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Oscars rewind — 2004: Why the hair and makeup winners apologized to their cast

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Oscars rewind — 2004: Why the hair and makeup winners apologized to their cast

Many of the Academy Awards categories have long histories that stretch back nearly 100 years. That’s not true for the hair and makeup artisans, though. Their artistry was left out of the awards prior to 1981, when a groundswell of support for the recognition of the work done on 1980’s “The Elephant Man” led to the creation of a makeup-only category (and “Elephant” wasn’t the first winner). Hair wasn’t included until 1993, and is still considered part of the package deal, now known as the Academy Award for makeup and hairstyling.

Meanwhile, hair and makeup nominees are chosen slightly differently than most other categories — a shortlist of seven titles are selected by the academy’s makeup branch, then winnowed down during a “bake-off” into a final list of nominees (usually three). Such was the case for the 2004 Oscars, held on Feb. 29 at the Kodak Theatre in Hollywood: Three nominees, one winner.

The winners likely surprised no one in the audience. By the time the award was handed out by Scarlett Johansson to Richard Taylor and Peter King, their film “The Lord of the Rings: The Return of the King,” was already well on its way to earning all 11 awards for its 11 nominations. It was Taylor’s second chance on stage that night; earlier in the evening he’d picked up his first Oscar for the film’s costume design, an award he shared with Ngila Dickson. He also has previous Oscars for makeup (shared with Peter Owen) and visual effects (shared with Jim Rygiel, Randall William Cook and Mark Stetson) from 2002 for the first film in the trilogy, “The Lord of the Rings: The Fellowship of the Ring.”

Taylor shared the applause in his speech, crediting several other crew members who were instrumental with the manufacture and care of over 10,000 prosthetics used during the “Lord of the Rings” series of films. He also then spoke to the various former Middle Earth residents in the audience, giving credit to “the cast that had to wear it all over all those months. I apologize for the rubbery feet and funny noses but cheers to you all.”

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King was picking up his first (and so far, only) Oscar; he’d go on to be nominated again in 2013 for “The Hobbit: an Unexpected Journey.” “God, it’s scary up here,” he said. After thanking the studio and fellow crew, he added, “I’d like to thank my gorgeous wife Sarah for being there every night with a glass of wine when I got home. I thank my gorgeous daughter for just being gorgeous.”

The other two nominees that went home certainly presented formidable competition, but it was hard to deny “King’s” dominance. Edouard F. Henriques and Yolanda Toussieng had been nominated for “Master & Commander: The Far Side of the World.” This was Henriques’ second of three nominations; he would be tapped in 2011 for working on another Peter Weir-helmed film, “The Way Back,” and his first nomination came from work on “The Cell” in 2001. Meanwhile, Toussieng won two Oscars in back-to-back-years: 1994 for “Mrs. Doubtfire” and 1995 for “Ed Wood”; she also would be nominated for working with Henriques and Greg Funk on “The Way Back.”

Completing the trio of long-titled nominated movies were Ve Neill and Martin Samuel, who were nominated for their work on “Pirates of the Caribbean: The Curse of the Black Pearl.” Neill already was well-stocked with Oscars — she has three, from “Beetlejuice” (1989, shared with Steve LaPorte and Robert Short); “Mrs. Doubtfire” (shared with her competitor this year Toussieng and Greg Cannom); and “Ed Wood” (shared with Toussieng and Rick Baker).

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Celebrities express grief over death of Eric Dane, pride in his ‘heroic’ battle against ALS

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Celebrities express grief over death of Eric Dane, pride in his ‘heroic’ battle against ALS

News of Eric Dane’s death Thursday was met with an outpouring of grief by celebrities, who expressed their admiration for the TV star’s mischievous on-screen charisma and his advocacy efforts during his battle against ALS.

Dane is best known for his role as Dr. Mark Sloan, or “McSteamy,” on “Grey’s Anatomy” and recently portrayed the dark and secretive father Cal Jacobs in HBO’s “Euphoria.” He died at age 53, less than a year after publicly announcing his diagnosis with the neurodegenerative disease.

Alyssa Milano, who was Dane’s romantic co-star on “Charmed,” shared a heartfelt message on Instagram praising his cheeky, yet tender spirit and deep love for his daughters.

“I can’t stop seeing that spark in Eric’s eye right before he’d say something that would either make you spit out your drink or rethink your entire perspective,” said Milano. “He had a razor-sharp sense of humor. He loved the absurdity of things.”

HBO Max shared a statement on Instagram, lauding Dane’s talent and saying the network was “fortunate to have worked with him on three seasons of Euphoria.” The show’s creator, Sam Levinson, shared a statement with Variety saying he’s heartbroken by the loss of a dear friend.

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“Working with him was an honor,” Levinson said. “Being his friend was a gift. Eric’s family is in our prayers. May his memory be for a blessing.”

