Lifestyle
Our favorite looks from “L.A. Vie en Rose” at Soho Warehouse. Collectively, we dripped
The dress code caused mass chaos in the group chats: “Dripping in romance,” taking inspiration from the night’s theme, “L.A. Vie en Rose.” Any good prompt is both esoteric and hyper-specific enough to let your imagination run wild (and trigger an existential crisis). But mostly, we used it as a framework for the kind of night we thought L.A. deserved: a sexy one — where we dressed up in patent leather boots, wore red lipstick and crushed rose petals under our feet on the dance floor.
The party, hosted by Soho Warehouse and sponsored by 400 Conejos, felt like the only fitting way to celebrate our biggest issue of the year (our biggest issue ever, actually): Image Makers, a love letter to the creative directors, photographers, designers and artists who are shaping the look and feel of the city with their work, day in and day out.
The event featured a photo exhibition highlighting our subjects: leather designer Zana Bayne; latex designer Mariano Cortez; global girl group Katseye and their fashion fairy godfather Humberto Leon; stylist and Saint Helen’s House founder Zerina Akers; photographer Emanuel Hahn; costume designer Natasha Newman-Thomas; stylist Ann-Marie Hoang; Peruvian Parisian creative director Claudia Rivera; Parisian fashion designer Vincent Frederic-Colombo; creative director and photographer Eric Solis in collaboration with Planeta and Wavey; and leather goods craftsman Guillermo Cuevas. Earlier that night, the Image Makers gathered for an intimate dinner on the Soho Warehouse roof, where they received gift bags curated by fashion director at large Keyla Marquez. Each bag included a pair of Nike Shox contributed by Nike L.A., a custom keychain with charms personal to each Image Maker and a bandanna featuring every Image logo ever commissioned, created by Image’s design director Jessica de Jesus.
Party guests danced to the sounds of NoNo, Mia Carucci and Bianca Lexis late into the night and posed in a custom photo booth inspired by the party’s theme, created by production designer Zoe-Zoe (the artist who created our lettering for the Image Makers issue) and floral designer Gray Hong. Collectively, we dripped.
Curator Anita Herrera (left), Hoza Rodriguez, designer and co-founder of Planeta, and 2024 Image Maker.
Artist Barrington Darius.
Artists Alfonso Gonzalez Jr. (left) and Isaac Psalm Escoto a.k.a. Sickid.
Keyla Marquez, Image fashion director at large.
Eric Kim, co-founder of Firmé Atelier and a 2023 Image Maker.
From left: Michael Anthony Hall, Blessing Greer-Mathurin, Shanelle Infante, Adigun Atanda and Meka Boyle.
From left to right: Image contributing writer Astrid Kayembe, Cierra Black, Angela Choe, Ana Cruz and Qurissy Lopez.
Jaime Muñoz and Rochelle Martin.
Guests make their way through “Image Making: A Collective Art,“ a special gallery show featuring photography from the “Image Makers” issue.
From right: Pechuga Vintage founder Johnny Valencia and Priscilla Yael.
A guest views a photograph by Cody Critcheloe of costume designer Natasha Newman-Thomas.
Shirt detail courtesy of Polio Brothers.
Editor Jules Wood (left) and BJ Panda Bear, fashion director of Reserved magazine.
Leeann Huang (second from right), designer and 2023 Image Maker.
Poet and cultural organizer Sonia Guiñansaca (left) and archivist Lylliam Posadas.
Yubo Dong, cofounder of ofstudio and Image contributing photographer.
Image contributing photographer Brandon Kaipo Moningka and friends.
A guest flips through “American Fever,” a photo essay by Emanuel Hahn featured on 1 of 4 covers.
VTProDesign creative director Mike Lee signs the gallery guest book.
Image contributing photographers JJ Geiger (left) and Sam Ramirez.
Humberto Leon, a 2024 Image Maker.
(Calvin B. Alagot / Los Angeles Times)
Anthony Brown and Image contributing artist, London James a.k.a Porcelain Sneakerhead.
Photographer Eric Solis and designer Hoza Rodriguez with friends.
American Artist, Image contributing artist.
From left: Reanna Cruz, Julia Carmel and Troy Curtis Zaretsky-Kreiner.
Image’s rooftop dinner at Soho Warehouse.
(Calvin B. Alagot / Los Angeles Times)
Costume designer Natasha Newman-Thomas (left) and Dunrite Leatherworks designer Guillermo Cuevas.
Image staff writer Julissa James.
Featured stylists Zerina Akers (left) and Ann-Marie Hoang.
