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A New Generation Changes the Oscar Red Carpet Rules

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A New Generation Changes the Oscar Red Carpet Rules

It’s laborious to recollect now, by way of the mist of time, however there was a second, pre-Covid, when a motion was afoot in Hollywood to #askhermore on the pink carpet (him too). To attempt to change what was trying, actually, like a paid-for advertising and marketing alternative for style, and the celebs that wore it, right into a storytelling alternative about values and private selection.

That didn’t final lengthy.

Not less than not judging by the primary full-on, maskless, non-socially-distanced Oscar pink carpet in two years. You’ll be able to sort of perceive it: It’s simply so darn thrilling to be again, attending to put on fabulous garments, en masse. Additionally, there’s a variety of grimness on this planet in the meanwhile, and if the moviemaking world is nice at one factor, it’s escapism.

However does it must be escapism again to the previous, or into the celluloid bubble? The pandemic provided a reset. Mustn’t the pink carpet have had a reset, too: of how we outline dress-up, magnificence and entrance-making? Was it doable the carpet-goers might need moved past mermaids-’n’-fairy tales atop Spanx?

At first it appeared not.

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One of the best actress nominee Jessica Chastain appeared in gold and lavender glowing Gucci, little Tweety Chicken frills at her shoulders and a giant ruff at her hem, like a princess straight from a Disney film and the fantasies of many little ladies. Her fellow nominee Nicole Kidman wore streamlined gray-blue Armani with a bubbled peplum so beneficiant it may function an arm relaxation, or an ode to outdated Hollywood. Zoe Kravitz gave the impression to be channeling Audrey Hepburn in a child pink bow-bedecked Saint Laurent column robe. Billie Eilish was a Gothic merengue in tiers of black Gucci moiré. Pretty as most of them seemed, the clothes acted as a type of reference library for silver display screen legend, reaching again over time.

There was a variety of gold, as at all times when statuette are concerned, most strikingly Lupita Nyong’o’s sequined and fringed backless Prada. Some straight-from-the-runway risk-taking, courtesy of Maggie Gyllenhaal doing her finest impression of a surreal Narnia chest of drawers in Schiaparelli, and Jada Pinkett Smith and her frothing emerald robe from the Glenn Martens for Jean Paul Gaultier couture.

Probably the most shocking factor was how little acknowledgment there was of the struggle in Ukraine. The theme of the night was “Film Lovers Unite,” which may have recommended some unity of blue and yellow accessorizing, on the very least, however apart from a number of bits right here and there — Jason Momoa’s blue and yellow pocket hankie; Benedict Cumberbatch’s lapel pin; a scattering of brilliant blue ribbons worn for refugees — it was largely absent.

Once more, as at all times, there was a variety of pink on the pink carpet: Marlee Matlin in elegant long-sleeved Monique Lhuillier, Rosie Perez in chiffon Christian Siriano, Tracee Ellis Ross in very low-cut Carolina Herrera with what seemed like two little coasters over the breasts.

However that’s additionally when issues obtained fascinating. As a result of look a little bit nearer: Kirsten Dunst’s ruffled cherry lollipop Lacroix was really classic, from 2002 (in case you’re going to recycle the previous, higher to really recycle it, moderately than repeat it). And Ariana DeBose’s stoplight sweeping cape topped a bustier and pleated pants from Valentino, thus just about redefining the three-piece go well with.

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Then Timothée Chalamet arrived. Shirtless.

Males have been shifting the needle in the case of fancy gown for some time now. And there was some peacocking this time, most notably with Kodi Smit-McPhee in tone-on-tone child blue Bottega Veneta and a quazillion carats of Cartier diamonds, Sebastian Yatra in petal pink Moschino, and Wesley Snipes in a burgundy Givenchy tuxedo shorts-and-leggings mixture. However Mr. Chalamet took it to an entire new stage.