Former “Grey’s Anatomy” showrunner Krista Vernoff shared an Instagram post fondly reminiscing about when Dane returned to the set in 2021 to film a dream sequence featuring his character, who died in Season 9. Although it was shot during the pandemic, he “broke the rules” and gave her a huge hug.

“The thing I will remember most about Eric Dane are his hugs,” Vernoff wrote. “The best hugs. Oh my friend. I wish you peace.”

Dane was preparing to publish his memoir, “Book of Days: A Memoir in Moments,” later this year with Maria Shriver’s publishing imprint, the Open Field.

Shriver said Dane was heroic in the way he handled his disease and used his platform to raise awareness about ALS.

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“He told me he wanted his family to know how much he loved them, and he wanted to leave them a story they could be proud of,” she said in a statement on X. “My love goes out to his family, and to all those battling this cruel disease, as well as all those caring for someone battling it.”

In 2025, Dane drew on his personal experiences with the condition to portray a firefighter living with ALS on “Brilliant Minds” and advocated for legislation to provide funding for ALS research and give patients early access to treatments.

He worked closely with the nonprofit organization I Am ALS to raise money to research new treatments for the disease, which currently has no cure.

“Eric brought humility, humor, and visibility to ALS and reminded the world that progress is possible when we refuse to remain silent,” the organization said in a statement. “Eric was more than a supporter of our mission — he was part of our family.”

ALS, also known as Lou Gehrig’s disease, is a progressive disease that damages nerve cells controlling voluntary muscles, typically causing death two to five years after diagnosis.

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Nina Dobrev, Dane’s co-star in the western romance movie “Redeeming Love,” wrote on her Instagram story that she was heartbroken by his death.

“He was warm, generous, prepared, and so passionate about what he did,” she said. “He led with kindness and made everyone on our set feel seen.”

Times staff writer Alexandra Del Rosario contributed to this report

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Movie Reviews

Hey Balwanth Movie Review – Gulte

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Hey Balwanth Movie Review – Gulte

2.5/5


02 Hrs 14 Mins   |   Comedy Drama   |   20-02-2025


Cast – Suhas, V K Naresh, Shivani Nagaram, Vennela Kishore, Harsha Vardhan, Sudarshan, Sravanthi Chokarapu, Ajay Ghosh, Annapurnamma, Babu Mohan and others

Director – Gopi Atchara

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Producer – B. Narendra Reddy

Banner – Trishul Visionary Studios

Music – Vivek Sagar

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From April 2024 to the middle of 2025, at least six films were released with Suhas in the lead role but none of them gave him the expected positive result. He took a pause for about six months in releasing his films in theatres and came up with a comedy-drama film ‘Hey Balwanth’. The inform producers and the presenters, Vamsi Nandipati and Bunny Vasu, took the responsibility of releasing the film and generated enough curiosity among the audience with some interesting promotions. After getting its title changed from ‘Hey Bhagawan’ to ‘Hey Balwanth’, due to the censor board objections, the film was released in theatres today. Did Suhas, score a theatrical hit after tasting not-so-favourable results with his last few films in lead roles? Did the actress, Shivani Nagaram, continue her success streak? Did Vamsi Nandipati and Bunny Vasu, deliver yet another successful film? How did the director, Gopi Atchara, do? Did Vivek Sagar’s music help the film? Let’s figure it out with a detailed analysis.

What is it about?

Krishna(Suhas), grew up watching his father(Naresh) working day in and day out. He wants to take up his father’s business after he finishes his post-graduation in business management. But, Krishna’s father asks him to find a good job elsewhere. To prove his worth as a worthy successor to his father, he joins as a business consultant at an NGO which is being managed by Mithra(Shivani Nagaram) and eventually falls in love with her. When everything seems to be going well, Krishna’s father suffers a heart attack and the doctors ask him to take bed rest for a few months. Since his father has to take a rest, Krishna decides to run the family business. What happens when Krishna decides to run the business? What exactly is the profession of Krishna’s father? How did Mithra’s family get themselves involved with Krishna’s family business? Forms the rest of the story.

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Performances:

Suhas did a good job with his performance in comedy episodes. His ability to appear so effortless while generating fun, worked well at many places in the film. He did a decent job during the emotional sequences. Shivani Nagaram, delivered a decent job with her performance. She too did well during the comedy portions. Especially, the way she delivered the dialogue ‘Maadi chala orthodox family’, multiple times in the film, generated good laughs.

Sudarshan’s comedy timing and dialogue delivery are the major plus points of the film. He generated a good amount of laughs in almost every sequence in which he appeared. V K Naresh, made his presence felt during the emotional sequences. However, the comedy portions for his character, would have been written and executed in a better way. Vennela Kishore generated good laughs, although a few people may find it uncomfortable, in one episode in the first half. Harsha Vardhan and Ajay Ghosh with their timing, generated a few laughs here and there. Senior actress, Annapurnamma and the veteran actor, Babu Mohan, in crucial roles made their presence felt.

