Lifestyle
From college exposés to family secrets, check out these new podcasts
NPR; KUT; NEPM; KCUR; KUOW
NPR; KUT; NEPM; KCUR; KUOW
There’s a lot to celebrate in May — Cinco de Mayo, graduation, Mother’s Day, Memorial Day. Add finding your new favorite podcast to the list with the NPR One team’s recommendations from across public media.
The podcast episode descriptions below are from podcast webpages and have been edited for brevity and clarity.
Wild Card – NPR
Part-interview, part-existential game show – this is Wild Card from NPR. Host Rachel Martin rips up the typical interview script and invites guests to play a game about life’s biggest questions. Rachel takes actors, artists and thinkers on a choose-your-own-adventure conversation that lets them open up about their fears, their joys and how they’ve built meaning from experience – all with the help of a very special deck of cards.
Start listening to, “Why Jenny Slate sometimes feels like a ‘terminal optimist’.”
Ten Thousand Things with Shin Yu Pai – KUOW
This season features the stories of trailblazing Asian American women and the resilience of Asian American communities, even in the face of endangerment. Three of this season’s stories take place in Seattle’s Chinatown-International District Neighborhood, with help from the Wing Luke Museum. Featured guests include poet and former MMA cage fighter Jenny Liou; Seattle chef Tiffany Ran; and flutist Leanna Keith; among others. New episodes drop on Tuesdays. Ten Thousand Things: In many Chinese sayings, “ten thousand” is used in a poetic sense to convey something infinite, vast, and unfathomable. For Shin Yu Pai – award-winning poet and museologist – the story of Asians in America is just that. Ten Thousand Things is a podcast about modern-day artifacts of Asian American life and the stories they reveal, created and hosted by Shin Yu Pai and produced by KUOW (Seattle’s NPR station). Ten Thousand Things is a vibrant, diverse, and bittersweet celebration of Asian America … and a challenge for us all to reimagine stories of the past and future.
Listen to “Teardrop Lip.”
StoryCorps – NPR
In this season of the StoryCorps Podcast, we delve into what happens when individuals interview their parents, partners, or children — the ones who matter the most to them. Unlike a journalist, it’s someone they deeply cherish asking the questions. These stories are about people who have forged their own paths, done things their own way. Join us as we explore this archive, unveiling an unprecedented and candid portrayal of contemporary American life.
Listen to episode 1, “My Way.”
NPR Explains… – NPR
We’ve heard rhetoric about a “crisis at the border” and a “surge of migrants pouring into the U.S.” What’s happening at the border and what makes immigration such a key issue? NPR Explains is back to help break down U.S. immigration policy, conditions at the U.S.-Mexico border and how the system affects Americans. Join host and immigration correspondent Jasmine Garsd in NPR Explains: Immigration, a podcast series exclusively on the NPR app, which is available on the App Store or Google Play.
Start listening to part one, “Why is immigration a key issue?”
College Uncovered – GBH
In a world focused on getting in, do you know what you’re getting into? College Uncovered, from GBH News in collaboration with The Hechinger Report, pulls back the ivy on American higher education, exposing the problems, pitfalls and risks — and helping you navigate them. If you wonder how college really works, subscribe now. Because it’s a real education.
Start listening to episode 1, “Buyer Beware.”
The Secrets We Keep – NEPM
The stories we don’t tell, what they say about our world, and what they do to our minds — a new podcast from NEPM. Over five episodes, this limited series uses the lens of secrets to explore societal taboos and stigmas around sexual orientation, abortion, genetic origins, family scandals, and money — through the voices of secret-keepers, those kept in the dark, and history and social science experts (starting with the host’s family secret.)
Listen to part one, “Anatomy of a Secret.”
In Our Headphones – KEXP
Introducing KEXP’s newest music discovery podcast. In Our Headphones brings you five song recommendations every Monday, straight from KEXP’s DJs and Music Directors. We learn stories and insights about the artists, make connections between the music and the world around us, and get to know the diverse roster of DJs that make up the KEXP airwaves. Join hosts Janice Headley and Isabel Khalili on this never-ending journey of music discovery.
Listen to episode 1, “Cheryl Waters: Brimheim, English Teacher, Lair.”
Pause/Play – KUT
Up From Dust – KCUR
Trees are swallowing prairies. Bees are starving for food. Farmland is washing away in the rain. Humans broke the environment — but we can heal it, too. Up From Dust is a new podcast about the price of trying to shape the world around our needs, as seen from America’s breadbasket: Kansas. Hosts Celia Llopis-Jepsen and David Condos wander across prairies, farm fields and suburbia to find the folks who are finding less damaging, more sustainable ways to fix our generational mistakes.
Start listening to “When good plants turn bad.”
Untangled – WOSU
Body Electric – NPR
NPR’s Jessica Green and Jack Mitchell curated and produced this piece.
The Kennedy Center, the facade of which remains covered with a tarp, is seen in Washington, DC, on June 28, 2026. A US federal judge asked on June 24 for an explanation for why a tarpaulin continues to cover the facade of the Kennedy Center where President Donald Trump’s name was recently removed. District Judge Christopher Cooper gave the board of trustees of the performing arts venue until the end of July to explain “the purpose for and status of the tarp and scaffolding that Defendants have erected on the front portico of the Center.”
ALEX WROBLEWSKI/AFP via Getty Images
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ALEX WROBLEWSKI/AFP via Getty Images
More than two weeks ago, President Trump’s name was removed from the Kennedy Center facade though it is still covered by a tarp and the legal battle continues.
On Monday, a U.S. Department of Justice filing on behalf of the Kennedy Center included some surprises. The document was submitted in response to issues raised by lawyers for ex-officio board member Rep. Joyce Beatty of Ohio who is suing to remove President Trump’s name from the center and stop its closure for renovations.
