Lifestyle
Inside the daring L.A. party that's like Studio 54 for 'the dreamers and the outcasts'
On the tip of Cahuenga Boulevard in Hollywood, beyond the vape-scented sidewalks and partygoers waiting for their ride-shares, there’s a velvet-roped portal to another dimension. Every first Saturday of the month, those in the know gather at the historic Spotlight nightclub for Simon Says, the city’s most daring, avant-garde LGBTQ+ party.
It’s a scene that defies easy description: Nipple tassels twirl beside kabuki-painted faces; “My Fair Lady” hats tilt above bodices constructed from yellow caution tape; liberty spike hairstyles collide with exposed flesh; and professional dommes in fishnet bodysuits playfully flog (with permission) their friends while goddesses with antlers sip drinks on velvet couches wedged between potted palms.
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1. Daffne E. Cruz, left, and Daniella “Ellez” Herrera at Simon Says. 2. D’Mahdnes LaVaughn and Nathan Sierra. (Chiara Alexa / For The Times)
This isn’t Studio 54, though it shares the same spirit. It’s Hollywood reimagined. And if Simon Says, you’d better bring it.
Seductively clad dancers, including longtime host Love Bailey, flank the stage where DJs spin a fusion of New Wave, late-stage disco and early bloghouse that attracts L.A.’s queer creative underground. It’s not uncommon for celebrities like singer-songwriter Adam Lambert, electronic-pop star Slayyyter, queer streaming network co-founder Damian Pelliccione, contestants from “RuPaul’s Drag Race” and film director John Waters to pop by for a visit.
The vast majority of attendees identify as LGBTQ+, and while the door is technically open to all, it’s the ones who show up transformed — glistening, feathered, glammed out — who are whisked in the quickest. Founder and executive producer Andrés Rigal, part master of ceremonies and part fairy godmother, prowls the line, handpicking the most striking attendees and sending them past the bouncer with a nod and a smile.
Reese Rush and Andrés Rigal.
(Chiara Alexa / For The Times)
“We do run an old-school nightlife door, rewarding those who show up in stunning looks,” Rigal says. “If they’re wearing an elaborate costume they’ve been gluing together all week just to be at Simon or are a trans person all the way in the back by themselves in heels — ouch — I will give them that special moment and make them feel seen.”
Rigal is one of Los Angeles’ most prolific nightlife producers, with a reputation that precedes him. Numerous Simon Says attendees told The Times that they initially came to the party simply because they saw Rigal’s name on the flier.
Cassie Carpenter, an entertainment reporter who identifies as asexual, makes it a point to attend every event Rigal puts on. Dressed in a revealing keyhole dress and towering beehive wig, Carpenter comes to Simon Says for the ambience and the chance to dress in drag.
Cassie Carpenter.
(Chiara Alexa / For The Times)
“I hate to get in full glam for a subpar party; it’s a waste of lip gloss,” she says. “Simon Says is always worth it. I’ve met amazing people and ran into surprising old friends. Friendship is everything when you’re asexual.”
Mostly known for large-scale fêtes that attract the likes of Katy Perry, Kesha and Paris Hilton, Rigal has been a feature in the city’s queer party scene since the mid-2000s when he revamped Avalon’s former Spider Club into the boho-chic nightclub Bardot and unveiled one of the city’s longest-running and most popular Pride events, SummerTramp.
If Simon Says sounds familiar, it’s because it had a short-lived moment in 2012 when Rigal’s company, Andrés Rigal Presents, introduced it at the now-closed A-lister club Smoke & Mirrors.
Grasping onto the coattails of the waning mid-aughts, Simon Says failed to conjure much interest at the time. Rigal thinks it might have been too early to cash in on the hipster-indie-sleaze era, as “everyone was still coming out of their American Apparel hangover.” Simultaneously juggling a number of other events such as Evita, Rasputin and Mr. Black, Rigal decided to shelve Simon Says for the time being.
