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Carlos Amezcua: Sam Rubin was a giant personality, and my friend

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Carlos Amezcua: Sam Rubin was a giant personality, and my friend

Sam Rubin, the KTLA entertainment journalist, died Friday at 64. Rubin became a fixture of Los Angeles television after joining the station in 1991 as a reporter on “KTLA Morning News.” He worked alongside Carlos Amezcua, a co-anchor of the innovative morning show. In his own words, Amezcua remembers his friend and longtime colleague.

Sam Rubin was the spark that ignited the success of “KTLA Morning News.” His passing leaves a huge void not only in our hearts but also in the Hollywood entertainment community.

He was loved and even revered in some circles. All who needed attention for their films, music, TV shows and comedy could count on Sam to be there for them. He had a giant personality with a soft touch and was equal parts mischievous and solid journalist.

He was all those things to those who watched and interacted with him, but to me, he was my friend Sammy. He really didn’t like to be called that any more than I liked him calling me Chuck, but such was our relationship. On the air, we carried on with laughter, sarcasm and wild-eyed enthusiasm. He knew what our audience wanted and delivered every single time — he never failed, not once.

When he came to us, Barbara Beck and I were told to go easy on this new guy they were bringing in. They wanted to try him out to be the Hollywood reporter. I don’t know what the bosses were afraid of, but we were welcoming and kind to this brash young man, full of bravado and quirky mannerisms. He sat down, delivered his stories and began to engage us in conversation, which surprised us. That was the beginning of the magic that Sam Rubin would bring to “KTLA Morning News.” I loved his wit, his smarts, his daring approach to entertainment coverage. He was not to be denied!

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A “KTLA Morning News” reunion for the 20th anniversary of the show. From left: Michelle Ruiz, Jennifer York, Mark Kriski, Barbara Beck, Sam Rubin, Carlos Amezcua and Eric Spillman.

(KTLA)

I began to learn what buttons to push and what would set him off. I challenged his movie reviews and caught him in a fib now and again. It was sport for Barbara, Mark Kriski and I, and we loved every minute of it. The show became a hybrid news and entertainment program, unlike anything Los Angeles or America had seen before.

What I often say about Sam is that he connected us to Los Angeles. He knew L.A. better than any of us. He knew the people, the showbiz players and he spoke their language. Sam and I had many spirited conversations about what he was doing, and I told him we would all back him up if the bosses ever got in his way. To their credit, the bosses never did, and our show became one of the most successful programs in L.A. history. For more than 30 years he gave it all he had. He was unwavering, cheerful, magnanimous and driven. At 64, he could outwork any reporter half his age.

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The last time we had drinks together, we were both a bit melancholy. Time had passed too quickly, and we talked about all the stuff we still wanted to do in our old age. He was excited about his family, especially his children, and we shared stories about our kids. He was a very loving man who made everyone around him better. He loved his entertainment team, who worked tirelessly to fulfill his creative and sometimes kooky ideas.

For me personally, I will always be grateful that he listened to my suggestion that we promote Latino talent. Sam invited a young George Lopez and a parade of Latino actors, writers and musicians who were not seen on any other morning show in the country. My Latino community loved him, and I respected his efforts and was grateful that he made all of that happen.

KTLA's Sam Rubin and Jessica Holmes, on a set with Countdown to the Emmys on a screen.

KTLA’s Sam Rubin and Jessica Holmes.

(Allen J. Schaben / Los Angeles Times)

The whole morning news team experience in those early years was like lightning in a bottle. The daily roll call, as the show started, declared who you would see on the show: “Carlos Amezcua, Barbara Beck, Mark Kriski — weather, Sam Rubin — entertainment, Eric Spillman, Michele Ruiz and Jennifer York in Skycam5!” What a lineup, what bravado! It took a large and dedicated team to make it all work, though Sam would sheepishly love to take most of the credit!

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There is no denying that he was the central catalyst that made “KTLA Morning News” the powerhouse that it continues to be today. His mark on the broadcast is undeniable and indisputable. He was an original, a genius, my colleague, but most of all, he was my dear friend. I’ll miss you, Sammy. Rest in peace. Love, Chuck.

