New Jersey
Sarlo’s OPRA stink bomb needs to be defused | Editorial
Just when taxpayers got used to the notion that public records actually belong to the public, our most powerful lawmakers have decided that it’s time to choke off access.
In a state notorious for government corruption and poor transparency, New Jersey’s Legislature will attempt to gut the venerable but dated Open Public Records Act, which is a ludicrous idea if you only consider the treacheries that were revealed by the OPRA law.
It is a cortex-snapping litany: Because of OPRA, reporters were able to shake free internal emails and other documents that exposed the causes of the meltdown of our veterans’ homes during the pandemic. Because of OPRA, law enforcement was fundamentally changed in our state, after records showed major disparities in how police use excessive force. Because of OPRA, inspection records for a group home led to a state investigation of the alleged abuse of a severely disabled woman. Because of OPRA, the Office of the Medical Examiner was found to be a dysfunctional joke — bungling crime investigations, mangling corpses, and misplacing body parts.
These are just a few recent examples of how one news organization – this news organization – uses OPRA. But it is used every day by reporters, activists, and citizens who seek information from various departments and agencies about taxpayer funds, pollution levels, public safety, and countless other government functions that would otherwise never see the light of day.
Now that transparency is imperiled, because a bill that aims to overhaul the 22-year-old OPRA law puts severe constraints on anyone seeking such information, which validates a level of distrust in government that is quintessentially New Jersey.
In other words, if there has ever been a time to share your opinion with your local state representatives, this is it, with hearings scheduled Monday morning for both chambers.
“It’s Sunshine Week, and to schedule a bill of this magnitude on such short notice – in two committees at the same time – is a message to the public that says, ‘Don’t bother us,’” said former Senate Majority Leader Loretta Weinberg, whose attempts to reform OPRA in the past fell short. “It’s a disgrace. People need to make calls.”
While no one disputes that OPRA needs an update – particularly to quell data mining by retailers — the bill (S-2930) authored by Sen. Paul Sarlo (D-Bergen) is a contemptible assault on government transparency.
Among its provisions: Access to email and call logs would largely be exempt, as requests for government-related emails would need to include a “specific subject matter” and “discrete and limited time period.” The request would also have to name a specific government employee whose email can be searched, not merely a department.
But the greatest change could be what happens when an OPRA request is denied, which is often. Currently, the government agency has to cover a legal fee if a requester successfully challenges a denial. But Sarlo’s bill leaves this longstanding fee-shifting provision up to the discretion of a judge who hears the case or the Government Records Council (GRC).
So even the government wrongly denies access to a public record, the petitioner might still be stuck with the legal tab. That will have a chilling effect on attorneys willing to take such a case.
Worse, all provisions are retroactive — including the fee shift change, so attorneys already arguing cases on the assumption that they’d be paid after a successful court challenge can still be denied payment.
Sarlo’s bill even allows agencies to deny requests that it believes could lead to “harassment,” and bans metadata, which is the encrypted information on an electronic file that shows its source.
Just like that, the public’s right to know is not American scripture, but a quixotic dream of the past.
Nicole Rodriguez, the president of NJ Policy Perspective, put it this way: “When documents are created by public officials on public salaries with the public’s trust,” she said, “there’s no good reason to restrict public access to that information. Yet that’s exactly what this bill does.”
Sarlo claims he consulted all stakeholders, but there is no evidence he listened to any besides the League of Municipalities, which has long sought to reduce the relentless torrent of commercial requests for records – a legitimate concern that demands a solution, but not one that involves strangling public access. The New Jersey Press Association, for one, said Sarlo didn’t keep his word to share a copy of the bill before it was posted, and called the process “a disservice to the public.”
Sarlo didn’t even bother to consult Marc Pfeiffer of the Rutgers-Bloustein School of Planning and Public Policy, who ran the GRC when the law was enacted in 2002. Pfeiffer’s take is blunt: “Bludgeons create a mess, and rapiers are surgical. This bill uses a bludgeon to try to deal with outliers that exist within OPRA.”
