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Broncos fan finds massive YouTube show success with a mix of the profane, the inane and unabashed homerism

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Broncos fan finds massive YouTube show success with a mix of the profane, the inane and unabashed homerism


Brandon Perna might be the only Broncos fan grateful for the Russell Wilson era of Denver football. 

Not for the quality of play — the Broncos notched 11 wins to 19 losses with Wilson as starting quarterback — or even because Wilson’s departure set the stage for a 2024 playoff berth and a 9-2 record this season, so far, for Perna’s hometown team.

No, Wilson in the orange and blue made Perna miserable. And man, was that good for clicks.

That misery helped Perna, 41, turn his own fandom into a flourishing YouTube channel. It’s one that’s lowbrow but thoughtful, and that takes fans seriously but treats sports fandom as what it’s supposed to be — fun.

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“I don’t care if they’re … taking a 20-minute bathroom break at work to watch power rankings — like, (heck) yeah,” Perna said, reflecting on his audience in a recent interview in his home studio in Aurora. “Or they’re putting it on before they go to bed. Whatever it is, it makes me excited to do the next one. And hopefully I didn’t betray anybody by saying ‘Your team sucks’ the week before.”

Profane, inane and unapologetically pro-Broncos — “Go (expletive) yourselves, Kansas City” might be his “quoth the Raven” refrain — Perna has been running the “That’s Good Sports” show on YouTube for more than a decade. In that time, he’s grown regular viewership to reach the hundreds of thousands, and recently he crested 820,000 subscribers for the four or more videos he posts every week.

His self-described “bad football news presented in the form of even worse comedy” has grown into T-shirts, coffee custom-crafted for fans frustrated with awful penalties and an online community that spans the globe. His weekly “curse wheel,” which randomly targets teams for misfortune, had posted a playoff-level 9-2 record of successful curses through mid-November.

He’s navigated shifting YouTube algorithms, capricious sports gods and a saturated online market to turn his channel into a thriving operation.

It has grown from a one-man show to include co-writer Will Keys and editors Johnny Barker and Connor Sherrill, folks Perna credits with keeping the commentary sharp and production regular. He shouts out to other sports YouTubers like Tom Grossi and traditional sportscasters like Vic Lombardi for helping him find his footing.

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Having the team in place ahead of the Wilson season had the channel ready to capitalize on the sudden influx of viewers. But getting to that point took years of toiling, as well as treating the burgeoning channel as a job — even when it didn’t have the paycheck associated with it.

Brandon Perna’s Denver Broncos memorabilia inside the “That’s Good Sports” studio on Friday, Nov. 14, 2025 at his home in Aurora. (Photo by Daniel Brenner/Special to The Denver Post)

‘Bigger and bigger goals’

Perna started working in the YouTube world as a video editor in the late 2000s, and he started running his channel casually in the early 2010s. He had left the increasingly corporate world of big-time YouTube production to focus on freelancing.

A quick, janky video, as he put it, changed things.

Peyton Manning, then the Broncos’ quarterback, threw seven touchdowns against the Baltimore Ravens in 2013 — a feat that hadn’t been accomplished in more than 40 years at that point. And that video’s success showed him there was an audience for his brand of irreverent analysis.

Over the following years, Perna was able to dedicate more time to the channel and lean on his wife, Jess Filipas, as the primary breadwinner. Some months and years tested his conviction — whether it was a bad Broncos season, the channel not hitting the way he knew it could, or personal travails, she said.

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But his convictions — his authenticity about the views he brought — never wavered, Filipas said.

The relentless publishing schedule started to pay literal dividends in the late 2010s, to the point that Filipas was able to step back from her full-time job. Then they welcomed a newborn girl to the world in 2020.

The channel weathered the pandemic, as more folks chose to spend time indoors, leading to more sponsorships and contractual obligations. More production led to deeper connections with the audience — and between the cross-country team behind each episode.

“Things have gotten more complicated, but he’s had bigger and bigger goals,” Filipas said of her husband. “But he’s always known there’s more out there than him in the basement doing these videos alone.”

