News
‘White Lotus’ Takes On Touchy Subjects. The Southern Accent Is One of Them.
The third season of “The White Lotus” began with gunfire bursting through a lush resort in Thailand. But viewers with affection for a certain region of the United States perked up a little later in the episode, as a privileged, preppy family from North Carolina arrived by boat.
“We flew over the North Pole!” declares Victoria Ratliff, the matriarch played by Parker Posey, her speech so slowed by her Southernness (and the anti-anxiety drug lorazepam) that “Pole” sounds like it has half a dozen syllables.
Right then, Victoria sent an unmistakable signal: “The White Lotus” was taking on the Southern accent.
Or at least that’s what many viewers assumed, judging by the intense response — including many, many memes on social media — that has only grown with each episode. The commentary has focused on whether the accents concocted by Ms. Posey and the actor playing her husband, Jason Isaacs, credibly passed as those of well-to-do (and entirely self-absorbed) tourists from Durham, N.C. — or whether this was yet another atrocious attempt by Hollywood to replicate a Southern dialect.
A torturous track record of accents in movies and television has fostered a reflexive skepticism. Some viewers from the South have said that, at least initially, “The White Lotus” had just that effect on them. But it largely didn’t last, especially when it came to Ms. Posey’s performance. Viewers delighted over her pronunciations — “tsunami,” “Buddhist,” “Duke,” as in the university in their hometown — and pronouncements, like the way she sneered at others attending a party on a yacht.
“What was that?” her character asks. “That was a convention for con men and tax cheats.”
Was her accent a knowing and loving tribute to colorful Southern women? Perhaps. Campy? Undoubtedly. The performance was nevertheless hailed as a work of modern art. “Hang her accent in the Louvre!” one person suggested on social media. Another said Ms. Posey’s ties to Laurel, Miss., came shining through.
“If you were to put a bunch of lorazepam in the food at the country club in Laurel at lunch, that’s exactly what everybody would sound like an hour later,” said Landon Bryant, a resident of Laurel who has sought to demystify the South on Instagram and in a book, “Bless Your Heart: A Field Guide to All Things Southern,” released this week.
Accuracy and authenticity are very much judged by the ear of the beholder and are difficult, if not impossible, to rate by an objective standard. Even so, plenty of Southerners have been eager to give it a shot.
Lorazepam, an anti-anxiety drug, seems to be having a moment, thanks to Ms. Ratliff’s frequent mentions, where her accent dances along the open vowels.
“Everybody has a right to be an expert about how they speak,” said Elisa Carlson, a dialect coach in Atlanta. “Your speech is personal. It’s intellectual. It’s social.”
The discussion around “The White Lotus” has brought out how accents are quite malleable, reflecting how new generations and new residents can bend dialects in unexpected ways. It has also been a reminder of how hard it can be to hear how you sound — or how others think you sound — played back at you. Southerners are painfully aware that the way they speak often conjures negative connotations in pop culture, like ignorance or prejudice.
“It’s not about the Southern dialect, per se — it’s what the Southern dialect represents for Southerners,” said Walt Wolfram, a linguistics professor at North Carolina State University.
Of course, Southerners do not have a monopoly on feeling sensitive and even defensive about how their accents are portrayed (People from Bah-ston, for instance, have been known to have similar reactions).
But portrayals of Southerners have a particularly long and gnarled track record. Many from the region can instantly name a performance they remember as especially egregious.
In promotional interviews, actors on “The White Lotus” said that Mike White, the writer and director of the series, had encouraged them to draw inspiration from “Southern Charm,” a long-running Bravo reality series based in Charleston, S.C. Mr. Isaacs has said he had studied Thomas Ravenel, who appeared on the show for five seasons, as the actor shaped his character, Timothy Ratliff, a scion of a prominent political family who unravels while vacationing with his wife and children.
Timothy dips into his wife’s lorazepam supply, unable to face the potential fallout from financial misdeeds that his family apparently knows nothing about.
