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A Cancún resort, a housekeeper in grief, a tourist with a secret: How a new play speaks its truths

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A Cancún resort, a housekeeper in grief, a tourist with a secret: How a new play speaks its truths

The play “Clear/Espejos” at South Coast Repertory in Costa Mesa dives into the cultural divide between resort visitor and resort worker partly by way of a tool which may startle some viewers members at first: Dialogue is spoken in not one language however two.

Housekeeping supervisor Adriana speaks all her traces in Spanish. Canadian vacationer Sarah speaks hers traces in English. Translations for each are built-in into the stage design as the 2 characters’ lives intertwine in Cancún, Mexico: Adriana, performed by Lorena Martinez, has simply came upon that her father has died. Sarah, performed by Nell Geisslinger, has arrived for her sister’s wedding ceremony however finds herself reminded of a haunting childhood incident.

Playwright Christine Quintana was impressed to put in writing “Clear/Espejos” after visiting members of the family who work within the resort business in Cancún and seeing firsthand what life is like for employees. The divide was jarring.

“I felt plenty of friction and considered the entire thought of the resort being a fantasy of Mexico supplied by these massive, largely American-owned resort corporations,” Quintana stated. “I jumped to fascinated about the sensation of disembodiment and disassociation, emotions just like dissociation from trauma. This setting appeared like the right backdrop to discover some concepts I’d been fascinated about when it comes to trauma and the way the issues that occur to us form our lives for a lot of, a few years after.”

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Quintana accomplished a draft inside a month of returning to her dwelling in Canada. She determined that if Adriana have been to be a Mexican girl, she wanted to talk her traces in Spanish. As a result of Quintana isn’t a fluent Spanish speaker, she reached out to Paula Zelaya Cervantes, a playwright and director from Mexico Metropolis whom she had met whereas they have been each finding out on the College of British Columbia. Quintana described Cervantes’ contributions as not simply translation but additionally adaptation.

“At one level, I wrote that any individual knocks on the door,” Quintana stated, including that Cervantes urged: “Nicely, really, in any such home in Mexico, on this space, they might ring the doorbell of a gate and somebody would come get you.” Quintana stated Cervantes helped fill in gaps that “somebody from Vancouver wouldn’t know.”

Quintana and Cervantes additionally collaborated on the character of Adriana, ensuring that her speech was reflective of a lady from Mexico particularly. “We actually didn’t wish to make it a generic multinational Spanish translation,” Quintana stated. “We needed a personality that basically feels like the world the place she’s from.”

Cervantes, who largely interprets the works of well-known playwrights similar to Tennessee Williams and Margaret Edson, cherished the collaboration.

“I didn’t must guess what the playwright would have needed, as a result of the playwright may inform me herself. It was fixed communication,” Cervantes stated. “Even once we needed to alter the which means of a line as a result of it merely wouldn’t translate into Spanish naturally, I’d describe the road’s ‘feeling’ to Christine and she or he would say, ‘Sure, that’s precisely it,’ after which I used to be in a position to create new traces that felt pure in Spanish and that also carried an analogous ambiance and texture because the English model.”

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As soon as South Coast Repertory determined to stage a bilingual play (“Clear/Espejos” is a part of the corporate’s Pacific Playwrights Competition), crucial element that wanted to be sorted out was the query of subtitles. Director Lisa Portes stated she labored intently with scenic designer Brian Sidney Bembridge and manufacturing designer Yee Eun Nam to discover a technique to incorporate dialogue translations into the design.

“We determined we have been going to create 4 panels that may be on tracks sliding backwards and forwards,” Portes stated. They created a band about 9 ft up the place titles are projected. “We actually needed to create dynamic subtitling and, once more, make it a part of the design, versus one thing that’s separate and would take the viewers’s eyes away from the actors.”

With the titles locked in, “Clear/Espejos” turned a theater expertise equally accessible to Spanish and English audio system alike. Quintana couldn’t be happier to listen to her play spoken in two languages.

“It’s a thrill to listen to Spanish onstage,” Quintana stated. “I actually hope, as somebody who largely speaks English, that I get to see extra bilingual, multilingual performs. I take into consideration my life in Vancouver and the way listening to Mandarin or Farsi on the road is a part of my life. I’d be so thrilled to see these languages onstage and get an opportunity to spend time with characters really talking in their very own language.”

‘Clear/Espejos’

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The place: South Coast Repertory, 655 City Heart Drive, Costa Mesa

When: 7:45 p.m. Wednesday-Friday, 2 and seven:45 p.m. Saturday-Sunday; ends Sunday

Value: $60-$79; ages 25 and youthful, $20

Data: scr.org

Operating time: About two hours (together with one intermission)

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COVID-19 protocols: Proof of vaccination or damaging PCR take a look at is required for all. Masks are required. Security procedures are posted on the theater web site.

