Austin, TX
Austin’s Blanton Museum reimagines its grounds as a place for a university campus, city and community
The Blanton Museum of Art’s recently completed $35m renovation of its grounds centres on a reimagined outdoor space that acts as both a gateway and a gathering place. Bringing together three major site-specific installations and led by the architecture firm Snøhetta, the redesign makes a statement that there is a museum here at the University of Texas at Austin (UT)—something that was once easy to overlook when its stately but subdued Spanish Revival buildings blended into the campus.
At one end of the museum’s 200,000 sq. ft footprint is Ellsworth Kelly’s Austin, evoking a secular chapel with its coloured glass windows since its installation there in 2018, and on the other are 12 new towering tulip-like shade structures by Snøhetta. Between them is a panoramic mural by the Cuban American artist Carmen Herrera—her only major public mural commission before she died in 2022 at age 106. Visitors now pass through the mural’s centre as they enter the galleries building, which faces the museum’s administration building across this revamped corridor. Called Verde, que te quiero verde (Green, How I Desire You Green), Herrera’s large-scale panels of green slashed with white recall her 1956 painting Green and White, the pinwheeling pattern now framed by the archways of the loggia that span the Blanton.
“There’s an interesting syncopation between the precise geometries and hard lines of the mural and the curvilinear shapes of the loggia that you see from your approach,” says Vanessa K. Davidson, the Blanton’s curator of Latin American art.
Herrera had previously created only two other (smaller) murals, in 2017 and 2020 for New York City Public Schools. Before focusing primarily on abstract painting, Herrera studied architecture at the University of Havana. She expressed her longtime interest in public work in a letter to the Blanton, writing: “The idea of murals always fascinated me as a lover of architecture; it is a delicate balance to any architect or painter. A space is somehow affected or altered by the altering of its surfaces. I love the challenge and respect the responsibility in the choices that are made.”
VIsitors to the Blanton sit in front of Carmen Herrera’s Verde, que te quiero verde (Green, How I Desire You Green) Photo: Casey Dunn, courtesy the Blanton Museum of Art, Austin, Texas
This thoughtfulness in transforming space extends throughout the renovation, such as Snøhetta’s architectural interventions on the museum buildings themselves with two buoyantly yellow vault shapes echoing the loggia arches, one playfully inverted to frame a staircase that acts as an elevated lookout.
Craig Edward Dykers, a co-founder of Snøhetta, studied at UT and drew on that experience. “We wanted to give the school a strong presence for the future, but we also knew that the campus aesthetic was somewhat conservatively focussed on the past,” he says. “Through our knowledge of the campus, we were able to create a completely contemporary narrative with inventive forms and structure, while still incorporating iconic elements of the past—such as the arches of the nearby buildings.”
This renovation project broke ground in March 2021 and was finished earlier this summer, but the Blanton’s metamorphosis from a small teaching museum to an institution presenting art on an international stage happened gradually over time, with the completion of Kelly’s Austin establishing its first exterior landmark six years ago.
Blanton director Simone Wicha says she has been interested in making the museum as much a community as a cultural space since she took the role in 2011. “Most museums have traditionally had these big, soaring atriums,” she says. “These [Snøhetta] shade structures play a really important practical role, but also provide a sense that you have entered into our atrium, and our atrium is, in a very Austin way, this outdoor space that is not singular to the museum experience. People linger, and it’s part of our civic life.”
Although Herrera became involved later in the process, Wicha wanted to specifically assign the commission to a Latin American artist in order to reflect the museum’s major Latin American art collection. In this way, the new exterior elements are in dialogue with the interior galleries.
Snøhetta’s architectural interventions include a playful elevated outlook onto the courtyard, an echo of the original building’s loggia arches (with Herrera’s mural visible in the back) Photo: Casey Dunn, courtesy the Blanton Museum of Art, Austin, Texas
Wicha also sees the museum as being in a larger conversation with the Texas State Capitol, a building directly connected to the Blanton since the 2022 completion of a green pedestrian mall. Especially at a time when budget cuts and proposed legislation continue to threaten the arts, the museum is in a prominent position to showcase the power of creativity—like how Snøhetta’s native-flora landscapes recognise a future of extreme heat and drought. The eye-catching petal structures funnel rainwater to irrigate the plants below, from the spiky-leafed dwarf palmetto to the green grassy bursts of Cherokee sedge.
“We can make the art museum part of a statement on the importance of the arts,” Wicha says, noting that this has extended to working with faculty to bring students from all disciplines into the museum. “One of the things that is really important to me is that the museum be a place like you would think of a library on the campus, it’s just part of your experience.”
That engagement now extends beyond the museum’s walls in unexpected ways, including a dedicated outdoor gallery for sound. Its debut installation is by Bill Fontana, who made field recordings in the Texas Hill Country, such as of cave bats and local birds. This auditory experience gives the grounds a permeable yet distinct feel. Likewise, an elevated walkway that meanders between historic live oaks at the museum’s southern edge is a path for both visitors and commuters on the adjacent Martin Luther King Jr Boulevard.
