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ZZ Top scrubbed Bowl concert because of Frank Beard health issues, but tour will continue

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ZZ Top scrubbed Bowl concert because of Frank Beard health issues, but tour will continue

The show will go on for ZZ Top.

Last week, the blues rock band canceled its Hollywood Bowl concert because longtime drummer Frank Beard had health issues, Rolling Stone first reported.

That Aug. 5 Los Angeles concert was supposed to be the kickoff for the band’s the Big One tour. But a spokesperson for the band says that frontman Billy Gibbons and bassist Elwood Francis will continue the tour.

Michael Monahan will substitute for Beard for the remainder of the Big One, which will conclude its U.S. run on Oct. 9 in Port Wentworth, Ga.

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The band has not said that it will reschedule the L.A. show, and all tickets, including transportation and parking passes, were being automatically refunded, according to the Hollywood Bowl.

Gibbons previously posted on Instagram that there were unexplained “insurmountable obstacles” leading to the band’s sudden cancellation at the Hollywood Bowl.

The band has released no details on Beard’s condition, although this is not the first time the drummer, 77, has faced health-related issues in his long tenure with the band. Beard joined ZZ Top in 1969, soon after the band formed, replacing founding drummer Dan Mitchell.

In March 2025, the Texan trio announced via its Instagram that Beard would temporarily step away from the band’s Elevation tour to tend to a health issue, which was later revealed to be foot and ankle problems. John Douglas — a longtime tech member, percussionist and drummer — replaced Beard in the interim, having done so previously when the veteran drummer underwent an emergency appendectomy in 2002.

In ZZ Top’s early days — following the release of the 1976 album “Tejas” — Beard dealt with issues related to substance abuse that led to the band’s three-year hiatus, which he and his bandmates opened up about in the 2019 documentary “ZZ Top: That Little Ol’ Band From Texas.”

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“Frank goes all out on what he does and that includes the bad things,” bandmate Dusty Hill, who died in 2021, said in the documentary. “He was sick. If you’re a very good friend, you love a guy, you don’t want to see him die. You just want to see your brother get well.”

The Grammy-nominated band, which formed in Houston, is known for its edgy blues twang in popular singles including “La Grange” and “Tush” and across 15 studio albums. In November, ZZ Top will close out the Big One tour with eight performances across Mexico and South America.

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Movie Reviews

Ryan Jay Reviews Movies for the Weekend of September 4th, 2026

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Ryan Jay Reviews Movies for the Weekend of September 4th, 2026

Should you see it, skip it, or stream it? Ryan Jay gives us his movie ratings! This week he reviews:

By Any Means / Paramount Pictures
Fall 2: Deadpoint / Lionsgate

Ryan also shares details on the new Ryan Jay Movie Club happening Wednesday, September 9 at 7 p.m. Plus, enter to win a pair of free tickets at RyanJayReviews.com

Ryan has an exciting giveaway featuring the Ultimate OZ Universe books and shares his contribution included in the collection. Enter to win both volumes at RyanJayReviews.com

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And don’t miss Ryan’s free movie screening event at the Argo

Click here for more Ryan!

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How to have the best Sunday in L.A., according to Lauren Halsey

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How to have the best Sunday in L.A., according to Lauren Halsey

Since its monumental debut in March, “sister dreamer lauren halsey’s architectural ode to tha surge n splurge of south central los angeles” has been active.

Sunday Funday infobox logo with colorful spot illustrations

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

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That’s the official name of Lauren Halsey’s public sculptural park nestled at the corner of 76th and Western in South-Central. In its first few months, the park has hosted intimate jazz shows, Kemetic yoga classes, art workshops and album listening parties where artists like Childish Gambino and Vince Staples have performed. For Halsey, a contemporary visual artist who began dreaming up the space 17 years ago, it’s all been part of the plan.

