Minneapolis, MN
Finding meaning in George Floyd’s death through protest art left at his murder site
For months after George Floyd was killed by police in May 2020, people from around the world traveled to the site of his murder in Minneapolis and left signs, paintings and poems to memorialize the man whose death reignited a movement against systemic racism.
Now hundreds of those artifacts are on display for the first time outside of Minnesota, giving viewers elsewhere the chance to engage with the emotionally raw protest art and mourn Floyd, as well as other Black Americans killed by police.
“It’s different than seeing it on TV,” said Leah Hall of Phoenix, who brought her two young children to the exhibit that opened this month at the Arizona State University Art Museum. “It’s an important part of history that they are not learning in school,” said Hall, adding that she wasn’t able to fly to Minneapolis to honor Floyd’s life.
Visitors walked through a new exhibit, “Twin Flames: The George Floyd Uprising from Minneapolis to Phoenix,” at Arizona State University Art Museum, in Tempe, Arizona on Friday, Feb. 2, 2024. Cheyanne Mumphrey | AP
“Twin Flames: The George Floyd Uprising from Minneapolis to Phoenix” features about 500 artifacts that protesters and mourners left at the intersection of 38th Street and Chicago Avenue, where Floyd was killed. It is the largest collection of work from the intersection that has been on public display.
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Paintings of Floyd and poems about him written on poster boards stand on easels throughout the exhibit. Signs made with paper plates and reused cardboard that say “Justice 4 Floyd” and “Enough is Enough” cover the walls.
The heavy themes of the words and images on display are contrasted by arrangements of fake flowers and flickering, battery-powered, white candles evoking the vigil held in Minneapolis after his death.
A visitor reads a poem displayed at a new exhibit, “Twin Flames: The George Floyd Uprising from Minneapolis to Phoenix,” at Arizona State University Art Museum, in Tempe, Arizona on Friday, Feb. 2, 2024. For months after George Floyd was killed by police in May 2020, people from around the world traveled to the site of his murder in Minneapolis and left signs, paintings and poems to memorialize the man whose death reignited a movement against systemic racism. Now hundreds of those artifacts are being displayed at an exhibit at the Arizona State University Art Museum.
Cheyanne Mumphrey | AP
What’s on display in Phoenix is just a fraction of the thousands of artifacts under the care of the George Floyd Global Memorial, an organization that also tends to the living memorial at the intersection where he died and which remains closed off to traffic.
Many of the artifacts appear to have been written or drawn in a hurry. This conveys the urgency with which people felt the need to express their anger and grief after watching eyewitness video that captured the moment before he died, said Jeanelle Austin, director of the George Floyd Global Memorial.
Some recent visitors to the exhibit were moved to tears.
Jeanelle Austin, director of the George Floyd Global Memorial, talks about “Twin Flames: The George Floyd Uprising from Minneapolis to Phoenix,” at Arizona State University Art Museum, Friday, Jan. 12, 2024, in Tempe, Ariz.
Ross D. Franklin | AP
The organizers of the exhibit say their goal was to create a space for understanding and civil discourse, and potentially stimulate collective action against police violence and other systemic inequities in the U.S.
“We have always engaged with social and political work at the museum. Throughout time, art and protest have been side by side, and this (exhibit) really aligns with our mission to center creativity in art in the service of social good,” said Brittany Corrales, a curator at the museum who helped facilitate those organizing the exhibit.
The organizers also see the exhibit as an opportunity to examine the history of museums in America overlooking the inequities faced by Black Americans and other marginalized communities.
“To bring this here to the Phoenix metropolitan area, to Arizona State University, is significant because there is a history of police violence that is here that dates back to the early part of the 20th century,” said Rashad Shabazz, a university professor and board member at ASU’s Center for Work and Democracy, which funded the exhibit and brought the artifacts to Arizona.
Signs and a portrait are displayed at a new exhibit, “Twin Flames: The George Floyd Uprising from Minneapolis to Phoenix,” at Arizona State University Art Museum, in Tempe, Arizona on Friday, Feb. 2, 2024.
Cheyanne Mumphrey | AP
The exhibit draws direct parallels between Minneapolis and Phoenix, where a Black man named Dion Johnson was fatally shot by an Arizona state trooper the same day that Floyd was murdered. The George Floyd Global Memorial is hopeful of bringing the exhibit to other cities after it leaves Phoenix in July, but there are no plans yet.
One Phoenix resident who visited the exhibit last week said it would resonate far beyond the United States. “This is not just an American problem,” said Charm Abella, who was living in Spain in 2020 and remembers protests reaching around the world.
Other museums around the country are also delving into themes explored at the ASU Art Museum.
