Lifestyle
For U.S. figure skating, grief over the D.C. crash makes for a bittersweet Olympics
Maxim Naumov performs in exhibition after being named to the 2026 U.S. Olympic Figure Skating Team at the Enterprise Center in St. Louis on Jan. 11.
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Brian Munoz/St. Louis Public Radio
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At the U.S. Figure Skating Championships in January, almost exactly a year after he lost his parents — who were also his coaches — Max Naumov won a bronze medal and a spot on the Olympic team.
“Fulfilling the dream that we collectively had as a family since I first was on the ice at five years old … It means absolutely everything,” Naumov, now 24, said from nationals in St. Louis. “And I know they’re looking down, smiling, and proud.”

Last January, when Naumov placed fourth at nationals for the third year in a row, he joined his parents, Vadim Naumov and Evgenia Shishkova, for a heart-to-heart in their hotel room in Wichita, Kan. to talk strategy. He remembers not being able to hug his mom. She was sick and did not want him to fall ill so close to his next competition.
“It was a very productive, emotional and just inspiring conversation,” said Naumov. “My dad said that we have to change our mindset, we have to get more consistent in the areas that we talked about and just overall have a resilient attitude to the entire approach of the season.”
That was one of the last times they spoke.
Naumov flew home to Massachusetts after the event ended. His parents — renowned Russian-born pairs skaters who coached at the Skating Club of Boston — stayed a few extra days in Wichita for an invitation-only development camp for promising young skaters and their support systems.

Many of those skaters, relatives and coaches, including Naumov’s parents, were among the 67 people who died on Jan. 29, 2025, when a U.S. Army Black Hawk helicopter collided with an American Airlines regional jet on its landing at the Ronald Reagan Washington National Airport. The tragedy killed 28 members of the tight-knit figure skating community, many of them based in the Boston and D.C. areas.
The loss of the rising skating stars, beloved parent volunteers and longtime coaches is felt acutely at their home rinks and throughout the entire skating world, especially as the anniversary of the crash approaches. It comes just a week before the start of the Winter Olympics, when Naumov’s story — and the sport itself — will come under an even brighter spotlight.
Maxim Naumov holds a photo of his parents while he waits for his scores after competing in the men’s short program competition during the 2026 U.S. Figure Skating Championships in St. Louis on Jan. 8. His parents were killed last year when an American Airlines regional jet collided with a U.S. Army Blackhawk helicopter over the Potomac River, near Washington, D.C.
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“They were truly just really good people that we respect, family of choice,” said Doug Zeghibe, the CEO of the Skating Club of Boston, which lost two teenage skaters and their moms, in addition to Naumov’s parents. “And I think we’re at the point now where missing them is turning into: what can we do to honor them and remember them and make sure we carry them forward.”
Many in the skating community told NPR that, a year on, there is a continued focus on honoring the victims’ legacies both on and off the ice. Tributes include makeshift memorials and poignant performances, as well as financial and mental health resources for other young skaters — many of whom have Olympic dreams of their own.
“We’re all feeling a greater sense of purpose,” Zeghibe said.
How skaters are channeling their grief
Those interviewed recalled the days after the crash as a painful blur.
“We were all just in shock and nobody knew what to do,” said Heather Nemier, president of the Washington Figure Skating Club, which has some 1,400 members at roughly half a dozen rinks across the D.C. area. “A lot of kids came to the rink and left because they just felt like they couldn’t skate.”
Heather Nemier, president of the Washington Figure Skating Club at the Ashburn Ice House in Ashburn, Va., where a number of the figure skaters trained who were victims in the air crash last January.
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Tyrone Turner for NPR
The Washington Figure Skating Club lost seven members: three skaters — Franco Aparicio and sisters Everly (Evy) and Alydia (Liddy) Livingston — their coach, and three of their parents. Nemier said the unofficial spots at the Virginia rink where those skaters usually left their stuff sat empty for weeks, since no one wanted to occupy them.
But over the course of the year, she said, their fellow skaters have found ways to process that grief, with help from mental health counselors, therapy dogs, friendship bracelets, letter writing, public memorials and quiet spaces for reflection.
And many have returned to the ice with a newfound motivation. (That was also the case for Naumov, who was unsure if he would skate again until he returned to competition in the summer.)
