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Why romance is such serious business for ‘Bridgerton’ star Jonathan Bailey

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Why romance is such serious business for ‘Bridgerton’ star Jonathan Bailey

Jonathan Bailey of “Bridgerton.”

(Jason Hetherington / For The Occasions)

When he joined “Bridgerton” because the brooding Viscount Anthony Bridgerton, Jonathan Bailey had an intuition that the present was going to be one thing particular. However he couldn’t have predicted fairly how huge the Regency interval drama would change into, significantly in its second season, which focuses on Anthony’s will-they-or-won’t-they courtship with Kate Sharma (Simone Ashley). Initially, he was drawn to the “Holy Trinity” of Netflix, Shondaland and the truth that it was a interval piece, however the alternative to shine a light-weight on romance as a extra severe style was an added bonus.

“[I loved] the romance style being given this platform — it’s all the time been seen as fairly a light-weight literature,” the actor says, talking from a theater in London the place he’s starring in a revival of a Mike Bartlett play. “After all, it’s fluffy as a result of it’s accessible and it’s hopefully one thing you can bathe in. However on the similar time, it might probably actually faucet into very human, very personal and really high-stakes human experiences.”

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He provides, “There’s a whole lot of strain on romance, I believe, as a result of you must be so truthful. However that’s what you need, isn’t it? You simply wish to discover the reality in all the things.”

A man faces away from the viewer in a free-standing bathtub.

Jonathan Bailey as Viscount Anthony Bridgerton in “Bridgerton.”

(Liam Daniel / Netflix)

Earlier than being solid on “Bridgerton,” Bailey had a thriving theater profession, and most of his onscreen work was on British TV reveals. He wasn’t significantly well-known by American audiences previous to the primary season of “Bridgerton,” which launched Anthony because the emotionally withholding head of family pushed by responsibility somewhat than coronary heart. Today, Bailey has to deal with precise screaming followers, who’ve appeared exterior the theater, and the data that he’s the topic of dozens of on-line memes.

“The pandemic is barely simply actually starting to finish for me with the ‘Bridgerton’ schedule and the isolation of working,” Bailey notes. “So the heartthrob [aspect] and understanding that, I believe will come. I imply, it’s f— flattering, in fact. And it’s additionally a testomony to the way in which that the ‘Bridgerton’ tales are instructed. [The writers] know what they’re doing and there’s a lot that they’ll do to sign these sensible moments of chemistry that ignite one thing in everybody’s coronary heart at house.”

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Anthony’s journey in Season 2, from uptight viscount to heartthrob love curiosity, resonated strongly with viewers, significantly as he confessed to Kate, “You’re the bane of my existence and the article of all my wishes.” Bailey says the character feels “fairly easy” to him now, however Anthony is an advanced man whose feelings are made extra sophisticated by the arrival of Kate. The actors didn’t talk about the connection forward of filming; as an alternative they allowed the stress to play out in actual time.

“You wish to tempo the intimacy and the way the layers are peeled away,” Bailey says. “I really like the rehearsal interval within the theater and being within the room for seven weeks and with the ability to actually make errors. Once you do one thing like ‘Bridgerton,’ that rehearsal interval actually occurs in your personal thoughts, by yourself. It’s fairly isolating. And if there’s ever a personality you’ll be able to pour your sense of isolation or pandemic anxiousness into, it’s Anthony.”

A man in patterned silk clothing leans up against a red, reflective wall.

Earlier than being solid on “Bridgerton,” Bailey had a thriving theater profession.

(Jason Hetherington / For The Occasions)

For Bailey, the strategy is identical whether or not he’s in a Shakespeare play with Ian McKellen or in a gauzy romance drama. Certain, there are moments when he feels extra self-aware than ordinary, comparable to Anthony’s steamy bathtub scene brooding over Kate, however Bailey desires all his work to be as honest and truthful as doable — even when he’s a “bit embarrassed.”

