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Actress Shannen Doherty dies at 53, after a nearly decade-long battle with breast cancer

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Actress Shannen Doherty dies at 53, after a nearly decade-long battle with breast cancer

Shannen Doherty, best known for her roles in Beverly Hills 90210 and Charmed, died Saturday after her years-long battle with breast cancer.

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Shannen Doherty could narrow her eyes and set her jaw with the best of the legendary divas. She could end a confrontation scene with the line, “I hate you both! Never talk to me again!” and storm off, and it made you want to throw your hands in the air and yell, “YEAH! GET ‘EM!” She could also cry over a broken heart, nervously flirt, or defiantly pop off on adults who just didn’t understand.

Man, she was so much fun.

Doherty, who died at 53, almost ten years after she was first diagnosed with breast cancer, was a child actor, most notably on Little House on the Prairie. She was in Heathers in 1988, which is a bright spot on any résumé. But she became an icon as Brenda Walsh on Beverly Hills, 90210, one of the biggest hits of the early ’90s and the spark for many teen soaps that came later.*

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The show debuted in 1990 when Shannen Doherty was 19. Its premise was that Brenda and her twin brother Brandon (Jason Priestley) moved out to Beverly Hills from Minnesota (apparently the most not-California state the writers could think of) to attend high school with the wealthy and beautiful. Brenda was our heroine and did all the heroine things: falling in love with “bad boy” Dylan McKay (Luke Perry), learning to fit in with rich blonde friends Kelly (Jennie Garth) and Donna (Tori Spelling), surviving a robbery, losing her virginity, being scared she was pregnant. The usual.

The show ran for ten seasons, but Brenda only stayed for four. As Doherty and 90210 both became popular, stories circulated about her being difficult on set, and Brenda’s own sometimes obnoxious behavior (the creation of writers!) began to curdle. The line between Brenda and Shannen blurred, and a noisy population of people decided to hate them both. In fact, they began to treat the two as one person. By the time Doherty was 22, there was an entire article in the L.A. Times about the anti-fan club for people who hated Doherty/Brenda, and their newsletter, and the telephone tip line they set up to collect any nasty gossip about her that anybody cared to dump out. (Sad that the phrase “touch grass” was not invented early enough for people who set up telephone tip lines about celebrities they disliked.) She had reported feuds on set, the stories escalated, and she left.

Brian Austin Green, Shannen Doherty and Ian Ziering of BH 90210 speak during the Fox segment of the 2019 Summer TCA Press Tour at The Beverly Hilton Hotel on August 7, 2019 in Beverly Hills, California.

Brian Austin Green, Shannen Doherty and Ian Ziering of BH 90210 speak during the Fox segment of the 2019 Summer TCA Press Tour at The Beverly Hilton Hotel on August 7, 2019 in Beverly Hills, California.

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The show, while sometimes fun, was never as good without her. Never. Love you, Val, but no.

A few years later, she was cast in the sister-witches show Charmed, also from Aaron Spelling, the megaproducer behind 90210. (Apparently, whatever people may not have liked about her, they were okay with her helping them make money.) The cycle repeated: she was popular, then there were reports of difficulties on set, then she left. Doherty kept working, but she was never the big deal she had been during those years in the early ’90s.

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367898 Alyssa Milano, Holly Marie Combs, Shannen Doherty from the tv show

367898 Alyssa Milano, Holly Marie Combs, Shannen Doherty from the tv show “Charmed”.

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She announced her breast cancer diagnosis in 2015. And in November of last year, almost four years after she announced that her cancer had reached stage 4, she started a podcast called Let’s Be Clear with Shannen Doherty. She talked about cancer. Jason Priestley came on. Tori Spelling came on. Holly Marie Combs from Charmed came on. Kevin Smith — who directed her in Mallrats — came on. Less than a month ago, she ran a conversation with Katherine Heigl, who is another famous supposedly “difficult on set” actress, and perhaps one of only a few people who could understand the existence of an “I hate you” club. Doherty just did not quit, did not go away, did not become quiet.

