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Radio Drama for a Podcast Age: How Amazon’s Audible Moved Into Theater

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Radio Drama for a Podcast Age: How Amazon’s Audible Moved Into Theater

One other upside: Artists are paid extra for reveals which can be recorded in addition to staged in individual.

“The pay is great, and the attain is grand,” mentioned Robert O’Hara, whose deliberate Williamstown manufacturing of “A Streetcar Named Need” wound up being made for audio by Audible, and who went on to direct the “Lengthy Day’s Journey” on the Minetta Lane and on audio.

O’Hara, like different artists interviewed for this story, mentioned Audible has been admirably hands-off. “I’m not getting dramaturgical notes from Audible,” he mentioned. “They don’t have a tackle ‘Lengthy Day’s Journey.’ They permit the artists to be the artists.”

His “Lengthy Day’s Journey” staging, though backed by an audio firm, had a lot of hanging visible moments, from its quiet opening to projections used onstage. “For me, audio was not the tip vacation spot,” he mentioned. “Audio was the gravy on prime. I used to be doing a stage manufacturing.”

Marvel, who in contrast Audible to the Medicis, the historic Italian banking household related to arts patronage, mentioned the shorter run of an Audible manufacturing was a plus for her: “It’s a beautiful time mannequin, the place you’re not giving 4 to 6 months of your life to a play. It’s an inexpensive period of time to offer, which, as an actor who’s a father or mother and has to make revenue in different methods, is real looking and useful.”

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There have been different pluses. Marvel mentioned she wished to be a part of making an attempt new types for theatrical storytelling. “All of us need to look ahead and simply hold opening the iris for brand spanking new concepts and new methods to work and new methods for folks to entry work,” she mentioned.

Marvel and O’Hara additionally each mentioned that they weren’t positive different producers, both industrial or nonprofit, would have taken on the chance of the abbreviated, modern model of “Lengthy Day’s Journey” that Marvel had lengthy wished to make. “I don’t assume there’s one other place I may have gone,” O’Hara mentioned. “Nobody of their proper thoughts would let me reduce this play and modernize it.”

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Orlando Pride’s Marta says she wants to play ‘at least two more years’

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Orlando Pride’s Marta says she wants to play ‘at least two more years’

Amid a currently undefeated season with the first-place Orlando Pride and high-profile retirements from Alex Morgan and Christine Sinclair, Brazilian superstar Marta said she plans to play professional soccer for at least two more years.

“I don’t know if I’m gonna be in Orlando. But my thought is like, play at least two more years,” she told The Athletic. Her current contract with the Pride is up after the 2024 season.

Marta has scored seven goals and recorded two assists in 19 games this season, and the Pride are seven points clear of second-place Washington Spirit, whom they face on Sunday. If they win, they will clinch the NWSL shield, awarded to the team with the highest regular season point total.

In 2023, Marta had four goals, all from penalties, and played a more central attacking midfield position. This season, head coach Seb Hines has moved Marta higher on the field to play alongside Barbra Banda.

“To run after Barbra, you need to work hard. You need to be in good shape,” Marta joked by way of explaining the energy she has exhibited on the field this year.

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This has been a season of revitalization for Marta, who won a silver medal with Brazil at the Olympics in France before retiring from international soccer. “I won’t walk away from football. I want to help this generation in some way,” she said after that game, which Brazil lost 1-0 to the United States.

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Marta’s legacy is defiance, hunger and joy. But how will it end at the Olympics?

For club, and with the Pride season going so well, Marta said she was happy with her decision to come to Orlando in 2017.

“I feel good that I decided to stay here for so long and need to go through all of these situations year by year,” she said.

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“I came to Orlando because I want to be close to my country, be close to my friends and family, be able to see them a little bit more often. I came here, and then I met good people. The community, it’s amazing. We have almost everybody from everywhere — Latino, Europe. So I feel so comfortable with this. And I started to visualize my life here in Orlando not just for one or two years, but for a long time.”

