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Finn Bennett tells how Peter Prior's shocking scene unfolded in 'True Detective: Night Country'

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Finn Bennett tells how Peter Prior's shocking scene unfolded in 'True Detective: Night Country'

This article contains spoilers for Episode 5 of HBO’s “True Detective: Night Country.”

Episode 5 of “True Detective: Night Country” ended not with a whimper, but with a bang.

After Ennis, Alaska, Police Chief Liz Danvers discovers that Hank Prior, one of her fellow officers, is interfering with her investigation into the deaths of the scientists from Tsalal Research Station, the duo clash over a potential witness. Hank kills the witness in Danvers’ house before his son, Peter Prior, rushes in. In the closing minutes, following a tense standoff, Peter shoots and kills his father to protect Danvers.

It’s a shocking scene that Finn Bennett, who plays Peter, knew was coming from the very beginning, although he wasn’t sure how exactly it would unfold until the cast was actually on set.

“All the scripts went through many different iterations,” Bennett says. “But that one in particular, that moment, was changing all the time. The beats were there, what was going to happen was always there, but how it happened and the lines that played out and [Peter] being pulled in two different directions — that was all changing.”

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Police Chief Liz Danvers (Jodie Foster), left, calls on Peter Prior (Finn Bennett) often to help with the case at the center of “True Detective: Night Country.”

(Michele K. Short/HBO)

The scene is pivotal for Peter, who has spent the season kowtowing to Danvers (Jodie Foster) as she investigates a gruesome murder. He’s been pulled between his devotion to work, his wife, Kayla (Anna Lambe), and their young child, Darwin, and Hank (John Hawkes). As Danvers and Hank face off over the investigation, Peter is forced to make a choice that Bennett says represents what the character stands for.

“The big conversation was how Danvers appeals to Prior’s rationality and how Hank, his father, appeals to something more sentimental and emotional,” Bennett says. “I think what it comes down to in the end is: Is Prior sentimental and emotional? Is the relationship with his father enough? Or is he moral and rational? I don’t think there will ever be a time in his life thereafter where he doesn’t second guess that decision.”

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During production, which took place in Iceland, creator and showrunner Issa López held rehearsals with the cast each weekend. To nail down this particular moment, she gathered Bennett, Foster, Hawkes and Kali Reis, who plays Evangeline Navarro, the state trooper who is working with Danvers on the case, in her apartment (even though Reis isn’t in the scene).

Bennett recalls that even though “it was a brilliant scene,” the lines weren’t working. “I workshopped it with Jodie and John, who are complete masters of their craft,” he says. “I was like a kid in a sweet shop watching the two of them going back and forth.”

Being from England, which has some of the strictest firearm laws in the world, Bennett didn’t have much experience with guns. The cast underwent training before production and practiced target shooting, but the actor wasn’t completely comfortable with the firearms. The gunshot onscreen is a combination of practical and visual effects.

“We did a couple of takes where I did a very dramatic blast,” he says. “And they were like, ‘Um, chill out.’ But there is a slight kickback.”

Because of the challenges of shooting in Iceland in winter, including extreme weather conditions, it wasn’t possible to film “True Detective: Night Country” sequentially. But López purposefully scheduled Prior’s big scene toward the end of production. Bennett says he “needed that run-up” to get in the right head space and to feel comfortable in the room with Foster and Hawkes.

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John Hawkes plays Hank Prior, Peter’s father with whom he has a strained relationship.

(Michele K. Short/HBO)

“I don’t think there’s any situation where you’re going to go into a room with those titans of the craft and be comfortable per se,” he says. “But it certainly helped that we’d been working for five months before that. … I think it’s more than being a dramatic and thrilling scene. It’s a deeply sad and moving scene. It’s sad killing your father.”

He adds, “It was an intense day. But it was also one of the best days because I was learning so much and I was so involved.”

