Lifestyle
How to have the best Sunday in L.A., according to Ty Dolla Sign
For Ty Dolla Sign, the perfect Sunday begins in the sky, traveling back to Los Angeles from wherever his career has last taken him. The singer, producer and multi-instrumentalist lives in constant motion — our interview had a few interruptions because he was getting ready to fly to Las Vegas, where he would be performing at a club later that night.
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
“I’m about to be at the airport in like 17 minutes,” he said, his signal cutting in and out. “Do you want me to hit you back?”
Born Tyrone Griffin Jr., Ty Dolla Sign is known for his gruff sandpaper vocals and memorable hooks. Last fall, he released his fourth studio album, “Tycoon,” with features from YG, ASAP Rocky, Chlöe, Lil Wayne and Leon Thomas and more. Then he kicked off 2026 by dropping a mash-up version of the record on the streaming platform Hotcue.fm.
Awards season has been just as active. Ty Dolla Sign is up for his seventh Grammy nomination, this time for melodic rap performance for his collaboration with JID. EZMNY (Easy Money), the record label that Ty Dolla Sign co-founded with A&R executive Shawn Barron in 2021, also earned 10 additional nominations through its roster, including six for Leon Thomas and four for Bizzy Crook.
“We’re the greatest squad,” the L.A. native said of his team. “We just want to keep being the greatest and doing the best we can to change music for the better and keep the standard high.”
The 2026 Grammy Awards will take place Sunday — the same day as his daughter’s 21st birthday, so naturally she’ll be joining him for the special occasion. He’ll also be doing a pre-show performance before the ceremony.
Just before his plane took off, Ty Dolla Sign shared what a perfect Sunday in L.A. would look like: hitting up his favorite smoothie bar, cooking up new music at his compound and enjoying a low-key Italian dinner.
This interview has been lightly edited and condensed for length and clarity.
5 a.m.: Wake up on a plane
A perfect Sunday for me would start with landing on a plane early in L.A. Since I’ll already be up, I can handle my calls super early, which is convenient.
11 a.m.: Hit the weights with my PT
Then I’d go straight home and my trainer would get to my place around 11 a.m. or noon. We’d work out after that in my home gym. I’ve been working with my trainer since before Ty Dolla Sign. We’ve been training together on and off for about 15 to 20 years. I’m the type of guy to where it’s like, yeah, having a six pack is cool and all that, but eating great food is also one of my loves. If a girl wants to deal with me, she’s going to have to know certain times, I’m going to be the super workout fitness guy and sometimes, I want to eat for three years and I might get a little chunky. If you love me, you love me. If you don’t, get away. [laughs]
2 p.m.: Grab a healthy smoothie from Body Energy Club
Afterward, I’d shower up and if I have to do any more calls or answer emails, I’d handle that. Then I’d go to this spot called Body Energy Club, which has these fire a— smoothie and acai bowls. They have the most natural ingredients. The Green Goodness is great. It has avocado, spinach, banana and some other sweet stuff. It doesn’t taste nasty at all, but it’s super healthy. Then there’s the Blueberry Crumble that I love, which kind of tastes like French Toast Crunch with blueberries in it. It’s fire but also healthy. Then last but not least, I like the Turmeric Mango. That’s the one I get when I need to heal up and I’ve been wildin’. [laughs]
3 p.m.: Hit up the studio
After that, I would head over to my compound and probably just do some music. I might throw on a football game while I’m working.
10 p.m.: A low-key Italian dinner
Depending on when I leave the studio, I’d either order in or go out for dinner. There’s a few restaurants that I love. If we’re talking Italian, I’d go to Giorgio Baldi in the Palisades. If it was getting late, I’d go to Nice Guy. They also have Italian food. I’m only going to places that give me the private room and don’t try to “rap guy” me, meaning they don’t try to charge me extra high because they know I’m an artist.
