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AUTUMN AND THE BLACK JAGUAR Review

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AUTUMN AND THE BLACK JAGUAR Review
AUTUMN AND THE BLACK JAGUAR is an adventure movie for families. While growing up in the Amazon Rainforest, Autumn befriends an orphaned black jaguar. After her mother dies tragically, she and her bereaved dad move to New York City. Eight years later, Autumn discovers her jaguar and the entire Amazon Rainforest are in danger due to deforestation and animal trafficking. Autumn runs away to the Amazon to help. However, her quirky, anxiety-ridden science teacher insists on tagging along.

AUTUMN AND THE BLACK JAGUAR is a cute movie about a girl and a lovable jaguar. The movie is full of stunning scenery. However, it pushes a chronic fear of environmental doom. The story would be stronger without all the preachy dialogue. Also, the title character is sorry at the end for her behavior, but she’s rebellious, rude, disrespectful, and disobedient. That said, the negative content in AUTUMN AND THE BLACK JAGUAR is mitigated by an appreciation for God’s Creation. The movie also extols kindness, friendship, love, family, and bravery. The movie has plenty of peril, though, plus four light obscenities and one light profanity.

(Pa, RoRo, PCPC, EE, BB, C, L, V, A, DD, MM):

Dominant Worldview and Other Worldview Content/Elements:

Mixed pagan worldview with strong Romantic, politically correct elements that highlight impending climate doom, but mitigated by appreciation for God’s Creation where movie also promotes kindness, compassion, friendship, love, family, and bravery, plus a wooden Cross has been placed at a mother’s grave;

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Foul Language:

Four light “h” obscenities and one OMG profanity;

Violence:

Continuous peril throughout, main characters are chased and shot at by poachers in a few scenes, and girls and a jaguar are kidnapped under the threat of death;

Sex:

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No sex;

Nudity:

No nudity;

Alcohol Use:

A character chugs a few glasses of champagne on a plane;

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Smoking and/or Drug Use and Abuse:

No tobacco use or illicit drugs, but an adult teacher habitually pops “herbal” supplements in pill form whenever she’s anxious, so it’s weird drug use; and,

Miscellaneous Immorality:

Greed and poaching, but rebuked, plus villains kidnap people and an animal and the young title character, though sorry at the end, is rebellious, rude, disrespectful, and disobedient.

AUTUMN AND THE BLACK JAGUAR is an action adventure movie for families about a girl named Autumn who befriends an adorable black jaguar while growing up in the Amazon Rainforest. After her mother dies tragically, she and her bereaved dad go to live in New York City. Eight years later, however, she discovers her jaguar and the entire Amazon Rainforest are in danger due to deforestation and animal trafficking. Autumn runs away to the Amazon to help, but her quirky, anxiety-ridden science teacher insists on tagging along.

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AUTUMN AND THE BLACK JAGUAR is emotional and sweet, but it is a bit heavy on politically correct climate crisis ideology. There is plenty of peril and some violence, along with a few light profanities. Caution is recommended for children.

After moving to New York, Autumn has dreams of her childhood in the Amazon Rainforest, where she befriended a black jaguar whom she named Hope. Hope’s mother was killed by a poacher. Autumn took the adorable cub into her care.

However, when Autumn’s mother is killed by poachers, Autumn’s father, Saul, decided the rainforest has become too dangerous and moves the two to New York City. Autumn is a rebellious 14-year-old climate activist who hates science class. She’s once again expelled from school, this time because she called the ASPCA when the science class requires the dissection of frogs.

Her father, at his wits end, plans to send Autumn to stay with her grandmother. Meanwhile, Autumn finds letters addressed to her father from an old native friend in the Amazon named Ore. In the letters, Ore pleads for help because of the increasing dangers of deforestation and animal trafficking. He informs Saul there’s only one remaining black jaguar in the region.