Toward the end of 2023, pining for a more intimate party that wouldn’t draw crowds in the thousands, Rigal discussed reviving Simon Says with his partners Daisy O’Dell, Sean Patrick and Mark Hunter. An opportunity to host it at the Spotlight, a new Hollywood club housed in the bones of one of L.A.’s oldest gay bars, presented itself, and the party kicked off at the beginning of last year.
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1. A masked partygoer, left, with Drake James. 2. Wang Newton. (Chiara Alexa / For The Times)
On Saturday, Simon Says will celebrate its one-year anniversary, with music by Felix Da Housecat and house DJs Patrick and O’Dell.
The small-capacity venue sees around 700 partygoers through each night, each of whom pays $10 to dance from 10 p.m. to 2 a.m.
Motivation for guests to arrive early comes in the form of a limited-edition zine that may contain a photo of people from the previous month’s event.
Co-founder Hunter, better known as the photographer Cobrasnake, has compiled these tactile time capsules printed in black-and-white since Simon Says’ first iteration in 2012. The goal is to highlight the party’s best-dressed guests. As the back of the zines say: “Turn a look, get in the book.” Although the zine is free, only a handful are printed, scattered around the venue at the start of each night, and you won’t know if you’re in the zine until you look through it.
Queer fashion designer Drew Arvizu, 25, has attended all but two of Simon Says’ events in the last year. He’s become a party fixture not just due to his regular attendance but because of the over-the-top bespoke outfits he dons.
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1. Drew Arvizu. 2. Colin Campbell, left, Drew Arvizu and Pat Posey holding a Simon Says zine. (Chiara Alexa / For The Times)
For the inaugural Simon Says, he wore a horned luchador mask and polka dot clown suit; in November 2024, he balanced a four-foot, 20- to 30-pound vintage Las Vegas showgirl headdress atop his head; and in March 2025, he flaunted one of his own creations: a floor-length yellow taxicab-checked tube dress with intentional cutouts across the breasts and groin area.
“Simon Says reminds me of why I love nightlife, and it’s definitely an incentive to pull out my sewing machine,” Arvizu says. “These zines are keepsakes from a moment in my life, and I hope I keep them forever.”
Christian Morris, a pansexual, nonbinary artist from Inglewood, attended his first Simon Says in March dressed in a tiger stripe suit, blond mullet wig and Aladdin Sane-inspired lightning bolt face makeup. Describing the event as “feeling plugged into a queer power source,” Morris noticed the partygoers didn’t just want to go to the event; they wanted to be the event.
Christian Morris.
(Chiara Alexa / For The Times)
“From the leather and chain looks to the queens in long black and yellow spiral dresses to the woman dancing on a speaker in a gold sequin romper outfit, everywhere I looked people felt hot and haute and danced with abandon,” he says.
And apparently, miracles can happen at Simon Says. Despite hardly ever meeting romantic partners on nights out, Morris left with the phone number of a “funny, super smart, sexy” crush he met on the dance floor, and the two scheduled a picnic date for the following week.
An element of romance permeates the Spotlight’s interior, with an intimate dance space and a sumptuous lounge area outfitted with Persian rugs, Victorian-style furniture and steam trunks that double as coffee tables. Also, there’s no need to leave your drink behind or grab your coat if you want a quick nicotine pick-me-up when you’re at Simon Says. Thanks to a grandfathered-in back patio, which includes the venue’s second bar, one can smoke indoors because the area doesn’t have a roof.
“Being in the space just makes me feel at home with the couches, the rugs on the dance floor and the fact that you can often find a place to sit even if you’re not paying for bottles,” says pop musician Morganne Yambrovich, 27, who came to Simon Says in March to celebrate her first night out after ending an eight-year relationship.
To mark this transformation and get back in touch with a creative side she’d kept dormant during her relationship, Yambrovich spent six hours wrapping craft wire around hair extensions to create her look for Simon Says. The resulting piece was a pair of butterfly wings braided into her hair intended to symbolize her recent metamorphosis.
“If you go out in certain neighborhoods, everyone’s going to look the same. But there’s no such uniform at Simon Says,” she says. “Most people show up in the most creative expressions of themselves. For instance, I would not wear a giant hair sculpture and butterfly makeup to Tenants of the Trees [a bar in Silver Lake].”
