PARIS — In a chilly, darkish airplane hangar on the sting of Paris, as experiences broke of greater than 1.5 million refugees fleeing by Europe from Ukraine, Demna, the mononymic designer of Balenciaga who had fled Georgia as a 12-year-old throughout that nation’s civil battle, constructed an infinite snow globe and let free a storm.

Into the wind struggled women and men clutching fake trash luggage seemingly crammed with belongings, slipping in spike-heeled boots, clutching huge black coats that flew out round them, heads down. Just a few have been shivering in boxer shorts, with solely towel-like shawls for defense. Lengthy attire streamed backward. The music pounded; overhead, lights (bombs? lightning?) flashed within the obscured sky.

Exterior the glass an viewers watched, clutching blue and yellow T-shirts the shades and nearly the dimensions of the Ukrainian flag that had been left on each seat, together with a word from the designer (who additionally learn, in Ukrainian, a traditional poem — a prayer of energy for Ukraine — from the author Oleksandr Oles, in the beginning of the present).

The battle had, Demna wrote within the word, “triggered the ache of a previous trauma I’ve carried in me since 1993, when the identical factor occurred in my nation and I grew to become a perpetually refugee. Endlessly, as a result of that’s one thing that stays with you. The worry, the desperation, the conclusion that nobody desires you.”

Thus did a set initially meant as commentary on local weather change — a theme Demna started exploring earlier than the pandemic and which he right here supposed as a meditation on an imaginary future the place snow is relegated to the standing of synthetic fantasy — develop into as a substitute an exceptionally highly effective response to battle.

For the final week and a half of battle, style has been nearly apologetic about its personal existence; about daring to supply a frivolous, pointless product amid a world disaster. There’s been plenty of lip service to the thought of magnificence as a salve; plenty of “All I can do is what I do greatest” type of factor. (Plus donate cash and emergency items, in fact, and shut shops in Russia.) Numerous reminding about all of the those that the business employs.

That’s a superbly legitimate response to the state of affairs. It could actually even be impressed, as at Valentino, which additionally started with a voice-over from the designer Pierpaolo Piccioli, providing a paean to the individuals of Ukraine — “We see you, we really feel you, we love you” — earlier than seguing into a set conceived to spotlight the ability of the person.

It was constructed on a single shade: not black or white, however somewhat a type of signature scorching pink — dubbed Pink PP, about to develop into an official Pantone coloration — that additionally was the tint of the partitions and ground. There was a short part of black, as a type of palate cleanser, however it was the pink that stood out. And supplied an replace to the traditional Valentino crimson.

Pink towering platform footwear below pink tights. Flooring-sweeping pink shirt-dresses that seemed extra like royal robes. Little abbreviated pink sequin attire. Sheer pink blouses. Molded pink minis. Pink tea attire coated in flowers. Pink purses. Pink in every single place you seemed, besides the faces, which stood out, every by itself. The impact was slightly dizzying, however it made the purpose.

After all, merely getting all the way down to the job, as Matthew Williams did at Givenchy, is OK too.

He mixed the streetwear influences first dropped at the model by Riccardo Tisci (layered tees, like a tour by logos previous; nylon hooded anoraks beneath tailor-made jackets; thigh-high leather-based boots) with its clichés (“Breakfast at Tiffany’s” pearls; ruffled amalgamations of tulle and organza) plus his personal affinity for a little bit of {hardware}. The outcome was his most coherent assortment but.

But there’s no purpose, as Demna proved, that designers ought to be afraid of grappling with the powerful stuff. He had nearly, he mentioned in his notes, canceled the Balenciaga present, till “I noticed canceling this present would imply giving in.” So as a substitute, he shook it up. It was a danger.

In spite of everything: very costly leather-based trash luggage veer dangerously near deeply unhealthy style. Although this is similar designer that made very costly variations of the Ikea bag. A part of his schtick is elevating the unseen on a regular basis to deluxe standing, poking enjoyable on the pomposity of the style beast.

And the truth that a few of his fashions have been wrapped in Balenciaga-branded packing tape catsuits may appear very very similar to a runway-only social-media-catnip gimmick.

Particularly as a result of Kim Kardashian really modeled a packing tape look within the viewers — an outfit (are you able to even name it that?) she mentioned had taken 4 Balenciaga assistants half an hour to create. Not solely did the tape make sticky, squeaky sounds as she walked, however Ms. Kardashian was, she professed, anxious that when she sat down some sections would possibly rip aside. (It didn’t, a lot to her reduction, although she mentioned she nonetheless was undecided how she would go to the toilet.)

But backstage, after the present, Demna mentioned the tape wasn’t only a joke — it was additionally a nod to the dress-up experiments he’d achieved as a rootless little one. And that they’d be promoting the rolls in shops, so everybody would be capable of D.I.Y. their very own look, in a type of excessive model of make do and mend.

One which made crystal clear that for him, the garments themselves, a minimum of in ready-to-wear, could be the least of the matter. In spite of everything — except for a strapless denim jumpsuit comprised of two pairs of denims (the waist of 1 fashioned a bustier atop the opposite), a costume silk-screened to imitate lace and luggage comprised of melded pairs of trainers — a lot of the stuff as seen by the snow — lengthy jersey attire, hoodies, uneven florals, enveloping greatcoats — seemed just about the identical because it has for a couple of seasons now.

However mixed with the Simpsons present of final season; the experiments with digital actuality; the sooner, immersive, local weather change eventualities (plus the Donda reveals he labored on with Ye); the roiling depiction of refugees below glass confirmed Demna’s place as the best scenographer in style, and its most fearless.

His topic isn’t silhouette, it’s the human situation. On an epic, popular culture scale.