“We put a lot of thought into this arrival onto campus and this dual mission,” Wicha says. “There are so many ways that you come to the museum, and we wanted to make sure the moment you walked in, you had an art experience and a beautiful, welcoming, clear understanding of where you were.”
Austin, TX
Lawsuit: Brianna Aguilera’s parents allege underage alcohol service at Austin tailgate contributed to daughter’s death
The parents of Brianna Aguilera have filed a lawsuit against two organizations, alleging that they served alcohol to their underage daughter which contributed to her death in Austin.
Before Aguilera fell to her death from the Rio 21 Apartments in West Campus, the lawsuit states that she attended a tailgate at the Austin Blacks Rugby Club’s facility, organized by the UT Latin Economics and Business Association.
Both the Austin Blacks Rugby Club and the UT Latin Economics and Business Association were listed as defendants in the lawsuit.
>> What we know about Texas A&M student Brianna Aguilera’s death in Austin
Even though the lawsuit states Aguilera was “noticeably intoxicated” at the tailgate, her parents argue that the defendants continued to serve her alcohol.
According to court documents, Aguilera allegedly began stumbling at the tailgate and needed help standing at times. At some point, the lawsuit said she fell into the woods and lost her phone.
After leaving the tailgate at approximately 10 p.m., court documents state Aguilera died around two hours later.
The lawsuit also accuses the defendants of negligence and gross negligence for serving alcohol to Aguilera despite her age and allegedly overserving her.
In the suit, Aguilera’s parents demanded a trial by jury and sought at least $1 million plus interest, costs and punitive damages.
Aguilera’s parents also seek damages for wrongful death, citing the defendants’ alleged misconduct.
Houston-based attorney Tony Buzbee, who’s representing the Aguilera family, commented on the lawsuit in a Tuesday news conference.
Watch the full news conference below:
“Brianna was obviously overserved,” Buzbee said. “Even the police have concluded that she was overserved at that tailgate. She was not 21.”
Buzbee also stated that the Austin Police Department has allegedly told multiple witnesses not to talk with him and Aguilera’s parents.
“They told the three, the three individuals that were in that apartment that night when this young girl died. They told them, do not speak to Brianna’s mother or her lawyers,” Buzbee said.
He said that the lawsuit could provide a way for the witnesses to eventually come forward with information.
“By filing this lawsuit, not only will we hold accountable an entity or entities that were involved in overserving Brianna and other minors, but we will also be able to subpoena individuals and documents and video and data so we can continue our investigation,” Buzbee said.
KSAT’s sister station, KPRC, has reached out to both the Austin Blacks Rugby Club and the UT Latin Economics and Business Association for comment on the lawsuit. This story will be updated once the organizations provide a statement.
More coverage of this story on KSAT:
Copyright 2026 by KSAT – All rights reserved.
Austin, TX
Cedar pollen eases, but record heat builds across Central Texas
Although record-breaking heat and spring-like warmth dominated the first few days of the new year, cooler — but still warmer than normal —temperatures settled in to start the first work week of 2026.
The heat will ramp up yet again Tuesday and Wednesday, with temperatures about 20 degrees above the normal early-January high of 62 degrees.
Expect a blanket of low stratus clouds and some patchy dense fog Tuesday morning, but skies should begin clearing around lunchtime.
“In the meantime, a surface trough (of low atmospheric pressure)/dry line will push from the southern Edwards Plateau into the I-35 corridor, bringing temperatures into the lower to mid-80s,” meteorologists with the National Weather Service wrote in a forecast discussion Monday. “It is going to be very warm for this time of year, and some daily high temperature records could be broken.”
Those temperatures could rival record highs at both Austin climate observation sites, Camp Mabry and Austin-Bergstrom International Airport, where the standing record is 84 degrees, set in 1989.
Behind the dry line Tuesday, drier air will move into Central Texas, leading to a slightly cooler start Wednesday under mostly to partly cloudy skies.
Morning temperatures will dip into the 50s around sunrise before climbing into the upper 70s to mid-80s by the afternoon. Those highs would surpass the record of 80 degrees set in 2008 at Camp Mabry.
Temperatures the rest of the week will remain above normal with mostly cloudy mornings but sunny afternoons.
A cold front is forecast to move across the region later in the week with a slight rain chance Thursday and Friday, but most of the rain will fall north and east of Austin. However, cooler and more seasonable weather is expected this weekend.
This past weekend, Austin experienced the highest cedar pollen counts so far this season with a count of 3,200 grains per cubic meter Saturday and a peak of 4,000 grains per cubic meter on Sunday. However, the count dropped to just over 1,000 grams per cubic meter on Monday. Humidity has been on the rise in the past few days, and winds have been much lighter. Those factors have helped “settle” the cedar pollen for the time being.