Keys, a lifelong Broncos fan who’s based in Sacramento, looped in with Perna in 2018. He started as a fan of the channel and clicked with Perna as a co-writer. The two cover each other’s blind spots and have similar enough senses of humor that they can fine-tune the antics that draw in viewers, Keys said.

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Perna can read a phone book into his camera and get laughs, Keys said, and the visual humor of editors Barker and Sherrill completes the package.

They strive to show respect for the audience and to have breadth of coverage, Keys and Perna said. They don’t ignore games and don’t hate on teams or players. Even the epithets for the Kansas City Chiefs are built on divisional rivalry and that team’s long track record of success, not sneering dismissiveness.

In addition to news and game-driven publishing, Perna’s team also produces deep-dive pieces to help explain how the NFL arrived where it is today, whether that’s meant looking at past dynasties or broadcasting deep analysis of draft classes.

“People come back because I think they learn something,” Keys said “… We try to put a lot of thought into getting a good script, coming back to it multiple times, adding nuggets of information that no one else has.”

Perna will spend 75 hours a week working in the basement, writing and producing videos, Filipas said.

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But he also pops up to play with their daughter — moments the whole family treasures, even if Filipas jokes about scheduling weekend outings so they’re not “listening to this madman scream about football” through the vents of their home during his Broncos livestreams.

Curse wheels and the joys of sports

Perna said he “did things the wrong way, probably stubbornly, for too long,” before finding success. He had expanded his coverage to the entire NFL, which helped draw in more eyeballs, and established a rhythm and a voice that kept them coming back.

But it was the Broncos’ two seasons with Wilson, the savior-turned-millstone of a floundering franchise, that truly helped the channel find its stride in 2022 and 2023, Perna said. Viewership exploded as people flocked to Perna’s weekly heartbreak.

One particularly ghastly outing, in which the Broncos lost to the Indianapolis Colts 12-9 on a Thursday night in 2022, also stands out to Perna. His publishing schedule keeps him from going to many games in person; that slog of a game was a rare exception.

Perna took his frustrations to his channel with an episode titled “The Worst Game Ever,” which went on to become another recurring theme.

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The YouTube audience, it turned out, “enjoyed watching me be miserable,” Perna jokes now. But the show tapped into the highs and lows that most every sports fan experiences.

“If (Denver is) winning, you’re just going to have Broncos fans (watching) — and they’re excited with you,” Perna said. “When they’re losing, literally any fan of any team could come in and be like, ‘Look at this idiot suffering because his team let him down.’ ”

Those other fans make up some of the bread and butter of the channel’s audience. Perna looks to respect their time with real analysis tucked between the same lowbrow gags that won their attention in the first place. (“I’ve really got to find a way to spread out these poop awards,” Perna said on a recent episode, flashing an impish grin. “It makes me look immature.”)

Other gimmicks have taken on a life of their own.

Most NFL coverage features some kind of power rankings, where analysts try to list the best teams. Perna sees it as a tropey exercise in a sport where anything can happen any week.

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So he’s added his own twist: a plastic, “Wheel of Fortune”-style spinning wheel — only with curses instead of prizes tied to the wedges. A spin of the wheel will doom the highlighted team. How that doom arrives, however, is part of the mystery.

Teams losing, poor outings from key players or even injuries get blamed on the wheel. For instance, Broncos star player Pat Surtain II, one of Perna’s favorite players, got hurt the week the wheel landed on Denver, even as the team won.

“Don’t let Pat find out!” Perna said. “That’s one we want back.”

Fans rewatch the episode to tally the wheel’s latest victims, Perna said, giving extra life to the channel and the community that’s grown around it.

“Russell Wilson and the curse wheel,” Perna laughs, crediting them for his success. “Those are the two things.” 

