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Here are the Indie Spirit Awards winners in film and TV

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Here are the Indie Spirit Awards winners in film and TV

Maggie Gyllenhaal and “The Misplaced Daughter” took house finest director, screenplay and finest characteristic honors from thirty seventh Movie Impartial Spirit Awards, honoring the business’s main indie movies. One other social detour because of the pandemic, the sooner than typical ceremony — which is traditionally held on the Saturday afternoon earlier than the Oscars — returned to an in-person occasion held in Santa Monica after being digital in 2021.

“Zola,” which led all nominees heading into the occasion, took house a number of awards, together with modifying and one for lead actress Taylour Paige. “Passing” additionally received a number of prizes (for Ruth Negga and cinematography) whereas “Purple Rocket” actor Simon Rex took house lead actor honors.

Manufacturing budgets are the usual by which movies are thought-about impartial, and a number of the Oscar-contending movies that may usually match the thematic tones of Spirit Awards nominees, together with “Belfast,” “King Richard” and “The Energy of the Canine,” weren’t eligible as a result of they price greater than $22.5 million to make.

With tv as a comparatively new class for the Spirit Awards, “Reservation Canines” was awarded the brand new scripted sequence and ensemble forged prizes whereas “Black and Lacking” took the brand new unscripted sequence honor. Right here is the listing of winners:

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Finest Characteristic

“The Misplaced Daughter” | WINNER
Producers: Charles Dorfman, Maggie Gyllenhaal, Osnat Handelsman Keren, Talia Kleinhendler

“A Chiara”
Producers: Jonas Carpignano, Paolo Carpignano, Jon Coplon, Ryan Zacarias

“C’mon C’mon”
Producers: Chelsea Barnard, Andrea Longacre-White, Lila Yacoub

“The Novice”
Producers: Ryan Hawkins, Kari Hollend, Steven Sims, Zack Zucker

“Zola”
Producers: Kara Baker, Dave Franco, Elizabeth Haggard, David Hinojosa, Vince Jolivette, Christine Vachon, Gia Walsh

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Male Lead

Simon Rex, “Purple Rocket” | WINNER
Clifton Collins Jr., “Jockey”
Frankie Faison, “The Killing of Kenneth Chamberlain
Michael Greyeyes, “Wild Indian”
Udo Kier, “Swan Track”

Somebody to Watch Award

Alex Camilleri – Director, “Luzzu” | WINNER
Gillian Wallace Horvat – Director, “I Blame Society”
Michael Sarnoski – Director, “Pig”

Worldwide Movie

“Drive My Automobile” (Japan) | WINNER
Director – Ryusuke Hamaguchi

“Compartment No. 6″ (Finland/Russia)
Director – Juho Kuosmanen

“Parallel Moms” (Spain)
Director – Pedro Almodóvar

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“Pebbles” (India)
Director – P S Vinothraj

“Petite Maman” (France)
Director – Céline Sciamma

“Prayers for the Stolen” (Mexico)
Director – Tatiana Huezo

Feminine Lead

Taylour Paige, “Zola” | WINNER
Isabelle Fuhrman, “The Novice
Brittany S. Corridor, “Take a look at Sample
Patti Harrison, “Collectively Collectively
Kali Reis, “Catch the Truthful One”

Director

Maggie Gyllenhaal, “The Misplaced Daughter” | WINNER
Janicza Bravo, “Zola”
Lauren Hadaway, “The Novice”
Mike Mills, “C’mon C’mon”
Ninja Thyberg, “Pleasure”

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Producers Award

Lizzie Shapiro | WINNER
Brad Becker-Parton
Pin-Chun Liu

Cinematography

Edu Grau, “Passing” | WINNER
Lol Crawley, “The People”
Tim Curtin, “A Chiara”
Ante Cheng, Matthew Chuang, “Blue Bayou”
Ari Wegner, “Zola”