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“There was really a digital camera within the water between my legs trying again at me,” he says, laughing on the recollection of filming the scene. “So it was virtually like a water beginning. And I bear in mind afterwards, I used to be so appalled at myself over the day that we had skilled and so confused, as a result of you’ll be able to’t actually clarify it to anybody.

“It was simply when the foundations modified and you may go meet individuals exterior, so I went to a pub that night time and had a pint with my mates. After I received as much as get the second spherical, I used to be like, ‘I’m chafing a bit.’ And I noticed I nonetheless had my modesty thong on, as a result of I used to be so traumatized and I ran so shortly from set that I hadn’t even taken off my little pouch. I nonetheless have it to today.”

It might probably’t have been too traumatizing as Bailey and Ashley have each signed on to return to “Bridgerton” in subsequent seasons — Season 3 goes into manufacturing shortly after Bailey wraps the Bartlett play. However the actor can be trying ahead to seeing how he can evolve his profession.

“‘Bridgerton’ has received its personal distinctive aesthetic and tonality,” Bailey says. “It’s humorous, since you couldn’t actually think about your self in it as a result of it didn’t actually exist. It’s so vibrant and business, in addition to being open sufficient for individuals to return in and provides actually fascinating, detailed performances. However with each job I’ve achieved that I’ve actually loved, I’ve by no means actually ‘seen’ myself in it. Should you can see your self in one thing, you’ve most likely already labored out your efficiency or the why. But when there’s that friction, then it means you’re going to give you one thing new.”

A man crouches on a rooftop wearing patterned, silk clothing.

(Jason Hetherington / For The Occasions)

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Movie Reviews

City Hunter (2024) – Movie Review | Japanese Netflix genre-mix Heaven of Horror

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City Hunter (2024) – Movie Review | Japanese Netflix genre-mix Heaven of Horror

Watch City Hunter (2024) on Netflix now!

This new Netflix movie from Japan (org. title: Shiti Hanta) is the live-action adaptation of the legendary manga “City Hunter” by Tsukasa Hojo. The director is Yûichi Satô (Kasane) and the screenwriter is Tatsuro Mishima (Yu yu hakusho, Zom 100: Bucket List of the Dead).

“Ryo Saeba” is played by Ryohei Suzuki, who has an impressive six-pack and would be a lot more charming to me, if the silliness was dialed down. However, I suspect fans of City Hunter wouldn’t recognize the character then.

Misato Morita portrays his future partner, and the cool heroine, “Kaori Makimura”. Finally, Masanobu Ando plays “Hideyuki Makimura” while Fumino Kimura co-stars as “Detective Saeko Nogami”.

Despite being a fan of horror-comedy and other genre hybrids, this one jumps between moods, styles, and genres at such a pace that I cannot give in to it. A shame really. Especially because I can see the intriguing story there.

City Hunter (org. title: Shiti Hanta) is on Netflix from April 25, 2024.

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Sissy Strolls bring queer people of color together in WeHo

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Sissy Strolls bring queer people of color together in WeHo

On Sunday nights in West Hollywood, the stretch of gay bars lining Santa Monica Boulevard look mighty different when a Sissy Stroll is underway. The monthly bar crawl, which includes the hot spots Revolver, Mickey’s and Heart, was created by dynamic trio the Sissy Squad. The mission? Curate a social hangout that prioritizes genuine connection among queer Black people, queer people of color and those who support them, while joyfully taking up space in WeHo’s notoriously white nightlife scene.

The Sissy Squad consists of Matthew Brinkley, a.k.a. Dr. Brinkley, a psychotherapist who focuses on relationship and queer life coaching; Neville, a.k.a. Aunt Jackie, an event producer and founder of Obtaining Mental Wellness Inc.; and David Brandyn, a writer and sex educator. In an effort to satisfy their appetite for stepping out on the town while at the same time addressing the lack of comfortable social spaces for queer people of color in West Hollywood, the group channeled their creativity and community-building skills into creating the change they wanted to see with support from partners House of Love Cocktails, Impulse Los Angeles and Obtaining Mental Wellness.

