from all of the Kennedy Center’s digital content on June 4, the same day an email order to do so was issued by the complex’s legal team; NPR obtained this memo the day it was sent out to Kennedy Center staff.
These court orders are part of the ongoing lawsuit filed by Rep. Joyce Beatty, D-Ohio, against President Trump and the board of the Kennedy Center. Earlier this year, Cooper ruled that Beatty, an ex-officio member of the Kennedy Center board, must be allowed to participate in board meetings. NPR has asked Beatty if she plans to vote at the July board meeting, but did not receive an immediate response.
It would be very difficult for the Kennedy Center to revive a thriving programming lineup for the months ahead. Over the past year, many prominent artists canceled their planned appearances, citing the politicization of the venue. Most of the center’s programming staff have departed, either via layoffs or resignations. Unlike top administrators at other major performing arts venues around the country, Matt Floca has no experience in artistic direction, fundraising or arts administration; formerly, he was the center’s head of facilities, and he holds a bachelor’s degree in construction management.
Established artists who typically perform at the Kennedy Center generally have their touring schedules set at least a year in advance, if not multiple years ahead. In years past, the center has publicly announced its upcoming season in mid-spring for performances beginning in September and running through the following summer.

Currently, only a handful of outdoor free movie screenings of nostalgic favorites like The Princess Diaries and Clue appear on the center’s calendar of events, along with some participatory workshops for kids. In the past, the Kennedy Center presented over 2,000 arts and education events each year.
The center also recently became ensnarled in litigation with one of its longtime tenants and artistic partners. On June 12, the Washington National Opera, a company formerly in residence at the Kennedy Center, sued the complex for $17 million. It claims that the Kennedy Center had withheld “years’ worth of donor gifts, bequests and endowment funds” that had been intended specifically for the WNO.
Lifestyle
4 ways to design a dreamy summer, according to a happiness expert
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I tend to romanticize summer. The movies and TV shows I grew up with made me think that the season was about adventure and big-time transformation.
I imagined myself building a tight-knit friend group and getting out of a pickle together, like in The Sandlot or Camp Nowhere. Or traveling across the world, say, to Greece, like Lena Kaligaris, a character in The Sisterhood of the Traveling Pants, having a whirlwind summer romance and returning an entirely different person.
I’ve never actually had a summer like that.
Even when your expectations are more modest than mine, “so often, the summer just flies by, and we haven’t taken the picnics or gone for the day trip or whatever it was that we thought we were gonna do,” says happiness expert Gretchen Rubin.
Rubin, author of The Happiness Project and host of the podcast Happier With Gretchen Rubin, has been sharing ideas on social media about how to make the season more memorable and satisfying.
She walks through four exercises to help you get what you want — and more — out of the season. Print out our worksheet here, fill it out and stick it on your fridge to keep you accountable. Or take a screenshot and post it to Instagram (don’t forget to tag @NPRLifeKit!).
🍑 Give your summer a theme
Pick a single word or phrase that you want to embrace this season — something that captures the feeling you want to have over the next few months.
“My theme for the summer is ‘ketchup,’” Rubin says. “It has a kind of a summer feeling, because you think of putting ketchup on your burger.”
“It’s a metaphor,” she says. It means to look for “whatever I could add [this season] to make something elevated and more fun.”
Meanwhile, my theme word this summer is “juice.” I no longer think that I need to travel far or completely transform to have a delicious summer. I just need to take advantage of the abundance that the season offers: ripe peaches and tomatoes, juicy softball pitches and the opportunity to feel juicy in my body when I wear a bathing suit.
Print out our worksheet here, fill it out and stick it on your fridge to keep you accountable. Or take a screenshot and post it to Instagram (don’t forget to tag @NPRLifeKit!).
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🪣 Create a summer bucket list
What do you want to do this summer? On my bucket list: ride the Ferris wheel at a summer fair, have more barbecues at my parents’ house and see the sunrise at least once.
There might even be something you don’t necessarily want to do but have been trying to accomplish for a long time — like cleaning out the garage or learning how to swim.
“Some people love a long list with a lot of easy things to cross off,” Rubin says. “I’m a fan of that approach myself.”
But some people like a list with fewer goals that are more ambitious. If you take this path, just make those items realistic, she says. “It’s easy to get discouraged if you set the bar too high.”
🏁 Set a fun challenge
It could be fun to gamify a few of the items on your bucket list — or to come up with an entirely different kind of dare for yourself.
You might try 10 new taco joints this summer or read five romance novels. Or you might come up with a theme, like “Freaky Flavor Friday,” Rubin says. Every Friday, you go to a different ice cream shop and try a new and ambitious flavor.
A good challenge can make your summer feel more memorable, she says. “If you did ‘Freaky Flavor Friday’ all summer long, that would stand out in your mind. Years later, you’d be like, ‘That’s the summer I discovered creamed corn ice cream.’”
Two challenges I’m considering: taking a swim class and rewatching all the best Pixar movies.
🖼️ Take a “five-senses portrait”
Experience the summer through your five senses — then reflect on each one. What does summer look like, smell like, taste like, sound like and feel like?
“It’s one thing to look at photographs, but that’s very flat,” Rubin says. “A ‘five-senses portrait’ puts you back into that experience. It’s a creative, fun way to look back on summer and capture the memories that you’ve created.”
Do this exercise either for your whole summer or for a specific summer adventure, she says. Do it with yourself or with a group. You can journal about it, make a collage, draw a picture or simply have a conversation.
When I think of summer, here’s what comes to mind: the smell of smoke from a crackling outdoor fire and the taste of toasted marshmallows on a stick.
More summer-worthy goals from Life Kit
Learn how to swim. Knowing how to swim can help you have fun at the pool or beach this summer. But it could also save your life. Here are some tips to start swimming at any age.
Focus on rest and relaxation. In Dr. Saundra Dalton-Smith’s book Sacred Rest, she outlines different kinds of rest you may be craving. From the mental to the physical, Dalton-Smith shares how to identify what kind of respite you need and how to embrace rest.
Get into running. Ready to kick-start a new running habit? Coach Martinus Evans breaks down a common misconception to get you into the mindset and offers quick tips on pace, form and more.
Declutter your home. Got piles of stuff you just can’t seem to get rid of? Professional organizer Star Hansen explains how to let go of unnecessary items and keep your home neat and tidy.
This episode was produced by Clare Marie Schneider. The story was edited by Meghan Keane. The visual editor is CJ Riculan. We’d love to hear from you. Leave us a voicemail at 202-216-9823, or email us at LifeKit@npr.org.
Listen to Life Kit on Apple Podcasts and Spotify, and sign up for our newsletter. Follow us on Instagram: @nprlifekit.
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