Luckily, the winds have turned southerly and are much lighter, so the pollen has settled a bit. A small chance of rain on Thursday and Friday should also help dampen cedar pollen before it becomes airborne. However, above-normal temperatures will allow tree pollen cones to continue opening, setting the stage for another pollen surge when the next breezy cold front arrives.
Austin, TX
Venezuelan oil reboot not expected to spur windfall in Texas
Texas reacts to Venezuelan leader being taken into custody
With former Venezuelan President Nicolás Maduro out of power, President Trump said he wants to reboot the oil industry in Venezuela. That idea has raised questions about whether it could cause a price spike at the gas pump and a downturn in the Texas oil patch region.
AUSTIN, Texas – With former Venezuelan President Nicolás Maduro out of power, President Trump said he wants to reboot the oil industry in Venezuela.
That idea has raised questions about whether it could cause a price spike at the gas pump and a downturn in the Texas oil patch region.
Now, a spike at the pump and a production slump in the Texas oil patch may not happen this year, but with oil prices down, a budget crunch for state lawmakers may be waiting when they return to Austin in 2027.
What they’re saying:
The situation in Venezuela is creating a lot of political uncertainty, but a Texas energy expert said he is not expecting that uncertainty to cause an oil patch crash or a gas pump pike in 2026.
Prices at the pump are low and despite some recent big swings, up and down, analysts say 2026 could see the lowest prices since the pandemic. That prediction has people like Dale Owens cautiously optimistic.
“Things change so drastically nowadays. I mean, look what’s happening with the government, so anything can affect the price. But right now I’m really happy that it’s stable,” said Owens.
There are big reasons for that local gas price stabilization, and it predates the leadership change in Venezuela, according to Ed Hirs, an Energy Fellow at the University of Houston.
“The first is that the president has asked MBS (Saudi Crown Prince Mohammed bin Salman) and OPEC nations to continue pumping a pace. Number one. Number two, this helps hamstring the Russian economy and its war effort. And that’s also one of the goals of not only the European Union, but of the Trump administration. And number three, we’ve got the midterm elections coming up,” said Hirs.
The price of a barrel of oil is expected to increase slightly because of the uncertainty regarding Venezuela. Texas crude oil production, according to an update released Monday, was stable in December, but state data also showed drilling permits for 2025 were at 369 and that’s down from 459 in 2024.
“When President Trump took office, oil was about $80 a barrel, today it’s under $60 a barrel. We are the high-cost producers in the global commodity oil market, and the cost of drilling these wells has gone up by between 5% and 12%, primarily because of Trump’s steel tariffs. Not only does the imported steel now cost a lot more, but domestic producers raise their So the producers in West Texas and across the Permian Basin are getting squeezed by much lower revenues, $20 a barrel less and much higher cost. It’s not a good capital investment for Wall Street,” said Hirs.
Dig deeper:
The oil industry remains a big part of the Texas economy and the state budget. State lawmakers will return to Austin in 2027 to crunch numbers for a new two-year budget.
“I think they need to be looking at the budget. So the state comptroller needs to be running the numbers now based on lower oil revenues, not only for state lands, for example, for the universities, but for the state tax receipts. And that applies to the counties and cities that rely on these revenues to keep their budgets balanced. It’s going to be lower for longer,” said Hirs.
There are also doubts about whether the Texas refineries will get a financial windfall if the Trump Administration is able to reboot the oil industry in Venezuela. There are about six refineries in Texas and Louisiana that can process the heavy crude that is located in Venezuela.
“Well, it might help keep them open. But Lyondell just closed down a 100-plus-year-old heavy crude refinery on the Houston Ship Channel because it just doesn’t make any sense to reinvest in it. And it was going to require $750, $800 million of new capital investment just to keep the plant operating at par,” said Hirs.
What’s next:
Stocks for several oil companies did increase on Monday. Chevron, at one point, had a 10% stock price surge, mainly because Chevron is the only U.S. company operating in Venezuela. Other energy-related companies also saw an increase, like Exxon, as well as industry suppliers like Baker-Hughes and Halliburton.
The action on Wall Street came after President Trump said he wants energy producers to pay for the oil production rebuild. Hirs described the administration’s plans as being “naive.”
Past attempts to rebuild another country’s oil infrastructure seem to back up the doubts raised by Hirs. In 1989, after the Soviet Union collapsed, companies like Exxon went in to rebuild — only to get kicked out later by the Russians. Hirs also noted the rebuilding effort in Iraq, started by President George W. Bush, hasn’t returned production there to pre-war levels. And it’s the same story for Libya, which was done under President Obama.
The Source: Information from interviews conducted by FOX 7 Austin’s Rudy Koski and previous coverage
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