Since 2017, the Pride have had six head coaches, including interims, and after Marta’s first year with the club, in which they finished third overall, have since never finished higher than seventh or qualified for playoffs. In 2024, the Pride were the first team to mathematically clinch a playoff position, with Marta averaging 78 minutes played per game.

“I always have in my mind that if I put myself in this situation, I need to do the best,” she said. “I want to play because I still have something to give to the team. I still have the energy that the team needs for me and the quality that the soccer world asks for… I feel good.”

After beating Bay FC 1-0 in September, Marta told the post-match media: “I want to do more. I want to break more records, no matter what, so nobody can catch us.”

(Top photo: Nathan Ray Seebeck / Imagn Images)

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How the Las Vegas Aces guards came to life to stave off elimination

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How the Las Vegas Aces guards came to life to stave off elimination

LAS VEGAS — Becky Hammon has said all season that she has been waiting for the game when all of her Las Vegas guards click on all cylinders.

In 2023, the three-headed monster of Chelsea Gray, Jackie Young and Kelsey Plum was an unstoppable unit most nights, culminating in a WNBA Finals series when the perimeter trio convincingly outplayed its New York Liberty counterparts, even without Gray in the closeout win.

Fast forward a season, and Las Vegas has been mixing and matching. Despite the addition of Tiffany Hayes to an already talented guard group, the Aces have been lucky to get two of their quartet to pop off in any given game. If Young is scoring well, that often portends an off night for Plum, as was the case in Game 2 of the WNBA semifinals series against the Liberty when she notched 17 points and 6 points, respectively. Plum was on her A-game in the series opener with 24 points, but then Gray stumbled to four points and one assist in the loss.

“We’ve had two on a night have good nights,” Hammon said. “A’ja (Wilson has) been ridiculous, is ridiculous, she will continue to be ridiculous. But then after that, it’s all those other little pieces.”

On Friday, Hammon was finally dealt her long-awaited hand with four Aces delivering peak performances. Five players scored double digits in Friday night’s 95-81 Aces’ victory to stave off elimination and ensure Game 4 on Sunday to keep their three-peat championship quest alive.

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“Everything was just on point really with everybody,” Hammon said. “I thought that was probably our most complete game of the season. It’s the game I’ve been waiting for and believing in.”

The effort for the Las Vegas guard group started on defense. Liberty star Sabrina Ionescu had been the best perimeter player in the series, dicing up the Aces’ pick-and-roll coverages and scoring at will from all levels in addition to setting up her teammates for open shots.

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Hammon said after Game 2 that she wanted to get to a C-plus effort defending Ionescu because the defense hadn’t even been average in the first two games at Barclays Center. What that meant was simplifying the scheme and making it exceedingly clear what the principles were on Ionescu and which Liberty players to help off of.

Ionescu broke free of the defense on a couple occasions in the first quarter to get to her floater, but she wasn’t able to convert. Once the Aces tightened up coverages, Ionescu was repeatedly trapped far from the basket, unable to turn the corner or find outlets in the half court. She had as many assists as turnovers (five) and submitted the lowest-scoring playoff output of her career with four points on 1-of-7 shooting.

Hammon’s grade Friday? A-plus, no notes.

“She’s been playing great, so of course, they want to make it hard for her,” Liberty coach Sandy Brondello said. “They put her in action down the other end, they were being really aggressive in the pick-and-rolls this time. She wasn’t able to get downhill. It was more of a hard hedge and very active with their hands getting deflections.”

Without Ionescu running the show, the Liberty devolved into isolation basketball, a style of play incongruous with the movement and screening that defined them during the regular season, when they had the league’s best record.

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Meanwhile, the Aces’ defense propelled them into the offensive rhythm that was lacking earlier in the series.

“We always say our defense drives our offense,” Hayes said. “We know that we thrive on the defensive end, and even though we’re a little bit smaller, we got some dogs out there, and we’re able to get a lot done.”