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Brandon Perna poses inside the "That's Good Sports" studio on Friday, Nov. 14, 2025 at his home in Aurora. Perna has crested 800,000 followers with his NFL show, and its centerpiece curse wheel. (Photo by Daniel Brenner/Special to The Denver Post)
Brandon Perna poses inside the “That’s Good Sports” studio on Friday, Nov. 14, 2025 at his home in Aurora. (Photo by Daniel Brenner/Special to The Denver Post)

Now that Perna has trialed-and-errored his way into what makes the channel work — and settled into 15-hour days to keep up with the football and posting schedules — he doesn’t want to lose focus on that community of supporters.

“The support is overwhelming and humbling, and I try to never take that for granted,” Perna said. “Because they keep you relevant in the space.”

He also gets to see how his formula as an overly dire, overly enthusiastic and consistently irreverent voice plays in an era long-missed by Broncos fans: a season of must-watch Denver football.

The wins this year have been ugly, improbable and exhilarating. Or, in a word, captivating — even for an audience outside of Broncos Country. The wins have also been piling up at a much faster clip than at any time since Perna made his show his primary professional focus. 

I’m ready for the Broncos to have some actual post-season success. Because I feel like once I’ve learned how to do this correctly, the Broncos haven’t been in the post-season,” Perna said.

“Last year, they got there. They didn’t win, of course, but we were just happy they were there. I hadn’t had the Broncos in the playoffs when I feel like I’ve done this (show) the right way. So much of (the Broncos’ success) predated that. So I’m enthusiastic that they’re winning.”

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Denver, CO

When falling housing prices are good news — and when they’re not

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When falling housing prices are good news — and when they’re not


Home prices are falling in Denver and other areas around the nation.

Scott Olson/Getty Images


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A few weeks ago, we asked our readers for ideas and questions for future Planet Money newsletters and podcasts. We got a bunch of great submissions, including an intriguing one from Karl Baumgartner.

Baumgartner is a 29-year-old internal medicine resident in Denver, where home prices and rents have been falling. Depending on which data you look at, the Denver metro area is experiencing one of the steepest — if not the steepest — housing price declines in the nation. Home prices have fallen more than 2% year over year, according to the S&P Cotality Case-Shiller Home Price Index, and even more if you adjust for inflation. Rents have fallen even more dramatically.

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“As a renter myself, I am ecstatic about the falling prices,” Baumgartner writes. In fact, he just moved “to a bigger apartment with nicer amenities that I previously couldn’t afford, but now can because rent has fallen.” One of his friends, meanwhile, recently renegotiated her lease for about $500 less per month by showing her landlord that comparable apartments in her area were now going for much less.

“With almost all of my friends being in a similar position at the beginning of our careers with plenty of debt, we are all very excited about the decrease,” Baumgartner says.

So, yeah, falling rents are obviously a win for Denver renters. But Baumgartner is wondering about the broader economic picture.

“We know that negative inflation is bad for the economy in general, and we try to shoot for 2% annual inflation in general. What about negative inflation in the housing market specifically? Are there any downsides to falling prices, or is this just a sign of the market working as it should, with supply finally catching up to demand?”

It’s a great question because economics doesn’t seem to provide a simple answer on whether falling housing prices are good or bad for the economy.

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Denver transfers $3 million from its contingency fund to pay out settlements

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Denver transfers  million from its contingency fund to pay out settlements


Denver will use $3 million of its contingency fund money to help pay out settlements this year under an ordinance the City Council approved Monday.

The council makes a similar transfer every year, but the amount varies depending on the settlements reached, said Laura Swartz, the spokesperson for the city’s finance department.

“It is difficult to budget for settlements in advance because the amounts and timing can be unpredictable based on each case’s own scheduling, negotiations and court decisions,” Swartz said.

Every year, the city sets aside $2 million for settlements in the budget. Officials request a transfer from the contingency fund for anything needed above that amount. The 2026 transfer brings the amount that will be used to pay out settlements this year to $5 million so far.

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This year’s allotment will leave the city with $30.5 million remaining in its contingency fund. The contingency fund is separate in the annual budget from the city’s reserves, which officials have been working to replenish from a recent low point.

The city has been ordered to pay millions of dollars in settlements in recent years related to the Denver Police Department’s actions during the George Floyd protests.