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1. Carter Daniel. 2. Phoenix Lee. 3. A partygoer with Ian Lomas, center, and Francisco Alcazar. (Chiara Alexa / For The Times)
As the adage goes, those who turn a look probably will get into Simon Says’ book, but those who don’t quite turn a look will still get into the party. That’s because the event is about inspiring others as much as it is creating a safe space for self-expression. On any given night, you’re likely to find three generations of partygoers at the club — Gen Z, millennials and Gen X — and yes, straight people are welcomed with open arms.
“Once we gather under the disco ball, identities blur,” Rigal says. “On the dance floor, we become something shared, something bigger.”
Rigal and his team make a point of meeting with security and staff before every event to ensure that the ethos of welcoming all is maintained throughout the night. Although the bathrooms are divided by gender — and marked with Basquiat-style dinosaur imagery — on the nights when Simon Says takes over the Spotlight, those designations are ignored, and the toilets become unisex. There are no VIP sections either, and while it can get chaotic, everyone is allowed on the stage. When this reporter descended the stage stairs to the dance floor, a security guard offered their hand for support.
“It’s kind of like making a salad,” Rigal says. “The more ingredients touching one another, the better. I want all of my spaces, especially Simon, to be melting pots of interaction. When you allow the space to be free, you are more likely to have these really incredible moments, and I don’t want to rob anyone of that.”
In recent months, some Simon Says attendees have funneled political statements into their fashions. Longtime friends Colin Campbell, 63, and Pat Posey, 46, coordinated red and black looks for a recent party. Posey wore a mini dress featuring the colorway, while Campbell dyed his beard red and black and donned a red and black pigtail wig and shirt with the slogan “Resist Fascism.”
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1. Colin Campbell’s colorful beard. 2. Pat Posey. (Chiara Alexa / For The Times)
After the November presidential election, the friends experienced their first hate crime in Hollywood when a car passing by shot them with airsoft pellets and yelled a gay slur. Now more than ever, Campbell and Posey stress the importance of being visible and fighting back, and fashion is their chosen vehicle for doing so.
“We dance to celebrate ourselves, to recharge our batteries, to have the energy to put up with the ignorance and hate that is spewed at us every day,” says Posey, who started cross-dressing after moving to L.A. six years ago. “At Simon Says, everyone is welcome. Bring your true freak, and let it fly.”
Inspired by Campbell and Posey, to whom he has grown close through Simon Says, Arvizu has started imbuing political messages into his clothing as well. For a recent red-carpet event, he wore a shirt with the message “Protect trans youth,” and at the December Simon Says party, he dressed in rainbow from head to toe.
As the 2001 Basement Jaxx tune “Where’s Your Head at” thumped through the speakers at the March event, one partygoer dressed as a cowboy initiated a spontaneous dance-off with another partygoer dressed in a vintage Vietnam War vet uniform.
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1. Cocoa Rigal. 2. Omarr Herrera. (Chiara Alexa / For The Times)
“Work it out, work it out!” cheered the cowboy, Ricardo Logan, 36, who included light blue in his outfit for trans solidarity.
His dance partner, tax and accounting professional Omarr Herrera, 44, a stranger until this moment, gurgled back, “Ahhhh, I love you!”
It’s moments like these that remind Rigal why he created this party.
“Queer nightlife is a sanctuary,” he says. “For the kid arriving in L.A. from a conservative hometown, for someone pushed out of their family, for the dreamers and the outcasts — this is where they find kinship, voice and vision. That metamorphosis is the heartbeat of everything I do.”
With the nation’s big 2-5-0 coming up next year, NPR staff and critics recommended a lot of U.S.-focused titles for Books We Love, our annual year-end reading guide. Below you’ll find 10 favorites — perfect for the history buff on your gift list, or anyone looking to learn more about how the U.S got to where it is today. Read on, or check out our full 2025 list here.
