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Colorado court rules elephants at zoo cannot pursue their release because they are not human

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Colorado court rules elephants at zoo cannot pursue their release because they are not human

Five elephants at a Colorado zoo do not have the legal right to pursue their release because they are not human, the Colorado Supreme Court ruled on Tuesday.

The court said the decision “does not turn on our regard for these majestic animals.”

“Instead, the legal question here boils down to whether an elephant is a person,” the court said. “And because an elephant is not a person, the elephants here do not have standing to bring a habeas corpus claim.”

If the court had ruled in their favor, the elephants at the Cheyenne Mountain Zoo in Colorado Springs — Missy, Kimba, Lucky, LouLou and Jambo — could have pursued a legal process that allows prisoners to challenge their detention and they would have been transferred to an elephant sanctuary.

CHICAGO’S LINCOLN PARK ZOO LOSES FLAMINGO, SEAL TO BIRD FLU

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Elephants Kimba, front, and Lucky, back, at the Zoo in Colorado Springs, Colorado. (Cheyenne Mountain Zoo via AP)

The ruling comes after a similar case in New York in 2022, when a court also ruled against an elephant named Happy at the Bronx Zoo.

Both cases were brought by Nonhuman Rights Project, an animal rights group.

The group argued that the elephants in the Colorado case, which were born in the wild in Africa, have displayed signs of brain damage because the zoo is essentially a prison for the intelligent and social animals that roam for miles a day in the wild.

It had sought for the animals to be released to one of the two accredited elephant sanctuaries in the U.S. over concerns that they could no longer live in the wild.

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The Cheyenne Mountain Zoo in Colorado Springs, Colorado. (Getty Images)

The Cheyenne Mountain Zoo contested that moving the elephants and potentially placing them with new animals would be cruel at their age, and could cause unnecessary stress. The zoo said the animals are not used to being in larger herds and do not have the skills or desire to join one.

The zoo applauded the ruling and said the legal fight over the issue was disappointing, accusing the Nonhuman Rights Project of “abusing court systems” for fundraising.

“It seems their real goal is to manipulate people into donating to their cause by incessantly publicizing sensational court cases with relentless calls for supporters to donate,” the zoo said in a statement.

BABY GORILLA FOUND IN PLANE CARGO RECOVERING AT TURKISH ZOO

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The Cheyenne Mountain Zoo in Colorado Springs held a day camp for kids called Summer Safari Camp. (Getty Images)

The Nonhuman Rights Project said the latest ruling “perpetuates a clear injustice” and predicted that courts in future cases would reject the idea that only humans have a right to liberty.

“As with other social justice movements, early losses are expected as we challenge an entrenched status quo that has allowed Missy, Kimba, Lucky, LouLou, and Jambo to be relegated to a lifetime of mental and physical suffering,” the group said in a statement.

The Associated Press contributed to this report.

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Utah

‘I was duped’: Utah senator apologizes for sharing Kevin O’Leary’s ‘Chinese Communists’ claim

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‘I was duped’: Utah senator apologizes for sharing Kevin O’Leary’s ‘Chinese Communists’ claim


State Sen. Todd Weiler previously shared a six-post thread about opponents of the Box Elder data center allegedly being paid by China.

(Rick Egan | The Salt Lake Tribune) Sen. Todd Weiler, R-Woods Cross, says a few words during a ceremonial bill signing to highlight landmark legislation that establishes Utah as a national leader in protecting kids online, in the Gold Room at the Capitol, on Friday, April 4, 2025.



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Washington

Concert News: The Washington Chorus Celebrates 65th Anniversary During 2026-2027 Season

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Concert News: The Washington Chorus Celebrates 65th Anniversary During 2026-2027 Season


Photo by Elman Studio.

June 30, 2026 (Washington, D.C.) – The Washington Chorus (TWC), DC’s most dynamic choral ensemble, celebrates its 65th anniversary during the 2026-2027 season. Through thought-provoking pairings of classic major choral works, artistic collaborations, and groundbreaking premieres, TWC celebrates its history of providing an inclusive community where choral music connects, reflects, and inspires everyone while continuing its mission of creating transformative musical experiences that bring people together through the joy of choral music.

“Our 65th season showcases TWC’s commitment to honoring choral tradition while embracing the living voices shaping American music today,” said TWC Artistic Director Eugene Rogers. “We look forward to serving the entire D.C. community, bringing new audiences into our special anniversary celebration through this repertoire and outstanding guest artists.”