Technicalities:

Vivek Sagar came up with two decent to good songs. And, his background score was alright. Overall, his work in the film is adequate. Cinematography by Mahi Reddy Pandugula, is decent. He delivered a standard output to suit the scale and theme of the film. Viplav Nysdam’s editing would have been a bit better in the second half. Production values by ‘Trishul Visionary Studios’, are adequate. Let’s discuss the work of director and writer, Gopi Atchara, in detail in the analysis section.

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Positives:

1.⁠ ⁠Fun Portions
2.⁠ ⁠Sudarshan’s Comedy Timing
3.⁠ ⁠A Few Good Dialogues

Negatives:

1.⁠ ⁠Unexciting Drama
2.⁠ ⁠Clichéd Narration
3.⁠ ⁠Melodrama

Analysis:

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The entire promotional campaign of the film revolved around the profession or the business of the lead character and his family. In a way, the makers succeeded in generating curiosity and setting the expectations right among the audience by stressing the word ‘business’ during the promotions. To stay away from spoilers, let us not disclose the details about the profession. The ‘business’ theme on which the story of a father and son is narrated, can be made into an out-and-out comedy drama or a serious social drama. But, the director chose to make it as a social dramedy. In doing so, he succeeded as long as the film stuck to comedy episodes, but the film lost track, the moment the director started to blend the film with drama and a message.

The film has at least five sequences that generated very good laughs. The fun quotient during the pre-interval, interval episodes and a majority of the episodes involving the actor, Sudarshan, worked in favour of the film. Considering the core plot of the film, the director deserves special appreciation for not choosing the ‘below the belt’ comedy. Barring one or two instances, the film largely had clean comedy. Apart from executing the comedy portions well, the writer and director, also came up with a few very effective and heart-touching dialogues. Especially the dialogue – ‘Mogudu, koduku, anna.. inka chala perlu petti thanani pilichina kani… Nanna ani thanani pilichinappude…mogadu…oka hero la feel avvutadu’, worked out so well in explaining the emotional turmoil of a father to his son.

When a director chooses a sensible socially relevant topic as the backdrop of the film and decides to justify a certain profession, it should be executed as a serious drama with subtle social satire to generate fun. It looks artificial and out of sync when a filmmaker generates fun using a profession and social awkwardness around it, during the first and second acts and suddenly, takes a turn during the third act of the film to ‘justify’ the profession. It is where the film lost its track. The sudden shift in tone from comedy portions to serious drama, worked against the film. Also, the drama portions are executed in a very bland manner with unexciting writing and beaten-to-death narration. The entire third act of the film appeared so out of place and bored the audience to a large extent.

Overall, Hey Balwanth, has its moments and it worked to an extent because of the comedy portions and a few well-written dialogues but the film would have been much better had better care been taken in writing and executing the drama portions, especially during the second half.

Final Verdict – Fun Worked. Drama Did Not.

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Rating – 2.5/5

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Snoop Dogg sends Winter Olympics tickets to restaurant owners after his credit card was declined

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Snoop Dogg sends Winter Olympics tickets to restaurant owners after his credit card was declined

Snoop Dogg is dropping Olympics tickets like it’s hot.

The hip-hop icon has been busy at the Milan-Cortina Games as a special correspondent for NBC as well as an honorary coach for the U.S. team. According to recent reports by NBC and Reuters, he’s also been spreading the Olympics joy to the locals.

The rapper reportedly sent five tickets for the men’s snowboard halfpipe final to the owners of a local restaurant who covered his dinner after there were some troubles with the credit card payment. Sofia Valmadre, whose parents own Cronox in Livigno, Italy, said Snoop had placed an order for a cheeseburger, chicken wings, chicken nuggets and French fries at her family’s eatery. Unfortunately, the credit card the mogul’s staffer tried to use was declined for an unknown reason.

“My mother told him it was OK [to take the food] without paying,” Valmadre told Reuters. “[The next day] he sent us five tickets to see the final.”

The “Gin and Juice” rapper has become a familiar presence at the Olympics, especially since NBC made his involvement official starting with the 2024 Paris Summer Games. In addition to cheering on American athletes including curlers Cory Thiesse and Korey Dropkin, snowboarder Chloe Kim and speedskater Erin Jackson at their events — usually in custom apparel celebrating the sports stars — Snoop has been spending his time in Italy hanging out with bestie Martha Stewart, learning how to ski from Picabo Street and getting chummy with Olympians like “Quad God” Ilia Malinin.

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For those curious about Snoop’s dining habits, Stewart recently described him as a “very fussy eater.” She even surprised him with a bowl of spaghetti with meatballs topped with cheddar cheese during a recent fine-dining outing.

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