American Grammar: Race, Education, and the Building of a Nation, by Jarvis R. Givens
In this deeply researched book, Harvard University professor of education and African American studies Jarvis R. Givens locates 1819 as a “crossroads” in the history of education in the United States. That year, Congress passed the Civilization Fund Act, providing funding for assimilative boarding schools for Native American children, and the governor of Virginia signed an anti-literacy law that made it a crime to teach enslaved people to read and write in schools. Amid the Trump administration’s effort to dismantle the Department of Education, Givens’ clear-eyed assessment of American education offers an opportunity to reflect on the long-standing relationships among race, power and schooling in the U.S. — Kristen Martin, book critic and author of The Sun Won’t Come Out Tomorrow: The Dark History of American Orphanhood
The Fate of the Day: The War for America, Fort Ticonderoga to Charleston, 1777-1780, by Rick Atkinson
I’ve been eagerly waiting years for this book! This is the second volume of Rick Atkinson’s trilogy on the American Revolution. Atkinson makes good use of letters and diaries. You feel like you’re in the middle of a battle, with all the sights, sounds and tragedy. Harrowing tales of hand-to-hand fighting, scalping and desperate evacuations. Fine detail: the waxed mustaches of the Hessian forces, the number of rum barrels distributed to weary and ill-clad troops, the dull thud of cannonballs smacking into ships. The stench of makeshift hospitals, with piles of limbs stacked outside. He carefully lays out how the battles began, and the successes, mistakes and missed opportunities – on both sides. — Tom Bowman, Pentagon reporter
History Matters, by David McCullough, Dorie McCullough Lawson (contributor), and Michael Hill (contributor)
If history can be a comfort read, this is it. David McCullough’s daughter Dorie McCullough Lawson and his longtime researcher, Michael Hill, assembled this posthumous collection over two years. Some of the historian’s old manuscripts and files were kept in a New England barn, so the occasional acorn and nest turned up along with the historian’s glorious observations about Americans and their history. The essay subjects are diverse – painter Thomas Eakins, Harriet Beecher Stowe in Paris, “A Book on Every Bed” (it will melt your heart). One theme emerges that you might find reassuring in its own way: There was no “simpler time.” — Shannon Rhoades, supervising senior editor, Weekend Edition
Last Seen: The Enduring Search by Formerly Enslaved People to Find Their Lost Families, by Judith Giesberg
In 2017, historian Judith Giesberg and her team of graduate student researchers launched a website called the “Last Seen” project. It now contains over 5,000 ads placed in newspapers by formerly enslaved people hoping to find family members separated by slavery. The ads span the 1830s to the 1920s and serve as portals “into the lived experience of slavery.” In Last Seen, her book drawn from that monumental website, Giesberg closely reads 10 of those ads placed in search of lost children, mothers, wives, siblings and comrades who served in the United States Colored Troops during the Civil War. — Maureen Corrigan, book critic, Fresh Air
Medicine River: A Story of Survival and the Legacy of Indian Boarding Schools, by Mary Annette Pember
Mary Annette Pember, a citizen of the Red Cliff Band of Wisconsin Ojibwe and a national correspondent at ICT News, grew up in the 1950s and 1960s as her mother’s “secret confessor,” listening to fairy-tale-like stories of the horrors she endured at an assimilative boarding school. In Medicine River, Pember traces the repercussions of her mother’s maltreatment, situating her family’s story within the United States’ systemic use of education to eradicate Native cultures. Through an approach that is “part journalistic research, part spiritual pilgrimage,” Pember provides a cuttingly personal account of the history of federally funded Indian boarding schools and a moving look at how Indigenous traditions and rituals can light the path for healing. — Kristen Martin, book critic and author of The Sun Won’t Come Out Tomorrow: The Dark History of American Orphanhood
Mother Emanuel: Two Centuries of Race, Resistance, and Forgiveness in One Charleston Church, by Kevin Sack
There was great symbolism when a white supremacist targeted Charleston’s Mother Emanuel African Methodist Episcopal Church, killing nine Black worshippers as a means to ignite a race war. As we learn in this deeply researched history, the congregation has been involved in the struggle for racial justice ever since it was founded in an “act of bold subversion” by enslaved and free African Americans in the 1800s. I am struck by the stories of clergy and members who fought against seemingly insurmountable odds at nearly every turn of history, truly living out their faith and believing in a better America. — Debbie Elliott, correspondent, National Desk
