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California regulators approve $34.5-billion Charter-Cox merger

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California regulators approve .5-billion Charter-Cox merger

California regulators have approved the sale of Cox Communications to cable giant Charter Communications — the final hurdle in a marathon review to clear the $34.5-billion cable consolidation.

With Thursday’s sign-off by the California Public Utilities Commission, the mammoth merger is expected to close next week.

The deal will make Charter’s Spectrum the dominant broadband internet and cable television service in Southern California, with millions of customers scattered throughout Santa Barbara, Bakersfield, Los Angeles, Palos Verdes Estates, Newport Beach, Irvine, Riverside and San Diego.

Charter’s acquisition of Cox, unveiled 15 months ago, will solidify Charter’s status as the nation’s largest cable company, eclipsing Philadelphia-based Comcast Corp., which serves San Francisco and other Northern California communities.

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“This transformative deal will benefit millions of consumers who will soon have access to greater value and opportunities to save, including our fully converged mobile-broadband bundle savings guarantee, combined with our industry-leading Customer Commitment and the 100% U.S.-based sales and service employees Spectrum is known for,” Charter said in a statement.

After weeks of behind-the-scenes wrangling, the CPUC voted unanimously to approve two settlement agreements with Charter that allow the merger to move forward. The agency attached conditions that it hopes will protect consumers and expand broadband access.

“This decision secures significant commitments that will benefit Californians through expanded affordable broadband options, major infrastructure investments, improved customer protections, and meaningful support for digital inclusion,” Commissioner Matthew Baker, who helped negotiate the agreements, said in a statement.

Federal regulators approved the deal months ago, as had other state regulators.

“This proceeding was a heavy lift for everyone,” Commissioner Darcie L. Houck acknowledged during Thursday’s hearing, which was held in San Francisco.

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Through the settlements, Houck said she hoped Charter would address a disparity in which low-income residents are often stuck with higher phone and internet bills than residents in more affluent areas. Higher-income neighborhoods often benefit from increased competition as multiple providers jockey for business.

“There are many areas of the state that do have low-income communities that are paying higher costs for telecommunication services,” Houck said. “I’m hopeful that the provisions in this settlement agreement will help ensure more equity in pricing.”

Atlanta-based Cox has long been viewed as a lucrative prize. In addition to serving coastal communities in Southern California, it also has customers in growing population hubs such as Las Vegas, Phoenix and Tucson.

To win CPUC approval, the Stamford, Conn.-based cable giant agreed to offer more affordable packages for low-income residents, including several tiers of the California LifeLine service, for up to five years.

Advocates had pushed for a longer commitment.

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Charter promised to invest $30 million in education and awareness initiatives in California, including community outreach and digital literacy training. In addition, Charter agreed to spend at least $275 million on upgrades to its equipment in its existing Spectrum service area — including completing a 1-gigabit service buildout — within three years.

The company also must provide free broadband and Wi-Fi service for dozens of eligible community centers, including schools and libraries.

Spectrum will be required to provide automatic bill credits for customers for qualifying service outages that last at least two hours. And the company must honor eligible “price for life” service agreements held by some residential subscribers.

Charter Chief Executive Chris Winfrey has told investors that his firm was aiming to close the merger this month. Several commissioners noted the looming deadline as they opted for the settlement that Baker helped negotiate.

Regulators said the two companies generate more than $10 billion in revenue from their California customers. In addition to serving more than 5 million homes, they also provide telephone service to 1.5 million subscribers in the state.

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California regulators have approved Charter’s $34.5-billion purchase of Cox Communications.

(Kevin Dietsch / Getty Images)

After the deal closes, Cox customers will be switched to Spectrum service, most likely by mid-September. They should also get SportsNet LA — the Dodgers’ television channel — as part oftheir lineups.

For more than a decade, Cox has refused to carry the channel, owned by the Dodgers organization, due to its high license fee — leading to one of the television industry’s longest blackouts.

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Movie Reviews

Ryan Jay Reviews Movies for the Weekend of September 4th, 2026

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Ryan Jay Reviews Movies for the Weekend of September 4th, 2026

Should you see it, skip it, or stream it? Ryan Jay gives us his movie ratings! This week he reviews:

By Any Means / Paramount Pictures
Fall 2: Deadpoint / Lionsgate

Ryan also shares details on the new Ryan Jay Movie Club happening Wednesday, September 9 at 7 p.m. Plus, enter to win a pair of free tickets at RyanJayReviews.com

Ryan has an exciting giveaway featuring the Ultimate OZ Universe books and shares his contribution included in the collection. Enter to win both volumes at RyanJayReviews.com

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And don’t miss Ryan’s free movie screening event at the Argo

Click here for more Ryan!