Ensemble forged in a brand new scripted sequence

“Reservation Canines” | WINNER
Ensemble Forged: Devery Jacobs, D’Pharaoh Woon-A-Tai, Lane Issue, Paulina Alexis, Sarah Podemski, Zahn McClarnon, Lil Mike, FunnyBone

Feminine efficiency in a scripted sequence

Thuso Mbedu, “The Underground Railroad” | WINNER
Deborah Ayorinde, “THEM: Covenant”
Jasmine Cephas Jones, “Blindspotting”
Jana Schmieding, “Rutherford Falls”
Anjana Vasan, “We Are Woman Elements”

Male efficiency in a brand new scripted sequence

Lee Jung-jae, “Squid Recreation” | WINNER
Olly Alexander, “It’s a Sin”
Murray Bartlett, “The White Lotus”
Michael Greyeyes, “Rutherford Falls”
Ashley Thomas, “THEM: Covenant”

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New non-scripted or documentary sequence

“Black and Lacking” | WINNER
Collection By/Government Producers – Soledad O’Brien, Geeta Gandbhir; Government Producers – Jo Honig, Patrick Conway, Nancy Abraham, Lisa Heller, Sara Rodriguez

“The Choe Present”
Creator/Government Producer: David Choe; Government Producers – Matt Revelli, Christopher C. Chen, Hiro Murai, Nate Matteson

“The Woman and the Dale”
Government Producers – Mark Duplass, Jay Duplass, Mel Eslyn, Allen Bain, Andre Gaines, Nick Cammilleri, Alana Carithers, Zackary Drucker, Nancy Abraham, Lisa Heller

“Nuclear Household”
Collection By – Ry Russo-Younger; Produced By – Dan Cogan, Warren Fischer; Government Producers – Liz Garbus, Julie Gaither, Jon Bardin, Leah Holzer, Peter Saraf, Alex Turtletaub, Jenny Raskin, Geralyn White Dreyfous, Lauren Haber, Maria Zuckerman, Christine Connor, Ryan Heller, Barbara Dobkin, Eric Dobkin, Andrea Van Beuren, Joe Landauer

“Philly D.A.”
Creators – Ted Passon, Yoni Brook, Nicole Salazar; Produced By – Josh Penn, Michael Gottwald; Government Producers – Daybreak Porter, Sally Jo Fifer, Lois Vossen, Ryan Chanatry, Gena Konstantinakos, Jeff Seelbach, Patty Quillin; Co-Government Producers – Nion McEvoy, Leslie Berriman

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New scripted sequence

“Reservation Canines” | WINNER
Creators/Government Producers – Sterlin Harjo, Taika Waititi; Government Producer – Garrett Basch

“Blindspotting”
Creators/Government Producers – Rafael Casal, Daveed Diggs; Government Producers: Jess Wu Calder, Keith Calder, Ken Lee, Tim Palen, Emily Gerson Saines, Seith Mann

“It’s a Sin”
Government Producers: Russell T Davies, Peter Hoar, Nicola Shindler

“The Underground Railroad”
Creator/Government Producer – Barry Jenkins; Government Producers – Adele Romanski, Mark Ceryak, Brad Pitt, Dede Gardner, Jeremy Kleiner, Colson Whitehead, Richard Heus, Jacqueline Hoyt

“We Are Woman Elements”
Creator – Nida Manzoor; Government Producers – Tim Bevan, Eric Fellner, Surian Fletcher-Jones, Mark Freeland

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Robert Altman Award

“Mass” | WINNER
Director – Fran Kranz; Casting Administrators – Henry Russell Bergstein, Allison Estrin; Ensemble Forged – Kagen Albright, Reed Birney, Michelle N. Carter, Ann Dowd, Jason Isaacs, Martha Plimpton, Breeda Wool