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Movie Reviews

‘Hitler’ movie review: Vijay Antony’s revenge drama is outdated and ordinary

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‘Hitler’ movie review: Vijay Antony’s revenge drama is outdated and ordinary

A still from ‘Hitler’
| Photo Credit: Special Arrangement

Vijay Antony is on a spree with his recent films. While his contemporaries rarely churn out a couple of releases each year, the music director-turned-actor starred in four films last year and his latest release Hitler marks his third outing of 2024. But given how almost all of them turned out to be underwhelming, it feels like he’s shooting for quantity over quality, and Hitler, unfortunately, is the latest addition to that list.

Hitler features a story as old as its eponymous dictator. It starts with the shot of a group of worker women (one of them, of course, is heavily pregnant) who, after a tiring day at work, are at the banks of a river crossing where a makeshift rope gets them from one side to another. Thanks to incessant rains, the water level is higher than normal and this recipe for disaster unsurprisingly ends in a… disaster.

The film quickly moves to Chennai where Selva (Vijay Antony) becomes roomie with Karukkavel (Redin Kinglsey) and just like any Indian film hero, falls in love at first sight with a woman he bumps into, quite literally. Concurrently, Deputy Commissioner Shakthi (Gautam Vasudev Menon) is working on a case that involves a murder spree with identical MO and they all link to the politician Rajavelu (Charanraj) who is constantly losing his black money to the killer. As expected, the two worlds collide and if you haven’t figured out how the rest of the film will pan out and who the killer is, you are probably new to the world of Indian cinema and Hitler might actually intrigue you.

Hitler (Tamil)

Director: Dana SA 

Cast: Vijay Antony, Gautham Vasudev Menon, Riya Suman, Charanraj, Redin Kingsley, Vivek Prasanna

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Runtime: 130 minutes

Storyline: A man comes to Chennai searching for greener pastures only to cross paths with a supercop searching for a killer who is robbing a politician’s black money

Hitler, had it released a few decades ago, would have been the textbook example of a vigilante film. But now, it feels like a rehash of multiple cult classics many of us grew up watching and one of them is Gentlemanwhich, incidentally, also starred Charanraj. Sticking to a familiar template is the least of Hitler’s worries as it struggles with a lack of ingenuity. There are attempts to break the mould — like a red herring involving a character played by Vivek Prasanna — but they all fall flat and add almost no value to the painfully predictable plot.

On the upside, the film does a good job of incorporating its female lead into the narrative. Riya Suman plays Sara, Selva’s love interest. After the routine romance-establishing shots, the character is neatly assimilated into the core plot and Riya does a good job with it. Speaking of performances, Gautam looks and feels perfect as an honest supercop forced to work for a politician. Selva, on the other hand, seems to have been written as a mysterious character, whose style of interaction differs on the basis of who he is talking to. But whether it comes across convincingly is a different question; Vijay Antony overselling his overly zealous nature around his roommate is far from convincing.

A still from ‘Hitler’

A still from ‘Hitler’
| Photo Credit:
Special Arrangement

Despite its political backdrop, Hitler never sinks its teeth into its core idea. While it’s lovely to see veteran actor Charanraj back in Tamil cinema after a long gap, he plays a one-dimensional politician who makes the most unintentionally funny decisions ever. When poll predictions aren’t in his favour, he believes bribing people might turn the tide and to escape from the election commission’s strict measures, he sends the black money via local train which gets swindled. If that’s not crazy enough, instead of realising the leaky boat idea, he does that again, twice (I wish I was kidding), to nab the robber only to end up losing crores.

The haphazardly-written Hitler lacks the gripping social narrative Dana’s directorial debut Padaiveeran had or the heart and emotional beats his Vaanam Kottattumoffered, though the story lends itself well to both attributes. Instead, what we get is a watered-down vigilante actioner that neither astounds nor entertains. The tyrant dictator Hitler might have made propaganda films to push his evil agenda, but this Hitler leaves us wishing it had some agenda we could salute.

Hitler is currently running in theatres

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He killed Young Dolph at a Memphis cookie shop, gets life term

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He killed Young Dolph at a Memphis cookie shop, gets life term

One of the men involved in the murder of rapper Young Dolph was sentenced to life in prison Thursday after a four-day trial in Memphis, Tenn.

After four hours of deliberation, Justin Johnson was found guilty of first-degree murder, conspiracy to commit first-degree murder and possession of a handgun by a felon. The judge sentenced him to a life term, according to the Shelby County district attorney. Johnson will be sentenced for the two latter charges in November.

Young Dolph, whose real name was Adolph Thornton Jr., was shot in November 2021 while inside Makeda’s Homemade Butter Cookies, a popular cookie shop on Airways Boulevard in Memphis.