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Bennett was cast as Peter in the summer of 2022. López had seen his audition tape for a series she directed in the U.K. and she was also a fan of his work in Channel 4’s limited series “Kiri.” Although Bennett didn’t end up in López’s previous show, the pair kept in touch.

“She called me and she was like, ‘I’m writing something, and I think you would be great in it,’” Bennett says. “And I was like, ‘Fantastic. Is it shooting in the U.K.?’ And she told me it was HBO’s ‘True Detective.’ I never thought I would actually get it. But to have her in my corner fighting for me has been a real honor.”

The cast worked with a police officer, who Bennett says “had really seen some stuff,” to better understand what it’s like to investigate criminal cases. López also connected the actor with a pastor named Peej Jones, whom she’d met in Alaska during a research trip. Like Peter, Jones is a white man married to an Indigenous woman and he lives in a remote community. Over weekly hour-long phone conversations with Jones, Bennett says he became essential to understanding Peter’s complicated life.

“My questions started off quite profound, like, how does it feel to be from outside that community and then move into that community?” Bennett says. “I wanted to know what life is like for him there because it’s such a world away from where I live. I’ve never had to hunt for my dinner.”

Bennett spent six months in Iceland. Many of the days he was there had only an hour or two of sunlight, and because much of the story takes place during the polar night he would regularly get to set at 6 p.m. To convey the stark Arctic life, “True Detective: Night Country” also largely used practical exteriors rather than soundstages.

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“You’re in the cold and you’re in the dark and your nose runs and your eyes water and you’re shivering,” Bennett says. “That kind of stuff makes it believable. And all you really want from something is to make it believable.”

Finn Bennett describes his character as a “people pleaser to a fault.”

(Lilja Jons/HBO)

Because the production on the series was so intense and lengthy, Bennett spent a lot of time thinking about Peter and what motivates him. He sees the character as a “people pleaser to a fault,” which explains the lengths he goes to for Danvers. But Bennett also points out that a small community in Alaska, like the one depicted in the show, would rarely see a case as horrific and complex as this one.

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“You would be driven as a young cop looking to prove yourself and having a purpose in life other than cleaning caribou off the road,” he says. “I think that’s why he’s prepared to go the extra mile for Danvers. But it’s a really good question why he doesn’t go the extra mile for his wife or his father.”

Bennett is aware of the scrutiny “True Detective: Night Country” has received (more recently, López has responded to remarks made by series creator Nic Pizzollato about this season). But as a long-time fan of the series, he’s just grateful to be part of its legacy. Because the first season was such a success, he says, people hold any subsequent seasons to the same level.

“And for my money, I’d say we’ve achieved that standard,” he says. “I’m so proud of the work we did, not because I was involved and I know the people involved, but because I think it’s really f— good. But it’s fair to say going into it there was a high expectation.”

While he can’t say anything about the finale, Bennett teases that the conclusion is “a very cooperative ending to a show.” “I think you get to decide how you want it to end,” he says, adding that his own reaction to watching the sixth episode was awe.

“Unbelievable,” he says. “I burst into tears because I was so proud.”

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Movie Review: ‘The SpongeBob Movie: Search for SquarePants’ – Catholic Review

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Movie Review: ‘The SpongeBob Movie: Search for SquarePants’ – Catholic Review

NEW YORK (OSV News) – Cartoon characters can devolve into dullards over time. But some are more enduringly appealing than others, as the adventure “The SpongeBob Movie: Search for SquarePants” (Paramount) proves.

Yellow, absorbent and porous on the outside, unflaggingly upbeat SpongeBob (voice of Tom Kenny) is childlike and anxious to please within. He also displays the kind of eagerness for grown-up experiences that is often found in real-life youngsters but that gets him into trouble in this fourth big-screen outing for his character.

Initially, his yearning for maturity takes a relatively harmless form. Having learned that he is now exactly 36 clams tall, the requisite height to ride the immense roller coaster at Captain Booty Beard’s Fun Park, he determines to do so.