“I’ve heard a number of [D.C.-area skaters] say, ‘You know, Evy can’t skate anymore but I can, and I’m going to get out there and do my best,’” Nemier said.
At the Ashburn Ice House, a memorial was created with photos and information honoring a coach, three skaters and their parents who died in the crash.
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Sofia Bezkorovainaya, now 15, did just that. The Virginia-based skater moved the crowd — and the internet — at January’s U.S. Figure Skating Championships in St. Louis with her “Over the Rainbow” short program, a tribute to Everly Livingston, her best friend of nearly a decade.
“If there were flies on the ice, she’d pick them up and bring them to the heater so that they could come back to life,” Bezkorovainaya told NPR after competing in St. Louis. “She always cared about everybody, and she was such an amazing skater.”
For months after the crash, Bezkorovainaya said she was “sad all the time” and feared she would never feel better. She even switched to another Virginia rink because of how empty her old one felt without the familiar faces.
Then she decided to learn Livingston’s choreography and compete with it in her memory.
In the opening and closing moments of the program, Bezkorovainaya said, “I look up to the bright lights up there and I hug myself and I imagine her hugging me.” Her long program is dedicated to her late longtime coach, Inna Volyanskaya, whose distinctive corrections she says she can still hear in her head while practicing.
“Doing these programs was like having them with me this season,” she said. “And before I got on the ice, I could always pray to Inna and Evy and everyone else who I was friends with on that plane … like, ‘Please help me do a clean program today.’”
Bezkorovainaya was one of three skaters at nationals whose program explicitly paid tribute to loved ones lost in the crash. Others, including Naumov, held up photos as they waited for their scores.
Sofia Bezkorovainaya skates during the “Legacy On Ice” U.S. Figure Skating Benefit at Capital One Arena in Washington, D.C., on March 2, 2025. She one of three skaters at nationals whose program explicitly paid tribute to loved ones lost in the crash.
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Scott Taetsch/Getty Images
“I think it’s admirable that they’ve come up with ways of coping with such a terrible loss that is meaningful to them and is meaningful to other people, too,” Nemier said. “And to be able to share that with the public and with the skating community, I think is really important.”
Boston-based Patrick Blackwell, 17, skated to honor his friend Spencer Lane, even including a clip of the music Lane had planned to compete with this season. Blackwell ultimately won gold at the junior level, which he said was “not just for me but the ones who passed a year ago.”
“It’s kind of my gift to Spencer, his dad and every other family member, being able to bring gold home to a place where a lot of lives were lost,” he said.
Clubs look to keep legacies alive
Local and national figure skating organizations are working on more permanent ways to honor the victims’ memories.
And in early March, the U.S. figure skating community came together in Washington, D.C. for “Legacy on Ice,” a benefit show that raised $1.2 million for first responders and victims’ loved ones. It featured moving performances by a huge roster of Olympians, past and present, as well as several young skaters directly affected by the crash, including Naumov.
More recently, the focus has shifted to the next generation of skaters: making sure they remember those who were lost, and making it easier for them to pursue the dreams they shared.
The Skating Club of Boston, for example, has created the “Always Champions Campaign” to fund two permanent scholarships, one in honor of each of the two skaters it lost, with criteria set by their families.
The campaign also aims to rename one of the rinks in Boston and create a memorial wall in honor of the six victims.
Flowers and remembrances are displayed for the six athletes, coaches and family members who perished in a plane crash, at The Skating Club of Boston in Norwood, Mass., on March 25, 2025.
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Charles Krupa/AP
“They were all examples — the skaters, the parents, the coaches — of people who we saw, if not six, seven days out of the week,” said club director Mia Corsini Bailey. “Their commitment to the sport on multiple levels is something that we’re carrying forward.”
In the D.C. area, the Washington Figure Skating Club has endowed trophies in memory of the three skaters it lost, with plans to add the winners’ names to a ringside plaque updated every year.
The club is also using its existing foundation to support young figure skaters through the “Livingston Family Dream Fund,” which was set up by relatives of the family of four. The club used the money to give $1,000 grants to the skaters who participated in this year’s national development camp, according to Nemier. There were eight of them, she said, compared to about a dozen last year.
Another painful dimension of the tragedy, one increasingly top of mind in an Olympic year, is where the skaters returning from last year’s development camp were in their careers: right on the brink of making it to nationals, and beyond.
