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Largest Central Ohio Foundations – Columbus Business First

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Record consists of foundations that make grants through an software course of. Foundations that make grants solely to pre-selected organizations usually are not included right here. Info was obtained from IRS varieties 990 and 990-PF, from information extracted from these varieties through ProPublica’s Nonprofit Explorer or from varieties offered by the organizations. Organizations which didn’t have info out there on-line or reply to a request for info usually are not included right here. Greenback quantities of greater than $1 million are robotically rounded; nevertheless, rankings are based mostly on unrounded numbers. In case of ties, organizations are listed alphabetically.



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Review: Who Committed the ‘Ohio State Murders’? Who Didn’t?

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Two 91-year-old titans made belated Broadway debuts this fall.

Within the case of the actor James Earl Jones, it was not in a play however on a marquee. In September, the Cort Theater, on West forty eighth Road, the place he’d first carried out in 1958, was renamed in his honor.

And on Thursday, with the opening of a revival of “Ohio State Murders” on the identical stage, Adrienne Kennedy lastly had one in every of her works seem in what’s, for higher or worse, the middle of American theatrical tradition.

Why it took so lengthy in both case is a query you may reply in a single phrase or many. In “Ohio State Murders,” Kennedy, an avant-gardist who deserves a spot amongst our most honored and produced playwrights, does it in lots of, every of them a bullet.

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Not that the 75-minute play, first carried out in 1991, is coldblooded or didactic. Quite, in Kenny Leon’s piercing manufacturing, starring Audra McDonald in one other efficiency ripped from her gallery of harrowing girls, it’s painful each within the story it tells and within the immense effort expended to inform it correctly.

Or, higher, improperly: “Ohio State Murders” is rigorously unconventional. The thriller urged by its title is essentially resolved within the first 5 minutes, when the crime and the felony are nearly casually (if incompletely) revealed. A middle-aged author named Suzanne Alexander, who has come to Columbus within the play’s current tense to talk about the violent imagery in her work, rapidly locates its supply within the abduction and drowning of one in every of her toddler twin daughters in 1952, when she was an single undergraduate there.

“That was later,” she says instantly after the out-of-sequence revelation, as if there was one thing but extra necessary to get again to.

There’s; Kennedy, who was herself an undergraduate at Ohio State within the early Nineteen Fifties, makes use of the time that her tangled construction has purchased her to assemble, collagelike, the ambiance of dread and discrimination confronted by Black college students of the interval. A white classmate accuses Sue, because the protagonist was then known as, of stealing a watch, although Sue herself “owned stunning possessions and jewellery that my mother and father had given me.” The English division is not going to permit her, or another Black scholar, to declare that main with out particular consent, usually not forthcoming: “It was thought that we weren’t capable of grasp this system.”

The older and youthful characters are normally break up between two actors, however Kennedy has given McDonald permission to play each. It’s a lesson in itself to look at her shift between them. Sue is harmless and trusting, till circumstances train her to not be; she drinks within the literature she is studying as if with an countless thirst. Suzanne, although she has survived tragedy and normal a strong profession for herself, is anxious and brittle, laughing inappropriately at instances, reverting to a personal language whereas furiously searching for the appropriate phrases to convey the depth of the forces at play.

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In neither position does McDonald have the assist of strange dramaturgy. There’s nearly no dialogue in “Ohio State Murders,” as a result of what occurred to Sue is much less necessary than how Suzanne tries, as you’re feeling she has tried for many years, to know it. That the daddy of the infants was her white English professor (Bryce Pinkham) is merely a organic and later a forensic truth; that he admires her essays and teaches her to like Hardy (particularly and relevantly “Tess of the d’Urbervilles”) are extra salient items of the psychological puzzle.

In a traditional drama, we’d see the professor wooing or comforting or in the end dismissing Sue; right here we expertise him solely in small fragments, studying and lecturing and saying a number of phrases in her common course. The identical method retains her roommate (Abigail Stephenson), aunt (Lizan Mitchell) and even her boyfriend (Mister Fitzgerald) at a distance, with Suzanne describing their interactions slightly than Sue partaking in them.