The season begins with TWC’s guest appearance with the National Symphony Orchestra for Beethoven’s Ninth Symphony, conducted by Gianandrea Noseda at Wolf Trap’s Filene Center on Friday, August 14, 2026 at 8:00 p.m. On Thursday, October 15, 2026 at 7:30 p.m. at Joseph Myerhoff Symphony Hall; Saturday, October 17, 2026 at 8:00 p.m. at Music Center at Strathmore; and Sunday, October 18, 2026 at 3:00 p.m. at Meyerhoff TWC joins Marin Alsop and the Baltimore Symphony Orchestra for John Adam’s On the Transmigration of Souls as part of the BSO’s Alsop Conducts Tchaikovsky’s Pathétique concert.

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The Washington Chorus’s own season kicks off with two weekends of A Candlelight Christmas concerts in December, continuing its beloved holiday tradition now reimagined in new venues across the city. This cherished program brings together The Washington Chorus with the National Capital Brass and Percussion Ensemble, alongside award-winning music director, organist, and conductor Paul Byssainthe Jr., soprano Colleen Daly, and jazz-mezzo Christie Dashiell. The program will also feature the premiere of a new work by Evelyn Simpson-Curenton. Blending timeless carols with vibrant new voices, A Candlelight Christmas offers a warm and luminous celebration of the season – honoring tradition while embracing the rich musical spirit of our community. Venue and performance info are listed below.

In the new year, The Washington Chorus presents A Song Flung Up to Heaven: Honoring 65 Years of TWC on Sunday, February 28, 2027 at 3:00 p.m. at DAR Constitution Hall. The program juxtaposes two major works from contrasting origins – Nkeiru Okoye’s When the Caged Bird Sings and Poulenc’s Gloria – that treat sacred themes with a striking blend of reverence and theatricality. Together, these two major works meld European and American musical traditions into a powerful, life-affirming concert experience with a deep connection to spiritual rituals, while each composer’s innovation imbues them with new discoveries and uncovers mysteries of the human condition.

The centerpiece of this performance is the East Coast premiere of Dr. Nkeiru Okoye’s dramatic work When the Caged Bird Sings – a “musical ceremony” fusing many genres, including opera, musical theater, spoken word, and choral singing, and American musical styles including gospel, spirituals, traditional anthems, and jazz. Okoye’s evocative new piece celebrates the spirit of rising above expectations and transforming adversity into triumph through the milestones in the life of one Black woman. Partly in tribute to the activist and poet laureate Maya Angelou, the work celebrates and explores the transformative ability of the human spirit, commemorating those who have paved a path for future generations. The concert opens with a cornerstone of 20th-century sacred music, Francis Poulenc’s Gloria, which first premiered in 1961, the same year as TWC’s founding. 

In May, TWC partners with the National Philharmonic to present Requiem and Renewal featuring Mozart’s monumental Requiem. This will be preceded by Jocelyn Hagen’s large-scale symphonic work, What the Soul Already Knows, on Saturday, May 8, 2027 at 7:30 p.m. at Music Center at Strathmore. Jointly commissioned by Pacific Chorale under the direction of Robert Istad and The Washington Chorus, the work will have its East Coast premiere as part of TWC’s 65th Anniversary Season.

Rooted in an exploration of the sacred – in both the physical world and the unseen – the work invites listeners to reflect on the deep interconnectedness of all life. At its core, What the Soul Already Knows is a meditation on our shared humanity and the potential for beauty that arises when we live in alignment with gratitude, unity, and service. The title received inspiration from the book Sacred Earth, Sacred Soul by Celtic spiritual teacher John Philip Newell, whose writings illuminate the sacred as present not only in heaven, but within the earth and all living beings. Both Hagen’s and Mozart’s works are meditations on the soul in a program that asks: What is the soul, what is sacred, and how should we live – before and beyond death?

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Closing the season is a theatrical version of Giuseppe Verdi’s Requiem with the Baltimore Symphony Orchestra and conducted by its Artistic Director Jonathon Heyward on Friday, June 11, 2027 at 8:00 p.m. at Joseph Meyerhoff Symphony Hall; Saturday, June 12, 2027 at 6:00 p.m. at Music Center at Strathmore; and Sunday, June 13, 2027 at 3:00 p.m. at Joseph Meyerhoff Symphony Hall. This staged performance of Verdi’s masterpiece is our third collaboration with Heyward and the BSO’s multi-year Verdi Opera Initiative.