Supporting Feminine

Ruth Negga, “Passing” | WINNER
Jessie Buckley, “The Misplaced Daughter”
Amy Forsyth, “The Novice”
Revika Reustle, “Pleasure”
Suzanna Son, “Purple Rocket”

Screenplay

Maggie Gyllenhaal, “The Misplaced Daughter” | WINNER
Nikole Beckwith, “Collectively Collectively”
Janicza Bravo, Jeremy O. Harris, “Zola”
Mike Mills, “C’mon C’mon”
Todd Stephens, “Swan Track”

More true Than Fiction Award

Jessica Beshir – Director, “Faya Dayi” | WINNER
Debbie Lum – Director, “Attempt More durable!”
Angelo Madsen Minax – Director, “North By Present”

Modifying

Joi McMillon, “Zola” | WINNER
Affonso Gonçalves, “A Chiara”
Ali Greer, “The Nowhere Inn”
Enrico Natale, “The Killing of Kenneth Chamberlain”
Lauren Hadaway, Nathan Nugent, “The Novice”

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First Characteristic

“7 Days” | WINNER
Director – Roshan Sethi; Producers – Liz Cardenas, Mel Eslyn

“Holler”
Director – Nicole Riegel; Producers – Adam Cobb, Rachel Gould, Katie McNeill, Jamie Patricof, Christy Spitzer Thornton

“Queen of Glory”
Director – Nana Mensah; Producers – Baff Akoto, Anya Migdal, Kelley Robins Hicks, Jamund Washington

“Take a look at Sample”
Director/Producer – Shatara Michelle Ford; Producers – Pin-Chun Liu, Yu-Hao Su

“Wild Indian”
Director/Producer – Lyle Mitchell Corbine, Jr.; Producers – Thomas Mahoney, Eric Tavitian

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First Screenplay

Michael Sarnoski, Vanessa Block, “Pig” | WINNER
Lyle Mitchell Corbine, Jr., “Wild Indian”
Shatara Michelle Ford, “Take a look at Sample”
Fran Kranz, “Mass”
Matt Fifer, Sheldon D. Brown, “Cicada”

Documentary

“Summer season of Soul (… or, When the Revolution May Not Be Televised)” | WINNER
Director – Ahmir “Questlove” Thompson; Producers – David Dinerstein, Robert Fyvolent, Joseph Patel

“Ascension”
Director/Producer – Jessica Kingdon; Producers – Kira Simon-Kennedy, Nathan Truesdell

“Flee”
Director – Jonas Poher Rasmussen; Producers – Monica Hellström, Signe Byrge Sørensen

“Within the Identical Breath”
Director/Producer – Nanfu Wang; Producers – Christopher Clements, Julie Goldman, Carolyn Hepburn, Jialing Zhang

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“Procession”
Director – Robert Greene; Producer – Susan Bedusa, Bennett Elliott, Douglas Tirola

John Cassavetes Award

“Shiva Child” | WINNER
Author/Director/Producer – Emma Seligman; Producers – Kieran Altmann, Katie Schiller, Lizzie Shapiro

“Cryptozoo”
Author/Director – Sprint Shaw; Producers – Tyler Davidson, Kyle Martin, Jane Samborski, Invoice Means

“Jockey”
Author/Director/Producer – Clint Bentley; Author/Producer – Greg Kweder; Producer – Nancy Schafer

“Candy Factor”
Author/Director – Alexandre Rockwell; Producers – Louis Anania, Haley Anderson, Kenan Baysal

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“This Is Not A Battle Story”
Author/Director/Producer – Talia Lugacy; Producers – Noah Lang, Julian West

Supporting Male

Troy Kotsur, “CODA” | WINNER
Colman Domingo, “Zola”
Meeko Gattuso, “Queen of Glory”
Will Patton, “Candy Factor”
Chaske Spencer, “Wild Indian”

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Movie Reviews

Film Review: Psychosis is an absurd Aussie experiment that defies categorization – The AU Review

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Film Review: Psychosis is an absurd Aussie experiment that defies categorization – The AU Review

A film like Psychosis is a difficult one to review.  Whilst there’s never a shortage of features that prove wildly divisive (the Joker sequel says hello), Pirie Martin‘s ambitious debut defies categorization as it blends technique and genre, submitting to an extreme eccentricity that, as off-putting it may be to some, is difficult to not be impressed by.