“When I first moved to L.A., I asked a friend of mine who grew up in L.A., ‘Where are the Black spaces where I can see myself?’” Brandyn says. “He said, ‘There are none. … It’s been a long time since we’ve had a space. But what you do is, you gather all the Black people and you infiltrate the space that you want to be in’ and I never forgot that.”

Sissy Strolls satisfy the group’s appetite for stepping out on the town while at the same time addressing the lack of comfortable social spaces for queer people of color in West Hollywood.

(Annie Noelker / For The Times)

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“What I’ve always loved about the Sissy Strolls was that it was a curated safe space for queer people of color and their allies. It’s not exclusive,” Neville says, noting that people of all different racial and ethnic backgrounds, sexualities and gender expressions have enjoyed themselves on a Sissy Stroll. “It shows that ‘sissy’ can come in any form. Come drink these free drinks and pop around with us and dress how you wanna dress and tonight, we all sissies. It’s just a fun word and I love that we have led this renaissance with the word sissy.”

“Now personally, I wasn’t really called a sissy as a kid, I was called the f-word,” laughs Brandyn. “Sissy, to me, spoke to the f-word in a lighter way. It spoke to the way that folks have treated us, the damage that folks have done to us because of who we are, and reclaiming it just feels really good.”

It’s a moment when people attending a Sissy Stroll show up at the meetup location — and it’s an absolute vibe when the group enters a bar as a unit. “Those clubs look so different when we’re there. And when we leave those places, you get to see this storm of people of color walking down Santa Monica,” Neville says. “It’s really impactful. It’s like, OK, the Sissy Stroll is here.”

For regular attendees like Roy Covington, a musician and Virginia native who relocated to Los Angeles a year ago, the feeling is exhilarating: “Once you make it into the bar, everyone is there and people are there to greet you and they’re so happy to see you and it just feels so good.” Covington credits the genuine warmth of the Sissy Squad, whether they’re hosting the Sissy Stroll, a game night or another local event, with helping him make organic friendships while building a foundation in a new city. “Any event that the three fellas host is a very warm, loving and just come-as-you-are kind of experience. It’s so great and they just want everyone to have a good time.”

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Man standing in the middle of a club

Matthew Brinkley, a.k.a. Dr. Brinkley, a psychotherapist who focuses on relationship and queer life coaching.

(Annie Noelker / For The Times)

The ritual of dressing for a Sissy Stroll is special for the three co-creators: thoughtfully applying glam, adorning oneself with feel-good accessories and being seen while each Sissy sparkles in their authenticity.

For Brinkley, serving a look is a mixture of feeling fabulous, important and powerful. “I feel like Sailor Moon when she transforms into herself to fight crime, or do whatever, that’s how I feel.” Brinkley’s aesthetic in a nutshell? “Something furry but sexy, tight — and I know my ass looks great.”

For Neville, who brings the maternal, auntie energy to the group, his fashion taste leans more modest. A statement hat with a big brim and in a variety of colors is a must. Flourishes like a rhinestone fringe or a leopard pattern peeking out underneath is to be expected, alongside a chunky heel or raised moon boot and an array of vibrant glasses and earrings.

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“I’m more of the cool, rich auntie vibe. Like, you can go over to Auntie’s house and drink. You get to go to Auntie’s house and you might get to hit that blunt for the first time or if you’re not allowed to eat bacon at home, Auntie Jackie gon’ make sure to slip you a little piece of bacon,” Neville says. “During the Sissy Strolls, it’s like when Aunt Jackie puts on her good outfit to go find an uncle. Rich Auntie is stepping out and putting on her Sunday best, but in the gay way.”

Gay men dancing in a bar in WeHo

Scenes from the black, queer bar crawl Sissy Stroll in WeHo – includes hotspots Revolver, Mickey’s and Heart. Created by the dynamic trio The Sissy Squad.

(Annie Noelker / For The Times)

Brandyn, on the other hand, enjoys rocking his signature combo of a masculine chain paired with a short mini skirt. Plus “an unconventional hat like a beret or cowboy hat,” an abundance of sparkles and rhinestones and a boot with a 5- or 6-inch heel. Something “tight on the top and loose on the bottom” is the motto.