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How to have the best Sunday in L.A., according to Lauren Halsey

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How to have the best Sunday in L.A., according to Lauren Halsey

Since its monumental debut in March, “sister dreamer lauren halsey’s architectural ode to tha surge n splurge of south central los angeles” has been active.

Sunday Funday infobox logo with colorful spot illustrations

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

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That’s the official name of Lauren Halsey’s public sculptural park nestled at the corner of 76th and Western in South-Central. In its first few months, the park has hosted intimate jazz shows, Kemetic yoga classes, art workshops and album listening parties where artists like Childish Gambino and Vince Staples have performed. For Halsey, a contemporary visual artist who began dreaming up the space 17 years ago, it’s all been part of the plan.

“At a museum or a gallery, I can program in a context that makes sense there, but at the park, it becomes a venue that is limitless,” she says. “So I can have a music series. People can roller skate. It can be a classroom. It can be a dance floor. It can be a theater, so I’m getting to know it every day, which is just so cool.”

She adds, “It’s just very alive so I love it.”

Now, Halsey is plotting on her next project: “emajendat,” a music festival that merges fine art, music and community activation all in one night. Featuring live performances from Erykah Badu, the Alchemist, Flea (of Red Hot Chili Peppers), DJ Pee .Wee (a.k.a Anderson .Paak) and the Charles Gaines Collective (with Black Nile and Devin Daniels), the immersive event will take place on Sept. 29 at the Hollywood Bowl.

Ahead of the big night, the South-Central native shared her itinerary for a magical day in L.A. It involves listening to rare ‘70s funk and soul music at her favorite brunch spot, supporting all of her favorite vendors (including a henna artist) in Venice Beach and bowling at Lucky Strike.

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6:30: Coffee and produce at the Westchester Farmers’ Market

I wake up early no matter what. I’m out of my door between 6 to 6:30 a.m. I’d do my walk around my neighborhood and wait until my partner gets up then we’re off to the Westchester Farmers’ Market, which we go to sometimes. There’s this really amazing vendor called Gus’ Coffee. He makes coffee with his daughter. I’d get a black coffee with a tiny bit of milk or a horchata-based coffee and we’ll just shop for produce. We’d get some yellow watermelons, which are in season right now.

11 a.m: Brunch and ‘70s funk music at RVR

I’m going to my favorite restaurant RVR in Venice for brunch. I’m talking to the chefs, Travis and Ian. I’m listening to amazing music because they have this wonderful vinyl program led by Carlos Niño. So I’m listening to this rare B-side of the B-side ‘70s soul and funk while eating amazing plates. They change their menu quite often because it’s a call and response to what produce is available seasonally. No matter what, I start with the pickled vegetables then I get one of the hamachi rolls. Right now, I’m getting the melon salad, egg plate and the spotted prawn. Depending on the day, they’ll have six or 21 of the prawns, so sometimes they’ll hold me one when they know I’m coming in. Then I’m getting the dessert. Right now it’s banana ice cream with blueberries and it’s heaven.

2 p.m.: Get blasted with henna tattoos in Venice Beach

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Then we’re racing to Venice Beach, which has been my favorite since I was a kid. It’s just so wild and grungy and weird and fun yet family friendly and safe. My girlfriend’s best friend lives on the boardwalk so we’ll go see him. I’ve always loved the vendors there so I have my favorites. Right now I’m really into Martha who is a henna tattoo artist, so I just get blasted with henna tattoos. She has a fat notebook of [inspiration], so I’ll pick some and then I’ll remix them with her. It’s this really cool collaboration. I do it every few weeks. I’ll sit with her for like two hours while life is happening, watching the roller skaters, the families, the cool outfits, the riffraff. Sometimes I’ll go to a lady to get the back of my hair wrapped in thread, which I used to do as a kid. It’s just another way I can adorn myself with color. Also, I love a hat, so I’ll go to everyone who’s selling a hat and maybe we’ll buy some fruit.