An Australian experiment of sorts, this no-budget, square aspect-ratioed, black-and-white absurdist mystery is a noirish nightmare – complete with BBC-like narrator – about a criminal fixer, Cliff Van Aarle (Derryn Amoroso), who, thanks to a psychological condition, has a multitude of voices in his head fighting for prominence as he goes about cleaning up the many criminal world messes he’s assigned to.

A difficult film to follow (perhaps intentionally so), Psychosis adds even more obscure flames to its fire by introducing the notion of potential zombies, which a duo of amateur drug dealers claim they were attacked by; this ultimately explained by the fact that a drug lord is doping up his lackeys to the point of near-hypnosis.  With the voices continually conversing in Cliff’s head, as well as the constant narration, Psychosis does run the risk of being over-explained to the point that any of the film’s intended mystery is underwhelming, but such is the charm of Martin’s clear love of all the genres this film touches on, the surreal flourishes of it all become oddly enamoring.

Not unlike what Rian Johnson accomplished with Brick, mixed with another of this year’s black-and-white farcicalities, Hundreds of Beavers, it’s the pure cheek of Martin that pushes Psychosis past the point of audience detachment.  It can’t be stressed enough that this film has been made with a very specific target viewership in mind, and it’s mainly earning points here for the sheer fact that Martin had the gall to create such a film that takes glee in pushing against the usual grain.

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It can’t always escape its amateurish mentality, but Psychosis‘ retro-midnight-movie-madness personality will indeed win it the attention and respect it deserves from the type of audience who find glory in the gonzo.

TWO AND A HALF STARS (OUT OF FIVE)

Psychosis is now available to rent and/or buy digitally through Prime Video in Australia.  It’s now available on Tubi in the United States.



Peter Gray

Seasoned film critic. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa.

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Kamala Harris to appear on 'The Late Show With Stephen Colbert,' 'Call Her Daddy' and 'Howard Stern'

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Kamala Harris to appear on 'The Late Show With Stephen Colbert,' 'Call Her Daddy' and 'Howard Stern'

As she heads into the final stretch of the presidential campaign, Vice President Kamala Harris will make a flurry of media appearances this week.

On Tuesday, she will visit “The Late Show With Stephen Colbert,” marking her first late-night appearance since President Biden dropped out of the race and she secured the Democratic nomination.

It will be her seventh overall visit to “The Late Show” and is one of many interviews she will be giving this week in both traditional and more unconventional forums.

Harris also recently sat down with the hugely popular podcaster Alex Cooper for an episode of “Call Her Daddy,” which is expected to be released Sunday. Topics of the conversation are said to include reproductive rights and other issues important to women voters, according to the Washington Post. The show has gained a vast following, particularly with young women drawn to Cooper’s take on sex, dating and relationships, but it also tackles current events and features interviews with people in the news.

On Monday, Harris will also appear on “60 Minutes,” broadcast TV’s most-watched news program, along with her running mate, Minnesota Gov. Tim Walz. They will speak to correspondent Bill Whitaker from the campaign trail for a special episode of the CBS news magazine. According to CBS, Her Republican rival, Donald Trump, and his running mate, Ohio Sen. JD Vance, initially accepted an invitation to speak with Scott Pelley in the “60 Minutes” special but then backed out last week.

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On Tuesday, Harris will also appear live on “The View” on ABC and will visit “The Howard Stern Show.” She will also take part in a town hall for Univision on Thursday.

Walz, meanwhile, will visit “Jimmy Kimmel Live” on Monday.