There Is No Place for Us: Working and Homeless in America, by Brian Goldstone
In this paradigm-shifting, immersive book, journalist and anthropologist Brian Goldstone follows five families in Atlanta who, despite working full time, struggle to stay housed amid gentrification, a lack of tenants’ rights and low wages. These families, all Black, fall into a “shadow realm” – they are not considered officially homeless by the federal government, but lack a fixed living place as they double up with friends and family, sleep in their cars, or pay exorbitant rates at extended-stay hotels. Woven throughout their stories is a trenchant exploration of how America’s disinvestment in public housing and relentless pursuit of free-market growth have fueled housing insecurity for poor working families. — Kristen Martin, book critic and author of The Sun Won’t Come Out Tomorrow: The Dark History of American Orphanhood
The War of Art: A History of Artists’ Protest In America, by Lauren O’Neill-Butler
This book is about the creative – if often short-lived and not always successful – ways in which artists have fought for social change in the U.S. since the 1960s. Personal favorite: a chapter on how the scrappy video collective, Top Value Television (TVTV), changed the public’s view of political conventions. With artist-led protests once again becoming a thing – from the thousands of actors and filmmakers who recently pledged to boycott the Israeli movie industry in response to the humanitarian crisis in Gaza, to the presence of a 12-foot statue depicting President Trump and the late sex offender Jeffrey Epstein frolicking on the National Mall, this book about the past provides a powerful frame for thinking about artist-led actions today. — Chloe Veltman, correspondent, Culture Desk
We the People: A History of the U.S. Constitution, by Jill Lepore
As the U.S. approaches the 250th anniversary of its founding, it feels like an appropriate time to reflect on where we’re at as a country and how we got here. We the People, by Jill Lepore, a history and law professor at Harvard University, helps satisfy that impulse. It tells the story of the U.S. Constitution, which is among the world’s oldest constitutions. Lepore focuses on battles over amendments, which were fought not just by politicians but by ordinary Americans. The founders designed the Constitution to be amended, but it has become much more difficult to do so over the years. As the Constitution becomes harder to amend, Lepore writes, the risk of political violence becomes greater. — Milton Guevara, producer, Morning Edition and Up First
Who Is Government?: The Untold Story of Public Service, by Michael Lewis (editor)
Thousands of unsung heroes in the government are making life better for Americans. But because of bureaucracies being made up of bureaucrats, we rarely hear those stories. This book showcases them. Like a coal-mining safety official who helped the U.S. reach zero mine-collapse deaths. Or the man who has led the National Cemetery Administration to the top of the American Customer Satisfaction Index. As the federal government is in its biggest shake-up in a generation, it’s worth learning about where the bright spots are. — Darian Woods, host, The Indicator from Planet Money
This is just a fraction of the 380+ titles we included in Books We Love this year. Click here to check out this year’s titles, or browse nearly 4,000 books from the last 13 years.
Brown University
School Not To Blame For Shooting
… Masters Students Say
Published
A group of second-year master’s students at Brown University says the school should not be blamed for the on-campus shooting that killed two and injured several others.
The students, who live on and near campus and work on the east side of Providence, RI — near Brown — tell TMZ … they don’t agree with one narrative being spun that the Ivy League school is somehow to blame for the mass shooting.
AP
Instead, the students say gun control and lack of access to mental health services are the real issues here … and they say there’s nothing Brown can do to control those things.
What’s more, the students say there are overarching problems that need to be dealt with at the federal level … and they feel they weren’t the only school or group of students that’s feeling the brunt of gun violence and mass shootings.
Fox News
The students say there needs to be tough conversations about gun control policies … and they want to see investments made into making mental health facilities more accessible.
Law enforcement says former Brown student Claudio Manuel Neves Valente was the gunman … and the students we talked to say Brown shouldn’t be held at fault for a former student who harbored hate in his heart for those alongside him.
Fox News
The students say the response from university administration and officials is making them feel safe and heard … and they’re more proud than ever to be part of the Brown University community.
