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Manifest’s Josh Dallas on the OUAT Reunion That Never Was: ‘We Tried’

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Manifest’s Josh Dallas on the  OUAT Reunion That Never Was: ‘We Tried’


Manifest’s full-circle series finale featured many happy reunions after the 828ers — SPOILER ALERT — survived the Death Date and earned another chance to live their best lives. (Read our full recap here.)

Michaela found her way back to Zeke (who died in Season 4, Part 1), Saanvi met up with Alex, and Ben got to hug and kiss his wife Grace, who was murdered in the Season 3 finale. And while these anticipated reconnections were a fitting bookend to the series, there was one reunion we’d hoped to see and were woefully denied: Manifest star Josh Dallas sharing the screen again with his real-life wife and former Once Upon a Time co-star Ginnifer Goodwin.

Dallas tells TVLine that efforts to get her on the Netflix show were made, but an appearance just didn’t pan out.

“We tried throughout the years… We really did,” he shares. “We just couldn’t make it work in the end, unfortunately.”

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Dallas also notes that Goodwin is “one of the biggest Manifesters out there” and has barred him from ruining her viewing experience of the final episodes. “She’s already told me that I’m not allowed to watch with her because I make noises, talk, and mumble, and she banned me from the room,” he shares. “I’m not allowed to tell her anything, and she’s already set time aside to start bingeing.”

Goodwin — who starred as Snow White opposite Dallas’ Prince Charming on Once Upon a Time, which ran from 2011 to 2018 on ABC — previously expressed her love of Manifest, telling TVLine back in 2019 that she was “gutted” by the Season 1 revelation that the passengers had an expiration date (aka the Death Date).

“That is going to preoccupy me, so I need to know if this is something that is unchangeable,” she said. “But I am a committed viewer either way, so if you tell me, ‘Oh, they’re definitely dying on this day,’ it’s not that I don’t want to then see what they’re going to do in their final handful of years. But that is going to be my focus as a viewer!”





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Dallas, TX

FC Dallas Signs Haiti International Carl Sainté | FC Dallas

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FC Dallas Signs Haiti International Carl Sainté |  FC Dallas


FRISCO, Texas (March 19, 2024) – FC Dallas announced today the signing of midfielder Carl Sainté to a two-year contract with club options for the 2026 and 2027 seasons. Sainté spent the last two seasons with MLS NEXT Pro side North Texas SC.

WIth North Texas, Sainté accumulated 26 appearances across two seasons, registering one goal and three assists. In 2024, Sainté was invited to attend FC Dallas’ preseason training camp held in Marbella, Spain where he excelled across several positions in the backline and the midfield.

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Prior to North Texas, Sainté featured for New Mexico United of the USL Championship.Sainté made his senior debut for the Haiti National Team in an international friendly against Guatemala on March 27, 2022. Since making his senior team debut, Sainté has registered 15 appearances and logged 894 minutes played across all competitions.

A product of the Violette AC academy, Sainté began his senior career with the Haitian side in 2019 and helped Violette win the 2020-21 Ligue Haïtienne. Sainté also spent time in the AGE-Foot and ASGG soccer academies in Haiti.TRANSACTION DETAILS

Transaction: FC Dallas Signs Haiti International Carl Sainté

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Six years after Dallas approved monument to racial violence victims, it’s finally happened

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Six years after Dallas approved monument to racial violence victims, it’s finally happened


Adjacent to the Sixth Floor Museum and the Grassy Knoll sits another patch of sacred ground with its own historically consequential story.

It took Dallas decades to fully face President John F. Kennedy’s assassination. It’s taken far longer to acknowledge the murders that occurred about 100 years earlier — just on the other side of where the Triple Underpass would eventually stand.

In 1860, three enslaved Black men — Patrick Jenkins, Cato Miller and the Rev. Samuel Smith — were lynched at this site, alongside the original path of the Trinity River. They were hanged after specious accusations concerning their part in setting a downtown fire, and their deaths became part of an infamous reign of terror led by white businessmen during which enslaved individuals were rounded up and tortured.