The reason for this overkill: Our elected officials seek to give government departments and agencies more freedom to stonewall public requests for information, which makes a state with a lousy reputation for transparency even more opaque.
Weinberg calls it “a real gut punch,” adding that “Democrats should be about protecting democracy – or so I’ve been told. Reducing a citizen’s access to their own government is not a way to do that.”
Apparently, our Legislature think it’s New Jersey’s way, but taxpayers don’t have to agree. Make the call.
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New Jersey
How a ‘Haunted’ House in New Jersey Inspired the Sinister New England Setting for Matthew Rhys-Led Hit ‘Widow’s Bay’
The acclaimed Apple TV series “Widow’s Bay” has become the latest streaming sensation to captivate viewers and critics alike—earning rave reviews across the board, thanks to its witty dialog and dark, eerie undertones.
Starring Matthew Rhys, Kate O’Flynn, and Stephen Root, the series, which premiered on April 29, is set in a fictional New England town for which the show is named, and focuses on the efforts of the local mayor, Tom Loftis, to turn the quaint locale into “the next Martha’s Vineyard.”
Yet Loftis, who is portrayed by Rhys, runs into one major hurdle in his scheme: Widow’s Bay, while both charming and picturesque on the surface, is also plagued by a series of unexplained supernatural events that have led its residents to decide that the town is “cursed.”
Though the mayor refuses to be swayed from his plans to market Widow’s Bay as the ultimate New England escape, he faces a steep uphill battle when it comes to conquering the town’s very sinister past, which includes tales of not one, but two, suspected serial killers—as well as claims that anyone born in the town will die if they dare to venture to the mainland.
Rather than lean into this sordid history and turn the town into a haunted attraction, Loftis is determined to move away from the town’s past and embrace a new future, a dream that, perhaps unsurprisingly, hits more than a few snags along the way.
Thus far, the show has received rave reviews—while also sparking a great deal of speculation about whether Widow’s Bay was inspired by a real-life location, having been shot across a number of Massachusetts towns, including Worcester, Rockport, and Gloucester.
In the show, Widow’s Bay, much like Martha’s Vineyard, is described as being a small island town off the coast of Massachusetts. However, its comparisons to the upscale New England hot spot end there.
Showrunner Katie Dippold has made clear that the mystery surrounding Widow’s Bay is part of its appeal, telling the Boston Globe: “It’s a long ferry ride, you don’t know exactly if the ferry comes from Massachusetts or Maine, but I purposely wanted to keep that a little vague.”
In fact, the only real-life source of inspiration that Dippold has credited for helping her to craft Widow’s Bay is located nearly 300 miles away from Massachusetts, in New Jersey, where the show’s creator was raised.
Speaking to Gizmodo, Dippold revealed that she wanted Widow’s Bay to conjure up the same kind of fear that she experienced as a child, when she would visit a local “haunted” house with her family.
“I would say the inspiration was trying to capture a certain feeling that I’ve always wanted,” she said.
“As a kid in New Jersey in the ‘80s, there was a haunted house that I would always go to with my family. It’s terrifying. I was way too young for it. But I loved that I would go, and it was terrifying, and I would scream, but we would also laugh, and it’s very communal.
“And so I’ve wanted to capture that feeling. And I’ve always wanted a place like this to actually exist.”
Dippold explained that she had always wanted to one day visit a town like the one that she has now created: an idyllic coastal community where every turn brings a new mystery and a sense of sinister energy lingers in the air.
“Like, I want to go to this island,” she shared. “I want to go to the weird inn, and I want to go to the Salty Whale. Just to feel like there’s these nooks and crannies you can discover is very exciting to me.”
A “haunted” house was not the only place where Dippold found inspiration, however—particularly when it came to creating that authentic New England “vibe,” as she described it.
The showrunner points to author Stephen King‘s storied works as being one of the many places she found ideas for the sinister underbelly of Widow’s Bay, while a restaurant in Marblehead, MA, helped to fan the flames of what would one day form the quintessential New England town.
