In the summer of 2020, the year “Ted Lasso” debuted on Apple TV, the largest audience for a televised soccer match in the U.S. was 1.7 million. Shortly before the soccer-based sitcom returned for a fourth season last Wednesday, nearly 63 million viewers in the U.S. watched the World Cup final.
Brendan Hunt, the actor who plays Lasso’s loyal sidekick Coach Beard in the series, can’t prove the show is responsible for that growth. But since he can’t disprove it either, he’ll just go with the flow.
“I would love it if we’ve had a role at all,” he said. “If we are a pebble in that avalanche, then I’m happy.”
What the Emmy-winning series has undeniably done is bring soccer into millions of unsuspecting households that had previously avoided the sport like a plague. So while Jason Sudeikis, the star and co-creator, alongside Hunt, of “Ted Lasso,” insists the show is not about soccer, the sport sure gets a lot of screen time. And that has made the game more palatable and popular for a public that can now relate to it.
Advertisement
“We tricked them by putting soccer in a comedy show,” Hunt said. “The first thing you’ve got to do to get somebody to become a soccer fan is just make them care about one team, to find one team.
“In this instance we’ve made them care about this fictional team and that easily can transmute, if you’re not careful, into caring about other teams. And then hopefully the sport itself.”
After a three-year hiatus, “Lasso” returned for Season 4 last week with the series’ eponymous title character, played by Sudeikis, returning to Richmond to coach a fledgling second-division women’s team. Hunt’s understated character makes his first appearance of the season in Episode 2 Wednesday.
“He is clearly going through something,” Hunt said. “Is it just what happens to Beard when he’s away from Ted for too long or is there something important that has happened? We’ll find out before too long.”
Speaking of having gone through something, Hunt, who plays a fictional coach for a fictional team, spent the first part of his summer being a very real journalist at a very real tournament, attending 14 World Cup games in more than half a dozen stadiums — including the Spain-France semifinal in Arlington, Texas, which he watched from the press box, and the Spain-Argentina final, part of which he watched from field level.
Advertisement
“That was a really cool experience,” said Hunt, who did a World Cup podcast with Rebecca Lowe, the studio host of Fox’s tournament coverage.
But for Hunt, 54, the most passionate soccer fan among the writers and actors on “Ted Lasso,” the sport was an acquired taste. Half a lifetime ago, Hunt was a die-hard Chicago Bears fan working in residence with an improv group at a small, aging theater in Amsterdam when he got swept up in Dutch soccer culture.
Eventually, he said, he was contributing weekly columns to Sp!ts, a free commuter newspaper in Amsterdam, chronicling his growing infatuation with the sport. When Sudeikis, another Midwesterner, joined the comedy troupe, Hunt began proselytizing about the sport, using PlayStation games to draw in Sudeikis.
“I found a secret that I had to tell everybody,” Hunt said. “When Jason came to Amsterdam, by that point I was fully a zealot. It was like a new recipe. ‘This thing is great!’
“I’ve been doing it ever since. I just have a slightly larger platform from which to do it.”
Advertisement
That platform is “Ted Lasso,” based around a soft-drawling college football coach, and Beard, his quiet but intense assistant. The concept debuted in a 2013 promo for NBC’s coverage of the English Premier League, then launched as a full-blown sitcom during the angst and fear of the coronavirus pandemic seven years later.
The series, with its message of optimism, kindness and patience and its call to “be curious, not judgmental” — a sentiment Lasso mistakenly credits to Walt Whitman — proved to be the perfect tonic for those trying times. Before it paused after Season 3, it had become the most-watched original streaming series across all platforms and the first Apple TV show to cross the billion-minute mark in a single tracking week.
But in addition to all the messaging and positivity, the show also included soccer. The offside rule and promotion and relegation are the butts of repeated jokes and there are discussions of tactics, positions, formations and other game-related details that would have previously frustrated viewers.
“Lasso,” however, proved U.S. soccer IQ was higher than expected; the sport may not have become fully mainstream, but it was no longer a foreign concept.
“There’s just a wider sense of like, ‘yeah, we’re fine. Soccer’s fine,’” Hunt said of the U.S. public. “We don’t need to explain it to people or impress it upon people. The World Cup has sort of finally cemented that.
Advertisement
“It feels like less and less of a capital S struggle right now.”
Brendan Hunt, left, and Jason Sudeikis in “Ted Lasso.”
(Apple TV)
For Hunt, who has been a season-ticket holder for LAFC and Angel City, getting to be a credentialed World Cup journalist — and a participant in the halftime show at the final — were once such far-fetched dreams that they never even made his bucket list. Getting paid to write scripts for a project he’s passionate about, then act out those scripts as a make-believe coach, was once only slightly less unbelievable.