Among the revelations, the Kennedy Center admitted that, during a board meeting on December 18, 2025, Beatty had been “muted and prevented from speaking.” It was at that meeting that the board voted to add President Trump’s name to the center. The filing later acknowledges the congresswoman was “prevented from voicing her opposition.”
The John F. Kennedy Center for the Performing Arts is a living memorial to its namesake. The guidelines for how the theatre complex spends federal dollars are very specific. Among other rules, it states that “no additional memorials or plaques shall be designated or installed.” Beatty argues adding Trump’s name runs afoul of those rules and that any change requires approval from Congress.
According to one of Beatty’s filings, “There was no advance notice in the agenda that the Board would be considering a name change,” a statement the Kennedy Center now does not deny. The center admits that, prior to voting, there was “no discussion about potential risks or downsides of the vote to adopt a secondary name for the Center.” Nor was there a board discussion “about any potential conflict of interest that might result from the vote.”
The center’s lawyers previously contended that if Trump’s name were to be removed, it would “lose money from donors who support” him and “impede the Center’s fundraising efforts.”
Closing for renovations
Earlier this year, Trump announced on social media that the Kennedy Center would close for two years for renovations. He wrote that he made the decision after “a one year review” with “Contractors, Musical Experts, Art Institutions, and other Advisors and Consultants.”
But, according to the center’s lawyers, Trump’s announcement “was made without presenting any plans, analyses, timelines, or funding information to his cotrustees and without any Board vote.”
The Kennedy Center has long denied reporting by The Washington Post that ticket sales plummeted after President Trump became the Center’s board chair. In Monday’s legal filing, the Center admits that, by October 2025, “nearly half of the Center’s tickets were going unsold.”
Paul Tremblay has made a career of pushing the horror genre – and the novel format – in strange and exciting new directions.
In his latest, Dead but Dreaming of Electric Sheep, the author offers an amalgamation of genre elements that can be best described as psychological-dystopian-science-fiction horror. It’s a mouthful, but the narrative does all of that and more in a way that defies categorization.
Julia Flang is a former semiprofessional gamer working two mediocre jobs she dislikes and living in a modest ranch house in a San Fernando Valley suburb with her retired uncle, whom she calls Uncle Fun. Julia likes movies and gaming but there’s little else going on in her life, so when her estranged mother, the CFO of a large tech company, contacts her with a possible job offer – a “once-in-a-lifetime thing” that pays handsomely just for doing the interview – she hesitantly agrees.
The job is relatively simple and perfect for someone with gaming skills: using a controller built into a phone to get a man, who is stuck in a vegetative state, from California to the East Coast. It will require her to learn how to control his body – walking, moving, sitting, standing, using his arms – so she can maneuver him out of the facility where he is located and into cars and planes and through crowded airports. A fan of movies, Julia decides to call the man Bernie – after the movie Weekend at Bernie’s. When the ethics of the job start to bother her, Julia realizes it’s too late and she must go through with it. However, she’s soon contacted by people interested in sabotaging the whole thing, people who, like her, don’t align with the shady interests of conglomerates and those set to make “gobs of money” from this new, somewhat inhuman technology.
As with every Tremblay novel, any synopsis barely scratches the surface. The novel’s chapters alternate between Julia and you (yes, you). Julia’s chapters are “normal” in the sense that they obey a chronological order and have action, basic descriptions of movement and places, and dialogue. The chapters in second person are like fever dreams from a shadow world; the desperate experiences of a man trapped inside his own body with no control of it, no clue what’s happening to him, and only a few fragmented memories of his life. Also, Tremblay uses a similarly fragmented style of storytelling (including words and sentences trapped in boxes and/or “moving” on the page) to keep things interesting but also confusing and creepy.
This novel operates on several different levels and – planes of existence? Bernie has a head full of AI that controls his body, but his consciousness is still there and struggling to regain control, struggling to remember things. There are monsters, leeches, mysterious rabbits, and eerie shadows in his world, but the true horror comes from the lack of control, from being moved around against his will and having no clue what comes next. Bernie is the embodiment of losing control to AI, and when taken together with the commentary of creativity and AI and the meta interludes in which the author takes a wrecking ball to the fourth wall and addresses readers, this is the best anti-Generative AI story horror has produced so far.
Despite the horror of it, this is a very funny novel. Julia is sarcastic and struggles to keep her comebacks in line, but the conversations she has and messages she writes are always entertaining. However, the humor is far from the crown jewel here. That title belongs to a plethora of big ideas Tremblay juggles. The nature of life, death, and consciousness, the evils of conglomerates, inhuman practices in the name of capitalism, and AI, and even what it means to be human are all explored here: “Is Bernie alive? Is he feeling pain? Is he experiencing everything as a prisoner looking through the bars of his body? Has his consciousness been winnowed to a metaphysical keyhole? Where does consciousness begin or end?” There are no definite answers here, but the way Tremblay infuses humanity, love, the importance of relationships, and humor throughout the narrative provides the kind of answers that can’t and don’t need to be spelled out.
A genre-bender full of big ideas that constantly switches between a world full of real or uncomfortably plausible nightmares and a bizarre hellscape in which loss of self, memory, and autonomy are only the tip of the proverbial iceberg, Dead but Dreaming of Electric Sheep is a horrific and terrifyingly disorienting novel that invites readers to consider a future that already started. Tremblay has always been an innovator, but this beautifully written collection of real and imagined grotesqueries cements him not only as one of the most original and exciting voices in horror but also as one of the smartest, most engaging authors in contemporary fiction.
Gabino Iglesias is an author, book reviewer and professor living in Austin, Texas. Find him on X, formerly Twitter, at @Gabino_Iglesias.
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