5 p.m.: Bowl and live my WNBA dreams at Lucky Strike

We’re going bowling at Lucky Strike, which used to Bowlero. We have the summer season passes and we just go ham. We go to the arcade first and I just live my WNBA dreams. Then we’ll go bowl two or three games. My partner usually orders the chicken wings. I don’t eat meat, so I’ll do a beer, French fries with “truffle,” shrimp tacos and maybe some candy.

8:30 p.m.: Head home to prepare for the week

Next, we’re going home. I’d look at my calendar for the week and answer emails. Then I’d take a shower and watch something with my partner. I’m into heist films and basketball. She’s into the psychological thrillers and those sort of crime investigation shows, so we meet in the middle. It’s going to sound so silly and I don’t care, but the last good show I watched was Tyler Perry’s “Beauty in Black.” His imagination is wild, so we just can’t wait until Season 3. It’s ridiculous that it’s so good. We’d watch something until I fall asleep usually by 10 p.m.

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Movie Review | Despite its title, the slasher siege movie ‘Onslaught’ takes its time

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Movie Review | Despite its title, the slasher siege movie ‘Onslaught’ takes its time

AP:

Masked soldiers deployed on domestic soil and an air of conspiratorial paranoia give Adam Wingard’s not-quite-grindhouse siege film Onslaught a contemporary pulse, even if this lean, B-movie thriller doesn’t deliver much more than a flicker of its throwback promise.

Wingard, though, does seem freshly liberated in this return to his low-budget thriller roots ( You’re Next, The Guest). He has since spent the last decade in more IP-managed releases: the 2016 Blair Witch sequel, a Netflix adaptation of Death Note and a pair of Godzilla vs. Kong movies.

But the 92-minute Onslaught, written by Wingard and his regular collaborator Simon Barrett, is intentionally straightforward — to the point, you could say, of brainlessness. It’s aiming for a very simple slasher setup in the mould of John Carpenter: A single mom and PTSD-riddled former Army sniper, Celeste (Adria Arjona), living in a desert trailer park, defends herself and her young daughter (Blake Kennedy) from an invasion of three highly programmed super-soldiers who have sprung out of a nearby military contractor facility.

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Even though Onslaught begins with a clock that’s already ticking below 12 hours, the movie takes its time leading to a bloody finale that isn’t quite worth the drumbeat. But Wingard is in no great hurry, and he lingers in the anticipation, for better and for worse.

So early on we get Dan Stevens (deliberately hammy) as a suspiciously old, white-haired Nazi scientist crawling across the room to lick the stiletto-heeled foot of his wife and co-conspirator (a queenly Rebecca Hall, suggesting great depth in her few minutes on screen). From the bodies of dead soldiers, Stevens’ mad scientist has engineered three elite killing machines. They are devoid of personality, with beady lights for eyes. Still, he’s given them nicknames: the Butcher (Alex Pereira), the Cockroach (Dave Campbell) and the Crybaby (Tyler Hall).

They get out, of course, and begin causing trouble. Onslaught likewise lingers on the quickly dispatched operative, Cyrus (Drew Starkey), sent to clean up the ensuing mess. Wingard delights in introducing the character, who’s more drugged up and charmingly laid-back than your usual cleanup expert. It’s a lot of set-up for a guy who, ultimately, doesn’t do much.

But what’s the rush? Wingard also takes his time surveying the female bodies at the S&M club Cyrus is attending when we meet him, just as he does looking over some of the bloody wreckage left by the super-soldiers. He even, momentarily, takes one of their perspectives in a random killing at a gas station convenience store — a point of view that’s hard to justify, considering there’s no other attempt to consider the inner horrors of the brain-dead soldiers.

They start unleashing mayhem across a Western plain that looks like it could either be where Wile E. Coyote chases the Roadrunner or the setting of Chloé Zhao’s Nomadland.

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Onslaught has a bit of both. The movie is best in its leisurely depiction of life at the Windy Oasis, the trailer-park remove where Celeste has found some rough-hewn sense of peace — away from society and with plenty of room for target practice.

Reginald VelJohnson and Eric Wareheim gamely play Celeste’s neighbours, adding to the eccentric ensemble. But Onslaught is most of all a chance for Arjona, a supporting standout in Hit Man and Splitsville, to show some leading-woman grit. And she does that in Wingard’s quirkily contradictory movie: gleefully violent despite its military satire, curiously unhurried despite its title.

Onslaught, an A24 release is rated A-18 for strong bloody violence, some gore, sexual material/nudity, and language. It is coming soon to theatres.

Running time: 107 minutes.

Rating: Two stars out of four.

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