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Karol G’s new album may just have you crying at the club

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Karol G’s new album may just have you crying at the club

It may be summertime, but Karol G is unapologetically leaning into her sadness.

On Friday, the Colombian pop star released her seventh studio album “No Me Arrepiento de Sentir Tanto,” a 14-track project that details the depths of heartache one can only access when finally tuning out the world.

Tinged with dream-pop accents and acoustic instrumentation — though still fringed with her signature reggaeton-pop flair — it is a dramatic departure from her previous album, “Tropicoqueta,” a lofty, genre-rich album that envisioned a Latina-led utopia as a tropic floral paradise.

Now, with “No Me Arrepiento de Sentir Tanto” — which in English translates to “I Don’t Regret Feeling So Much” — Karol G swaps her vibrant, tropical facade for a soft blue vulnerability. Her special new brand of perreo melancolía features guest vocals by Drake (who sings in Spanish), Bruno Mars, Greg Gonzalez (of Cigarettes After Sex), as well as Spanish stars Judeline and Rusowsky.

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The melodrama begins early on with the opening track, “Te Llevas To” — a moody EDM elegy that explores the loss of one’s self after a relationship ends. In an interview with Elle magazine, the hit maker shared that she spent a lot of time alone when creating this project, following her split from Colombian singer-songwriter Feid late last year — long before headlines caught wind of their breakup in January.

“Everything started when I went to Hawaii [last November]. I did a lot of hiking alone. I would climb the mountains alone. I would stand there gazing at the sky. I learned a lot about enjoying my solitude in this industry — we are really, really lonely. Compared to the rest of the world, you’re very isolated,” said Karol G in the Elle interview.

Rumblings of the new project first surfaced in April when Karol G performed at the 2026 Coachella Valley Music and Arts Festival as its first Latina headliner. There, she debuted “Después de Ti,” a shoegaze ballad joined by Greg Gonzalez, frontman of the indie-pop band Cigarettes After Sex; the song expressed profound grief after Karol experienced a loved one’s death.

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“I cry a lot. I’m super sentimental and I’ve hated myself a lot for that,” Karol G revealed to Elle in her July cover story. “But at the same time, I’d rather suffer because I lived too much — because I loved too much, because I had too much fun — than to not have had those experiences, you know? I’m inviting everyone to be a little more dramatic, a little more extra.”

Although her classic bichota essence — a term Karol G frequently uses to describe herself, as a female counterpart to the Puerto Rican bichote, or “big shot” — is still heavily present in the new LP. Earlier this summer, Karol teased the song “Matadora” during the opening night of her international stadium tour in Chicago; produced by reggaeton pioneer Tainy, the sultry track is hallmarked by a muffled jazz trumpet and suggestive verses for an unknown paramour.

Her longtime collaborator, Colombian record producer Ovy On The Drums, also returns to incorporate elements of Karol’s the Grammy-winning 2023 album, “Mañana Será Bonito,” which followed her public breakup with ex-fiancé Anuel AA and grew into a massive commercial hit. With Ovy, Karol revived the shadowy timbre of her joint Shakira track “TQG” into the new “Bebiendo Lágrimas,” a reggaeton song that adamantly rejects the notion of love.

Mexican American producer Edgar Barrera — who previously worked with Karol on her merengue smash “Si Antes Te Hubiera Conocido,” as well as “Mi Ex Tenía Razón” and “Gucci los Paños” — reprises his role as a música mexicana connoisseur, aiding in Karol’s synth-doused Tejana-style cumbia, “Alguien Que Te Amaba.” (The track was also written with legendary songwriter Pete Astudillo, who co-wrote many of Selena Quintanilla‘s greatest hits.)

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In the anguished “Con Quien Andara,” the singer pays tribute to the Spanish singer-songwriter Jeanette and her hazy, sentimental pop ballad from 1976 titled “Porque Te Vas?” And if that’s not enough of a nostalgia bomb, there’s the dream-pop reggaeton track “Bby Wow,” which features Judeline and Rusowsky and was inspired by the popular 2003 dancehall track, “Coolie Dance Rhythm” by Cordel “Scatta” Burrell. (Millennials may also recall echoes of this sample in popular tracks like Nina Sky and Jabba’s 2004 “Move Ya Body.”)

A word of advice for the Karol G fans — tropicoquetas and bichotas alike — this is an intimate record that’s best heard alone for the first time. So light up that candle, lock the doors and bring the tissues if you have to — just don’t be ashamed to feel all the feels, or shake your booty if the mood strikes.