At Giorgio Baldi, I like the ravioli that has corn in it, which is what they’re famous for. They have so many good things, so I order a whole bunch of things and then I just taste a little bit of each thing and that’s how I like it cause that’s how I eat. Everywhere I go, I like to order steak, fish and chicken and veggies just like how I cook at home. I don’t have to eat everything, but it’s better if I bring a lot of people so we can all share. That’s like when I’m on my diet s— and trying to stay slim. If it wasn’t then my favorite food is a burger. As for Nice Guy, they have this chicken Parmesan but I’m a weirdo, I eat the chicken Parmesan without the Parmesan. I found one other person who’s like me and it’s YG because we’re both on some “No cheese.” It was funny to find out that he was the same way. After that, I would call it a night.
Inde Navarrette and Michael Johnston in Obsession.
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Focus Features
Two big horror films, Obsession and Backrooms, just smashed all box office expectations. So much of their success has been driven by Gen Z, which is now the biggest moviegoing demographic. But what makes a movie a Gen Z movie? Today we’re bringing you an episode of NPR’s It’s Been a Minute. Host Brittany Luse talks about this trend with Sam Adams and Reanna Cruz.
If you want to hear more about these movies, check out these episodes:
In ‘Obsession,’ love hurts. It really, really, really hurts.
‘Backrooms’ brings YouTube horror to the big screen
Zendaya brings ‘The Drama,’ we bring the spoilers
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I regret to inform you I’ll need to keep this introduction brief. Not because there’s any lack of things to say about July’s crop of notable new releases; it features award-winning journalists and several different flavors of anxiety about our bleak ecological future and data-dominated present, as well as the welcome returns of several beloved novelists.
No, these books certainly deserve some love, dear readers. It’s just that I’m finding it a bit tough to type while bearhugging a box fan. And since it seems that may be my last best chance to get through this latest U.S. heat wave here on the east coast without sweating through my shirt, I feel some urgency to get back at it.
So enough with the ado. With any luck, you’ll soon be cracking open one of these great reads on the beach — or in front of a decent air-conditioning unit, at any rate.
You Won’t Get Free of It: Stories of Mothers and Daughters, by Rachel Aviv (July 7)
Aviv, New Yorker staff writer and finalist for this year’s Pulitzer Prize, has a fairly extensive purview in her role as reporter at large. Still, when reviewing her latest work, Aviv noticed a crucial throughline: “I realized that, to some degree, I’d been writing about mother-daughter pairs for the last decade,” she explained to the Paris Review. Seeing this, she decided to collect and revise half a dozen of those stories, which cover ground from a daughter’s troubling fugue states to the immigrant nannies who must leave their own children behind, to Alice Munro’s daughter, whose claims of sexual abuse went unheeded yet regularly resurfaced in her mother’s fiction.
Country People, by Daniel Mason (July 7)
In Mason’s first novel since North Woods, 2023’s critical darling and book club stalwart, readers are plopped right back in the New England woods but the time scale has shrunk considerably. Whereas North Woods spanned centuries, his new novel confines itself to a single year, during which Miles, loving family man and lackadaisical Ph.D. candidate, plans to finally buckle down on that derelict degree of his and reassert his worth to one and all! At least, that’s the idea. But plans don’t stand much of a chance when there are eccentric neighbors to befriend and mysterious local legends to investigate.
Catch the Devil: A True Story of Murder, Deception, and Injustice on the Gulf Coast, by Pamela Colloff (July 14)
This is the first book from Colloff, a veteran investigative journalist for ProPublica and The New York Times Magazine. She has won multiple National Magazine Awards for stories focused on miscarriages of justice – such as her 2019 piece about Paul Skalnik, a grifter, fabulist, sexual predator and snitch, whose fabrications can be linked to dozens of wrongful convictions in Florida, including some sending the innocent to death row. Here Colloff expands upon that investigation, which gets a lot more room to breathe in the transition from magazine article to full-length book. What emerges in this disturbing account is a portrait of one man’s callous cruelty, and the law enforcers who had no problem tolerating a deal with the devil, provided it kept juicing the conviction rate.