It’s hard to talk about her impact because the kind of TV star Shannen Doherty was really doesn’t exist anymore. To capitalize on 90210‘s popularity, Fox ran 22 episodes in the first season, then 28 in the second, 30 in the third, and 32 in the fourth. There was just so much work in those years. Brenda wanted to become an actress. She went to Mexico with Dylan against her parents’ wishes. She moved back to Minnesota and then back to Beverly Hills. She got involved in animal rights activism — which was Doherty’s passion as well. She almost got married in Vegas! She won the lead in the college production of Cat on a Hot Tin Roof! She pretended to be French! She pretended to be a Brooklyn diner waitress! This is part of how actors become admired and indelible: from the sheer volume of exposure. Imagine a live-action prime-time hour-long drama series in 2024 that has a new episode for more than 60 percent of the weeks in a given year. (They stayed on that 32-episode pace for several seasons after she left.) It was just a different universe.

The line between a firecracker and an arsonist can be razor-thin in the public imagination. Between “outspoken” and “difficult,” between “feisty” and other words that haunt practically every woman who’s ever said no to anybody about anything in a situation where it really mattered. I don’t know what it was like to work with her — or any of her colleagues, for that matter. Was it worse than lots of other college-aged kids would have been with hundreds of people relying on them week after week after week? I don’t know. I just know what it was like to watch her work, and it was very, very good.

There is a very plausible argument that without Shannen Doherty, I would not be in this job. She made 90210 work, 90210 and its recap culture begat Dawson’s Creek and its recap culture, and that begat Television Without Pity, where I first wrote for money.

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‘Stranger Things’ is over, but did they get the ending right? : Pop Culture Happy Hour

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‘Stranger Things’ is over, but did they get the ending right? : Pop Culture Happy Hour

Millie Bobby Brown in the final season of Stranger Things.

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After five seasons and almost ten years, the saga of Netflix’s Stranger Things has reached its end. In a two-hour finale, we found out what happened to our heroes (including Millie Bobby Brown and Finn Wolfhard) when they set out to battle the forces of evil. The final season had new faces and new revelations, along with moments of friendship and conflict among the folks we’ve known and loved since the night Will Byers (Noah Schnapp) first disappeared. But did it stick the landing?

To access bonus episodes and sponsor-free listening for Pop Culture Happy Hour, subscribe to Pop Culture Happy Hour+ at plus.npr.org/happy.

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JasonMartin Says Adin Ross Disrespecting Doechii Stops in 2026

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JasonMartin Says Adin Ross Disrespecting Doechii Stops in 2026

JasonMartin
Adin Ross Disrespecting Doechii …
Will Not Be Tolerated!!!

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‘Everything I knew burned down around me’: A journalist looks back on LA’s fires

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‘Everything I knew burned down around me’: A journalist looks back on LA’s fires

A firefighter works as homes burn during the Eaton fire in the Altadena area of Los Angeles County, Calif., on Jan. 7, 2025.

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On New Year’s Eve 2024, journalist Jacob Soboroff was sitting around a campfire with a friend when he made an offhand comment that would come back to haunt him: The last thing he wanted to do in the new year, Soboroff said, was cover a story that would require donning a fire-safe yellow suit.

Just one week later, Soboroff was dressed in the yellow suit, reporting live from a street corner in Los Angeles as fire tore through the Pacific Palisades, the community where he was raised.

“This was a place that I could navigate with my eyes closed,” Soboroff says of the neighborhood. “Every hallmark of my childhood I was watching carbonize in front of me. … There were firefighters there and first responders and other journalists there, but it was an extremely lonely, isolating experience to be standing there as everything I knew burned down around me in real time.”

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In his new book, Firestorm: The Great Los Angeles Fires and America’s New Age of Disaster, Soboroff offers a minute-by-minute account of the catastrophe, told through the voices of firefighters, evacuees, scientists and political leaders. He says covering the wildfires was the most important assignment he’s ever undertaken.

“The experience of doing this is something that I don’t wish on anybody, but in a way I wish everybody could experience,” he says. “It’s given me insane reverence for our colleagues in the local news community here, who, I think, definitionally were exercising a public service in the street-level journalism that they were doing and are still doing. … It was actually beautiful to watch because they are as much a first responder on a frontline as anybody else.”