Movie Reviews

1986 Movie Reviews – Black Moon Rising | The Nerdy

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1986 Movie Reviews – Black Moon Rising | The Nerdy
by Sean P. Aune | January 10, 2026January 10, 2026 10:30 am EST

Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.

We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.

Yes, we’re insane, but 1986 was that great of a year for film.

The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.

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This time around, it’s Jan. 10, 1986, and we’re off to see Black Moon Rising.

Black Moon Rising

What was the obsession in the 1980s with super vehicles?

Sam Quint (Tommy Lee Jones) is hired to steal a computer tape with evidence against a company on it. While being pursued, he tucks it in the parachute of a prototype vehicle called the Black Moon. While trying to retrieve it, the car is stolen by Nina (Linda Hamilton), a car thief working for a car theft ring. Both of them want out of their lives, and it looks like the Black Moon could be their ticket out.

Blue Thunder in the movies, Airwolf and Knight Rider on TV, the 1980s loved an impractical ‘super’ vehicle. In this case, the car plays a very minor role up until the final action set piece, and the story is far more about the characters and their motivations.

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The movie is silly as you would expect it to be, but it is never a bad watch. It’s just not anything particularly memorable.

1986 Movie Reviews will continue on Jan. 17, 2026, with The Adventures of the American Rabbit, The Adventures of Mark Twain, The Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.


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Commentary: California made them rich. Now billionaires flee when the state asks for a little something back.

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Commentary: California made them rich. Now billionaires flee when the state asks for a little something back.

California helped make them the rich. Now a small proposed tax is spooking them out of the state.

California helped make them among the richest people in the world. Now they’re fleeing because California wants a little something back.

The proposed California Billionaire Tax Act has plutocrats saying they are considering deserting the Golden State for fear they’ll have to pay a one-time, 5% tax, on top of the other taxes they barely pay in comparison to the rest of us. Think of it as the Dust Bowl migration in reverse, with The Monied headed East to grow their fortunes.

The measure would apply to billionaires residing in California as of Jan. 1, 2026, meaning that 2025 was a big moving year month among the 200 wealthiest California households subject to the tax.

The recently departed reportedly include In-n-Out Burger owner and heiress Lynsi Snyder, PayPal co-founder and conservative donor Peter Thiel, Venture Capitalist David Sacks, co-founder of Craft Ventures, and Google co-founder Larry Page, who recently purchased $173 million worth of waterfront property in Miami’s Coconut Grove. Thank goodness he landed on his feet in these tough times.

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The principal sponsor behind the Billionaire Tax Act is the Service Employees International Union-United Healthcare Workers West (SEIU-UHW), which contends that the tax could raise a $100 billion to offset severe federal cutbacks to California’s public education, food assistance and Medicaid programs.

The initiative is designed to offset some of the tax breaks that billionaires received from the One Big Beautiful Bill Act recently passed by the Republican-dominated Congress and signed by President Trump.

According to my colleague Michael Hiltzik, the bill “will funnel as much as $1 trillion in tax benefits to the wealthy over the next decade, while blowing a hole in state and local budgets for healthcare and other needs.”

The drafters of the Billionaire Tax Act still have to gather around 875,000 signatures from registered voters by June 24 for the measure to qualify on November’s ballot. But given the public ire toward the growing wealth of the 1%, and the affordability crisis engulfing much of the rest of the nation, it has a fair chance of making it onto the ballot.

If the tax should be voted into law, what would it mean for those poor tycoons who failed to pack up the Lamborghinis in time? For Thiel, whose net worth is around $27.5 billion, it would be around $1.2 billion, should he choose to stay, and he’d have up to five years to pay it.

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Yes, it’s a lot … if you’re not a billionaire. It’s doubtful any of the potentially affected affluents would feel the pinch, but it could make a world of difference for kids depending on free school lunches, or folks who need medical care but can’t afford it because they’ve been squeezed by a system that places much of the tax burden on them.

According to the California Budget & Policy Center, the bottom fifth of California’s non-elderly families, with an average annual income of $13,900, spend an estimated 10.5% of their incomes on state and local taxes. In comparison, the wealthiest 1% of families, with an average annual income of $2.0 million, spend an estimated 8.7% of their incomes on state and local taxes.

“It’s a matter of values,” Rep. Ro Khanna (D-Fremont) posted on X. “We believe billionaires can pay a modest wealth tax so working-class Californians have Medicaid.”