Instead of going to her grandmother’s house, Autumn sets out for the Amazon to save the last jaguar, who she believes is her long-lost cuddly friend Hope. Autumn convinces her grandma to help deceive her dad on her whereabouts. Things seem to go as planned until Autumn realizes her dreaded science teacher, Anja, has followed her onto the airplane in order to bring her back home. Anja is an anxiety-riddled agoraphobic whose only friend is a handicapped hedgehog. When Autumn refuses to return home, a comedic adventure ensues as Anja follows her unruly student into the rainforest.

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Autumn is reunited with her childhood community of native tribal friends. Ore insists that Autumn return home immediately. However, when Autumn finds the last jaguar, her beloved Hope, she fights to stay and save her no matter what it costs.

AUTUMN AND THE BLACK JAGUAR is a tender story about a girl’s love for a jaguar, with plenty of jeopardy and peril. The jaguar is absolutely lovable. The movie is also full of stunning, picturesque scenery that’s home to many wondrous landscapes and creatures. It would be impossible for any well-intentioned person to not want to protect all of it from greedy corporations and poachers. There are some wonderful messages about protecting beautiful creatures and environments, along with the importance of caring, cooperation and good communication to fight destructive greed. Another powerful message given is the importance of possessing the courage to do the right thing and fighting for our ideals. The movie also extols kindness, compassion and friendship.

Still, the movie has some issues. The main character, though sorry at the end, is rebellious, rude, disrespectful, and disobedient. There are little to no consequences for her actions. AUTUMN AND THE BLACK JAGUAR also has four light obscenities and one light profanity. What’s more, the movie pedals environmentalist fearmongering among children. The narrative is a bit heavy on pushing a chronic, politically correct fear of environmental doom. The main character tells her teacher, “People need to know what’s going on here, and they will know because you are teaching their children.”

Perhaps it’s better to leave adult problems to the adults. A high percentage of young children, teenagers and young adults are experiencing eco-anxiety these days. This can cause depression, guilt, anger, grief, trouble concentrating, and panic attacks. Teaching children how to safely care for the environment, as well educating them about the many improvements the modern world, including capitalism, has made to protect the environment, seems like a better way to encourage positivity, growth and good mental health. A great website for helping families become proper stewards of God’s Creation is Cornwall Alliance for the Stewardship of Creation at https://cornwallalliance.org/.

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Movie Reviews

‘Hoppers’ review: Pixar’s best original movie in years

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‘Hoppers’ review: Pixar’s best original movie in years

“So it’s like Avatar?” one character quips in Disney and Pixar’s “Hoppers,” bluntly translating the film’s high-concept premise for the sugar-fueled kids in the audience. And yes, the comparison is apt. The story follows a nature-obsessed teenage girl who manages to quite literally “hop” her consciousness into the body of a robotic beaver in order to spark an animal rebellion against a greedy mayor determined to bulldoze their forest for a freeway. 

It’s a clever hook. The kind of big, elastic idea Pixar used to make look effortless. “Hoppers” does not reach the rarified air of “Up,” “Wall-E,” or “Inside Out,” but after a stretch of uneven originals like “Turning Red” and “Luca,” and outright misfires such as “Elemental” and “Elio,” this feels like a genuine course correction. The environmental messaging is clear without being preachy, the animals are irresistibly anthropomorphized, and the studio’s once-signature emotional sincerity is back in sturdy form.

Pixar can afford to gamble on originals when it has a guaranteed cash cow like this summer’s “Toy Story 5” waiting in the wings, but “Hoppers” earns its place in the catalogue. Director Daniel Chong crafts a warm, heartfelt film that occasionally strains under the weight of its own ambition, yet remains grounded by character and theme. Its meditation on conservation and animal displacement feels timely in a way that never tips into after-school-special territory.

We meet Mabel, voiced with bright conviction by Piper Curda, as a child liberating her classroom pets and returning them to the wild. Her moral compass is shaped by her grandmother, voiced by Karen Huie, who imparts wisdom about nature’s sanctity. True to both Pixar tradition and the broader Disney playbook, this beacon of guidance does not survive past the opening act. Loss, after all, is Pixar’s favorite inciting incident.