Interview highlights

Firestorm, by Ben Soboroff

On the experience of reporting from the fires

You’re choking with the smoke. And I almost feel guilty describing it from my vantage point because the firefighters would say things to me like: “My eyeballs were burning. We were laying flat on our stomach in the middle of the concrete street because it was so hot, it was the only way that we could open the hoses full bore and try to save anything that we could.” …

I could feel the heat on the back of my neck as we stood in front of these houses that I remember as the houses that cars and people would line up in front of for the annual Fourth of July parade or the road race that we would run through town. Trees were on fire behind us — we were at risk of structures falling at any given minute. It was pretty surreal because this is a place I had spent so much time as a child and going back to as an adult. … I had no choice but to just open my mouth and say what I saw to the millions of people that were watching us around the country.

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On undocumented immigrants being central to rebuilding the city

These types of massive both humanitarian and natural disasters give us X-ray vision for a time into sort of the fissures that are underneath the surface in our society. And Los Angeles, in addition to being one of the most unequal cities between the rich and the poor, has more undocumented people than virtually any other city in the United States of America. Governor Newsom knew that with the policies of the incoming administration, some of the very people that would be responsible for the cleanup and the rebuilding of Los Angeles may end up in the crosshairs of national immigration policy. And I think that that was an understatement. …

Pablo Alvarado in the National Day Laborer Organizing Network said to me that often the first people into a disaster — the second responders after the first — are the day laborers. They went to Florida after Hurricane Andrew, to New Orleans after Katrina, and they’d be ready to go in Los Angeles. And I went out and I cleaned up Altadena and Pasadena with some of them in real time.

And only months later did this wide-scale immigration enforcement campaign begin … on the streets of LA as sort of the Petri dish, the guinea pig for expanding this across the country. And it’s not an exaggeration to say that the parking lots of Home Depots, where workers [were] looking to get involved in the rebuilding of Los Angeles, has been ground zero for that enforcement campaign.

On efforts to rebuild

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The pace is slow and it’s sort of a hopscotch of development. And I think for people who do come back, for people who can afford to come back, it’s going to be a long road ahead. You’re going to have half the houses on your street under construction for years to come. And for people that do inhabit those homes, it’s going to an isolating experience. But there’s an effort underway to rebuild. …

There’s also a lot of for-sale signs. And that’s the sad reality of this, is that there are people who, whether it’s that they can’t afford to come back … or that they just can’t stomach it, I think, sadly, a lot people are not going to be returning to their homes.

On what the Palisades and Altadena look like today

They both look like very big construction sites in a way. There are still some facades, some ruins of the more historic buildings in the Palisades. … But mostly it’s just empty lots. And in Altadena, the same thing. If you drive by the hardware store, the outside is still there. But it’s a patchwork of empty lots. Homes now under construction. And lots and lots of workers. … There are still a handful of people who are living in both the Palisades and in Altadena, but for the most part, these are communities where you’ve got workers going in during the day and coming out at night. …

We have designed this community to be one that’s in the crosshairs of a fire just like the one we experienced and that we will certainly, certainly experience again, because nobody’s packing it up and leaving Los Angeles. People may not return to their communities after they’ve lost their homes, but the ship has sailed on living in the wildland urban interface in the second largest city in the country.

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On seeing this story, personally, as his “most important assignment”

Jacob Soboroff is a correspondent for MS NOW, formerly MSNBC.

Jacob Soboroff is a correspondent for MS NOW, formerly MSNBC.

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Jason Frank Rothenberg/HarperCollins

I don’t think I realized at the time how badly I needed the connections that I made in the wake of the fire, both with the people who have lost homes and the firefighters, first responders who were out there, but also honestly with my own family, my immediate family, my wife and my kids, my mom and my dad and my siblings and myself. I think that this was a really hard year in LA, and I think in the wake of the fire, I was experiencing some level of despair as well. Then the ICE raids happened here and sort of turned our city upside down. And this book for me was just this amazing cathartic blessing of an opportunity to find community with people I don’t think I ever would have otherwise spent time with, and to reconnect with people who I hadn’t seen or heard from in forever.

Anna Bauman and Nico Wisler produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.

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