Gotha Shakira, digital director and Image contributing writer (left), and Ann-Marie Hoang, featured stylist.
(Julissa James / Los Angeles Times)
Aria Davis, Nike Catalyst Brand Marketing Manager (left), and Maria Maea, artist and Image contributing writer.
Eric Solis, creative director, photographer, and 2024 Image Maker.
Keyla Marquez, Image fashion director at large (left) and Julissa James, Image staff writer.
From left to right: Humberto Leon, Elisa Wouk Almino, Image editorial director, and Jessica de Jesus, Image design director.
Dinner guests applauding Image’s editorial director Elisa Wouk Almino.
Dinner party photography by Image photo editor Calvin B. Alagot.
Musician, DJ and Image-featured artist Mia Carucci.
Image photo editor Calvin B. Alagot.
Model Lex Orozco-cabral (right).
Image contributing photographers Brittany Bravo (left) and Emanuel Hahn (center) with Leah Sarnoff.
“L.A. Vie en Rose” DJ, NoNo
Mario Ayala and Nathaniel Santos.
Stylist and costume designer Sailor D. Gonzales (left) and Rebecca Marquez.
Geo Solis, Image contributing photographer.
Paul Yem, Image contributing photographer (left) and Kate Kuo, Image Director of Photography 2021–2023.
(Calvin B. Alagot / Los Angeles Times)
Image contributing producer Imani Lindsey of Mere Studios (left) and photographer Richard Brooks.
(Calvin B. Alagot / Los Angeles Times)
Mia Carucci, musician and DJ (left), Keyla Marquez, Image fashion director at large (center) Celina Rodriguez, creative director.
(Julissa James / Los Angeles Times)
Maria Maea and Zerina Akers.
Artist Sebastian Hernandez and Shirley Sosa.
From left to right: Gray Hong, floral designer and founder of Moon Jar Design, Zoe-Zoe, production designer and Image contributing artist, and Jessica de Jesus, Image design director.
(Calvin B. Alagot / Los Angeles Times)
Image contributing artist Jaklin M. Romine.
(Julissa James / Los Angeles Times)
(Julissa James / Los Angeles Times)
Jessie Buckley has been nominated for an Academy Award for best actress for her portrayal of William Shakespeare’s wife in Hamnet.
Kate Green/Getty Images
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Kate Green/Getty Images
Actor Jessie Buckley says she’s always been drawn to the “shadowy bits” of her characters — aspects that are disobedient, or “too much.” Perhaps that’s what led her to play Agnes, the wife of William Shakespeare, in Hamnet.
Buckley says the film, which is based on Maggie O’Farrell’s 2020 novel, offered a chance to counter a common narrative about the playwright’s wife: that she “had kept him back from his genius,” Buckley says.
But, she adds, “What Maggie O’Farrell so brilliantly did, not just with Agnes and Shakespeare’s wife, but also with Hamnet, their son, was to bring these people … and give them status beside this great man. … [And] give the full landscape of what it is to be a woman.”
The film is nominated for eight Academy Awards, including best actress for Buckley. In it, she plays a woman deeply connected to nature, who faces conflicts in her marriage, as well as the death of their son Hamnet.
Buckley found out she was pregnant a week after the film wrapped. She’s since given birth to her first child, a daughter.
“The thing that this story offered me, that brought me into this next chapter of my life as a mother was tenderness,” she says. “A mother’s tenderness is ferocious. To love, to birth is no joke. To be born is no joke. And the minute something’s born into the world, you’re always in the precipice of life and death. That’s our path. … I wanted to be a mother so much that that overrode the thought of being afraid of it.”
Jessie Buckley stars as Agnes and Joe Alwyn plays her brother Bartholomew in Hamnet.
Courtesy of Focus Features/Courtesy of Focus Features
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Courtesy of Focus Features/Courtesy of Focus Features
Interview highlights
On filming the scene where she howls in grief when her son dies
I didn’t know that that was going to happen or come out, it wasn’t in the script. I think really [director] Chloé [Zhao] asked all of us to dare to be as present as possible. Of course, leading up to it, you’re aware this scene is coming, but that scene doesn’t stand on its own. By the time I’d met that scene, I had developed such a deep bond with Jacobi Jupe, who plays Hamnet, and [co-stars] Paul [Mescal] and Emily Watson, and all the children and we really were a family. And Jacobi Jupe who plays Hamnet is such an incredible little actor and an incredible soul, and we really were a team. …
The death of a child is unfathomable. I don’t know where it begins and ends. Out of utter respect, I tried to touch an imaginary truth of it in our story as best I could, but there’s no way to define that kind of grief. I’m sure it’s different for so many people. And in that moment, all I had was my imagination but also this relationship that was right in front of me with this little boy and that’s what came out of that.