Aisha Harris’ pop culture superlatives include (clockwise from top left) Hedda, Marty Supreme, Serena Williams at the Super Bowl, Sabrina Carpenter’s lyrics, Love Island USA and Friendship.
Amazon, A24, Getty Images, Peacock/Photo illustration by Emily Bogle/NPR
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Amazon, A24, Getty Images, Peacock/Photo illustration by Emily Bogle/NPR
Well, 2025 has been a year. A year women on reality dating shows got fed up with “apolitical” men; a year a pair of filmmaking brothers both released solo projects about semi-famous athletes; a year a series finale ended in fecal waste. So much happened, and frankly, much of it feels like a blur.
For better or for worse, these cultural moments stood out.
Film’s nerdiest moment: “Aspect Ratios with Sinners Director Ryan Coogler”
YouTube
This Kodak video is a most perfect union of art and commerce, just like Sinners itself. In his distinctive, soothing Bay Area drawl, Coogler got super technical about the differences between each of his movie’s available formats, while breaking things down in easily digestible layperson’s terms. At a time when theater attendance continues to struggle, he made the best case for big screens, and he didn’t need existing IP to do it.
Best running joke at an awards show: “Thank you, Sal Saperstein!” The Studio
YouTube
In retrospect, host Nate Bargatze’s dreadful Boys & Girls Club donation bit at this year’s Emmys only made The Studio‘s parody of running gags on awards shows that much funnier. The bit starts when Adam Scott, playing himself, accepts a Golden Globe and impulsively thanks the guy who let him crash on the couch before his career took off: studio exec Sal Saperstein (Ike Barinholtz). Soon, every other winner – Quinta Brunson, Jean Smart, Aaron Sorkin, Zoë Kravitz – is thanking Sal, too. Most of them have no idea who Sal is. But even better is how each iteration of the corny, beaten-to-death joke eats away at Seth Rogen’s spotlight-seeking studio head Matt Remick.
Best Safdie brother feature: Marty Supreme
Josh Safdie (left) and Timothée Chalamet on the set of Marty Supreme.
A24
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A24
Benny Safdie’s The Smashing Machine is … fine: Dwayne “the Rock” Johnson, in a naked play for artistic credibility, barely has to stretch to play MMA champion Mark Kerr (the wig is doing much of the “transformation”). So in the matchup of solo Safdie bro sports movies, Josh’s Marty Supreme is the clear if imperfect victor. Timothée Chalamet’s wannabe table tennis champion is absolutely insufferable from beginning to end, but the movie bucks the typical narrative and turns out to be the frenetic tale of a cocky hustler who needs — and to a point, gets — a swift ego check.
Most awkward breakup: Huda and Chris, Love Island USA
Chris Seeley (left) and Huda Mustafa in Season 7 of Love Island USA.
Peacock
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Peacock
It was obvious to everyone with eyes that chaotic “mamacita” Huda Mustafa and blasé sleepyhead Chris Seeley were never going to happen; even they knew it. So the setting for their inevitable ending could not have been more magnificent or fitting: a romantic dinner in the middle of a candlelit pond, cordial vibes quickly descending into an exchange of various grievances. (“Why won’t you cuddle with me at night?” “Why won’t you let me get my sleep?”) Then, right in the middle of their breakup, with Huda on the verge of tears, an unnamed woman in an evening gown appeared out of nowhere, waved hello, and proceeded to serenade them with “Moon River.”
Most satisfying breakups: Sara and Ben; Virginia and Devin, Love Is Blind
Ben Mezzenga (left) and Sara Carton in Season 8 of Love Is Blind.
Netflix
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Netflix
The whole premise of Netflix’s bizzarro pod-based “social experiment” is inherently political, but Season 8 was the first in which political conflict played such an unambiguous part of the dating process that the producers presumably couldn’t downplay it through clever editing. Progressive-minded Sara Carton and Virginia Miller both spent much of their on-screen time trying to get their respective fiancés, Ben Mezzenga and Devin Buckley, to discuss issues including abortion, racial justice, and queer rights. Both men repeatedly deflected and refused to take a clear stance, any stance. It took the women far too long to heed all those “apolitical” red flags, but when they finally did and ended their relationships, it felt like a triumph.