Performance Information

Beethoven’s Ninth Symphony
Friday, August 14, 2026 at 8:00 p.m.
Filene Center, Wolf Trap | 1551 Trap Road | Vienna, VA 22182
Tickets: 
$57 – $132
Link: wolftrap.org/show/26filene/081426/ 

Program:
Beethoven – The Consecration of the House – Overture
Beethoven – Elegiac Song, Op. 118
Beethoven – Symphony No. 9

Artists:
National Symphony Orchestra
Gianandrea Noseda, conductor
Tessa McQueen, soprano 
Cecelia McKinley, alto 
Demetrious Sampson, tenor
Jonathan Patton, baritone
The Washington Chorus
Eugene Rogers, artistic director
_______________________________

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Alsop Conducts Tchaikovsky’s Pathétique
Thursday, October 15, 2026 at 7:30 p.m. 
Joseph Meyerhoff Symphony Hall | 1212 Cathedral Street | Baltimore, MD 21201

Saturday, October 17, 2026 at 8:00 p.m. 
Music Center at Strathmore | 5301 Tuckerman Lane | North Bethesda, MD 20852

Sunday, October 18, 2026 at 3:00 p.m.
Joseph Meyerhoff Symphony Hall | 1212 Cathedral Street | Baltimore, MD 21201

Tickets: Subscriptions are on sale now, with single tickets on sale August 2026
Link: my.bsomusic.org/20342/20381 

Program:
Barber – Adagio for Strings
John Adams – On the Transmigration of Souls
Tchaikovsky – Symphony No. 6, “Pathétique”

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Artists:
Baltimore Symphony Orchestra
Marin Alsop, conductor
The Washington Chorus
Eugene Rogers, artistic director
_______________________________

A Candlelight Christmas
Saturday, December 11, 2026 at 3:00 p.m. 
Sunday, December 12, 2026 at 3:00 p.m.
Cramton Auditorium, Howard University | 2455 6th St NW | Washington, DC 20059

w/Howard University Chorale 

Friday, December 18, 2026 at 7:30 p.m. 
Saturday, December 19, 2026 at 11:00 a.m. & 3:00 p.m. 
Lisner Auditorium, George Washington University | 730 21st St NW | Washington, DC 20052

Monday, December 21, & Tuesday, December 22, 2026 at 7:30 p.m.
Music Center at Strathmore | 5301 Tuckerman Lane | North Bethesda, MD 20852

Link: thewashingtonchorus.org/2026-27-season 

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Program:
Evelyn Simpson-Curenton – NEW WORK (World Premiere)

Artists:
Eugene Rogers, conductor
Christie Dashiell, soloist (Dec. 11, 12, 21 & 22)
Howard University Concert Choir (Dec. 11 & 12)
Eric Poole, conductor
National Capital Brass and Percussion Ensemble
Paul Byssainthe Jr., organ & piano (Dec. 18 -22)
Reservoir High School (Dec. 18 & 19)
Gregory Knauf, conductor
South Loudon Youth Chorale (Dec. 21 & 22)
Laura Lazarevich, conductor 
_______________________________

A Song Flung Up to Heaven: Honoring 65 Years of TWC
Sunday, February 28, 2027 at 3:00 p.m.
DAR Constitution Hall | 1776 D Street NW | Washington, D.C. 20006
Link:
thewashingtonchorus.org/2026-27-season 

Program:
Poulenc – Gloria
Nkeiru Okoye – When the Caged Bird Sings

Artists:
Eugene Rogers, conductor
Denyce Graves, narrator
Cyrus Chestnut, piano
Angela Brown, soprano
Christie Dashiell, jazz mezzo
Issachah Savage, tenor
Michael Preacely, baritone
The Washington Chorus
Howard University Chorale
Dr. Eric Poole, director
_______________________________

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Requiem and Renewal
Saturday, May 8, 2027 at 7:30 p.m. 
Music Center at Strathmore | 5301 Tuckerman Lane | North Bethesda, MD 20852
Tickets: 
Single tickets are on sale beginning Thursday, July 23, 2026
Link: nationalphilharmonic.org/event/what-the-soul-already-knows-requiem-renewal/