Advertisement
Yet Hunt has done it all — and after a three-year break he’s back doing it again.
“It’s definitely fun,” he said. “For one thing it makes me a little more useful in the writers’ room than I would be on ‘Grey’s Anatomy.’ And it also means that a world that I already really enjoy has now opened its arms to us.
“The world of football, to have responded so well to this show, has been truly a touching part of this experience.”
And no one can’t prove the show hasn’t played at least a small role in making the U.S. a soccer country at last.
Should you see it, skip it, or stream it? Ryan Jay gives us his movie ratings! This week he reviews:
By Any Means / Paramount Pictures Fall 2: Deadpoint / Lionsgate
Ryan also shares details on the new Ryan Jay Movie Club happening Wednesday, September 9 at 7 p.m. Plus, enter to win a pair of free tickets at RyanJayReviews.com
Ryan has an exciting giveaway featuring the Ultimate OZ Universe books and shares his contribution included in the collection. Enter to win both volumes at RyanJayReviews.com
Advertisement
And don’t miss Ryan’s free movie screening event at the Argo
Since its monumental debut in March, “sister dreamer lauren halsey’s architectural ode to tha surge n splurge of south central los angeles” has been active.
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
Advertisement
That’s the official name of Lauren Halsey’s public sculptural park nestled at the corner of 76th and Western in South-Central. In its first few months, the park has hosted intimate jazz shows, Kemetic yoga classes, art workshops and album listening parties where artists like Childish Gambino and Vince Staples have performed. For Halsey, a contemporary visual artist who began dreaming up the space 17 years ago, it’s all been part of the plan.
“At a museum or a gallery, I can program in a context that makes sense there, but at the park, it becomes a venue that is limitless,” she says. “So I can have a music series. People can roller skate. It can be a classroom. It can be a dance floor. It can be a theater, so I’m getting to know it every day, which is just so cool.”
She adds, “It’s just very alive so I love it.”
Now, Halsey is plotting on her next project: “emajendat,” a music festival that merges fine art, music and community activation all in one night. Featuring live performances from Erykah Badu, the Alchemist, Flea (of Red Hot Chili Peppers), DJ Pee .Wee (a.k.a Anderson .Paak) and the Charles Gaines Collective (with Black Nile and Devin Daniels), the immersive event will take place on Sept. 29 at the Hollywood Bowl.
Ahead of the big night, the South-Central native shared her itinerary for a magical day in L.A. It involves listening to rare ‘70s funk and soul music at her favorite brunch spot, supporting all of her favorite vendors (including a henna artist) in Venice Beach and bowling at Lucky Strike.
Advertisement
6:30: Coffee and produce at the Westchester Farmers’ Market
I wake up early no matter what. I’m out of my door between 6 to 6:30 a.m. I’d do my walk around my neighborhood and wait until my partner gets up then we’re off to the Westchester Farmers’ Market, which we go to sometimes. There’s this really amazing vendor called Gus’ Coffee. He makes coffee with his daughter. I’d get a black coffee with a tiny bit of milk or a horchata-based coffee and we’ll just shop for produce. We’d get some yellow watermelons, which are in season right now.
11 a.m: Brunch and ‘70s funk music at RVR
I’m going to my favorite restaurant RVR in Venice for brunch. I’m talking to the chefs, Travis and Ian. I’m listening to amazing music because they have this wonderful vinyl program led by Carlos Niño. So I’m listening to this rare B-side of the B-side ‘70s soul and funk while eating amazing plates. They change their menu quite often because it’s a call and response to what produce is available seasonally. No matter what, I start with the pickled vegetables then I get one of the hamachi rolls. Right now, I’m getting the melon salad, egg plate and the spotted prawn. Depending on the day, they’ll have six or 21 of the prawns, so sometimes they’ll hold me one when they know I’m coming in. Then I’m getting the dessert. Right now it’s banana ice cream with blueberries and it’s heaven.
2 p.m.: Get blasted with henna tattoos in Venice Beach
Advertisement
Then we’re racing to Venice Beach, which has been my favorite since I was a kid. It’s just so wild and grungy and weird and fun yet family friendly and safe. My girlfriend’s best friend lives on the boardwalk so we’ll go see him. I’ve always loved the vendors there so I have my favorites. Right now I’m really into Martha who is a henna tattoo artist, so I just get blasted with henna tattoos. She has a fat notebook of [inspiration], so I’ll pick some and then I’ll remix them with her. It’s this really cool collaboration. I do it every few weeks. I’ll sit with her for like two hours while life is happening, watching the roller skaters, the families, the cool outfits, the riffraff. Sometimes I’ll go to a lady to get the back of my hair wrapped in thread, which I used to do as a kid. It’s just another way I can adorn myself with color. Also, I love a hat, so I’ll go to everyone who’s selling a hat and maybe we’ll buy some fruit.