“I am a pillar of the community,” he tells two strangers, wallowing in self-pity. “My grandfather was the governor of North Carolina. My father was a very, very, very successful businessman.”
Mr. Ravenel said in an interview that he was unaware of this when he started watching the third season.
“This sounds very familiar,” he said, recalling watching Mr. Isaacs’s performance. “But once everyone started making a big to-do about it, then I said, ‘That’s not me.’”
Jason Isaacs as Timothy Ratliffe
Thomas Ravenel
He said he thought Ms. Posey’s muse was much clearer: “More so she sounds like Pat than he sounds like me.”
Pat is Patricia Altschul, a socialite who is the soul, if not the star, of “Southern Charm.”
She was not entirely thrilled by the comparison to Ms. Posey’s Victoria.
“I was flattered at first,” said Ms. Altschul, who credits her own lilt to an upbringing in Virginia. “But now, you know, she’s on pills and he’s a sketchy businessman with a gun. So, I’m not quite sure to what extent we should be flattered.”
Parker Posey as Victoria Ratliffe
Patricia Altschul
Ms. Posey has talked about why the accents of Southern women are irresistible to her as an actress. An “emphasis on feeling,” she has said. A musicality. An ability to make the mundane sound dramatic.
“It has this power,” she said in a recent television interview, “and you can’t knock it down.”
In truth, there is no single Southern accent, but rather a regionwide buffet of twangs and drawls. In an interview, Mr. Isaacs said he went for a precise accent from Durham — “It’s not just North Carolina,” he told Esquire — which stumped quite a few people in the city who weren’t aware there even was a Durham accent. (Dr. Wolfram, the linguistics professor at N.C. State, said there was not.)
Some in Durham pointed out they are as likely to hear Spanglish or Hindi as a classic Southern drawl.
“Hell, half your neighbors are from Ohio or New York or New Jersey,” said Garrett Dixon, a native North Carolinian who lives in Durham and works in sales.
Yet some argue that “The White Lotus” has not simply repurposed a tired, clichéd perception of Southerners. Instead, they say, it has captured what in many ways feels like a real Southern family in 2025, one confronted by the tensions between past and present that grip the region as a whole.
The fact that the Ratliffs’ three children don’t seem to have accents rings true, for example, as in-migration and the connectedness brought by technology have diminished accents across the South and in other parts of the country, too.
Ms. Altschul thinks the show has exquisitely nailed Southerners of a “certain elevation” — “the way they look, the way they talk, what they talk about,” she said.
The swagger, the shorts, the sunglasses with the Croakies worn by the oldest son, Saxon, played by Patrick Schwarzenegger: That all checks out. Then, there’s the conniption that Victoria has over her daughter, Piper, announcing her plan to move to Thailand to study Buddhism, during which she refers to Thailand as Taiwan and fears her daughter is joining a cult.
“Don’t look at me like I’m crazy!” she said. “It happens all the time — sheltered girls like you are constantly getting brainwashed and turned out!”
That felt real, too, Mr. Bryant said.
“Very small town, very ‘all that matters is where we are,’” he said. “That’s an attitude you see and feel.”
As the finale nears and viewers spin all sorts of predictions about how it will end, Ms. Altschul doesn’t have a theory so much as a wish: that Victoria turns out to be a villain, but a brilliant one.
“I’m hoping that she ends up being kind of savvy,” Ms. Altschul said. “Sometimes there’s the equation that if you sound Southern, you sound stupid. I would like to think that that’s not the case.”
News
National Park Service will void passes with stickers over Trump’s face
The Interior Department’s new “America the Beautiful” annual pass for U.S. national parks.
Department of Interior
hide caption
toggle caption
Department of Interior
The National Park Service has updated its policy to discourage visitors from defacing a picture of President Trump on this year’s pass.
The use of an image of Trump on the 2026 pass — rather than the usual picture of nature — has sparked a backlash, sticker protests, and a lawsuit from a conservation group.
