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How to have the best Sunday in L.A., according to Amanda Gorman

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How to have the best Sunday in L.A., according to Amanda Gorman

Growing up in Westchester, Amanda Gorman’s Sundays were dedicated to one thing: church.

“I went to a historically Black church and I feel like it’s always an occasion to go to church as an African American,” says 27-year-old Gorman, who became the youngest inaugural poet in U.S. history in 2021. “You’re dressing up in your Sunday best and you’re going to be there for several hours.”

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In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

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These days, her Sundays are not entirely devoted to church, but the poet, activist and author says that those early years taught her the importance of intentionally carving out time to spend with loved ones and be in community.

“It can be getting together with some gal pals that you haven’t convened with in a while,” says Gorman, who became the youth poet laureate of Los Angeles at age 16 in 2014 and the first national youth poet laureate three years later. “It can be spending time with your pets. It can be going to the book club that you love, but finding something where you can ground yourself in what it is to be a human being. I think I still try to translate that into my Sundays.”

Gorman is set to make her second appearance at the Los Angeles Times Book Festival on April 26, where she’ll be talking about her third book, “Girls on the Rise,” released this year. The Harvard graduate began writing the children’s book in 2018 after she watched Christine Blasey Ford — who accused Justice Brett M. Kavanaugh of sexually assaulting her when they were teenagers — testify to the Senate Judiciary Committee.

“I just remember being so struck by her courage, bravery and truth,” says Gorman. “It made me think about the next generation of young women, girls and nonbinary children, who also would be speaking their truth in a patriarchal society. So I wanted to write a book that created a safe space for young girls and their allies to feel a sense of kinship.”

On her ideal Sunday in L.A., Gorman would hang out with her dog, Kenny (named after Kendrick Lamar), visit her favorite bookstores, enjoy afternoon tea like a “Bridgerton” character and hit up a rooftop.

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This interview has been lightly edited and condensed for length and clarity.

10 a.m.: Embrace brunch vibes at home

If I can sleep in until 10 a.m., that’s like a miracle, magical day for me. I love just taking the extra time on a Sunday. Breakfast is my favorite and maybe my main meal of the day if I’m being honest. So I will carve out Sunday as my day to really splurge on my breakfast. I’ll maybe make some french toast. I have been dallying and making a gluten-free french toast with some nice seeds, vanilla, cinnamon and berries. Then I’ll make some veggie patties and have some other fruit. I’ll also make some hot chocolate and then I’ll put on “The Great British Bake Off” show while I’m cooking, so I can really luxuriate in the Sunday chill vibes. I pretty much start the day with as much brunch energy as I can.

12:30 p.m.: Get some sunshine

I’d love to get some sunshine, so I’d go to the beach. I love taking a stroll with my friends along the Santa Monica Pier, kind of on the northern side because it’s a bit less crowded.

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3 p.m.: Live out my ‘Bridgerton’ fantasy

By this time, I’d be hungry and ready for lunch. If I was down by the beach, there’s a restaurant I like called Ivy at the Shore, kind of close to the Third Street Promenade. You can eat and watch the sunset. They have a good salad. I’ve also gotten really good enchiladas there, and fish and chips.

Or I’d go to the Peninsula. For my birthday, I just did an afternoon high tea at the Peninsula. It was so nice and so worth it. I feel like if someone wants to splurge on a Sunday, go. They have a harpist, tea, sandwiches and scones, so I’d probably spend the rest of my afternoon there on my dream, ideal day. You can sit in their parlor lounge, which has these nice, colorful couch sofas or these elegant corner chairs. They have music playing and very snazzily dressed butlers. One of my friends wore a fascinator. I wore lace gloves. I said, “Come in your ‘Bridgerton’ aura.” It really feels like “Bridgerton” because on the show, they have the instrumentalists playing modern songs and they were playing like “Diamonds” by Rihanna on the harp, so I love that mix of the contemporary with the classic and bougie.

5:30 p.m.: Get lost in a bookstore

Next, I’d go to the Last Bookstore in DTLA or Chevalier’s Books in Larchmont. The Last Bookstore has an enthralling, picturesque maze of used and new books, and Chevalier’s is a cozy, intimate bookshop with stores and cafes nearby.

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7 p.m.: Catch a second wind at a rooftop restaurant

I’d probably go home, but if I got a second wind of energy, there are some really nice restaurants that I like in West Hollywood. There’s Catch L.A. and Perch. Both are really cute, glitzy rooftop places to go after the sun has set. Catch L.A. has a “Hit Me” chocolate cake, where they pour melted chocolate over it and crack it open in front of you, so that’s really nice. Tons of people love to take videos of that and post it because it’s a real moment.