Many have argued losing all that wealth to other states will hurt California in the long run.

Even Gov. Gavin Newsom has argued against the measure, citing that the wealthy can relocate anywhere else to evade the tax. During the New York Times DealBook Summit last month, Newsom said, “You can’t isolate yourself from the 49 others. We’re in a competitive environment.”

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He has a point, as do others who contend that the proposed tax may hurt California rather then help.

Sacks signaled he was leaving California by posting an image of the Texas flag on Dec. 31 on X and writing: “God bless Texas.” He followed with a post that read, “As a response to socialism, Miami will replace NYC as the finance capital and Austin will replace SF as the tech capital.”

Arguments aside, it’s disturbing to think that some of the richest people in the nation would rather pick up and move than put a small fraction of their vast California-made — or in the case of the burger chain, inherited — fortunes toward helping others who need a financial boost.

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‘Song Sung Blue’ movie review: Hugh Jackman and Kate Hudson sing their hearts out in a lovely musical biopic

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‘Song Sung Blue’ movie review: Hugh Jackman and Kate Hudson sing their hearts out in a lovely musical biopic

A still from ‘Song Sung Blue’.
| Photo Credit: Focus Features/YouTube

There is something unputdownable about Mike Sardina (Hugh Jackman) from the first moment one sees him at an Alcoholics Anonymous meeting celebrating his 20th sober birthday. He encourages the group to sing the famous Neil Diamond number, ‘Song Sung Blue,’ with him, and we are carried along on a wave of his enthusiasm.

Song Sung Blue (English)

Director: Craig Brewer

Cast: Hugh Jackman, Kate Hudson, Michael Imperioli, Ella Anderson, Mustafa Shakir, Fisher Stevens, Jim Belushi

Runtime: 132 minutes

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Storyline: Mike and Claire find and rescue each other from the slings and arrows of mediocrity when they form a Neil Diamond tribute band

We learn that Mike is a music impersonator who refuses to come on stage as anyone but himself, Lightning, at the Wisconsin State Fair. At the fair, he meets Claire (Kate Hudson), who is performing as Patsy Cline. Sparks fly between the two, and Claire suggests Mike perform a Neil Diamond tribute.

Claire and Mike start a relationship and a Neil Diamond tribute band, called Lightning and Thunder. They marry and after some initial hesitation, Claire’s children from her first marriage, Rachel (Ella Anderson) and Dayna (Hudson Hensley), and Mike’s daughter from an earlier marriage, Angelina (King Princess), become friends. 

Members from Mike’s old band join the group, including Mark Shurilla (Michael Imperioli), a Buddy Holly impersonator and Sex Machine (Mustafa Shakir), who sings as James Brown. His dentist/manager, Dave Watson (Fisher Stevens), believes in him, even fixing his tooth with a little lightning bolt!

The tribute band meets with success, including opening for Pearl Jam, with the front man for the grunge band, Eddie Vedder (John Beckwith), joining Lightning and Thunder for a rendition of ‘Forever in Blue Jeans’ at the 1995 Pearl Jam concert in Milwaukee.

There is heartbreak, anger, addiction, and the rise again before the final tragedy. Song Sung Blue, based on Greg Kohs’ eponymous documentary, is a gentle look into a musician’s life. When Mike says, “I’m not a songwriter. I’m not a sex symbol. But I am an entertainer,” he shows that dreams do not have to die. Mike and Claire reveal that even if you do not conquer the world like a rock god, you can achieve success doing what makes you happy.

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ALSO READ: ‘Run Away’ series review: Perfect pulp to kick off the New Year

Song Sung Blue is a validation for all the regular folk with modest dreams, but dreams nevertheless. As the poet said, “there’s no success like failure, and failure’s no success at all.” Hudson and Jackman power through the songs and tears like champs, leaving us laughing, tapping our feet, and wiping away the errant tears all at once.

The period detail is spot on (never mind the distracting wigs). The chance to hear a generous catalogue of Diamond’s music in arena-quality sound is not to be missed, in a movie that offers a satisfying catharsis. Music is most definitely the food of love, so may we all please have a second and third helping?

Song Sung Blue is currently running in theatres 

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