“Those were some of the kids that could have made it to the next Olympics or the Olympics after that,” said Bezkorovainaya, the junior skater.
Corsini Bailey, of Boston, recalls sitting down with 16-year-old Spencer Lane and his parents to talk about that very prospect just before the national development camp last year, and said she saw a similarly bright future for 13-year-old Jinna Han.
“The talent was there, the star power was there, and they truly were that next generation,” she said. “And now we look to: how are their legacies inspiring that next generation … whether they were their peers or they were the younger skaters who were looking up to them. Again, we carry them with us every single day.”
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Why Gen Z is movie-maxxing : Pop Culture Happy Hour
Inde Navarrette and Michael Johnston in Obsession.
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Two big horror films, Obsession and Backrooms, just smashed all box office expectations. So much of their success has been driven by Gen Z, which is now the biggest moviegoing demographic. But what makes a movie a Gen Z movie? Today we’re bringing you an episode of NPR’s It’s Been a Minute. Host Brittany Luse talks about this trend with Sam Adams and Reanna Cruz.
If you want to hear more about these movies, check out these episodes:
In ‘Obsession,’ love hurts. It really, really, really hurts.
‘Backrooms’ brings YouTube horror to the big screen
Zendaya brings ‘The Drama,’ we bring the spoilers
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Lifestyle
10 new books you won’t want to miss in July
I regret to inform you I’ll need to keep this introduction brief. Not because there’s any lack of things to say about July’s crop of notable new releases; it features award-winning journalists and several different flavors of anxiety about our bleak ecological future and data-dominated present, as well as the welcome returns of several beloved novelists.
No, these books certainly deserve some love, dear readers. It’s just that I’m finding it a bit tough to type while bearhugging a box fan. And since it seems that may be my last best chance to get through this latest U.S. heat wave here on the east coast without sweating through my shirt, I feel some urgency to get back at it.
So enough with the ado. With any luck, you’ll soon be cracking open one of these great reads on the beach — or in front of a decent air-conditioning unit, at any rate.
You Won’t Get Free of It: Stories of Mothers and Daughters, by Rachel Aviv (July 7)
Aviv, New Yorker staff writer and finalist for this year’s Pulitzer Prize, has a fairly extensive purview in her role as reporter at large. Still, when reviewing her latest work, Aviv noticed a crucial throughline: “I realized that, to some degree, I’d been writing about mother-daughter pairs for the last decade,” she explained to the Paris Review. Seeing this, she decided to collect and revise half a dozen of those stories, which cover ground from a daughter’s troubling fugue states to the immigrant nannies who must leave their own children behind, to Alice Munro’s daughter, whose claims of sexual abuse went unheeded yet regularly resurfaced in her mother’s fiction.
Country People, by Daniel Mason (July 7)
In Mason’s first novel since North Woods, 2023’s critical darling and book club stalwart, readers are plopped right back in the New England woods but the time scale has shrunk considerably. Whereas North Woods spanned centuries, his new novel confines itself to a single year, during which Miles, loving family man and lackadaisical Ph.D. candidate, plans to finally buckle down on that derelict degree of his and reassert his worth to one and all! At least, that’s the idea. But plans don’t stand much of a chance when there are eccentric neighbors to befriend and mysterious local legends to investigate.
Catch the Devil: A True Story of Murder, Deception, and Injustice on the Gulf Coast, by Pamela Colloff (July 14)
This is the first book from Colloff, a veteran investigative journalist for ProPublica and The New York Times Magazine. She has won multiple National Magazine Awards for stories focused on miscarriages of justice – such as her 2019 piece about Paul Skalnik, a grifter, fabulist, sexual predator and snitch, whose fabrications can be linked to dozens of wrongful convictions in Florida, including some sending the innocent to death row. Here Colloff expands upon that investigation, which gets a lot more room to breathe in the transition from magazine article to full-length book. What emerges in this disturbing account is a portrait of one man’s callous cruelty, and the law enforcers who had no problem tolerating a deal with the devil, provided it kept juicing the conviction rate.