5 p.m.: Bowl and live my WNBA dreams at Lucky Strike
We’re going bowling at Lucky Strike, which used to Bowlero. We have the summer season passes and we just go ham. We go to the arcade first and I just live my WNBA dreams. Then we’ll go bowl two or three games. My partner usually orders the chicken wings. I don’t eat meat, so I’ll do a beer, French fries with “truffle,” shrimp tacos and maybe some candy.
8:30 p.m.: Head home to prepare for the week
Next, we’re going home. I’d look at my calendar for the week and answer emails. Then I’d take a shower and watch something with my partner. I’m into heist films and basketball. She’s into the psychological thrillers and those sort of crime investigation shows, so we meet in the middle. It’s going to sound so silly and I don’t care, but the last good show I watched was Tyler Perry’s “Beauty in Black.” His imagination is wild, so we just can’t wait until Season 3. It’s ridiculous that it’s so good. We’d watch something until I fall asleep usually by 10 p.m.
Masked soldiers deployed on domestic soil and an air of conspiratorial paranoia give Adam Wingard’s not-quite-grindhouse siege film Onslaught a contemporary pulse, even if this lean, B-movie thriller doesn’t deliver much more than a flicker of its throwback promise.
Wingard, though, does seem freshly liberated in this return to his low-budget thriller roots ( You’re Next, The Guest). He has since spent the last decade in more IP-managed releases: the 2016 Blair Witch sequel, a Netflix adaptation of Death Note and a pair of Godzilla vs. Kong movies.
But the 92-minute Onslaught, written by Wingard and his regular collaborator Simon Barrett, is intentionally straightforward — to the point, you could say, of brainlessness. It’s aiming for a very simple slasher setup in the mould of John Carpenter: A single mom and PTSD-riddled former Army sniper, Celeste (Adria Arjona), living in a desert trailer park, defends herself and her young daughter (Blake Kennedy) from an invasion of three highly programmed super-soldiers who have sprung out of a nearby military contractor facility.
Advertisement
Even though Onslaught begins with a clock that’s already ticking below 12 hours, the movie takes its time leading to a bloody finale that isn’t quite worth the drumbeat. But Wingard is in no great hurry, and he lingers in the anticipation, for better and for worse.
So early on we get Dan Stevens (deliberately hammy) as a suspiciously old, white-haired Nazi scientist crawling across the room to lick the stiletto-heeled foot of his wife and co-conspirator (a queenly Rebecca Hall, suggesting great depth in her few minutes on screen). From the bodies of dead soldiers, Stevens’ mad scientist has engineered three elite killing machines. They are devoid of personality, with beady lights for eyes. Still, he’s given them nicknames: the Butcher (Alex Pereira), the Cockroach (Dave Campbell) and the Crybaby (Tyler Hall).
They get out, of course, and begin causing trouble. Onslaught likewise lingers on the quickly dispatched operative, Cyrus (Drew Starkey), sent to clean up the ensuing mess. Wingard delights in introducing the character, who’s more drugged up and charmingly laid-back than your usual cleanup expert. It’s a lot of set-up for a guy who, ultimately, doesn’t do much.
But what’s the rush? Wingard also takes his time surveying the female bodies at the S&M club Cyrus is attending when we meet him, just as he does looking over some of the bloody wreckage left by the super-soldiers. He even, momentarily, takes one of their perspectives in a random killing at a gas station convenience store — a point of view that’s hard to justify, considering there’s no other attempt to consider the inner horrors of the brain-dead soldiers.
They start unleashing mayhem across a Western plain that looks like it could either be where Wile E. Coyote chases the Roadrunner or the setting of Chloé Zhao’s Nomadland.
Advertisement
Onslaught has a bit of both. The movie is best in its leisurely depiction of life at the Windy Oasis, the trailer-park remove where Celeste has found some rough-hewn sense of peace — away from society and with plenty of room for target practice.
Reginald VelJohnson and Eric Wareheim gamely play Celeste’s neighbours, adding to the eccentric ensemble. But Onslaught is most of all a chance for Arjona, a supporting standout in Hit Man and Splitsville, to show some leading-woman grit. And she does that in Wingard’s quirkily contradictory movie: gleefully violent despite its military satire, curiously unhurried despite its title.
Onslaught, an A24 release is rated A-18 for strong bloody violence, some gore, sexual material/nudity, and language. It is coming soon to theatres.
You must be logged in to post a comment Login