New York’s starting perimeter trio of Ionescu, Leonie Fiebich and Betnijah Laney-Hamilton combined for 21 points. Young exceeded that on her own with 24. Plum added 20, Gray chipped in 10, and Hayes provided 11 off the bench.

Their collective might was on full display during a game-defining 16-0 run in the third quarter, as the Aces extended a four-point lead to 20. Plum got things started with a drive to the hoop off the dribble, then found Gray for the next score in early offense on a trailing 3-pointer. Gray followed that with a beautiful lob over the top to Wilson as Breanna Stewart fronted her in the post to push the lead to double digits.

Then it was Hayes’ turn. She faked left and drove to her weak hand, leaving Nyara Sabally in the dust. Plum had a 3-pointer off an offensive rebound, hit a technical free throw, and then added another 3-pointer off a drive-and-kick from Hayes. Fourteen points and three assists came from the guard group, while the Liberty missed nine shots and committed seven turnovers in that stretch.

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“I think our attention to detail defensively was super sharp,” Gray said. “They’re a good team but you want to make them take tough looks, and it was the same with Sabrina. We were just attentive to detail coming off the pick-and-roll, making sure she’s not comfortable. And it all starts in the defensive end so we can flow into our offense a little bit better.”

The Aces know that their advantage has to come in the backcourt, given the Liberty have two frontcourt MVPs in Stewart and Jonquel Jones. Wilson’s excellence is consistent, but the perimeter has been the separating factor during the last two title runs.

Wilson was confident that the desperation of the situation would bring out the best in her teammates. “One thing I know for sure is that sometimes when our backs are against the wall, that’s when we really break loose and shine the brightest,” she said.

A 14-point victory that was more lopsided than the margin would suggest, validating Wilson’s belief. The Aces finally executed defensively and set the tone. Their pace was infectious on offense, involving their guard quartet for the first time this season, enabling Las Vegas to play at least one more game and remain in pursuit of a three-peat.

“We’re the Aces,” Hammon said. “We’re not going to fold.”

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(Photo, from left, of Chelsea Gray, Jonquel Jones and Kelsey Plum: Ethan Miller / Getty Images)

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What to know about college football’s new helmet communication rules

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What to know about college football’s new helmet communication rules

Consider it a high-stakes game of telephone.

You may have noticed the uptick of college football quarterbacks cupping their helmets to muffle the sounds of the loudest stadiums in the country. That’s because coach-to-player helmet communication arrived this season for all 134 Football Bowl Subdivision programs.

Thirty years after the NFL debuted the technology, the NCAA Playing Rules Oversight Panel approved the use of helmet communication (as well as sideline tablets) for FBS teams in April, following a trial period in last season’s bowl games.

Here’s how it works.

Who has access to helmet communication, and how does it work?

One player on the field for each team — one on offense and one on defense — can have helmet communication. On offense, that player is typically the quarterback.

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The designated player is identified by a green dot on the back of his helmet, just like the NFL. If more than one green dot per team is detected on the field by the officials, the team will be penalized with a 5-yard equipment violation penalty, automatically initiating a conference review, per the NCAA.

The conference review would examine whether teams intentionally allowed a second green-dot helmet in the game at the same time. The review would occur in the days following the game and any additional discipline would be up to the conference, an NCAA source with knowledge of the review process said.

On the sideline, each team is limited to three coach-to-player caller radios and belt packs. Presumably, teams allocate those to the head coach, offensive coordinator and defensive coordinator.

Coach-to-player helmet communication shuts off at the 15-second mark on the play clock or when the ball is snapped, whichever happens first, and remains off throughout the down. When the play clock is reset to 25 or 40 seconds, the communications are restored. (The play clock is set to 25 seconds after a penalty, charged team timeout, media timeout or injury timeout for an offensive player and to 40 seconds after a play ends or after an injury timeout for a defensive player.)

The cutoff operator is hired, assigned and managed by each conference.