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Movie Reviews

Ryan Jay Reviews Movies for the Weekend of September 4th, 2026

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Ryan Jay Reviews Movies for the Weekend of September 4th, 2026

Should you see it, skip it, or stream it? Ryan Jay gives us his movie ratings! This week he reviews:

By Any Means / Paramount Pictures
Fall 2: Deadpoint / Lionsgate

Ryan also shares details on the new Ryan Jay Movie Club happening Wednesday, September 9 at 7 p.m. Plus, enter to win a pair of free tickets at RyanJayReviews.com

Ryan has an exciting giveaway featuring the Ultimate OZ Universe books and shares his contribution included in the collection. Enter to win both volumes at RyanJayReviews.com

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And don’t miss Ryan’s free movie screening event at the Argo

Click here for more Ryan!

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How to have the best Sunday in L.A., according to Lauren Halsey

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How to have the best Sunday in L.A., according to Lauren Halsey

Since its monumental debut in March, “sister dreamer lauren halsey’s architectural ode to tha surge n splurge of south central los angeles” has been active.

Sunday Funday infobox logo with colorful spot illustrations

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

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That’s the official name of Lauren Halsey’s public sculptural park nestled at the corner of 76th and Western in South-Central. In its first few months, the park has hosted intimate jazz shows, Kemetic yoga classes, art workshops and album listening parties where artists like Childish Gambino and Vince Staples have performed. For Halsey, a contemporary visual artist who began dreaming up the space 17 years ago, it’s all been part of the plan.

“At a museum or a gallery, I can program in a context that makes sense there, but at the park, it becomes a venue that is limitless,” she says. “So I can have a music series. People can roller skate. It can be a classroom. It can be a dance floor. It can be a theater, so I’m getting to know it every day, which is just so cool.”

She adds, “It’s just very alive so I love it.”

Now, Halsey is plotting on her next project: “emajendat,” a music festival that merges fine art, music and community activation all in one night. Featuring live performances from Erykah Badu, the Alchemist, Flea (of Red Hot Chili Peppers), DJ Pee .Wee (a.k.a Anderson .Paak) and the Charles Gaines Collective (with Black Nile and Devin Daniels), the immersive event will take place on Sept. 29 at the Hollywood Bowl.

Ahead of the big night, the South-Central native shared her itinerary for a magical day in L.A. It involves listening to rare ‘70s funk and soul music at her favorite brunch spot, supporting all of her favorite vendors (including a henna artist) in Venice Beach and bowling at Lucky Strike.

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6:30: Coffee and produce at the Westchester Farmers’ Market

I wake up early no matter what. I’m out of my door between 6 to 6:30 a.m. I’d do my walk around my neighborhood and wait until my partner gets up then we’re off to the Westchester Farmers’ Market, which we go to sometimes. There’s this really amazing vendor called Gus’ Coffee. He makes coffee with his daughter. I’d get a black coffee with a tiny bit of milk or a horchata-based coffee and we’ll just shop for produce. We’d get some yellow watermelons, which are in season right now.

11 a.m: Brunch and ‘70s funk music at RVR

I’m going to my favorite restaurant RVR in Venice for brunch. I’m talking to the chefs, Travis and Ian. I’m listening to amazing music because they have this wonderful vinyl program led by Carlos Niño. So I’m listening to this rare B-side of the B-side ‘70s soul and funk while eating amazing plates. They change their menu quite often because it’s a call and response to what produce is available seasonally. No matter what, I start with the pickled vegetables then I get one of the hamachi rolls. Right now, I’m getting the melon salad, egg plate and the spotted prawn. Depending on the day, they’ll have six or 21 of the prawns, so sometimes they’ll hold me one when they know I’m coming in. Then I’m getting the dessert. Right now it’s banana ice cream with blueberries and it’s heaven.

2 p.m.: Get blasted with henna tattoos in Venice Beach

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Then we’re racing to Venice Beach, which has been my favorite since I was a kid. It’s just so wild and grungy and weird and fun yet family friendly and safe. My girlfriend’s best friend lives on the boardwalk so we’ll go see him. I’ve always loved the vendors there so I have my favorites. Right now I’m really into Martha who is a henna tattoo artist, so I just get blasted with henna tattoos. She has a fat notebook of [inspiration], so I’ll pick some and then I’ll remix them with her. It’s this really cool collaboration. I do it every few weeks. I’ll sit with her for like two hours while life is happening, watching the roller skaters, the families, the cool outfits, the riffraff. Sometimes I’ll go to a lady to get the back of my hair wrapped in thread, which I used to do as a kid. It’s just another way I can adorn myself with color. Also, I love a hat, so I’ll go to everyone who’s selling a hat and maybe we’ll buy some fruit.