Predictably, perhaps, he finds the ride too scary for him. This prompts Mr. Krabs (voice of Clancy Brown), the owner of the Krusty Krab — the fast-food restaurant where SpongeBob works as a cook — to inform his chef that he is still an immature bubble-blowing boy who needs to be tested as a swashbuckling adventurer.

The opportunity for such a trial soon arises with the appearance of the ghostly green Flying Dutchman (voice of Mark Hamill), a pirate whose elaborately spooky lair, the Underworld, is adjacent to SpongeBob’s friendly neighborhood, Bikini Bottom. Subject to a curse, the Dutchman longs to lift it and return to human status.

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To do so, he needs to find someone both innocent and gullible to whom he can transfer the spell. SpongeBob, of course, fits the bill.

So the buccaneer lures SpongeBob, accompanied by his naive starfish pal Patrick (voice of Bill Fagerbakke), into a series of challenges designed to prove that the lad has what it takes. Mr. Krabs, the restaurateur’s ill-tempered other employee, Squidward (voice of Rodger Bumpass), and SpongeBob’s pet snail, Gary, all follow in pursuit.

Along the way, SpongeBob and Patrick’s ingenuity and love of carefree play usually succeed in thwarting the Dutchman’s plans.

As with most episodes of the TV series, which premiered on Nickelodeon in 1999, there are sight gags intended either for adults or savvy older children. This time out, though, director Derek Drymon and screenwriters Pam Brady and Matt Lieberman produce mostly misfires.

These include an elaborate gag about Davy Jones’ legendary locker — which, after much buildup, turns out to be an ordinary gym locker. Additionally, in moments of high stress, SpongeBob expels what he calls “my lucky brick.” As euphemistic poop gags go, it’s more peculiar than naughty.

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True to form, SpongeBob emerges from his latest escapades smarter, wiser, pleased with his newly acquired skills and with increased loyalty to his friends. So, although the script’s humor may often fall short, the franchise’s beguiling charm remains.

The film contains characters in cartoonish peril and occasional scatological humor. The OSV News classification is A-I – general patronage. The Motion Picture Association rating is PG — parental guidance suggested. Some material may not be suitable for children.

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Reiner family tragedy sheds light on pain of families grappling with addiction

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Reiner family tragedy sheds light on pain of families grappling with addiction

When Greg heard about the deaths of Rob and Michele Reiner, and the alleged involvement of their son Nick, the news struck a painfully familiar chord.

It wasn’t the violence that resonated, but rather the heartache and desperation that comes with loving a family member who suffers from an illness that the best efforts and intentions alone can’t cure.

Greg has an adult child who, like Nick Reiner, has had a long and difficult struggle with addiction.

“It just rings close to home,” said Greg, chair of Families Anonymous, a national support program for friends and family members of people with addiction. (In keeping with the organization’s policy of anonymity for members, The Times is withholding Greg’s last name.)

“It’s just so horrible to be the parent or a loved one of somebody that struggles with [addiction], because you can’t make any sense of this,” he said. “You can’t find a way to help them.”

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Every family’s experience is different, and the full picture is almost always more complicated than it appears from the outside. Public details about the Reiner family’s private struggles are relatively few.

But some parts of their story are likely recognizable to the millions of U.S. families affected by addiction.

“This is really bringing to light something that’s going on in homes across the country,” said Emily Feinstein, executive vice president of the nonprofit Partnership to End Addiction.

Over the years, Nick Reiner, 32, and his parents publicly discussed his years-long struggle with drug use, which included periods of homelessness and multiple rehab stints.

Most recently, he was living in a guesthouse on his parents’ Brentwood property. Family friends told The Times that Michele Singer Reiner had become increasingly concerned about Nick’s mental health in recent weeks.

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The couple were found dead in their home Sunday afternoon. Los Angeles police officers arrested Nick hours later. On Tuesday, he was charged with their murder. He is currently being held without bail and has been placed under special supervision due to potential suicide risk, a law enforcement official told The Times.