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On free-kick plays, the coach-to-player communication is not in effect.

Each team can use a maximum of 23 regular headsets within the team area, coaches’ box or coaches’ booth. Any team personnel can wear one, and two additional headsets are used by technicians to monitor the system and address any technical issues.

Is coach-to-player helmet communication mandatory?


USC coach Lincoln Riley reviews a tablet on the sideline against LSU on Sept. 1 at Allegiant Stadium. (Photo: Ric Tapia / Getty Images)

No. The technology is optional, as is using tablets to view in-game video — including broadcast feeds, All-22 sideline and end zone angles.

A team can use helmet communication even if its opponent does not. If a team opts not to use or fully rely on the technology, a coach can communicate with the QB through the traditional methods of sideline signs and hand signals.

If one team’s communication stops working, however, the opposing team must also cease use of its helmet comms.

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What happens when an FBS team plays an FCS team?

Helmet communication is not permitted at the Football Championship Subdivision level, but FCS teams can use the technology when playing an FBS opponent.

North Dakota State did so when it opened its season against Colorado in Week 1. Bison offensive coordinator Jake Landry said in August the single-game adjustment would still be “a learning curve” for the team, which fell to the Buffaloes 31-26.

“How much is too much information?” Landry said, according to 247Sports. “How much do you want to know? What little tidbits can we provide?”

Important ones, according to Georgia quarterback Carson Beck.

This offseason, Georgia’s QB1 said he “loves” that offensive coordinator Mike Bobo can talk into his ear “because there’s maybe like a little cue that he might say for a play, like look out for this coverage or look out for this, if they do this, do this — just like little things.”

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Advantages vs. disadvantages


Michigan staffers on the sideline of last year’s championship game. College teams have long used signs — some unorthodox — to communicate plays to the team on the field. (Photo: Carmen Mandato / Getty Images)

A coach can do more than tell his QB which play to run. Helmet comms can also be used for bigger-picture reminders of time, down and situation and when it’s time to take a risk or play it safe.

Another big advantage is what it could help minimize — sign stealing.

Using electronic equipment to record, or “steal,” opponents’ signs is not legal in college football. The NCAA also prohibits off-campus, in-person scouting of future opponents during the same season. An alleged scheme at Michigan concerning the latter led to an NCAA investigation this past year.

But on-field, in-person sign stealing is allowed. Former Michigan QB J.J. McCarthy estimated “80 percent” of college football teams steal signs, “which is legal,” he said in January.

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‘That’s as big as it gets’: How much does knowing an opponent’s signals matter?

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Teams haven’t stopped using sideline signals. But move some of that communication to the helmet, and you can take away — or at least, reduce — the interception of it, right?

“Sign-stealing happens every game,” Nebraska coach Matt Rhule said in March. “There’s nothing wrong with teams looking over trying to steal our signs. There’s nothing wrong with us trying to look at their signs. That’s why you should have mics in the helmets.”

The enemy of coach-to-player helmet communication is, ironically, noise. College games “just have a tendency” to be louder than NFL games, said Rhule, who coached the Carolina Panthers from 2020 to 2022.

“In general, how loud (the fans) can be in a stadium really impacts the game,” Rhule told reporters following Nebraska’s Week 1 win over UTEP.  “It’s not just, ‘It’s third down, let’s try to make them jump offsides’ anymore, it’s ‘Make it really hard for them to hear the play calls and the checks,’ because it was hard for us at times.”

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While helmet communication is helpful, it is imperfect. Auburn coach Hugh Freeze said the team is preparing for alternate solutions as it heads to a hostile road environment in Georgia on Saturday. The Tigers played their first five games of the season at home.

“We’re making it loud at practice for them to have difficult time communicating and see how they handle that,” Freeze said, according to AL.com. “Having alternative plans of how we are going to do play calling, or whatever it takes to try to make sure our kids at least have a good understanding of what’s fixing to go on.”

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(Photo: James Black / Icon Sportswire via Getty Images)

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