Kennedy, it appears, goals to forbid us the convenience and launch of a standard scene, simply as she has prescribed a conceptual set that in Beowulf Boritt’s slightly stiff interpretation represents all areas and furnishings as a tumble of library cabinets stuffed with regulation tomes. However McDonald is incapable of nonemotion; her efficiency builds to a shattering catharsis that will in some methods be unauthorized.

Leon, too, works well in opposition to the grain of the play. In thoughtfully mimed vignettes, he exhibits us that the opposite characters, superbly enacted if with little to say, will not be simply puppets of Suzanne’s reminiscence however residing creatures with their very own struggles. They’re lit (by Allen Lee Hughes) and costumed (by Dede Ayite) much less forbiddingly than the script would possibly lead you to count on, and accompanied by sound and music (by Justin Ellington and Dwight Andrews) that admits different feelings to the horror. Even the infants are touchingly represented: slips of pink material, delicate as scarves and as simply misplaced.

These warming, even sentimental additions don’t detract from the mental integrity of Kennedy’s conception any greater than McDonald’s astonishing entry to tragic feeling diminishes the prickly oddness of the characters. To my thoughts these are as a substitute enhancements, forcing us to expertise the play’s central themes as inside conflicts and never simply social ones.

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Not that society is in any approach let off the hook. The racism on the coronary heart of the homicide thriller can also be on the coronary heart of every little thing else, making it unclear which is the trigger and which the impact. So when Suzanne describes the white sorority homes as “columned mansions” sitting “like a citadel” off Columbus’s Excessive Road, it’s unattainable not to consider plantation structure — a degree that Sue, studying from a ebook about symbols, drives dwelling directly:

“A metropolis ought to have a sacred geography,” she recites, “by no means arbitrary however deliberate in strict accord with the dictates of a doctrine that the society upholds.” In different phrases, Suzanne’s experiences of exclusion are not any accident of racism, they’re its objectives.

Simply so with theaters — and what we see inside them. If the steadiness is eventually starting to tip, each on the marquee and the title web page, it’s not simply luck, although we’re fortunate to get to expertise it. It’s as a result of our best artists, Kennedy, Jones and McDonald amongst them, have been utilizing their artistry to argue the case for years.

Ohio State Murders
Via Feb. 12 on the James Earl Jones Theater, Manhattan; ohiostatemurdersbroadway.com. Working time: 1 hour quarter-hour.



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McMahon, No. 3 Ohio State women dominate 2nd half, beat UNH

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COLUMBUS, Ohio (AP) — Cotie McMahon tied a profession excessive with 20 factors and No. 3 Ohio State allowed solely seven factors within the second half of a 92-36 rout of New Hampshire on Thursday.

Forward 39-29 at intermission, the Buckeyes (9-0) outscored the Wildcats 53-7 within the second half and 30-4 within the third quarter. They shot 51% from the sphere and 40% from 3-point vary.

Taylor Mikesell scored 19 factors and made 4 of 6 3-pointers.

Brooke Kane led the Wildcats (4-7) with 13 factors.

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NO. 4 INDIANA 67, PENN STATE 58

STATE COLLEGE, Pa. (AP) — Mackenzie Holmes had 18 factors and 10 rebounds to assist Indiana beat Penn State.

Sydney Parrish added 18 factors and Chloe Moore-McNeil had 11 for Indiana (10-0, 2-0 Huge Ten). The Hoosiers put collectively a dominant third quarter to tug away after trailing 29-26 at halftime.

Leilani Kapinus led Penn State (7-3, 0-2) with 15 factors. Makenna Marisa had 12 and Alexa Williamson added 10.

NO. 6 UCONN 69, PRINCETON 64

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STORRS, Conn. (AP) — Aubrey Griffin scored 19 of her 29 factors within the second half to guide UConn previous Princeton.