In Louisville, Kentucky, the Speed Art Museum last year honored the life of Breonna Taylor, who was killed by police officers there after they illegally entered her apartment in March 2020. The exhibit, the second at the museum to focus on Taylor’s life, prominently displayed a portrait of Taylor created by Amy Sherald, the artist who painted the portrait of Michelle Obama for the National Portrait Gallery in Washington, D.C.
The exhibit spoke to the idea that Black artists could use portraits to spark conversation and potentially action, said Raphaela Platow, the museum’s director. “What’s important for us is that we continue having ongoing conversations about the issues that we are facing as a community, from police violence to racial segregation to systemic oppression,” Platow said.
Rashad Shabazz, an Arizona State University professor, pauses at the exhibit “Twin Flames: The George Floyd Uprising from Minneapolis to Phoenix,” Friday, Jan. 12, 2024, in Tempe, Ariz.
Ross D. Franklin | AP
Previous art exhibits in Arizona that were critical of police officers drew local condemnation.
An art exhibit at the Mesa Arts Center in Arizona drew concern from the city in September for planning to showcase signs against police violence that could be considered offensive to city employees because of explicit language.
But the organizers of “Twin Flames” stressed the importance of confronting hard truths. “Our purpose is to be able to create spaces that remind people that the work is not over,” said Austin, the director of the George Floyd Global Memorial.
Family members of Floyd who visited the exhibit last week were deeply moved.
Floyd’s aunt, Angela Harrelson, who traveled from Minneapolis, said that upon entering the museum she felt “overwhelmed, but in a good way.”
“I saw all the art that people meticulously cared for and took the time to place,” she said. “It was concentrated with so much love and passion.”
Reporting by Cheyanne Mumphrey, AP Education Writer
Minneapolis, MN
Minneapolis LGBTQ+ literature haven Quatrefoil Library celebrates 40 years
“Like so many good queer stories, ours starts in the closet,” said Iggy Gehlen, board vice president of the Quatrefoil Library in Minneapolis — one of the country’s oldest and largest collections of LGBTQ+ literature.
The closet is in this case both physical and metaphorical: before being publicly out in the 1980s, avid reader Dick Hewetson stored his ever-growing queer pulp collection in his partner David Irwin’s linen closet. Until then, he had resorted to reading these books with haste at the local bookseller. Possessing them, he worried, would out him by proxy.
While Hewetson’s personal collection expanded, general access to queer stories didn’t. The AIDS crisis, which resulted in the deaths of 125 Minnesotans by 1987, only reinforced the stigmatization. Irwin and Hewetson were soon running a quasi-library out of their home. Friends and their friends lent texts at such a high frequency and with such apparent thirst that when the opportunity presented itself for the pair to establish a publicly accessible library at the Minnesota Civil Liberties Union (now the ACLU of Minnesota) building in 1986, they took it. Christened the Quatrefoil Library, the collection made it out of the closet along with its founders.
In the 40 years since, Quatrefoil’s materials, most of which are donated, have outgrown various locations. In 2011, the library found its current home: a comfortable brick-and-mortar building on East Lake Street. More than 27,000 materials (including films and magazines) are accessible seven days a week due to the efforts of dedicated volunteers who staff the library. In 2025 alone, about 150 people participated in some volunteer capacity.
In that number lie countless stories of chosen family, social groups and even romantic partnerships.
The stacks host no shortage of thoughtfully curated books that fit tight, but right. There are several displays (including a current one that exhibits books published around 1986, the year of the library’s founding) and gathering areas that seem to beckon you to stay a while. The front desk is covered in rainbow flags with a coffee station manned by volunteers who are happy to gently guide first-time visitors or chat with the regulars.

Community forming space
In the past few years, Quatrefoil has reinvigorated its purpose: memberships have “basically doubled,” Gehlen said, a symptom to him of increased legislative uncertainty for queer folks around the nation. Quatrefoil provides a space for community forming, which manifests in craft circles, recovery and support groups, tarot readings and many different book clubs.
“We’re finding that people are needing that space more (today),” said Ollin Montes, board president of the library. “Since 2023, when there was this wave of criminalization of gender-affirming care, and widespread targeting of queer folks, we’ve had folks migrating to Minnesota and coming to the library.”
New groups form and congregate in the library often. Recently, migrant volunteers from the southern United States created a group that welcomes transplants from all parts of the country. Those who come to the library hoping it will bridge them to queer community find that it offers just that.
“It’s really important that people have safe spaces, where they feel affirmed, and where they can just let their hair down,” Montes said. “I feel grateful that we’re able to provide that space for folks who are needing it.”
He first connected with Quatrefoil as an escape from feelings of burnout from his day job as an immigration organizer in 2019.
“I came in and I just fell in love,” Montes said. “It was surreal to be in a space where all of the content was focused on queer issues and topics.”