Pettiest cameo: Serena Williams at the Super Bowl Halftime Show
Serena Williams performs onstage during the Super Bowl Halftime Show on February 9, 2025.
Emilee Chinn/Getty Images
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Emilee Chinn/Getty Images
In a most pathetic move, Drake filed a lawsuit in January against Universal Music Group, the label he shares with Kendrick Lamar, for “defamation” over “Not Like Us.” Of course, Lamar performed the song at the Super Bowl anyway — but to rub salt in the wound, he brought out fellow Angeleno (and Drake’s alleged former paramour) Serena Williams, who was briefly spotted crip walking with a cool vengeance. Surely, Drake wept. (And then wept again, when a judge dismissed his suit.)
Most ridiculous mathing: Materialists
Dakota Johnson (left) and Pedro Pascal in Materialists.
A24
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A24
Credit where it’s due: Unlike most movies, Celine Song’s romantic dramedy about a matchmaker torn between a wealthy suitor and her working-class ex isn’t interested in painting wealth and class abstractly – her script engages with actual numbers to contextualize it. (Pedro Pascal’s character’s penthouse is worth $12 million!) But one data point just doesn’t add up, and that’s Lucy’s (Dakota Johnson) matchmaker salary of $80K a year before taxes while living in a spacious one-bedroom in New York City, without parental help. How?
Best Lonely Island album: Sabrina Carpenter’s Man’s Best Friend
YouTube
If her 2024 album Short n’ Sweet was notably cheeky and teasing, like a burlesque performance by way of a pop star, Sabrina Carpenter’s Man’s Best Friend went for the broad humor of a Lonely Island-era SNL Digital Short. Nearly every track seems calibrated to be taken un-seriously, from the chintzy disco-flavored “Tears” to the yacht-rock-y “Never Getting Laid.” But the Loneliest track has to be “When Did You Get Hot?”:
Congratulations on your new improvements
I bet your light rod’s, like, bigger than Zeus’s
Hey, wait, can you lift my car with your hand?
You were an ugly kid, but you’re a sexy man
Most depressingly apt series finale: And Just Like That…
Cynthia Nixon in And Just Like That…
Craig Blankenhorn/HBO Max
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Craig Blankenhorn/HBO Max
With less than 10 minutes remaining in the conclusion of a beloved decades-long franchise, a bathroom toilet overflowed with excrement. This was caused by a very minor character who’d appeared in just five episodes total (played by Victor Garber, his talents wasted). Poor Miranda (Cynthia Nixon) spent her final full scene on her hands and knees, cleaning it up. Pretty much sums up most of the AJLT viewing experience.
Sickest musical number: Mr. Milchick and his marching band, Severance
Tramell Tillman in Severance.
Apple TV
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Apple TV
I could hardly tell you anything about the plot points in Season 2 of one of the most opaque shows currently on TV, but the pure pleasure derived from watching authoritarian manager Mr. Milchick celebrate Mark’s (Adam Scott) completion of the “Cold Harbor” file cannot be denied. It’s as if a more sinister Carlton Banks joined an HBCU marching band. Tramell Tillman earned that Emmy, and this moment is a huge reason why.
Best best friend: Nikki, Dying for Sex
Jenny Slate (left) and Michelle Williams in Dying for Sex.
Sarah Shatz/FX
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Sarah Shatz/FX
When Molly (Michelle Williams) is diagnosed with terminal cancer, she’s inspired to end her unsatisfying marriage and pursue sexual pleasure for the first time. But as much as Dying for Sex is about Molly’s journey, it’s also very honest about being a full-time caretaker, through the eyes of her best friend Nikki (Jenny Slate). Nikki’s commitment to Molly becomes a full-time job, to the point that she neglects her own career and emotional wellbeing, and the strains become evident. Slate’s performance is tremendously raw and empathetic, and the friends’ unshakable bond under the worst of circumstances is the heart of the series.
Best bromance: Dennis and Roman, Twinless
Dylan O’Brien (left) and James Sweeney in Twinless.