Getting dressed for a Sissy Stroll can be an opportunity for playful experimentation when it comes to fashion, but it’s also a sacred form of inner child healing, explains Brandyn. “I dress for the little boy in me that really wanted to wear these clothes so badly but felt like he could not do it. That’s why my style is very late ’90s, early 2000s, ’cause that’s the age I grew up in,” he says. “When I’m with the Sissy Squad I know I can wear anything I want, I can behave any way I want, ethically of course. It gives us permission to truly just be whatever we want and that feels really good for us — and I’m assuming it feels that good for the folks who come on the stroll.”

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For Ty White, 28, the Sissy Strolls have been an affirming space to make both personal and professional connections. “They cultivated a really nice space for people to network. I’ve met people who are hairstylists, some people do makeup, some people are producers for shows,” White says. A queer get-together with people who possess an understanding and a certain degree of cultural fluency from navigating the world as a fellow openly queer Black person has been a major plus for White.

“Even though places have the reputation of being occupied by a certain demographic and catering to a certain demographic even, it doesn’t have to be so lonely,” White says, referring to the prioritization of men who are “white, muscular, and under 130 pounds” in numerous gay spaces. “I encourage others to put themselves out there in any capacity for community-building because you never know how many people are having the same experience that you’re having,” he says. “I think the Sissy Stroll has done a great job of putting themselves out there … and pulling people in to create a community within a larger community and making people feel like they belong.”

Gay men smiling and hugging at a bar in WeHo

“What I’ve always loved about the Sissy Strolls was that it was a curated safe space for queer people of color and their allies. It’s not exclusive,” Neville says.

(Annie Noelker / For The Times)

Beyond the Sissy Squad’s impact in Los Angeles, the group continues to leave its mark around the globe thanks to its show “Sissy That Psyche,” which streams worldwide on WOW Presents Plus. In the eight-episode series, the three hosts revisit and analyze “RuPaul’s Drag Race” meltdowns through a mental health lens — in fabulous outfits — and provide self-care tools viewers can apply in their day-to-day.

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It’s not lost on the three Sissy Squad members that they are, as Neville puts it, navigating the world as “three chocolate men.” Colorism and the many other branches of racism and white supremacist culture are real and omnipresent. “It’s always kinda like, the extra stigma. We have a really cool way of representing three different points of view but looking like we’re together,” Neville says. “We are three chocolate men who play with androgyny, wear feminine clothes but still have this masculine edge to it and it’s really inspiring. People have literally come up to us and said thank you all for showing up this way.”

When you Google the word “sissy,” you’re sure to find a handful of definitions that list the word as a derogatory term for boys and men who are perceived as feminine, gay and existing outside patriarchal imaginings of acceptable masculinity. But as the Sissy Squad regularly affirms, a wealth of nuance and subversive power exists within the word.

“Basically, what they’re really saying is a person who has feminine qualities or who is femme-presenting [isn’t positive],” Brinkley says. “Actually that can be really great. That can be so amazing to have those qualities. Being soft can be very powerful and so I do think reclaiming it to make sense for us and the people who use it is really, really powerful. I hate the definition that’s in the dictionary [for the word sissy], but I’m so glad that we can look beyond that and create our own definition.”

Keep up with upcoming events hosted by the Sissy Squad on their Instagram @sissysquadla

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Film Review: Citizen of a Kind (2024) by Park Young-Joo

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Film Review: Citizen of a Kind (2024) by Park Young-Joo

“I don’t have time to feel bad”

Action dramedy “Citizen of a Kind” is the story of an ordinary woman who takes matters into her own hands after losing all her money over a voice phishing scam. Directed by Park Young-ju, it is her commercial film debut, and indeed a successful one, considering that “Citizen” topped the South Korean box office on its opening weekend with a cumulative of $3.58 million.