5 p.m.: Bowl and live my WNBA dreams at Lucky Strike

We’re going bowling at Lucky Strike, which used to Bowlero. We have the summer season passes and we just go ham. We go to the arcade first and I just live my WNBA dreams. Then we’ll go bowl two or three games. My partner usually orders the chicken wings. I don’t eat meat, so I’ll do a beer, French fries with “truffle,” shrimp tacos and maybe some candy.

8:30 p.m.: Head home to prepare for the week

Next, we’re going home. I’d look at my calendar for the week and answer emails. Then I’d take a shower and watch something with my partner. I’m into heist films and basketball. She’s into the psychological thrillers and those sort of crime investigation shows, so we meet in the middle. It’s going to sound so silly and I don’t care, but the last good show I watched was Tyler Perry’s “Beauty in Black.” His imagination is wild, so we just can’t wait until Season 3. It’s ridiculous that it’s so good. We’d watch something until I fall asleep usually by 10 p.m.

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Movie Review | Despite its title, the slasher siege movie ‘Onslaught’ takes its time

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Movie Review | Despite its title, the slasher siege movie ‘Onslaught’ takes its time

AP:

Masked soldiers deployed on domestic soil and an air of conspiratorial paranoia give Adam Wingard’s not-quite-grindhouse siege film Onslaught a contemporary pulse, even if this lean, B-movie thriller doesn’t deliver much more than a flicker of its throwback promise.

Wingard, though, does seem freshly liberated in this return to his low-budget thriller roots ( You’re Next, The Guest). He has since spent the last decade in more IP-managed releases: the 2016 Blair Witch sequel, a Netflix adaptation of Death Note and a pair of Godzilla vs. Kong movies.

But the 92-minute Onslaught, written by Wingard and his regular collaborator Simon Barrett, is intentionally straightforward — to the point, you could say, of brainlessness. It’s aiming for a very simple slasher setup in the mould of John Carpenter: A single mom and PTSD-riddled former Army sniper, Celeste (Adria Arjona), living in a desert trailer park, defends herself and her young daughter (Blake Kennedy) from an invasion of three highly programmed super-soldiers who have sprung out of a nearby military contractor facility.

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Even though Onslaught begins with a clock that’s already ticking below 12 hours, the movie takes its time leading to a bloody finale that isn’t quite worth the drumbeat. But Wingard is in no great hurry, and he lingers in the anticipation, for better and for worse.

So early on we get Dan Stevens (deliberately hammy) as a suspiciously old, white-haired Nazi scientist crawling across the room to lick the stiletto-heeled foot of his wife and co-conspirator (a queenly Rebecca Hall, suggesting great depth in her few minutes on screen). From the bodies of dead soldiers, Stevens’ mad scientist has engineered three elite killing machines. They are devoid of personality, with beady lights for eyes. Still, he’s given them nicknames: the Butcher (Alex Pereira), the Cockroach (Dave Campbell) and the Crybaby (Tyler Hall).

They get out, of course, and begin causing trouble. Onslaught likewise lingers on the quickly dispatched operative, Cyrus (Drew Starkey), sent to clean up the ensuing mess. Wingard delights in introducing the character, who’s more drugged up and charmingly laid-back than your usual cleanup expert. It’s a lot of set-up for a guy who, ultimately, doesn’t do much.

But what’s the rush? Wingard also takes his time surveying the female bodies at the S&M club Cyrus is attending when we meet him, just as he does looking over some of the bloody wreckage left by the super-soldiers. He even, momentarily, takes one of their perspectives in a random killing at a gas station convenience store — a point of view that’s hard to justify, considering there’s no other attempt to consider the inner horrors of the brain-dead soldiers.

They start unleashing mayhem across a Western plain that looks like it could either be where Wile E. Coyote chases the Roadrunner or the setting of Chloé Zhao’s Nomadland.

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Onslaught has a bit of both. The movie is best in its leisurely depiction of life at the Windy Oasis, the trailer-park remove where Celeste has found some rough-hewn sense of peace — away from society and with plenty of room for target practice.

Reginald VelJohnson and Eric Wareheim gamely play Celeste’s neighbours, adding to the eccentric ensemble. But Onslaught is most of all a chance for Arjona, a supporting standout in Hit Man and Splitsville, to show some leading-woman grit. And she does that in Wingard’s quirkily contradictory movie: gleefully violent despite its military satire, curiously unhurried despite its title.

Onslaught, an A24 release is rated A-18 for strong bloody violence, some gore, sexual material/nudity, and language. It is coming soon to theatres.

Running time: 107 minutes.

Rating: Two stars out of four.

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