Johnson’s co-conspirator, Cornelius Smith — who admitted to being one of the gunmen in the killing — testified that he and Johnson were hired to kill Thornton. In return they were to receive $40,000 each, the district attorney said. According to court documents, the man who took out the hit was Anthony Mims, or Big Jook, the brother of Mario Mims, a Memphis rapper known as Yo Gotti who founded the record label Collective Music Group.

Anthony Mims was killed by gunfire outside Perignons Restaurant and Event Center in January, according to Fox 13.

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Thornton and Mario Mims had traded diss tracks for a decade after Thornton said he turned down a record deal with the label. Thornton wrote the single “100 Shots” after a targeted attack in 2017 sent about 100 rounds into a bulletproof car he was riding in, USA Today reported — Blac Youngsta, a Gotti associate, surrendered to authorities in 2019 for his alleged involvement in the shooting, although charges were eventually dropped.

Defendant Justin Johnson, left, appears in court as the murder trial of rapper Young Dolph begins in Memphis, Tenn., on Sept. 23, 2024.

(Mark Weber / Daily Memphian / Associated Press)

Defense attorneys argued Johnson’s DNA was never found in the white Mercedes that was caught on video speeding away from the murder scene, nor were the guns used in the killing recovered. But video shown at the trial by prosecutors showed Johnson at his apartment the night of the murder wearing the same clothes as seen on a suspect at the murder scene. They also had phone records showing he’d been in contact with Big Jook as well as Hernandez Govan, who allegedly orchestrated the killing, prior to and after the shooting. Govan is also a defendant in the case.

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“Today’s verdict brings relief and restores my confidence in the justice system,” Mia Jaye, Thornton’s partner, said in a statement on Instagram after the verdict was announced. “My faith has been tested, but Adolph’s tragic execution has only strengthened my resolve to fight for justice — not only for him but for all Black men. This is just the beginning of our journey toward achieving full justice for Adolph, and we will patiently support the unfolding of that process.”

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‘THE BEAST WITHIN’ (2024) – Movie Review – PopHorror

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‘THE BEAST WITHIN’ (2024) – Movie Review – PopHorror

I first saw the trailer for The Beast Within a few months ago and it definitely piqued my interest. A UK set werewolf film with Kit Harington as the wolf? Sign me up! I was recently given the opportunity from Well Go USA to check out The Beast Within. Did it live up to the hype?

Synopsis

After a series of strange events leads her to question her family’s isolated life on a fortified compound deep in the English wilds, 10-year-old Willow follows her parents on one of their secret late-night treks to the heart of the ancient forest. But upon witnessing her father undergo a terrible transformation, she too becomes ensnared by the dark ancestral secret they’ve tried so desperately to conceal.

The Beast Within was directed by documentary filmmaker Alexander J. Farrell in his narrative feature debut. The film was written by Farrell and Greer Ellison. The film stars Kit Harington (Game of Thrones), Ashleigh Cummings (Hounds of Love), Caoilinn Springall (Stopmotion), James Cosmo (The Kindred), Andrei Nova, Adam Basil, Martina McClements (There’s No Such Thing As Zombies), and Ian Giles.

So I was pleasantly surprised when I dove into The Beast Within and discovered the film was from the perspective of the daughter Willow, played by Caoilinn Springall, who I thought was wonderful and creepy as Little Girl in Stopmotion. She gets the opportunity to play a much different role here. Willow is a girl that is sick with an unnamed illness which leaves her short of breath and reliant on oxygen tanks. She lives in isolation near the woods with her parents Noah and Imogen, her sole human contact beside her grandfather her lives in a building next door.

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Her father is suffering from an ailments that requires him to be secluded in the woods from his family one day a month in the woods. After following her parents one night she discovers her father’s dark secret and becomes deathly afraid of her father. Springall is perfectly cast as Willow. She is very expressive and is able to capably show the range of what her character is feeling. Kit Harington does a solid job as the father Noah, though we don’t get to see as much of his duality as I would have liked. We are mainly subjected to his dark side and its side effects, only briefly seeing the loving father in him.

Ashley Cummings is great as Willow’s mother Imogen, who is clearly struggling with protecting her daughter and her love for her husband. I loved James Cosmo’s performance as Willow’s grandfather Waylon. You can tell her how much he loves his granddaughter and wants to protect her from her father as well as how strained his relationship with his daughter is due to her relationship with and defense of Noah.

The Beast Within does a good job of building tension, helped greatly by the sense of isolation the characters are subjected to. It feels like the characters are truly alone in their struggle. Willow’s fear that she is like her father is palpable. The mood of the film is very oppressive. The werewolf and gore effects, though we don’t get much, is executed well, particularly a particularly gruesome scene I won’t spoil involving a fingernail. While I enjoyed the majority of The Beast Within immensely, there is a late final act twist that I feel could ruin the enjoyment for some viewers.

Final Thoughts 

The Beast Within is a film that excels at mood and a feeling of dread and isolation bolstered by solid effects and strong performances, thought a final act twist could potentially ruin the film for some viewers. Recommended.

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