Lifestyle
Can the hurricane TV reporters come inside now? Please?

Wind gusts blow throughout Sarasota Bay as Hurricane Ian churns to the south on Wednesday in Sarasota, Fla.
Sean Rayford/Getty Photographs
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Sean Rayford/Getty Photographs

Wind gusts blow throughout Sarasota Bay as Hurricane Ian churns to the south on Wednesday in Sarasota, Fla.
Sean Rayford/Getty Photographs
Once I noticed a tree department fly into The Climate Channel’s intrepid anchor Jim Cantore, simply as he was struggling to face up towards intense winds reporting from the center of the storm throughout Hurricane’s Ian’s landfall Wednesday, I could not assist a fleeting, horrible thought:
Possibly now they will cease doing this.

As a longtime Florida resident, it is a sight I have been pressured to endure for a few years, as I scour TV information protection for details about my dwelling throughout a hurricane: Reporters standing in excessive winds and pounding rain, shouting their observations in regards to the expertise of being inside a lethal storm to an viewers of thousands and thousands.
Cantore gave the impression to be among the many most daring of the correspondents I watched provide this type of reporting Wednesday, which included skilled and completed journalists like Invoice Weir on CNN, Kerry Sanders on NBC and Steve Harrigan on Fox Information Channel.
The storm surge from Hurricane Ian is the “loopy variable right here proper now,” says @BillWeirCNN from Punta Gorda, Florida. “That is precisely what local weather scientists have been warning about for a very long time.” https://t.co/qPONcBnBLv pic.twitter.com/aJDunN7Uzc
— CNN (@CNN) September 28, 2022
Reporting for The Climate Channel, Cantore is a storm chasing legend and he did not disappoint throughout studies on Ian, holding onto a road signal whereas the wind bent again a cease signal. He shrugged off the hazard as soon as he regained his footing, heading to a safer spot to proceed his reporting.
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I get why this occurs. Not solely are these highly effective visuals, however they assist break up the monotony of watching a slow-moving storm ship the identical form of harm to communities all throughout Florida’s Gulf Coast. Hurricane protection can tackle an terrible rhythm; the meteorologist affords an outline of the storm’s progress, native officers speak about efforts to safeguard their communities, reporters on scene gaze on the wind and rain and doc the destruction.

And also you hear the identical warnings: Do not stroll or drive by means of flooded areas. Do not count on emergency companies to reply till the storm passes and winds die down. A more moderen slogan, which I heard repeated by a number of meteorologists and information anchors like a mantra: “Cover from the winds; run from the water.”
Watching an individual stand in the midst of the maelstrom provides drama to a sadly predictable scenario. And, as one among my extra unconventional social media followers famous, it could possibly really feel a bit like watching a NASCAR race, the place you each concern and are attracted by the likelihood that you just would possibly see one thing horrible occur in actual time.
We do want journalists on scene to witness how a storm like Ian dismantles communities in Florida. However do these reporters actually need to danger their lives standing out in open rainfall and wind gusts? Watching a little bit of Shepard Smith’s CNBC present, I noticed him report on Ian by speaking to a longtime Florida meteorologist – now retired – and residents in affected areas who have been indoors. I did not really feel like I used to be lacking a lot.
Anderson Cooper’s CNN present featured a report from a journalist from at a Florida station noting he was capable of stand within the parts as a result of he was subsequent to a sturdy hearth station. Nonetheless, it is robust to ship a message that folks in affected areas ought to hunker down at dwelling, when TV channels are full of footage of reporters out within the driving storm, declaring hanging climate moments.
I wasn’t within the hurricane as this was happening; I had traveled to Atlanta from my dwelling in St. Petersburg after a compulsory evacuation was declared, terrified of getting caught in a flood with my 13-year-old canine. So the TV studies have been a lifeline to pals, household and my neighborhood; I actually did not need to see somebody get significantly harm in a spot that I like doing one thing nobody in a hurricane ought to be doing.
That is an outdated debate and one the TV information business appears to have already determined. Cantore stumbling on a tree department will not be sufficient; till a reporter is significantly injured doing this type of reporting, it is going to proceed. And I’ll all the time want they have been extra cautious.