Over his naked chest, he wore an embroidered lace jacket from Louis Vuitton’s spring 2022 girls’s put on assortment, together with two Cartier emerald and diamond necklaces, two matching bracelets and 5 rings. It was, all in all, a glowing, provocative show that successfully subverted quite a few outdated stereotypes about who can put on what and the way. He could have proven probably the most pores and skin of the evening. Maybe make historical past, even, as the primary shirtless man on the Oscars (the primary in current reminiscence, anyway). On the very least, he’s now assured a spot on each “memorable Oscar seems to be” listing.

Together with his garments he recommended, with out saying a phrase, {that a} shake-up of the outdated guidelines was coming in any case. And he wasn’t the one one working that concept.

Zendaya, in a white satin button-up shirt cropped to only under her breasts and a skirt that was a slither of silver sequins (all Valentino), performed with historical past — Sharon Stone in a white Hole shirt and swagged Vera Wang skirt on the 1998 Oscars, a extremely controversial combo on the time — and up to date it. Kristen Stewart wore Chanel sizzling pants along with her tux jacket and a white shirt unbuttoned to the navel, and he or she traded her black pumps for black loafers as quickly as she obtained previous the step-and-repeat. And H.E.R. wore a neon-yellow Carolina Herrera mini with a sweeping strapless high-low gown that billowed behind her like a cloud.

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None of them appeared to contain ironclad undergarments or kinds made solely for standing nonetheless with a hip cocked to the aspect. That’s a step ahead, if there ever was one. One deserving of everybody’s consideration.

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'Wait Wait' for November 9, 2024: With Not My Job guest Tara Dower

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'Wait Wait' for November 9, 2024: With Not My Job guest Tara Dower

Tara Dower runs the Appalachian Trail during her record-setting speed-hike

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This week’s show was recorded in Chicago with host Peter Sagal, guest judge and scorekeeper Joshua Johnson, Not My Job guest Tara Dower and panelists Negin Farsad, Faith Salie, and Peter Grosz. Click the audio link above to hear the whole show.

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Our panelists have three updates from the paranormal world , only one of which is true.

Not My Job: Ultrarunner Tara Dower gets quized on Appalachian Cryptids

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Ultrarunner Tara Dower, who set a new record for the fastest time running the Appalachian Trail, plays our game called, “Try a Stroll Down These Appalachian Tales.” Three questions about folktales from Appalachia.

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The Must-Have Sleepover Accessory for Anxious Kids; Night-Night Clubbing

Limericks

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'Joker: Folie à Deux' Actor Says Cast Knew Movie Would Bomb While Making It

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'Candyman' star Tony Todd dies at 69

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'Candyman' star Tony Todd dies at 69

Actor Tony Todd in 2011.

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The actor Tony Todd has died. He was best known as the star of the Candyman horror movies. Todd died Wednesday at his home in Los Angeles, his manager Jeffrey Goldberg confirmed. He was 69. The cause of death has not been shared.

“I had the privilege to have Tony as my friend and client for over 30 years and I will miss that amazing man every single day,” Goldberg said in an email to NPR.

At 6’5″, Todd was a very tall, highly versatile actor with hundreds of screen credits to his name, including Platoon, The Rock and Final Destination.

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He shot to stardom in 1992 playing the ghost of a murdered Black artist in the horror movie Candyman. Todd reprised the role three more times in subsequent films in the series.

“My beloved. May you rest in power sweet to the sweet in heaven,” said Virginia Madsen, Todd’s Candyman costar in a tearful post on Instagram. “The great actor Tony Todd has left us and now is an angel. As he was in life.”

Tony Todd was born in 1954 in Washington, D.C., and grew up in Hartford, Conn. He studied at the Eugene O’Neill National Theater Institute in Waterford, Conn., and Trinity Rep Conservatory in Providence, R.I.

In addition to his on-screen career, Todd also appeared in shows on and off Broadway and was a prolific voice actor with credits in movies, TV shows and video games.

“Those who knew him will remember his warm laugh, generous spirit, and his dedication to his craft,” Goldberg said. “Whether on stage, on screen, or in personal conversations, Tony brought an unyielding honesty that resonated deeply with his friends, family, and fans.”

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