Cloudthief, by Nathaniel Rich (July 14)
Though it’s his fiction we’re discussing here, it’s important to note Rich’s reporting has earned plaudits, too, as well as a few film adaptations. No matter the medium, climate change is usually on his mind, as well as the blunt, rather bleak, prognosis he offered on Fresh Air in 2019: “There’s a huge range of outcomes … ranging from the not very good to the apocalyptic.” Which is to say I’m surprised to find myself describing his newest response to global catastrophe as a rollicking good time – and not just because I’ve never said those words, in that order, in my life. This spry, funny caper features a freelance environmental reporter who inadvertently breaks bad, careening under the influence of lust and a light wallet toward the novel’s big centerpiece: the planned heist of a massive data center.
Data Empire: The Power of Information to Organize, Control, and Dominate, by Roopika Risam (July 14)
And now, for another book centered on data – albeit from a rather different angle. This illuminating history from Risam, a Dartmouth professor, traces the practice of collecting information – and the power conferred by possessing it – from the bones that were humans’ first archives, to the omnipresent systems that shape (or outright determine) life today. As Risam asks, “What has it meant – and what will it mean – when records that once served only to help us remember, come to rule?” A pressing question (see: those data centers), which you’re probably better served trying to answer with the help of Risam than, say, Alexa or Claude.
It Will Come Back to You: Stories, by Sigrid Nuñez (July 14)
For someone with nine novels to her name, Nuñez got a later start than you might expect, having published her first book when she was already in her mid-40s. More than three decades later, now a spry 75 years old, the National Book Award winner has gotten around to publishing her first collection of short stories. The 13 stories here have been culled from across her career, but each one resonates clearly with the warm timbre of her voice: simple, unadorned prose and mundane setups, from which she consistently manages to tease out glimpses of truth, elusive and profound.
They Stole a City: Wilmington’s White Supremacist Coup and the Families Who Live with Its Legacy, by Lauren Collins (July 14)
The only coup d’etat to succeed on U.S. soil is, at most, a distant historical afterthought these days. To be honest, I can’t recall reading a single textbook entry that even remarked on the 1898 race massacre in Wilmington, N.C., an action led by white supremacists that left many (historian estimates say up to 300) Black Wilmingtonians dead and permanently scarred a community newly aware of its simmering animus and vulnerability to violent overthrow. So I’m grateful for Collins’ new chronicle of the infamous event, which fills in some serious gaps in the American collective memory and explains how its perpetrators cultivated the disorienting silence that persists in the historical record today.
Yellow Pine, by Claire Vaye Watkins (July 21)
I don’t think I’ve ever actually laid eyes on the Mojave Desert but after reading Watkins’ latest novel, it feels like I can picture it more vividly than some streets I’ve actually lived on. No, it’s “not a beginner’s wilderness,” as Watkins concedes in Yellow Pine, but this landscape so redolent of death is also deceptively robust with life, if only you’re patient enough to find it. Too bad, then, that it’s also on fire. And choked by drought, irradiated by military test sites and soon to be sacrificed to a massive new solar array named, inexplicably, Yellow Pine. But those aren’t the only complications confronting the book’s main character, Rose, whose aspirations of becoming a kind of climate hermit warp a bit under the pressure of a rekindled love and the pendulum swing of rage and despair at the state of the world.
Cool Machine, by Colson Whitehead (July 21)
Ray Carney is back, for what regrettably appears to be the last time. The lifelong Harlemite, hard-luck furniture dealer and ambivalent crook starred previously in Harlem Shuffle and its sequel, Crook Manifesto. His perspective is our window on the changing eras of the historically Black neighborhood, from the mid-1950s on. In this, the final installment in Whitehead’s brisk, exceedingly entertaining Harlem Trilogy, readers catch up with Carney around the start of the 1980s, following him deeply into Reagan’s decade. The novel also represents the end of an era for Whitehead, whose attention has been exclusively occupied with these characters since he won Pulitzer Prizes for consecutive novels, The Underground Railroad and Nickel Boys.
Beginning Middle End, by Valeria Luiselli (July 28)
The gifted young Mexican writer returns this month with her fourth novel, the second she has written in English and her first since Lost Children Archive launched to widespread plaudits more than seven years ago. Her new book, like her previous one, also concerns the travels of a small family – only this time, the road leads not through the American Southwest but Sicily. And the history sought by its mother-daughter main characters is not a record of bureaucratic cruelty but something much more intimately personal: the links shaped and tested by generations of shared heritage and experience.
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