Years later, Mabel is still fighting the good fight, squaring off against the smarmy Mayor Jerry, voiced with slick menace by Jon Hamm. He plans to flatten the glade where Mabel and her grandmother once found solace. Mabel’s resistance feels noble but futile. The animals have already mysteriously vanished, the machinery is coming, and her last-ditch plan involves luring a beaver back to the abandoned forest in hopes of jumpstarting the ecosystem.

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That’s when the film gleefully pivots into mad-scientist territory. At Beaverton University, Mabel discovers her professor, voiced by Kathy Najimy, has developed a device that can project human consciousness into synthetic animals. The process, dubbed “hopping,” allows Mabel to inhabit a robotic beaver and infiltrate the forest from within. It’s an inspired escalation that keeps the film buoyant even when the plotting grows predictable.

Her new posse includes King George, a lovably beaver voiced by Bobby Moynihan with distinct Bing Bong energy; a sharp-tongued bear voiced by Melissa Villaseñor; a regal bird king voiced by the late Isiah Whitlock Jr.; and a fish queen voiced by Ego Nwodim. As is often the case with Pixar, even in its lesser efforts, the world-building is meticulous. The animal hierarchy, complete with titles like “paw of the king,” is layered with jokes that play for kids while slyly winking at adults.

The plot ultimately follows a familiar template. Scrappy underdog rallies community. Corporate villain twirls metaphorical mustache. Emotional third-act sacrifice looms. At times, you can feel the machinery working a little too cleanly. Pixar, and Disney at large, has grown increasingly reliant on sequels and established IP, and “Hoppers” does not radically reinvent the wheel. In an animated landscape where films like “K-Pop: Demon Hunters,” “Across the Spider-Verse,” and “Goat” are pushing stylistic and narrative boundaries, being safe and sturdy may not always be enough.

And yet, there is something refreshing about a Pixar original that remembers how to tug at the heart without squeezing it dry. “Hoppers” is playful, peppered with cheeky needle drops, and builds to a sweet emotional catharsis that may or may not have left this critic a little misty-eyed. It feels earnest and engaged. 

“Hoppers” may not be top-tier Pixar. But it is a welcome return to form, a reminder that the studio still knows how to marry big ideas with a bigger heart.

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HOPPERS opens in theaters Friday, March 6th.

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‘Hoppers’ review: Who can argue with hilarious talking animals?

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‘Hoppers’ review: Who can argue with hilarious talking animals?

Just when you think Pixar’s petting-zoo cute new movie “Hoppers” is flagrantly ripping off James Cameron, the characters come clean.


movie review

HOPPERS

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Running time: 105 minutes. Rated PG (action/peril, some scary images and mild language). In theaters March 6.

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“You guys, this is like ‘Avatar’!,” squeals 19-year-old Mabel (Piper Curda), the studio’s rare college-age heroine. 

Shoots back her nutty professor, Dr. Fairfax (Kathy Kajimy): “This is nothing like ‘Avatar!’”

Sorry, Doc, it definitely is. And that’s fine. Placing the smart sci-fi story atop an animated family film feels right for Pixar, which has long fused the technological, the fantastical and the natural into a warm signature blend. Also, come on, “Avatar” is “Dances With Wolves” via “E.T.”

What separates “Hoppers” from the pack of recent Pix flix, which have been wholesome as a church bake sale, is its comic irreverence. 

Director Daniel Chong’s original movie is terribly funny, and often in an unfamiliar, warped way for the cerebral and mushy studio. For example, I’ve never witnessed so many speaking characters be killed off in a Pixar movie — and laughed heartily at their offings to boot.

What’s the parallel to Pandora? Mabel, a budding environmental activist, has stumbled on a secret laboratory where her kooky teachers can beam their minds into realistic robot animals in order to study them. They call the devices “hoppers.”  

In Pixar’s “Hoppers,” a teen girl discovers a secret device that can turn her into a talking beaver. AP

Bold and fiery Mabel — PETA, but palatable — sees an opportunity. 