The $80 annual America the Beautiful pass gives visitors access to more than 2,000 federal recreation sites. Since 2004, the pass has typically showcased sweeping landscapes or iconic wildlife, selected through a public photo contest. Past winners have featured places like Arches National Park in Utah and images of bison roaming the plains.

Instead, of a picture of nature, this year’s design shows side-by-side portraits of Presidents George Washington and Trump. The new design has drawn criticism from parkgoers and ignited a wave of “do-it-yourself” resistance.
Photos circulating online show that many national park cardholders have covered the image of Trump’s face with stickers of wildlife, landscapes, and yellow smiley faces, while some have completely blocked out the whole card. The backlash has also inspired a growing sticker campaign.
Jenny McCarty, a longtime park volunteer and graphic designer, began selling custom stickers meant to fit directly over Trump’s face — with 100% of proceeds going to conservation nonprofits. “We made our first donation of $16,000 in December,” McCarty said. “The power of community is incredible.”
McCarty says the sticker movement is less about politics and more about preserving the neutrality of public lands. “The Interior’s new guidance only shows they continue to disregard how strongly people feel about keeping politics out of national parks,” she said.
The National Park Service card policy was updated this week to say that passes may no longer be valid if they’ve been “defaced or altered.” The change, which was revealed in an internal email to National Park Service staff obtained by SFGATE, comes just as the sticker movement has gained traction across social media.
In a statement to NPR, the Interior Department said there was no new policy. Interagency passes have always been void if altered, as stated on the card itself. The agency said the recent update was meant to clarify that rule and help staff deal with confusion from visitors.
The Park Service has long said passes can be voided if the signature strip is altered, but the updated guidance now explicitly includes stickers or markings on the front of the card.
It will be left to the discretion of park service officials to determine whether a pass has been “defaced” or not. The update means park officials now have the leeway to reject a pass if a sticker leaves behind residue, even if the image underneath is intact.
In December, conservation group the Center for Biological Diversity filed a lawsuit in Washington, D.C., opposing the new pass design.

The group argues that the image violates a federal requirement that the annual America the Beautiful pass display a winning photograph from a national parks photo contest. The 2026 winning image was a picture of Glacier National Park.
“This is part of a larger pattern of Trump branding government materials with his name and image,” Kierán Suckling, the executive director of the Center for Biological Diversity, told NPR. “But this kind of cartoonish authoritarianism won’t fly in the United States.”
The lawsuit asks a federal court to pull the current pass design and replace it with the original contest winner — the Glacier National Park image. It also seeks to block the government from featuring a president’s face on future passes.
The America the Beautiful National Parks Annual Pass for 2025, showing one of the natural images which used to adorn the pass. Its picture, of a Roseate Spoonbill taken at Everglades National Park, was taken by Michael Zheng.
Department of Interior
hide caption
toggle caption
Department of Interior
Not everyone sees a problem with the new design. Vince Vanata, the GOP chairman of Park County, Wyoming, told the Cowboy State Daily that Trump detractors should “suck it up” and accept the park passes, saying they are a fitting tribute to America’s 250th birthday this July 4.
“The 250th anniversary of our country only comes once. This pass is showing the first president of the United States and the current president of the United States,” Vanata said.
But for many longtime visitors, the backlash goes beyond design.

Erin Quinn Gery, who buys an annual pass each year, compared the image to “a mug shot slapped onto natural beauty.”
She also likened the decision to self-glorification: “It’s akin to throwing yourself a parade or putting yourself on currency,” she said. “Let someone else tell you you’re great — or worth celebrating and commemorating.”
When asked if she plans to remove her protest sticker, Gery replied: “I’ll take the sticker off my pass after Trump takes his name off the Kennedy Center.”
News
Federal immigration agents shoot 2 people in Portland, Oregon, police say
PORTLAND, Ore. (AP) — Federal immigration officers shot and wounded two people in a vehicle outside a hospital in Portland, Oregon, on Thursday, a day after an officer shot and killed a driver in Minnesota, authorities said.