At long last, Dallas will formally dedicate a sculpture on the site next Tuesday that honors these three men and all other victims of lynching and racial violence in our city between 1853 and 1920.

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Artists Shane Allbritton and Norman Lee created the sundial-inspired weathering steel sculpture, “Shadow Lines.” At one end of its semicircular wall is a poem written about this location and its brutal history by former Dallas resident and poet laureate of Virginia Tim Seibles.

In early 2018, in the midst of the debate over removal of Confederate statues, City Council members expressed interest in a memorial to victims of racial violence. George Keaton Jr., founder of Remembering Black Dallas, persevered until his death in December 2022 to turn the idea into action. The Dallas County Justice Initiative, with Ed Gray at the helm, and Remembering Black Dallas finished the job.

Recent heavy rains have left much of the Martyrs Park side muddy and full of deep puddles. Park department officials hope newly planted grass will take hold before next Tuesday’s dedication of the “Shadow Lines” artwork.(Juan Figueroa / Staff Photographer)

The sculpture sits on a wedge of city land known as Martyrs Park. It’s not an ideal place for a contemplative green space, trapped between the Triple Underpass and the access ramp to Interstate 35E, and deafened by highway traffic and the Trinity Railway Express rumbling overhead.

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It’s no mystery why the dedication ceremony is taking place at the Sixth Floor Museum before the ribbon-cutting at the sculpture site. Hearing the speeches would be impossible at Martyrs Park.

But Gray, like Keaton before him, is steadfast about this being the right location.

“To the people who ask, ‘Why did we build this here?’ This is where it occurred,” Gray told me. “We can’t change what’s there now, but it remains historic and sacred.”

I took my first close look at the sculpture Saturday and was pleasantly surprised to find a more welcoming feel at Martyrs Park, a raw space full of trash and tents on my several previous visits.

Accessibility remains a challenge. Your best bet is to park in the Sixth Floor Museum area and walk along the Elm Street sidewalk and through the pedestrian tunnel. Once you emerge, you are only steps from the park.

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Newly applied paint was visible Monday on the floor of the pedestrian walkway that connects...
Newly applied paint was visible Monday on the floor of the pedestrian walkway that connects the grassy knoll, near the Sixth Floor Museum, and Martyrs Park.(Juan Figueroa / Staff Photographer)

The most important upgrades have taken place in the tunnel. Never before had I walked through this long dark corridor when it didn’t smell like a urinal — and looked even worse. It’s now been repaired, painted, scrubbed and lighted. On order is vandal-resistant permanent lighting.

The park department has cleaned out decades of trash, underbrush and scraggly bushes that once encircled much of Martyrs Park. The lower limbs of the stately trees along the street and in the background have been trimmed to allow for better viewing. A new sidewalk is in place, and lights illuminate the sculpture at night.

Let me be clear — the place didn’t look great. Recent heavy rains had left deep puddles throughout and threatened to wash away newly planted grass. The railroad-owned embankment remains unsightly. A man lay tucked up against the sculpture’s front wall — his sleep only disturbed when I began reading the inscriptions aloud.

But if you squint a little, you actually see a park, not a dumping ground. It’s a minimalist’s landscape that keeps the focus on the piece of stark public art, just as Keaton wanted.

Still to be added are two Texas Historical Commission markers, one honoring Jenkins, Miller and Smith and the other commemorating Jane Elkins, a slave hanged in 1853 after her conviction for killing her white owner as he attempted to rape her. Elkins’ name is also included on the “Shadow Lines” sculpture.

Martyrs Park provides a homecoming for all local victims of racial violence, Gray said. “It gives them a sense of all being put together in one spot and further sanctifying that ground.”

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A panel engraved with the name of Allen Brooks, who was lynched in downtown Dallas on March,...
A panel engraved with the name of Allen Brooks, who was lynched in downtown Dallas on March, 2, 1910, is part of the “Shadow Line” memorial.(Juan Figueroa / Staff Photographer)

The “Shadow Lines” dedication at Martyrs Park will mark the last of three high-profile events in Dallas’ reckoning with the violence wrought by racism.