Program:
Jocelyn Hagen – What the Soul Already Knows
Mozart – Requiem in D Minor

Artists:
National Philharmonic
The Washington Chorus
Eugene Rogers, conductor
Rabihah Dunn, soprano
Ashley Dixon, mezzo-soprano
Brian Giebler, tenor
Alan Williams, baritone
_______________________________

Heyward Conducts Verdi’s Requiem
Friday, June 11, 2027 at 8:00 p.m.
Joseph Meyerhoff Symphony Hall | 1212 Cathedral Street | Baltimore, MD 21201

Saturday, June 12, 2027 at 6:00 p.m.
Music Center at Strathmore | 5301 Tuckerman Lane | North Bethesda, MD 20852

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Sunday, June 13, 2027 at 3:00 p.m.
Joseph Meyerhoff Symphony Hall | 1212 Cathedral Street | Baltimore, MD 21201

Tickets: Subscriptions are on sale now, with single tickets on sale August 2026
Link: my.bsomusic.org/overview/20358

Program:
Giuseppe Verdi – Requiem

Artists:
Baltimore Symphony Orchestra
Jonathon Heyward, conductor
The Washington Chorus
Eugene Rogers, artistic director

___________________________

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About The Washington Chorus
The Washington Chorus (TWC) is one of the foremost symphonic choruses in the nation and a cultural leader in our nation’s capital—creating joyous and transformative choral music since 1961. TWC is noted for the superb artistry of its performances and recordings of the entire range of the choral repertoire. A three-time nominated and two-time Grammy Award-winner, the 220-voice Chorus presents performances annually across the DMV region. TWC is also a longtime artistic partner and collaborator with many of the nation’s leading organizations and artists, including the National Symphony Orchestra (NSO), National Philharmonic (NatPhil), Washington Performing Arts (WPA), and the Baltimore Symphony Orchestra (BSO). TheWashingtonChorus.org

About Eugene Rogers
Lauded for leading performances of “pure magic” (Washington Post), conductor Eugene Rogers is at the vanguard of American musicians, recognized for his musical and educational leadership around the world. Rogers is a committed conductor, teacher, arranger, and industry thought leader, championing timely new works, bringing historically overlooked music to life, and supporting next-generation talents. 

Rogers is a two-time Michigan Emmy Award winner, a 2017 Sphinx Medal of Excellence recipient, and was nominated for a Grammy Award in 2015. Musical America magazine has named him one of the top music industry professionals, and his work has been profiled on CNN, PBS, and on radio stations and in print and online publications across the world. 

Since 2020, Rogers has served as Artistic Director of The Washington Chorus. He is also the Founding Director for EXIGENCE, a professional vocal ensemble affiliated with the world-renowned Sphinx Organization, highlighting artistry within Black and Latinx communities. Alongside his own appearances as guest conductor for orchestra, chorus, and opera, he has also proudly acted as chorus master to leading conductors including Gianandrea Noseda, Marin Alsop, Jonathan Heyward, Joe Hisaishi, and James Conlon. 

Rogers is a Professor of Music and the Director of University Choirs at the University of Michigan School of Music, Theatre, and Dance. He is a former board member of Chorus America and is the former national chair of the Diversity Initiatives Committee for the American Choral Directors Association. Rogers is also active as an arranger, with publications including the Eugene Rogers Choral Series with ECS Publishing and the EXIGENCE Choral Series for Mark Foster Publishing. 

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Wyoming

Free Crow Culture Program at Fort Phil Kearny

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Free Crow Culture Program at Fort Phil Kearny


Wyoming State Historic Sites Superintendent Sharie Mooney Shada made an appearance on Sheridan Media’s Public Pulse to speak on the upcoming Immersion in Crow Culture program at Fort Phil Kearny on July 16.

The event begins at 6 p.m. Thursday, July 16 at the Fort Phil Kearny Interpretive Center. 

S. Mooney Shada

The rangers host free, family-friendly evening talks and presentations throughout the summer. Shada said the Native American Student Interpretive Ranger Program has enriched the visitor experience at Fort Phil Kearny. In its fourth year at the fort, the program allows a perspective from the indigenous side of history.

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Keep up with events at Fort Phil Kearny by clicking here.




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