On what inspired her to pursue singing growing up
I grew up around a lot of music. My mom is a harpist and a singer and my dad has always been passionate about music, so it was always something in our house and always something that was encouraged. … Early on, I have very strong memories of seeing and hearing my mom sing in church and this quite intense mercurial conversation that would happen between her, the story and the people that would listen to her. And at the end of it, something had been cracked between them and these strangers would come up with tears in their eyes. And I guess I saw the power of storytelling through my mom’s singing at a very young age, and that was definitely something that made me think I want to do that.
On her first big break performing as a teen on the BBC singing competition I’d Do Anything — and being criticized by judges about her physical appearance
I was raw. I hadn’t trained. I had a lot to learn and to grow in. I was only 17. I think there was part of their criticism which I think was destructive and unfair when it became about my awkwardness, or they would say I was masculine and send me to kind of a femininity school. … They sent me to [the musical production of] Chicago to put heels on and a leotard and learn how to walk in high heels, which was pretty humiliating, to be honest, and I’m sad about that because I think I was discovering myself as a young woman in the world and wasn’t fully formed. … I was different. I was wild, I had a lot of feeling inside me. I could hardly keep my hands beside myself and I think to kind of criticize a body of a young woman at that time and to make her feel conscious of that was lazy and, I think, boring.
On filming parts of the 2026 film The Bride! while pregnant
I really loved working when I was pregnant. I thought it was a pretty wild experience, especially because I was playing Mary Shelley and I was talking about [this] monstrosity, and here I was with two heartbeats inside me. Becoming a mom and being pregnant did something, I think, for me. My experience of it, it’s so real that it really focuses [me to be] allergic to fake or to disconnection.
Since my daughter has come and I know what that connection is and the real feeling of being in a relationship with somebody … as an actress, it’s very exciting to recognize that in yourself and really take ownership of yourself.
I’m excited to go back and work on this other side of becoming a mother in so many ways, because I’ve shed 10 layers of skin by loving more and experiencing life in such a new way with my daughter. I’m also scared to work again because it’s hard to be a mother and to work. That’s like a constant tug because I love what I do and I’m passionate and I want to continue to grow and learn and fill those spaces that are yet to be filled — and also be a mother. And I think every mother can recognize that tug.
On the possibility of bringing her daughter to travel with her as she works
I haven’t filmed for nearly a year and I cannot wait. I’m hungry to create again. And my daughter will come with me. She’s seven months, so at the moment she can travel with us and it’s a beautiful life. And she meets all these amazing people and I have a feeling that she loves life and that’s a great thing to see in a child. And I hope that’s something that I’ve imparted to her in the short time that she’s been on this earth is that life is beautiful and great and complex and alive and there’s no part of you that needs to be less in your life. You might have to work it out, but it’s worth it.
Lauren Krenzel and Susan Nyakundi produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.
Bruce Campbell
I’m Battling Cancer
Published
Bruce Campbell has revealed he has cancer, but says it’s a type that’s treatable, though not curable.
“The Evil Dead” actor shared the news Monday in a message to fans, writing, “Hi folks, these days, when someone is having a health issue, it’s referred to as an ‘opportunity,’ so let’s go with that — I’m having one of those.” He continued, “It’s also called a type of cancer that’s ‘treatable’ not ‘curable.’ I apologize if that’s a shock — it was to me too.”
Campbell said he wouldn’t go into further detail about his diagnosis, but explained his work schedule will be changing. “Appearances and cons and work in general need to take back seat to treatment,” he wrote, adding he plans to focus on getting “as well as I possibly can over the summer.”
As a result, Campbell says he has to cancel several convention appearances this summer, noting, “Treatment needs and professional obligations don’t always go hand-in-hand.”
He says his plan is to tour this fall in support of his new film, “Ernie & Emma,” which he stars in and directs.
Ending on a determined note, Campbell told fans, “I am a tough old son-of-a-bitch … and I expect to be around a while.”
Neve Campbell in Scream 7.
Paramount Pictures
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Paramount Pictures
The OG Scream Queen Neve Campbell returns. Scream 7 re-centers the franchise back on Sidney Prescott. She has a new life, a family, and lots of baggage. You know the drill: Someone dressing up as the masked slasher Ghostface comes for her, her family and friends. There’s lots of stabbing and murder and so many red herrings it’s practically a smorgasbord.
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