“I really wanted to tap into that Stephen King atmosphere,” Dippold told the Globe. “And then also, a couple years ago, I went to this diner in Marblehead, MA. It’s called the Driftwood, and it was just everything you could possibly want.
“It was off the sea. There’s just big coffee mugs with old stains and locals in flannel shirts talking about the day. It was very cozy and very lived in, and I just never wanted to leave. It was out of a Stephen King book.”
Dippold also turned to another major Massachusetts-based thriller when it came to creating that prevalent feeling of terror: Stephen Spielberg‘s acclaimed 1975 hit “Jaws,” which was shot on Martha’s Vineyard.
However, she noted that the intent was never to create a “spoof” of the movie, but rather draw from the feeling of panic it creates among audiences.
“It was important for us to feel like [we weren’t doing] a parody of it or doing it exactly—but just the spirit of it,” she explained to Gizmodo.
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New Jersey
NJ Lottery Pick-3, Pick-4, Cash 5, Pick 6 Lotto winning numbers for Saturday, May 2
The New Jersey Lottery offers multiple draw games for people looking to strike it rich.
Here’s a look at May 2, 2026, results for each game:
Pick-3
Midday: 3-7-1, Fireball: 3
Evening: 5-3-4, Fireball: 0
Check Pick-3 payouts and previous drawings here.
Pick-4
Midday: 0-8-4-3, Fireball: 3
Evening: 1-2-2-4, Fireball: 0
Check Pick-4 payouts and previous drawings here.
Jersey Cash 5
01-28-30-40-41, Xtra: 41
Check Jersey Cash 5 payouts and previous drawings here.
Pick-6
09-18-22-25-38-42
Check Pick-6 payouts and previous drawings here.
Millionaire for Life
06-17-31-42-50, Bonus: 02
Check Millionaire for Life payouts and previous drawings here.
Quick Draw
Drawings are held every four minutes. Check winning numbers here.
Cash Pop
Drawings are held every four minutes. Check winning numbers here.
Feeling lucky? Explore the latest lottery news & results
When are the New Jersey Lottery drawings held?
- Pick-3: 12:59 p.m. and 10:57 p.m. daily.
- Pick-4: 12:59 p.m. and 10:57 p.m. daily.
- Jersey Cash 5: 10:57 p.m. daily.
- Pick-6: 10:57 p.m. Monday and Thursday.
- Millionaire for Life: 11:15 p.m. daily
This results page was generated automatically using information from TinBu and a template written and reviewed by a New Jersey Sr Breaking News Editor. You can send feedback using this form.
New Jersey
Newark man arrested in fatal New Jersey Chick-Fil-A shooting
A Newark man has been arrested and charged with murder after police said he opened fire in a New Jersey Chick-fil-A, killing a man and leaving six other people hurt.
Jaheed Fields was busted nearly three weeks after the shooting in the Union Township fast food shop, county prosecutor William Daniel announced Friday.
Fields, 20, was charged with one count of first-degree murder and six counts of attempted murder, as well as unlawful possession of a handgun and possession of a weapon for an unlawful purpose.
“The brazen nature of this incident, occurring in a crowded restaurant where people should feel safe, was an affront to our citizens and the security they deserve,” Daniel said.
“This arrest is a testament to the meticulous work and seamless coordination between all of the law enforcement agencies involved, and a reminder that Union County will never tolerate acts of lawlessness that threaten our residents.”
Officials did not reveal a motive for the shooting.
Fields allegedly fired several rounds inside the Chick-fil-A around 9 p.m. on April 11, with witnesses describing the scene as a “warzone.”
Malek Shepherd, 23, of New York City, was killed at the scene, police said.
Six other victims were taken to area hospitals and treated for non-life-threatening injuries.
Witnesses at the time said a group of masked men charged into the shop and fired multiple shots after forcing their way behind the counter.
It’s unclear if additional arrests were expected.
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