Experts in substance use cautioned against drawing a direct line between addiction and violence.

“Addiction or mental health issues never excuse a horrific act of violence like this, and these sort of acts are not a direct result or a trait of addiction in general,” said Zac Jones, executive director of Beit T’Shuvah, a nonprofit Los Angeles-based addiction treatment center.

The circumstances around the Reiners’ highly publicized deaths are far from ordinary. The fact that addiction touched their family is not.

Nearly 1 in 5 people in the U.S. has personally experienced addiction, a 2023 poll from the Kaiser Family Foundation found.

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Two-thirds of Americans have a family member with the disease, a proportion that is similar across rural, urban and suburban dwellers, and across Black, Latino and white respondents.

“Substance use disorders, addiction, do not discriminate,” Jones said. “It affects everyone from the highest of the high [socioeconomic status] to people that are experiencing homelessness on Skid Row. … There is no solution that can be bought.”

During interviews for the 2015 film “Becoming Charlie,” a semi-autobiographical film directed by Rob Reiner and co-written by Nick Reiner, the family told journalists that Nick, then in his early 20s, had been to rehab an estimated 18 times since his early teens. Nick Reiner has also spoken publicly about his use of heroin as a teenager.

Such cycles of rehab and relapse are common, experts said. One 2019 study found that it took an average of five recovery attempts to effectively stop using and maintain sobriety, though the authors noted that many respondents reported 10 or more attempts.

Many families empty their savings in search of a cure, Feinstein said. Even those with abundant resources often end up in a similarly despairing cycle.

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“Unfortunately, the system that is set up to treat people is not addressing the complexity or the intensity of the illness, and in most cases, it’s very hard to find effective evidence-based treatment,” Feinstein said. “No matter how much money you have, it doesn’t guarantee a better outcome.”

Addiction is a complex disorder with intermingled roots in genetics, biology and environmental triggers.

Repeated drug use, particularly in adolescence and early adulthood when the brain is still developing, physically alters the circuitry that governs reward and motivation.

On top of that, co-occurring mental health conditions, traumas and other factors mean that no two cases of substance abuse disorders are exactly the same.

There are not enough quality rehabilitation programs to begin with, experts said, and even an effective program that one patient responds to successfully may not work at all for someone else.

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“There is always the risk of relapse. That can be hard to process,” Greg said.

Families Anonymous counsels members to accept the “Three Cs” of a loved one’s addiction, Greg said: you didn’t cause it, you can’t cure it and you can’t control it.

“Good, loving families, people that care, deal with this problem just as much,” he said. “This is just so common out there, but people don’t really talk about it. Especially parents, for fear of being judged.”

After the killings, a family friend told The Times that they had “never known a family so dedicated to a child” as Rob and Michele Reiner, and that the couple “did everything for Nick. Every treatment program, therapy sessions and put aside their lives to save Nick’s repeatedly.”

But the painful fact is that devotion alone cannot cure a complex, chronic disease.

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“If you could love someone into sobriety, into recovery, into remission from their psychiatric issues, then we’d have a lot fewer clients here,” Jones said. “Unfortunately, love isn’t enough. It’s certainly a part of the solution, but it isn’t enough.”

If you or someone you know is experiencing a mental health crisis, help is available. Call 988 to connect to trained mental health counselors or text “HOME” to 741741 in the U.S. and Canada to reach the Crisis Text Line.

Jake Reiner, Nick Reiner, Romy Reiner, Michele Singer Reiner and Rob Reiner attend Four Sixes Ranch Steakhouse’s pop-up grand opening at Wynn Las Vegas on Sept. 14, 2024.

(Denise Truscello / Getty Images for Wynn Las Vegas)

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The Housemaid

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The Housemaid

Too good to be true? Yep, that’s just what Millie’s new job as a housemaid is—and everyone in the audience knows it. What they might not expect, though, is the amount of nudity, profanity and blood The Housemaid comes with. And this content can’t be scrubbed away.

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