UConn held off a livid rally by Princeton after Huskies start line guard Nika Muhl was knocked out of the sport early within the third quarter after a collision within the paint. The Huskies had been already lacking prime scorer Azzi Fudd.

Lou Lopez Senechal had 18 factors and Aaliyah Edwards added eight for UConn (6-1).

Grace Stone had 20 factors and Kaitlyn Chen added 18 for Princeton (5-3).

TOLEDO 71, NO. 14 MICHIGAN 68

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ANN ARBOR, Mich. (AP) — Sammi Mikonowicz made a layup with 13.6 seconds left after which added two free throws with 3.1 seconds remaining as Toledo obtained its first win over a ranked group in 12 years and first on the street since March of 1996.

The Rockets (7-2) prolonged their nation’s-best street profitable streak to 14 video games and ended Michigan’s dwelling profitable streak at 21, which was the third-longest within the nation.

Sophia Wiard led Toledo with 15 factors and Nan Garcia had 14, each hitting three 3-pointers.

Laila Phelia had 20 factors and eight rebounds and Emily Kiser had 15 factors and eight boards for Michigan (9-1).

NO. 20 MARYLAND 77, PURDUE 44

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WEST LAFAYETTE, Ind. (AP) — Shyanne Sellers made her first 3-pointer of the sport simply earlier than the ultimate buzzer and Maryland beat Purdue for coach Brenda Frese’s 600th win.

After a Purdue turnover within the closing seconds, Sellers inbounded the ball to Abby Meyers, who drove into the lane to attract defenders and handed it out to her wide-open teammate for the game-winning 3.

It was Maryland’s second buzzer-beating win in per week. Diamond Miller sank a jumper to prime then-No. 7 Notre Dame 74-72 final Thursday.

Meyers scored a team-high 19 factors for Maryland (8-3, 1-1 Huge Ten). Miller added 18 factors and Sellers had 15.

Abbey Ellis scored 18 factors for Purdue (8-2, 1-1), which shot 55% from the sphere.

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AP ladies’s school basketball: https://apnews.com/hub/womens-college-basketball and https://apnews.com/hub/ap-top-25-womens-college-basketball-poll and https://twitter.com/AP_Top25





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Rage Room Ohio in Akron to close Dec. 31

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AKRON, Ohio – For the final three years, Rage Room Ohio has given neighborhood members the possibility to launch pent-up frustration by throwing assorted objects towards arduous surfaces or smashing them with bats, golf golf equipment and crowbars.

However now that’s coming to an finish. The enterprise introduced it can shut Dec. 31 attributable to staffing challenges and rising prices like gasoline and insurance coverage costs, in keeping with proprietor Jon Lonsdorf.

“Nobody needs to work,” Lonsdorf advised cleveland.com. “It’s an unlucky scenario as a result of we helped so many individuals, however sadly, I’m not Superman and do stability a day job.”

The enterprise was featured on the Journey Channel present “Vacation spot Worry” in 2021.

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In a Fb put up asserting the closure, Jennifer Hearn Fantone commented, “So unhappy to listen to this. Rage Room Ohio gave us outlet for stress once we wanted it probably the most. Was a lot enjoyable taking my daughter and one in every of her besties to do rage portray too! Nice reminiscences made!”

These age 16 and older who’re fascinated with reserving a rage session over the subsequent few weeks can accomplish that via the Rage Room Ohio web site. Classes can be found for teams of two, three or 4 individuals and contributors can select their very own music to rage to.

To make sure the protection of patrons, Rage Room Ohio gives protecting fits and requires closed-toed sneakers be worn. Members should additionally signal a waiver. The expertise will not be appropriate for anticipating moms or people below the affect of medicine or alcohol.

For people who aren’t fascinated with breaking issues, Rage Room Ohio additionally gives rage portray periods that embrace two canvases and loads of paint.

Remaining reward playing cards shall be honored by appointment solely in January, in keeping with Lonsdorf.

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Need extra Akron information? Join cleveland.com’s Rubber Metropolis Replace, an e mail e-newsletter delivered at 5:30 a.m. Wednesdays.



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