Former President Obama was known for making frequent late-night appearances and for trying to reach younger voters through unusual channels — once making the case for the Affordable Care Act on the spoof web series “Between Two Ferns.”

Both Harris and Trump have increasingly sought to mobilize specific voting blocs through targeted appearances on podcasts and social media platforms, rather than traditional journalistic outlets. Last week Harris appeared on “All the Smoke,” a podcast hosted by retired NBA players Matt Barnes and Stephen Jackson. Trump has focused on influencers popular with young men, including Adin Ross.

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V/H/S/Beyond (2024) – Movie Review

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V/H/S/Beyond (2024) – Movie Review

V/H/S/Beyond, 2024.

Directed by Jay Cheel, Jordan Downey, Christian Long and Justin Long, Justin Martinez, Virat Pal, Kate Siegel.
Starring Trevor Dow, Jolene Anderson, Namrata Sheth, Skip Howland, Libby Letlow, Alanah Pearce.

SYNOPSIS:

Six tales directed and created by different filmmakers make up a sci-fi horror-inspired collection of short films.

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The V/H/S/ series has been going for a heck of a long time (since 2012, in fact) and has covered seven films and two spin-off releases as well as a Snapchat-based miniseries of shorts. This latest release from the hardy portmanteau series of chillers has a space horror inspiration. That is, there’s a kind of sci-fi monster sheen to the chaotic goings on.

Ever since the first release, the V/H/S/ team have done a good job in sourcing talent to write and direct the various chapters in the stories, which often have a found footage style about them – hence the V/H/S/ tapes that give the series its title. It is also telling of a love of retro horror that has been in full force for even longer that this series.

As with all the V/H/S/ releases, and portmanteau film in general, this release is a mixed collection. The framing story Abduction/Adduction is presented as a documentary. It also purports to let the audience in on the tricks and effects scammers use. Unfortunately the mocumentary gets it almost too right, and we are left in not part curly exciting cable TV ‘the truth about aliens’ territory.

Next up is ‘Stork’ that plays around with a video-game first person shooter style to some effect, It grates after a while, and it could have been half the length. Perhaps chopped in half, with the admittedly entertaining chainsaw section. The monster is quite a sight too, it’s true, a freaky bird/ant-eater thing. But really, this is just carnage and effects.

Next is the best of the bunch to my mind. Virat Pal’s Dream Girl takes us to Mumbai, where a Bollywood leading lady is rumoured to be a witch. A journalist gets more than he bargained for when trying to uncover the truth. The entertaining song and dance sequences effectively parody Indian film’s hugely popular musical segments, while the catchy lyrics offer clues to the star’s true nature.

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Next on the roll call after another interlude – that details the importance of Whitley Streiber’s book Communion, turned into a super-weird and brilliant late 1980s film starring Christopher Walken – is Live and Let Dive. Basically its a sky dive where the divers are intercepted by a UFO. Those that manage to land have to try and stay alive again in the face of gribbly aliens rampaging. It sounds more fun than it is.

Next is another good one, the excellent Misery tinged Fur Babies. Libby Letlow channels Kathy Bates in a bleakly funny effort directed by the Long brothers. Two animal rights protestors go undercover to try and discover the truth about Letlow’s business of ‘Doggy Dreamhouse’, which offers grotesque taxidermy which goes from grim to worse.

The last film follows a UFO enthusiast looking for aliens in the Mojave desert played by Alanah Pierce, bringing frazzled belief to the performance. Unfortunately, the story takes ages to get going and when it does it just fizzles out a bit.

Overall, then it’s a familiar picture from V/H/S/. Fans of different styles will have their favourites. Overall, though, it’s an above-average collection in my view and tries out a few new things in the process.

Flickering Myth Rating – Film: ★ ★ Movie: ★ ★ ★

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Robert W Monk

https://www.youtube.com/watch?v=embed/playlist

 

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