To secure the markers for two other victims, the Dallas County Justice Coalition worked for years to meet the requirements of the Equal Justice Initiative, whose National Memorial for Peace and Justice in Montgomery, Ala., is a shrine to the victims of lynching.

The marker for Allen Brooks, who was abducted, killed and hanged downtown in front of a large crowd in 1910, was dedicated at Pegasus Plaza in November 2021. The marker for William Allen Taylor, lynched by vigilantes in 1884 near the Trinity River, was dedicated last November at Trinity Overlook Park. The names of Brooks and Taylor are also among those on the Martyrs Park sculpture.

Gray had many kind words about how hard City Hall, especially the Equity and Inclusion, Arts and Culture, and Park and Recreation departments, have worked to get the commemorations done right.

He said it was important, in contrast, to note Mayor Eric Johnson has not attended any of the events. “His reluctance to be a part of these is troublesome and disturbing,” Gray said.

Johnson’s chief of staff, Alheli Garza, told me the mayor “regrettably has a preexisting immovable conflict” with Tuesday’s event. She said his office is “coordinating a private visit for Mayor Johnson to view the installation and meet the artists on a future date.”

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Most meaningful to me at the memorial site is Seibles’ poem, the words of which are punched into the sculpture’s steel wall. It’s exactly what needed to be written for Dallas, where we’ve made a lot of progress but still prefer the reconciliation part of racial healing to the hard truth-telling.

Seibles’ words are no Kumbaya moment, but rather searing honesty. Please take time to read the full text, which accompanies my column.

The "Shadow Lines" sculpture, with the names of known lynching victims cut into it, also...
The “Shadow Lines” sculpture, with the names of known lynching victims cut into it, also honors all victims of racial violence from 1853 to 1920.(Juan Figueroa / Staff Photographer)

Finally, as I consider the 50 or so tourists I passed on the Grassy Knoll as I walked to Martyrs Park — where I was the sole visitor, not counting the homeless guy — here’s a suggestion: The last JFK information placard is only steps from the pedestrian tunnel. Can a sign be added about the historically relevant events visitors can find on the other side of the bridge?

That’s history Dallas and its visitors also need to understand.

The public dedication of “Shadow Lines” will begin at 10 a.m. March 26 in the Courts Room of the Sixth Floor Museum, 411 Elm St,, followed by the ribbon-cutting at the “Shadow Lines” sculpture at Martyrs Park, 379 Commerce St.

Below is the full text of the poem cut into the sculpture:

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Here

These are the things

nightmares are made of:

ropes, knives, a torn

black face, burning flesh,

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white mobs, their picnics

and blood-spattered hands.

We want to forget

what happened here,

But it is impossible

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not to wonder what broken

song in the human heart

led to this. What rancid fear

tightened the knots, gathered

the grinning throngs?

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All of us live with these echoes:

the last screams of a man

ripped apart, hung for display,

the mob’s ruthless laughter.

Though we remain

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tied to these wounds

and wary of each other —

though we don’t want

to believe this happened here.

this grief, this jagged silence

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still builds inside us, no matter

how far we run, no matter

how quickly we turn away.

You are here now.

Remember that this too

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made America.

Sound your voice.

— Tim Seibles, 2023



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Mavericks vs Spurs Preview: 3 questions as Dallas takes on San Antonio

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Mavericks vs Spurs Preview: 3 questions as Dallas takes on San Antonio


The Dallas Mavericks face the San Antonio Spurs for the final time this season Tuesday night in San Antonio. Dallas is looking to go a perfect 4-0 against its divisional rival.

After beating the Spurs in a close game in the season opener, the last two matchups have been blowouts in the Mavericks favor. Dallas has taken care of business against below .500 teams, with a 21-5 record against losing teams this season. While the Spurs are still toiling at the bottom of the standings, rookie sensation Victor Wembanyama keeps getting better by the week, and will present a challenge for the new-look Mavericks front court.