The Department of Homeland Security described the vehicle’s passenger as “a Venezuelan illegal alien affiliated with the transnational Tren de Aragua prostitution ring” who had been involved in a recent shooting in Portland. When agents identified themselves to the vehicle occupants Thursday afternoon, the driver tried to run them over, the department said in a written statement.
“Fearing for his life and safety, an agent fired a defensive shot,” the statement said. “The driver drove off with the passenger, fleeing the scene.”
There was no immediate independent corroboration of those events or of any gang affiliation of the vehicle’s occupants. During prior shootings involving agents involved in President Donald Trump’s surge of immigration enforcement in U.S. cities, including Wednesday’s shooting by an Immigration and Customs Enforcement officer in Minneapolis, video evidence cast doubt on the administration’s initial descriptions of what prompted the shootings.
READ MORE: What we know so far about the ICE shooting in Minneapolis
According to the the Portland Police bureau, officers initially responded to a report of a shooting near a hospital at about 2:18 p.m.
A few minutes later, police received information that a man who had been shot was asking for help in a residential area a couple of miles away. Officers then responded there and found the two people with apparent gunshot wounds. Officers determined they were injured in the shooting with federal agents, police said.
Their conditions were not immediately known. Council President Elana Pirtle-Guiney said during a Portland city council meeting that Thursday’s shooting took place in the eastern part of the city and that two Portlanders were wounded.
“As far as we know both of these individuals are still alive and we are hoping for more positive updates throughout the afternoon,” she said.
The shooting escalates tensions in an city that has long had a contentious relationship with President Donald Trump, including Trump’s recent, failed effort to deploy National Guard troops in the city.
Portland police secured both the scene of the shooting and the area where the wounded people were found pending investigation.
“We are still in the early stages of this incident,” said Chief Bob Day. “We understand the heightened emotion and tension many are feeling in the wake of the shooting in Minneapolis, but I am asking the community to remain calm as we work to learn more.”
Portland Mayor Keith Wilson and the city council called on U.S. Immigration and Customs Enforcement to end all operations in Oregon’s largest city until a full investigation is completed.
“We stand united as elected officials in saying that we cannot sit by while constitutional protections erode and bloodshed mounts,” a joint statement said. “Portland is not a ‘training ground’ for militarized agents, and the ‘full force’ threatened by the administration has deadly consequences.”
The city officials said “federal militarization undermines effective, community‑based public safety, and it runs counter to the values that define our region. We’ll use every legal and legislative tool available to protect our residents’ civil and human rights.”
They urged residents to show up with “calm and purpose during this difficult time.”
“We respond with clarity, unity, and a commitment to justice,” the statement said. “We must stand together to protect Portland.”
U.S. Sen. Jeff Merkley, an Oregon Democrat, urged any protesters to remain peaceful.
“Trump wants to generate riots,” he said in a post on the X social media platform. “Don’t take the bait.”
A free press is a cornerstone of a healthy democracy.
Support trusted journalism and civil dialogue.
News
Video: What Trump Told Us About the ICE Shooting
new video loaded: What Trump Told Us About the ICE Shooting
By Zolan Kanno-Youngs, Alexandra Ostasiewicz, Nikolay Nikolov and Coleman Lowndes
January 8, 2026
-
Detroit, MI6 days ago2 hospitalized after shooting on Lodge Freeway in Detroit
-
Technology3 days agoPower bank feature creep is out of control
-
Dallas, TX4 days agoDefensive coordinator candidates who could improve Cowboys’ brutal secondary in 2026
-
Health5 days agoViral New Year reset routine is helping people adopt healthier habits
-
Nebraska2 days agoOregon State LB transfer Dexter Foster commits to Nebraska
-
Iowa3 days agoPat McAfee praises Audi Crooks, plays hype song for Iowa State star
-
Nebraska3 days agoNebraska-based pizza chain Godfather’s Pizza is set to open a new location in Queen Creek
-
Entertainment2 days agoSpotify digs in on podcasts with new Hollywood studios