Citizen of a Kind is screening at Udine Far East Film Festival 2024

Deok-Hee (Ra Mi-ran) is an ordinary ajumma (a middle-aged woman) whose laundry business and home have just gone up in flames, leaving her and her kids homeless and almost penniless.  However, she is not the kind of woman who stops and feels sorry for herself; in fact, she is working for a laundry company and frantically trying to borrow some money and start her business afresh. Unfortunately, her positive and energetic attitude borders with naivety and she incautiously transfers all her money in order to obtain a loan, prompted by a fictitious bank manager, Mr. Son Jae-Min (Gong Myung) she only spoke to by phone. It’s a classic case of voice-phishing, when impostors fraudulently build up trust with victims online or by phone, in order to scam them. When she discovers she has been swindled, her reaction is imaginable. The police are rather unhelpful as they are overwhelmed by a deluge of similar incidents and Detective Park (Park Byung-eun), in charge of her case, is quick to dismiss it as a routine scam. “Think of it as a life lesson” are his harsh words for her.

Deok-Hee is desperate and refuses to believe that police cannot do anything, when something completely unexpected and unimaginable suddenly happens. Mr. Son phones her and confesses the scam, promising to help her to unveil the whole fraudulent operation. He also tells her he is help captive in a sort of “fraud farm” in Quingdao, China, operated by a criminal gang, where he and many other young men and forced to scam internet users around the world into withdrawing cash. The major problem is that he doesn’t know the exact location where he is in Quingdao and – again – the police cannot act on this mysterious phone call alone. It is a big bet, but Deok-Hee decides to go to Quingdao and track down her informer and the source of the problem. Fortunately, her true friends and colleagues Bong-Rim (Yum Hye-ran) and Sook-Ja (Jang Yoon-ju) decide to go with her and help her in every possible way.

This tale of popular justice is based on an incredible true story of a laundromat owner in Hwaseong, Kim Sung-ja who in 2016 managed to facilitate the arrest of a criminal boss, thank to a repentant gang member. In general, real-life events may lack the dramatic tension or narrative structure necessary to be turned into a compelling film and the factual details of a true story can limit the ability to explore creative possibilities. However, an excellent treatment has been done here to the script and despite the creative liberties, the distortions of the facts for dramatic effect, the addition of cinematic elements and characters, the result is a film that has already managed to please both the real-life protagonist who was invited at the opening, and a vast audience.

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This is mainly due to a combination of the strong emotional connection with the protagonist, and a skilful orchestration of the action. Despite being easily imaginable how the story will pan out, there are plenty of genuine moments of suspense that will keep you at the edge of your seat. On the other hand, a well-placed amount of comedy mixed with the classic tale of ordinary people solidarity and bond, deliver the magic formula for a crowd-pleasing and entertaining spectacle.

Voice-phishing, also known as “vishing”, a type of scam where fraudsters use phone calls to deceive individuals into revealing personal or financial information is on the rise everywhere, and recently various films have dealt with this social epidemic or use it for dramatic purposes. However, not many have presented in such manner the “fraud factory” that is shown in “Citizen of a Kind”. Delving into the voice-phishing cartel opens a whole can of worms and reveals an underworld of modern slavery where young workers are trained to create online personas which they use to scam, their passports are confiscated, and they are blackmailed or threatened with organ harvesting and forced prostitution if they do not scam successfully. It is very easy to empathise with ”deserter” Son and all the other victims.

Check also this interview

Ra Mi-Ran as Deok-Hee is a real force of nature. She thoroughly embodies the no-nonsense, ordinary middle-aged woman, tough-spirited, determined and righteous; she surely has big part in the success of “Citizen of a Kind”. She is supported by an accomplished group of actors; as her loyal friends, the excellent tragicomic Yum Hye-Ran, and Jang Yoon-Ju who shows she is not just a pretty face but also a good comedian, then boy band member Gong Myung as repentant operator Son, Park Byung-Eun as slippery Detective Park and a special mention to Lee Mu-Saeng as vicious villain and big boss of the scam cartel.

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Park Young-ju has directed with flare “Citizen of a Kind”, a film that is a sensible blend of comedy, action, drama, true friendship, social exposé and redemption.

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