Here are three questions to consider for the in-state matchup.

Will the Mavericks starting 5 come out looking like the team that just beat the defending champs?

An NBA starting lineup can be something like a jigsaw puzzle, resembling a discordant scene not dissimilar to a Bosch painting until the true image begins to work itself out through either the inherent skill of the dissectologist at the helm of the puzzle, or (more frequently) via the process of dumb luck. However it may be, it appears as if coach Jason Kidd has finally put together the Botticelli we’ve all been impatiently awaiting (yes, Luka gets to be Venus).

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The combination of Luka Doncic, Kyrie Irving, Daniel Gafford, PJ Washington and Derrick Jones Jr. has created a unique and effective blend of chemistry and rotational balance. And it makes sense, especially when one realizes that Luka and Kyrie can (almost) win games via their own offensive output alone, that the ideal frontcourt to round out the remaining three spots in the Mavs’ starting five would always need to be – primarily – defensive-minded, highly athletic journeymen. The reader should be reminded here that Gafford very nearly broke the record for consecutive field goals made. Yes, I know stats have kind of taken over the focal point of sports coverage, but that record ain’t no joke, especially for an organization that has lacked quality bigs for as long as I have been alive. As we all know, it’s a lot easier to win the ballgame when the ball is going in the bucket, but team identity is forged when you have a group that can set a tone on a nightly basis. Not all games are going to end with a W, but creating a reputation as touch matchup is increasingly vital as this pony attempts to make some noise out in the west.

Will the Mavs’ recent success at winning the rebounding game continue?

In case no one is looking, there’s a 7’4 Frenchman casually waiting for tipoff at the Frost Bank Center. Well, more likely he’s having his caricature drawn next to wherever he’s parked his yacht along the riverwalk. While Victor Wembanyama hasn’t yet reached his full potential, he’s still creating matchup nightmares for teams across the league, making his presence felt on the boards and blocking shots with the regularity of an elite missile-defense system. While beating a Nuggets team with a healthy Jokic at the helm is not a task for some slouch, then taking it to the Spurs in the paint and coming away with a W on the heels of that task is a challenge, indeed. Obviously, Wembanyama presents a different kind of matchup than Jokic does. His frame and physical movement are more similar to Dallas’ Dereck Lively II, who recently said in an interview that one of his own strong suits is stamina, rather than brawn (you’ll get there, Rook).

We’ll see if the Dallas frontcourt rotation can continue to be a big factor in a contest against another very talented big man. Don’t be surprised if a few close-range floaters get sent packing back up to north Texas.

Can Luka continue to put up historic numbers and lead the Mavs to close out the season strong?

I don’t think anyone needs a reminder of what Luka does on a nightly basis. But… he’s the NBA’s scoring leader (so far) this season, it has lately become something of a disappointment if he doesn’t reach a 30-point triple-double line, and he routinely does something that justifies the coinage of “Luka-magic”. And, yet… his name consistently trails that of a few others in the MVP race this year. This is something that continues to bring frustration and ire to many within the fan base. We should be clear about our priorities, though. I, for my part, think it’s pretty obvious that he’s playing at an MVP level this season, and should, thus, be recognized for it. However, that trophy is awarded not only on the merits of individual achievement, but also through the achievement of an objectively successful regular season team campaign that those individual merits have given momentum to. A lot of analysts have drawn attention lately to the fact that this Mavs team is prone to streakiness. Well, their skills are commensurate with their job titles. The Mavs have been streaky. This is the time of the season that grit is needed to build momentum. While luck can often decide the final score, greatness finds a way to position itself for a greater chance at success.

The Mavs have already started their final push towards the postseason. The lion’s share of their fate will be attributed to the success that Luka is able to will them to in the coming weeks. Fortunately, it seems as if his confidence in his teammates is becoming a strength for him, and it seems to be making him even better at what he does.

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How to watch

Tipoff is Tuesday at 7 p.m. CT on Bally’s Sports Southwest or NBA League Pass.



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