Lifestyle
Spotify to cut 17% of staff in the latest round of tech layoffs

Daniel Ek, CEO of Swedish music streaming service Spotify, in 2016. On Monday, Ek announced Spotify would layoff 17% of employees.
Toru Yamanaka/AFP via Getty Images
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Daniel Ek, CEO of Swedish music streaming service Spotify, in 2016. On Monday, Ek announced Spotify would layoff 17% of employees.
Toru Yamanaka/AFP via Getty Images
The music streaming giant Spotify has announced it’s cutting 17% of its workforce in a dramatic move aimed at slashing costs.
In a memo addressed to staff, CEO Daniel Ek said it was critical that the company “rightsize” its financial situation after hiring too many people in 2020 and 2021, when capital was cheaper.
“The Spotify of tomorrow must be defined by being relentlessly resourceful in the ways we operate, innovate, and tackle problems,” Ek wrote. “This kind of resourcefulness transcends the basic definition — it’s about preparing for our next phase, where being lean is not just an option but a necessity.”

This latest round of cuts — the third this year — equates to about 1,500 jobs, according to a CNBC source that said the Swedish company currently employs about 9,000 people across more than 40 global office locations.
Across the tech industry, tens of thousands of positions have been cut in the last year as a pandemic-era boon continues to fade. According to the tech job tracker layoffs.fyi, more than 250,000 tech workers have been laid off since the start of the year.
Still, the size of the Spotify cuts may feel “surprisingly large” for the moment, Ek wrote.

The company posted $34 million in operating income during its third-quarter earnings call, its first quarterly profit since 2021. Lower personnel costs, driven by two smaller rounds of cuts, was one of the factors cited for saving costs.
The company cut 6% of its workforce, about 600 employees, in January. It laid off another 2% of staff, roughly 200 roles, in June.
At the same time, Spotify raised prices on its subscription plans and set a lofty goal to reach a billion users by 2023. It currently has over 570 million of them — a little less than double the number of listeners the platform attracted in 2020.
The company has also shared its vision to go beyond music and expand in audiobooks and podcasting, a space that’s feeling a financial strain and steep competition for both listeners and advertisers.

Since 2019, Spotify has spent close to a billion dollars buying up podcasting studios, signing exclusive deals with celebrity hosts and, most recently, investing in generative AI for ad creation.
But all this investment has come with high-profile headaches — and still failed to turn a profit. The company’s layoffs in June were specifically focused on downsizing its podcast division.
As of 8:30 a.m. on Monday, Spotify’s shares were up about 5% in premarket trading.
Departing employees will be offered approximately five months of severance pay plus healthcare coverage, vacation pay, immigration support and two months’ worth of career-search assistance, according to Ek’s statement.
Lifestyle
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Lifestyle
Longtime ‘Fresh Air’ contributor Dave Davies signs off (sort of)

Dave Davies began covering local politics and government for WHYY in Philadelphia in 1982.
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Dave Davies began covering local politics and government for WHYY in Philadelphia in 1982.
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After 22 years of interviews, longtime Fresh Air contributor and fill-in host Dave Davies is cutting back on his workload.
For years Davies has contributed at least one interview a week to Fresh Air, and oftentimes more — especially when the topics concern sports, investigative journalism or history. Davies is always thinking about the experience of the listener.
“If … something isn’t clear because the guest is using shorthand for something or it’s just not quite working, you have to intervene in some way to make sure the audience stays with it,” he says. “The audience is always in your mind.”
A native of Lubbock, Texas, Davies grew up in Corpus Christi and moved to Philadelphia in 1975, where he initially worked as a taxi driver and a welder. In 1982, he found his way to the WHYY newsroom, covering local politics and government. He left in 1986 for stints at KYW Newsradio and the Philadelphia Daily News, but returned to public radio doing free-lance gigs, including Fresh Air interviews, beginning in 2001.
Though Davies occasionally hears a Philly accent creep into his speech, you’re unlikely to find a trace of Texas in his voice — either on-air or in real life.

Dave Davies stands outside of the Fresh Air studio in Philadelphia with a collection of press passes from over the years.
Molly Seavy-Nesper/WHYY
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Dave Davies stands outside of the Fresh Air studio in Philadelphia with a collection of press passes from over the years.
Molly Seavy-Nesper/WHYY
“I remember in junior high and high school being aware that the people on television, like the newscasters, spoke this standard English,” Davies says. “And I kind of I just decided to do that.”
Davies is not signing off completely from WHYY. You’ll still hear him interviewing guests on Fresh Air — just less frequently. And, of course, he’ll continue to bring his A-game to the listeners.
“The one thing that I’ve done from the beginning is to really prepare very, very thoroughly for every interview because there’s a standard here, right?” he says. “The thorough preparation is really, I think, in some ways one of the things that defines the show.”
Click on the audio link above to hear clips of some of Davies’ most compelling interviews, including conversations with Frank Calabrese Jr. (2011); novelist Kate Christensen (2013); biographer Robert Caro (2019); and sports announcer Joe Buck (2017).
Heidi Saman and Seth Kelley produced and edited this interview for broadcast, with assistance from Roberta Shorrock. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.
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