10 p.m.: ‘Great British Bake Off’ and tea

I’m probably home, watching some more “British Bake Off,” “The Office” or something cozy, making myself some chamomile tea and reading. That’s also the thing I love to do on Sundays because I feel like it’s so hard to find time nowadays, in the modern age, to step away from the screen and engage stories and text. I was reading this book that’s really funny to me called “How to Kill Your Family.” [Laughs] I was like, I feel like my family is going to see me reading this at like Thanksgiving and think I’ve gone unhinged, but it’s this dark thriller comedy that was published in the U.K. I just finished it and I thought it was hilarious. It’s not a step-by-step guide, by the way. It’s more a narrative of a character’s journey [laughs].

11 p.m.: Wind down

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I discourage the elaborate nighttime routines because I think they’re hard to maintain and sustain. I try to make it as straightforward as possible, which gives a good routine for me as well as my dog. So my nighttime routine would be giving my dog a walk and making sure he has time to pee and do all the nature stuff. Reading, having chamomile tea and maybe doing some slow restorative yoga for 10 minutes or a meditation. I get the humidifier all set with essential oils, turn the lights down and try to have the last hour with no blue light, sugar, food, and keep it really quiet and soft. I also like to listen to lullaby music, which makes me sound like a fetus, but it helps me get over my insomniac tendencies. I like this artist, Priscilla Ahn, who has really soothing albums that are good for all ages. Then honestly, I’ll listen to the Disney princess playlists with songs like “So This is Love” [by Ilene Woods and Mike Douglas], all that soft, cozy stuff. I try to be in bed by 11:30 p.m.

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After years of avoiding the ER, Noah Wyle feels ‘right at home’ in ‘The Pitt’

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After years of avoiding the ER, Noah Wyle feels ‘right at home’ in ‘The Pitt’

Wyle, who spent 11 seasons on ER, returns to the hospital in The Pitt. Now in Season 2, the HBO series has earned praise for its depiction of the medical field. Originally broadcast April 21, 2025.

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Doctors says ‘The Pitt’ reflects the gritty realities of medicine today

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Doctors says ‘The Pitt’ reflects the gritty realities of medicine today

From left: Noah Wyle plays Dr. Michael “Robby” Robinavitch, the senior attending physician, and Fiona Dourif plays Dr. Cassie McKay, a third-year resident, in a fictional Pittsburgh emergency department in the HBO Max series The Pitt.

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The first five minutes of the new season of The Pitt instantly capture the state of medicine in the mid-2020s: a hectic emergency department waiting room; a sign warning that aggressive behavior will not be tolerated; a memorial plaque for victims of a mass shooting; and a patient with large Ziploc bags filled to the brink with various supplements and homeopathic remedies.

Scenes from the new installment feel almost too recognizable to many doctors.

The return of the critically acclaimed medical drama streaming on HBO Max offers viewers a surprisingly realistic view of how doctors practice medicine in an age of political division, institutional mistrust and the corporatization of health care.

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Each season covers one day in the kinetic, understaffed emergency department of a fictional Pittsburgh hospital, with each episode spanning a single hour of a 15-hour shift. That means there’s no time for romantic plots or far-fetched storylines that typically dominate medical dramas.

Instead, the fast-paced show takes viewers into the real world of the ER, complete with a firehose of medical jargon and the day-to-day struggles of those on the frontlines of the American health care system. It’s a microcosm of medicine — and of a fragmented United States.

Many doctors and health professionals praised season one of the series, and ER docs even invited the show’s star Noah Wyle to their annual conference in September.

So what do doctors think of the new season? As a medical student myself, I appreciated the dig at the “July effect” — the long-held belief that the quality of care decreases in July when newbie doctors start residency — rebranded “first week in July syndrome” by one of the characters.

That insider wink sets the tone for a season that Dr. Alok Patel, a pediatrician at Stanford Medicine Children’s Health, says is on point. Patel, who co-hosts the show’s companion podcast, watched the first nine episodes of the new installment and spoke to NPR about his first impressions.

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To me, as a medical student, the first few scenes of the new season are pretty striking, and they resemble what modern-day emergency medicine looks and sounds like. From your point of view, how accurate is it?

I’ll say off the bat, when it comes to capturing the full essence of practicing health care — the highs, the lows and the frustrations — The Pitt is by far the most medically accurate show that I think has ever been created. And I’m not the only one to share that opinion. I hear that a lot from my colleagues.

OK, but is every shift really that chaotic?

I mean, obviously, it’s television. And I know a lot of ER doctors who watch the show and are like, “Hey, it’s really good, but not every shift is that crazy.” I’m like, “Come on, relax. It’s TV. You’ve got to take a little bit of liberties.”

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As in its last season, The Pitt sheds light on the real — sometimes boring — bureaucratic burdens doctors deal with that often get in the way of good medicine. How does that resonate with real doctors?