Shared identities
What touched him most upon his arrival were the two older front-desk volunteers willing to plunge into deep conversation with him immediately — a moment he soon realized was one of his first experiences of conversation with queer elders.
Intergenerational connection is especially challenging in queer communities because unlike other minority groups, LGBTQ+ people don’t traditionally congregate in a central hub. Youth are less likely to grow up around people with shared identities after which they can model, or at least visualize their future. This makes positive representation in physical media all the more important.
But at Quatrefoil, patrons have the chance to hear stories of survival straight from the source. Current head librarian Karen Hogan, for example, became a visiting patron of the library in 1987 and has volunteered since the ’90s. She’s a resource beyond her role, a walking archive of sorts, and has been especially helpful in planning the 40th anniversary celebration that the library will host in October.
This intergenerational aspect is something Montes says keeps him in the space. Talking to queer elders about their personal experiences has helped him through several milestones in his life, like presenting his boyfriend to his parents for the first time.
“Hearing those stories gives you a sense of power,” Montes said. “Our history is passed down both through what we write and the stories we’re told. Some of those stories are told by virtue of having the opportunity to have a conversation with somebody who was alive during that time.”
Queer people have long relied on pioneers within the community to recognize, safeguard and circulate materials relevant to their lives. Thanks to the efforts of Jean-Nickolaus Tretter, for example, who donated his large lifelong collection of LGBTQ+ related materials, the University of Minnesota now has one of the largest LGBTQ-specific archival repositories in the country.
Digitizing the collection
Clubs and bars are nice places to find community, Montes says, but spaces to “nerd out” are just as important.
Volunteers have started to digitize the collection as well. As some Pride events are tabled in rural areas this month, library volunteers will be able to point curious minds to the virtual site.
For closeted kids in rural Minnesota, virtual access could help prevent the same issue founder Dick Hewetson faced.
“It gives you a kind of plausible deniability,” Gehlen said. “You don’t have to hide the book in your backpack. You can just close out of the app if you don’t want somebody to see what it is that you’re reading.”
Montes says that having access to queer history as a young person gave him strength.
“Learning about all the things that queer people did to protect ourselves, to care for each other, to support one another … made me understand that (we) are so resilient,” Montes said. “We have the capacity to meet these moments of crisis and uncertainty.”
He points to a quote by writer James Baldwin, who said: “You think your pain and your heartbreak are unprecedented in the history of the world, but then you read.”
A bittersweet anniversary
The name of the library pays homage to the seminal 1950 queer novel “Quatrefoil” by James Fugaté (pen name James Barr), one of the first texts to depict gay characters in a positive romantic light. The lessons taken from history and fiction is what continues to guide the space into the future.

“There’s a lot of scariness outside in the rest of the world, and we don’t want to downplay that,” Gehlen said. “But within this space, we have a lot of people who care a lot about protecting great stories, and share their time and expertise to continue to create something that is even bigger, beautiful and accessible, while really staying true to that original mission that was created by Dick and David.”
The anniversary will be bittersweet because both founders have passed — Hewetson just last July through medically-assisted death in California. In his self-written obituary, he wrote how he “had a wonderful life but was discouraged with the state of the world and the U.S.A.,” and encouraged continued activism.
Ten years ago, Hewetson stood in front of a crowd as he was honored at Quatrefoil’s 30th anniversary party. He described witnessing the growth from his hidden linen closet stash as “amazing.”
“Other cities brag about their gay resources, but we have a lot to be proud of,” Hewetson said. “What may have seemed a crazy idea has become a primary resource for the Twin Cities community.”
Minneapolis, MN
North Minneapolis shooting injures 2 near Logan Avenue
A shooting in north Minneapolis injured two men on Friday night.
Minneapolis police said officers responded around 9:30 p.m. Friday after multiple reports of gunfire near Lowry Avenue North and North Logan Avenue.Police said they found two men with gunshot wounds outside a home.
Officers said both men were outside when the gunfire started and a nearby hospital treated both men for non-life-threatening injuries.
Police are still investigating. Officers said no arrests have been made.
This is a developing story; check back for updates.
Minneapolis, MN
Man, 19, hospitalized after shooting in north Minneapolis; no arrests
A 19-year-old man is injured after a shooting in north Minneapolis on Friday, according to police.
Officers responded to the incident on the 2600 block of North Humboldt Avenue at 5:03 p.m. Officials said they found the man inside a home with apparent gunshot wounds that were not life-threatening.
The officers provided medical aid before the man was taken to the hospital, police said.
According to investigators, the man was outside the home when shots were fired and ran inside after he was injured.
Police said Friday night that no arrests had been made and that they were working to learn what led to the shooting.
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