“At a museum or a gallery, I can program in a context that makes sense there, but at the park, it becomes a venue that is limitless,” she says. “So I can have a music series. People can roller skate. It can be a classroom. It can be a dance floor. It can be a theater, so I’m getting to know it every day, which is just so cool.”

She adds, “It’s just very alive so I love it.”

Now, Halsey is plotting on her next project: “emajendat,” a music festival that merges fine art, music and community activation all in one night. Featuring live performances from Erykah Badu, the Alchemist, Flea (of Red Hot Chili Peppers), DJ Pee .Wee (a.k.a Anderson .Paak) and the Charles Gaines Collective (with Black Nile and Devin Daniels), the immersive event will take place on Sept. 29 at the Hollywood Bowl.

Ahead of the big night, the South-Central native shared her itinerary for a magical day in L.A. It involves listening to rare ‘70s funk and soul music at her favorite brunch spot, supporting all of her favorite vendors (including a henna artist) in Venice Beach and bowling at Lucky Strike.

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6:30: Coffee and produce at the Westchester Farmers’ Market

I wake up early no matter what. I’m out of my door between 6 to 6:30 a.m. I’d do my walk around my neighborhood and wait until my partner gets up then we’re off to the Westchester Farmers’ Market, which we go to sometimes. There’s this really amazing vendor called Gus’ Coffee. He makes coffee with his daughter. I’d get a black coffee with a tiny bit of milk or a horchata-based coffee and we’ll just shop for produce. We’d get some yellow watermelons, which are in season right now.

11 a.m: Brunch and ‘70s funk music at RVR

I’m going to my favorite restaurant RVR in Venice for brunch. I’m talking to the chefs, Travis and Ian. I’m listening to amazing music because they have this wonderful vinyl program led by Carlos Niño. So I’m listening to this rare B-side of the B-side ‘70s soul and funk while eating amazing plates. They change their menu quite often because it’s a call and response to what produce is available seasonally. No matter what, I start with the pickled vegetables then I get one of the hamachi rolls. Right now, I’m getting the melon salad, egg plate and the spotted prawn. Depending on the day, they’ll have six or 21 of the prawns, so sometimes they’ll hold me one when they know I’m coming in. Then I’m getting the dessert. Right now it’s banana ice cream with blueberries and it’s heaven.

2 p.m.: Get blasted with henna tattoos in Venice Beach

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Then we’re racing to Venice Beach, which has been my favorite since I was a kid. It’s just so wild and grungy and weird and fun yet family friendly and safe. My girlfriend’s best friend lives on the boardwalk so we’ll go see him. I’ve always loved the vendors there so I have my favorites. Right now I’m really into Martha who is a henna tattoo artist, so I just get blasted with henna tattoos. She has a fat notebook of [inspiration], so I’ll pick some and then I’ll remix them with her. It’s this really cool collaboration. I do it every few weeks. I’ll sit with her for like two hours while life is happening, watching the roller skaters, the families, the cool outfits, the riffraff. Sometimes I’ll go to a lady to get the back of my hair wrapped in thread, which I used to do as a kid. It’s just another way I can adorn myself with color. Also, I love a hat, so I’ll go to everyone who’s selling a hat and maybe we’ll buy some fruit.

5 p.m.: Bowl and live my WNBA dreams at Lucky Strike

We’re going bowling at Lucky Strike, which used to Bowlero. We have the summer season passes and we just go ham. We go to the arcade first and I just live my WNBA dreams. Then we’ll go bowl two or three games. My partner usually orders the chicken wings. I don’t eat meat, so I’ll do a beer, French fries with “truffle,” shrimp tacos and maybe some candy.

8:30 p.m.: Head home to prepare for the week

Next, we’re going home. I’d look at my calendar for the week and answer emails. Then I’d take a shower and watch something with my partner. I’m into heist films and basketball. She’s into the psychological thrillers and those sort of crime investigation shows, so we meet in the middle. It’s going to sound so silly and I don’t care, but the last good show I watched was Tyler Perry’s “Beauty in Black.” His imagination is wild, so we just can’t wait until Season 3. It’s ridiculous that it’s so good. We’d watch something until I fall asleep usually by 10 p.m.