Roadside Attractions
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Roadside Attractions
The circumstances that allow for the budding friendship between prickly gay man Dennis (writer and director James Sweeney) and dim-yet-compassionate himbo Roman (Dylan O’Brien) are knotty and uncomfortable when eventually revealed in the movie Twinless. Yet watching this unlikely duo bond over similar traumas is a sweet and funny experience; in one of the year’s best scenes, Sweeney deploys a split screen during a house party, underlining their differing personalities while drawing them even closer together. It’s complicated but they’re connected, for better or worse.
Most diabolical bromance: Craig and Austin, Friendship
Tim Robinson (left) and Paul Rudd in Friendship.
A24
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A24
Alas, the bromance between meteorologist Austin (Paul Rudd) and marketing exec Craig (Tim Robinson) in Friendship is extremely short-lived, but the fallout is catastrophic. Cringey. Awful. Dying-from-secondhand-embarrassment. Because men like Craig — men lacking any shred of social EQ or self-awareness but still desperate to forge strong friendships, like any human — can’t handle rejection. Writer-director Andrew DeYoung has crafted one of the weirdest and most apt depictions yet of the current “male loneliness epidemic.”
Most vindictive ex: Hedda, Hedda
Tessa Thompson in Hedda.
Prime
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Prime
Given all Hedda (Tessa Thompson) is up against as a mixed-race woman born to a white father out of wedlock in mid-century England, her naked ambition to maintain a high social status can be understood. But the lengths she unabashedly goes to are ice-cold, nasty, and truly unforgivable. In one lavish evening, she tries to destroy several people’s lives, but perhaps her most humiliating deed is allowing former lover and now-rival Eileen (Nina Hoss) to enter a room full of peers — all men — while Eileen is experiencing an, *ahem* wardrobe malfunction. Thompson’s commitment to Hedda’s delicious depravity is everything.
Sweetest prayer: Wake Up Dead Man: A Knives Out Mystery
Josh O’Connor (left) and Daniel Craig in Wake Up Dead Man: A Knives Out Mystery.
Netflix
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Netflix
If you’ve seen it, you know: This is the scene. After the murder of controversial firebrand Msgr. Wicks (Josh Brolin), his noted rival Rev. Jud (Josh O’Connor) is a prime suspect and looking to clear his name. While chasing a lead, Jud ends up on the phone with a chatty construction company employee (Bridget Everett), and what begins as a mildly annoying interaction becomes a tender expression of compassion when she asks him to pray for her and a sick relative. Time to solve the murder is ticking by, but Jud is called to his duty, and he beautifully serves.
Most haunting ending: It Was Just an Accident
YouTube
The past is never dead, as the saying goes, a sentiment felt acutely throughout Jafar Panahi’s timely film about Vahid (Vahid Mobasseri), a former political captive who kidnaps someone he believes was one of his tormentors. The temptation for vengeance abounds, but Vahid and others wonder, to what end? Can past trauma be overcome or just merely subdued? The final quiet moment, after much has happened and been said, is the image of the back of Vahid’s head as he pauses in his tracks, having sensed the eerie presence of an all-too familiar sound. With the news that Panahi, a vocal critic of the Iranian government, has been given a year-long prison sentence and a two-year travel ban based on charges of propaganda, the ending echoes even louder.
And still more
A few honorable mentions for my 2025 pop culture yearbook:
Most charming misanthrope: Carol Sturka (Rhea Seehorn), Pluribus
Best inevitable death: Erik (Richard Harmon) and Bobby (Owen Patrick Joyner) via an MRI machine, Final Destination: Bloodlines
Breakout performers: Tonatiuh, Kiss of the Spider Woman; Miles Caton, Sinners
Best movie about an artist dad trying to reconnect with his estranged children: Sentimental Value
Worst bad show: All’s Fair
Doing the most with the least: Teyana Taylor, One Battle After Another
Best (and ok, only) “truthstorian”: Lee Raybon (Ethan Hawke), The Lowdown
Greatest show-within-a-show: “Teenjus,” The Righteous Gemstones
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