Cloudthief, by Nathaniel Rich (July 14)
Though it’s his fiction we’re discussing here, it’s important to note Rich’s reporting has earned plaudits, too, as well as a few film adaptations. No matter the medium, climate change is usually on his mind, as well as the blunt, rather bleak, prognosis he offered on Fresh Air in 2019: “There’s a huge range of outcomes … ranging from the not very good to the apocalyptic.” Which is to say I’m surprised to find myself describing his newest response to global catastrophe as a rollicking good time – and not just because I’ve never said those words, in that order, in my life. This spry, funny caper features a freelance environmental reporter who inadvertently breaks bad, careening under the influence of lust and a light wallet toward the novel’s big centerpiece: the planned heist of a massive data center.
Data Empire: The Power of Information to Organize, Control, and Dominate, by Roopika Risam (July 14)
And now, for another book centered on data – albeit from a rather different angle. This illuminating history from Risam, a Dartmouth professor, traces the practice of collecting information – and the power conferred by possessing it – from the bones that were humans’ first archives, to the omnipresent systems that shape (or outright determine) life today. As Risam asks, “What has it meant – and what will it mean – when records that once served only to help us remember, come to rule?” A pressing question (see: those data centers), which you’re probably better served trying to answer with the help of Risam than, say, Alexa or Claude.
It Will Come Back to You: Stories, by Sigrid Nuñez (July 14)
For someone with nine novels to her name, Nuñez got a later start than you might expect, having published her first book when she was already in her mid-40s. More than three decades later, now a spry 75 years old, the National Book Award winner has gotten around to publishing her first collection of short stories. The 13 stories here have been culled from across her career, but each one resonates clearly with the warm timbre of her voice: simple, unadorned prose and mundane setups, from which she consistently manages to tease out glimpses of truth, elusive and profound.
They Stole a City: Wilmington’s White Supremacist Coup and the Families Who Live with Its Legacy, by Lauren Collins (July 14)
The only coup d’etat to succeed on U.S. soil is, at most, a distant historical afterthought these days. To be honest, I can’t recall reading a single textbook entry that even remarked on the 1898 race massacre in Wilmington, N.C., an action led by white supremacists that left many (historian estimates say up to 300) Black Wilmingtonians dead and permanently scarred a community newly aware of its simmering animus and vulnerability to violent overthrow. So I’m grateful for Collins’ new chronicle of the infamous event, which fills in some serious gaps in the American collective memory and explains how its perpetrators cultivated the disorienting silence that persists in the historical record today.
Yellow Pine, by Claire Vaye Watkins (July 21)
I don’t think I’ve ever actually laid eyes on the Mojave Desert but after reading Watkins’ latest novel, it feels like I can picture it more vividly than some streets I’ve actually lived on. No, it’s “not a beginner’s wilderness,” as Watkins concedes in Yellow Pine, but this landscape so redolent of death is also deceptively robust with life, if only you’re patient enough to find it. Too bad, then, that it’s also on fire. And choked by drought, irradiated by military test sites and soon to be sacrificed to a massive new solar array named, inexplicably, Yellow Pine. But those aren’t the only complications confronting the book’s main character, Rose, whose aspirations of becoming a kind of climate hermit warp a bit under the pressure of a rekindled love and the pendulum swing of rage and despair at the state of the world.
Cool Machine, by Colson Whitehead (July 21)
Ray Carney is back, for what regrettably appears to be the last time. The lifelong Harlemite, hard-luck furniture dealer and ambivalent crook starred previously in Harlem Shuffle and its sequel, Crook Manifesto. His perspective is our window on the changing eras of the historically Black neighborhood, from the mid-1950s on. In this, the final installment in Whitehead’s brisk, exceedingly entertaining Harlem Trilogy, readers catch up with Carney around the start of the 1980s, following him deeply into Reagan’s decade. The novel also represents the end of an era for Whitehead, whose attention has been exclusively occupied with these characters since he won Pulitzer Prizes for consecutive novels, The Underground Railroad and Nickel Boys.
Beginning Middle End, by Valeria Luiselli (July 28)
The gifted young Mexican writer returns this month with her fourth novel, the second she has written in English and her first since Lost Children Archive launched to widespread plaudits more than seven years ago. Her new book, like her previous one, also concerns the travels of a small family – only this time, the road leads not through the American Southwest but Sicily. And the history sought by its mother-daughter main characters is not a record of bureaucratic cruelty but something much more intimately personal: the links shaped and tested by generations of shared heritage and experience.


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