The mayor of Beaverton, Jerry (Jon Hamm), plans to destroy her beloved local pond that’s teeming with wildlife to build an expressway. And the only thing stopping the egomaniacal pol — a more upbeat version of President Business from “The Lego Movie” — is the water’s critters, who have all mysteriously disappeared. 

So, Mabel avatars into beaver-bot, and sets off in search of the lost creatures to discover why they’ve left.

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From there, the movie written by Jesse Andrews (“Luca”) toys with “Toy Story.” Here’s what mischief fuzzy mammals, birds, reptiles and insects get up to when humans aren’t snooping around. Dance aerobics, it turns out. 

Mabel (Piper Curda) meets King George (Bobby Moynihan). AP

Per the usual, “Hoppers” goes deep inside their intricate society. The beasts have a formal political system of antagonistic “Game of Thrones”-like royal houses. The most menacing are the Insect Queen (Meryl Streep — I’d call her a chameleon, but she’s playing a bug), a staunch monarch butterfly and her conniving caterpillar kid (Dave Franco). They’re scheming for power. 

Perfectly content with his station is Mabel’s new best furry friend King George (Bobby Moynihan), a gullible beaver who ascended to the throne unexpectedly. He happily enforces “pond rules,” such as, “When you gotta eat, eat.”   

That means predators have free rein to nosh on prey, and everybody’s cool with it. Because of bone-dry deliveries, like exhausted office drones, the four-legged cast members are hilarious as they go about their Animal Planet activities. 

Mayor Jerry (Jon Hamm) plans to destroy a local pond to build an expressway. AP

No surprise — talking lizards, sharks, bears, geese and frogs are the real stars here. They far outshine Mabel, even when she dons beaver attire. Much like a 19-year-old in a job interview, she doesn’t leave much of an impression. 

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Yes, the teen has a heartfelt motivation: The embattled pond was her late grandma’s favorite place. Mabel promised her that she’d protect it. 

But in personality she doesn’t rank as one of Pixar’s most engaging leads, perhaps because she’s past voting age. Mabel is nestled in a nebulous phase between teenage rebellion and adulthood that’s pretty blasé, even if a touch of tension comes from her hiding her Homo sapien identity from her new diminutive pals. When animated, kids make better adventurers, plain and simple.

AP

“Hoppers” continues Pixar’s run of humble, charming originals (“Luca,” “Elio”) in between billion-dollar-grossing, idea-starved sequels (“Inside Out 2,” probably “Toy Story 5”). The Disney-owned studio’s days of irrepressible innovation and unmatched imagination are well behind it. No one’s awed by anything anymore. “Coco,” almost 10 years ago, was their last new property to wow on the scale of peak Pixar.

Look, the new movie is likable and has a brain, heart and ample laughs. That’s more than I can say for most family fare. “A Minecraft Movie” made me wanna hop right out of the theater.

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Review | Hoppers: Pixar’s new animation is a hilarious, heartfelt animal Avatar

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Review | Hoppers: Pixar’s new animation is a hilarious, heartfelt animal Avatar

4/5 stars

Bounding into cinemas just in time for spring, the latest Pixar animation is a pleasingly charming tale of man vs nature, with a bit of crazy robot tech thrown in.

The star of Hoppers is Mabel Tanaka (voiced by Piper Curda), a young animal-lover leading a one-girl protest over a freeway being built through the tranquil countryside near her hometown of Beaverton.

Because the freeway is the pet project of the town’s popular mayor, Jerry (Jon Hamm), who is vying for re-election, Mabel’s protests fall on deaf ears.

Everything changes when she stumbles upon top-secret research by her biology professor, Dr Sam Fairfax (Kathy Najimy), that allows for the human consciousness to be linked to robotic animals. This lets users get up close and personal with other species.

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“This is like Avatar,” Mabel coos, and, in truth, it is. Plugged into a headset, Mabel is reborn inside a robotic beaver. She plans to recruit a real beaver to help populate the glade, which is set to be destroyed by Jerry’s proposed road.
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