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Movie Review | Despite its title, the slasher siege movie ‘Onslaught’ takes its time

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Movie Review | Despite its title, the slasher siege movie ‘Onslaught’ takes its time

AP:

Masked soldiers deployed on domestic soil and an air of conspiratorial paranoia give Adam Wingard’s not-quite-grindhouse siege film Onslaught a contemporary pulse, even if this lean, B-movie thriller doesn’t deliver much more than a flicker of its throwback promise.

Wingard, though, does seem freshly liberated in this return to his low-budget thriller roots ( You’re Next, The Guest). He has since spent the last decade in more IP-managed releases: the 2016 Blair Witch sequel, a Netflix adaptation of Death Note and a pair of Godzilla vs. Kong movies.

But the 92-minute Onslaught, written by Wingard and his regular collaborator Simon Barrett, is intentionally straightforward — to the point, you could say, of brainlessness. It’s aiming for a very simple slasher setup in the mould of John Carpenter: A single mom and PTSD-riddled former Army sniper, Celeste (Adria Arjona), living in a desert trailer park, defends herself and her young daughter (Blake Kennedy) from an invasion of three highly programmed super-soldiers who have sprung out of a nearby military contractor facility.

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Even though Onslaught begins with a clock that’s already ticking below 12 hours, the movie takes its time leading to a bloody finale that isn’t quite worth the drumbeat. But Wingard is in no great hurry, and he lingers in the anticipation, for better and for worse.

So early on we get Dan Stevens (deliberately hammy) as a suspiciously old, white-haired Nazi scientist crawling across the room to lick the stiletto-heeled foot of his wife and co-conspirator (a queenly Rebecca Hall, suggesting great depth in her few minutes on screen). From the bodies of dead soldiers, Stevens’ mad scientist has engineered three elite killing machines. They are devoid of personality, with beady lights for eyes. Still, he’s given them nicknames: the Butcher (Alex Pereira), the Cockroach (Dave Campbell) and the Crybaby (Tyler Hall).

They get out, of course, and begin causing trouble. Onslaught likewise lingers on the quickly dispatched operative, Cyrus (Drew Starkey), sent to clean up the ensuing mess. Wingard delights in introducing the character, who’s more drugged up and charmingly laid-back than your usual cleanup expert. It’s a lot of set-up for a guy who, ultimately, doesn’t do much.

But what’s the rush? Wingard also takes his time surveying the female bodies at the S&M club Cyrus is attending when we meet him, just as he does looking over some of the bloody wreckage left by the super-soldiers. He even, momentarily, takes one of their perspectives in a random killing at a gas station convenience store — a point of view that’s hard to justify, considering there’s no other attempt to consider the inner horrors of the brain-dead soldiers.

They start unleashing mayhem across a Western plain that looks like it could either be where Wile E. Coyote chases the Roadrunner or the setting of Chloé Zhao’s Nomadland.

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Onslaught has a bit of both. The movie is best in its leisurely depiction of life at the Windy Oasis, the trailer-park remove where Celeste has found some rough-hewn sense of peace — away from society and with plenty of room for target practice.

Reginald VelJohnson and Eric Wareheim gamely play Celeste’s neighbours, adding to the eccentric ensemble. But Onslaught is most of all a chance for Arjona, a supporting standout in Hit Man and Splitsville, to show some leading-woman grit. And she does that in Wingard’s quirkily contradictory movie: gleefully violent despite its military satire, curiously unhurried despite its title.

Onslaught, an A24 release is rated A-18 for strong bloody violence, some gore, sexual material/nudity, and language. It is coming soon to theatres.

Running time: 107 minutes.

Rating: Two stars out of four.

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