Earlier this month, the council approved about $2.87 million in payments for 13 people who alleged that local police violated their constitutional rights during the 2020 protests.

In April, a federal appeals court ruled that the city must also pay $14 million to another group of protesters, upholding a jury verdict. The city hasn’t yet said how it will pay out that amount.



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Dance Gavin Dance weighs ins on banana-suit controversy before Denver show

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Dance Gavin Dance weighs ins on banana-suit controversy before Denver show


Dance Gavin Dance believes in dressing however you want for a concert.

Courtesy Jonathan Weiner

There’s a semi-controversy brewing in the underground about whether or not banana suits are appropriated concert attire. After the Baltimore hardcore band End It recently directed its audience to rip one such costume off of a fun-loving fan, the dividing lines have been defined — hardcore isn’t so fruit friendly, while metalcore openly encourages dressing however you want for the occasion.

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Dance Gavin Dance guitarist-vocalist Andrew Wells confirmed the metalcore ethos, as the long-running band is used to seeing people in all types of garb, particularly bananas, whenever and wherever they play.

“There’s a ton of banana people in our audience,” he says, referencing the group’s recent Warped Tour DC stop that was especially yellow. “I was like, ‘Yo, banana people, you’re welcome here. You’re weird. You’re an outcast. You’re what society deems as weird because you want to dress up in a banana costume. That’s what rock is for.’

“Rock’s historically been since the dawn of time an oasis for the outcasts. You’re welcome here. Come fly your freak flag with us, and we’ll have a good time,” Wells continues. “Honestly, if I played a whole show and everyone was in a banana suit, I would be stoked. That would be sick.”

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In reiterating the stance, he calls for everyone in Denver to show up in their banana best when Dance Gavin Dance takes the Fillmore on Monday, June 22. Horse the Band, Wolf & Bear and Novelists are also on the bill.

The metalcore machine — which also includes vocalist-guitarist Will Swan, drummer Matt Mingus and harsh vocalist Jon Mess — is riding high with a twofer of fresh material in 11th studio album “Pantheon,” released in September, and last month’s “Tree City Sessions 3,” another collection of revamped takes on classics and deep cuts.

Wells, who’s been with the band in some capacity since 2015, saw the “Tree City” process as an opportunity to put his spin on some of the older tracks that vocalist Tilian Pearson first laid down, such as “Bloodsucker” from 2018.

Audience participation is encouraged.

Courtesy Dance Gavin Dance

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“That was a suggestion from me. I wanted to polish up my higher register and showcase what I could do on the Tilian stuff,” he explains. “That was a song Martin [Bianchini, touring guitarist] and I had written on the ‘Artificial Selection’ album, so we were able to play and record the song that we wrote.”

Looking back also allowed Dance Gavin Dance to forge forward with “Pantheon,” a more reflective album than recent releases, Wells admits.

“It was an opportunity for us as a band to revisit the roots of the band, when the band was playing to 100-cap clubs and it was just this alternative style of music that was very unique and different. Some people hated it, some people loved it, but it was this authentically post-hardcore sound, that come from these roots,” he shares.  

“When we were revisiting these older songs and doing ‘Tree City’ and also writing ‘Pantheon,’ it was that full-circle moment of doing what we’re passionate about again, exploring new themes and musical territory and getting back to the roots, so to speak, especially as a collaboration,” Wells continues. “It was all of us in the same mindset together working towards the same goals.”

And in Year 21, the band is the “happiest and healthiest” it’s ever been, as he sees it.

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“We’re a group of musicians who’s committed to making the best art that we possibly can,” Wells says. “There’s a perseverance to this band.”

But, he adds, they wouldn’t be anywhere if it wasn’t for the people in front of the stage, dressing up as bananas and whatever else.

“The external factor is our fans,” Wells concludes. “I think the fan’s abilities to rally and support the band and come out to shows can’t be overstated.”

Dance Gavin Dance, with Horse the Band, Wolf & Bear and Novelists, 5 p.m. Monday, June 22, Fillmore Auditorium, 1510 Clarkson St. Tickets are $60.

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