There are so many topics that affect patient care that are not glorified. And so The Pitt did this really artful job of inserting these topics with the right characters and the right relatable scenarios. I don’t want to give anything away, but there’s a pretty relatable issue in season two with medical bills.

Right. Insurance seems to take center stage at times this season — almost as a character itself — which seems apt for this moment when many Americans are facing a sharp rise in costs. But these mundane — yet heartbreaking — moments don’t usually make their way into medical dramas, right?

I guarantee when people see this, they’re going to nod their head because they know someone who has been affected by a huge hospital bill.

If you’re going to tell a story about an emergency department that is being led by these compassionate health care workers doing everything they can for patients, you’ve got to make sure you insert all of health care into it.

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As the characters juggle multiple patients each hour, a familiar motif returns: medical providers grappling with some heavy burdens outside of work.

Yeah, the reality is that if you’re working a busy shift and you have things happening in your personal life, the line between personal life and professional life gets blurred and people have moments.

The Pitt highlights that and it shows that doctors are real people. Nurses are actual human beings. And sometimes things happen, and it spills out into the workplace. It’s time we take a step back and not only recognize it, but also appreciate what people are dealing with.

2025 was another tough year for doctors. Many had to continue to battle misinformation while simultaneously practicing medicine. How does medical misinformation fit into season two?

I wouldn’t say it’s just mistrust of medicine. I mean that theme definitely shows up in The Pitt, but people are also just confused. They don’t know where to get their information from. They don’t know who to trust. They don’t know what the right decision is.

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There’s one specific scene in season two that, again, no spoilers here, but involves somebody getting their information from social media. And that again is a very real theme.

In recent years, physical and verbal abuse of healthcare workers has risen, fueling mental health struggles among providers. The Pitt was praised for diving into this reality. Does it return this season?

The new season of The Pitt still has some of that tension between patients and health care professionals — and sometimes it’s completely projected or misdirected. People are frustrated, they get pissed off when they can’t see a doctor in time and they may act out.

The characters who get physically attacked in The Pitt just brush it off. That whole concept of having to suppress this aggression and then the frustration that there’s not enough protection for health care workers, that’s a very real issue.

A new attending physician, Dr. Baran Al-Hashimi, joins the cast this season. Sepideh Moafi plays her, and she works closely with the veteran attending physician, Dr. Michael “Robby” Robinavitch, played by Noah Wyle. What are your — and Robby’s — first impressions of her?

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Right off the bat in the first episode, people get to meet this brilliant firecracker. Dr. Al-Hashimi, versus Dr. Robby, almost represents two generations of attending physicians. They’re almost on two sides of this coin, and there’s a little bit of clashing.

Sepideh Moafi, fourth from left, as Dr. Baran Al-Hashimi, the new attending physician, huddles with her team around a patient in a fictional Pittsburgh teaching hospital in the HBO Max series The Pitt.

Sepideh Moafi, fourth from left, as Dr. Baran Al-Hashimi, the new attending physician, huddles with her team around a patient in a fictional Pittsburgh teaching hospital in the HBO Max series The Pitt.

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Part of that clash is her clear-eyed take on artificial intelligence and its role in medicine. And she thinks AI can help doctors document what’s happening with patients — also called charting — right?

Yep, Dr. Al-Hashimi is an advocate for AI tools in the ER because, I swear to God, they make health care workers’ lives more efficient. They make things such as charting faster, which is a theme that shows up in season two.

But then Dr. Robby gives a very interesting rebuttal to the widespread use of AI. The worry is that if we put AI tools everywhere, then all of a sudden, the financial arm of health care would say, “Cool, now you can double how many patients you see. We will not give you any more resources, but with these AI tools, you can generate more money for the system.”

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The new installment also continues to touch on the growing corporatization of medicine. In season one we saw how Dr. Robby and his staff were being pushed to see more patients.

Yes, it really helps the audience understand the kind of stressors that people are dealing with while they’re just trying to take care of patients.

In the first season, when Dr. Robby kind of had that back and forth with the hospital administrator, doctors were immediately won over because that is such a big point of frustration — such a massive barrier.

There are so many more themes explored this season. What else should viewers look forward to?

I’m really excited for viewers to dive into the character development. It’s so reflective of how it really goes in residency. So much happens between your first year and second year of residency — not only in terms of your medical skill, but also in terms of your development as a person.

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I think what’s also really fascinating is that The Pitt has life lessons buried in every episode. Sometimes you catch it immediately, sometimes it’s at the end, sometimes you catch it when you watch it again.

But it represents so much of humanity because humanity doesn’t get put on hold when you get sick — you just go to the hospital with your full self. And so every episode — every patient scenario — there is a lesson to learn.

Michal Ruprecht is a Stanford Global Health Media Fellow and a fourth-year medical student.

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