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Nikki Giovanni, poet and literary celebrity, has died at 81

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Nikki Giovanni, poet and literary celebrity, has died at 81


Nikki Giovanni, the poet, author, educator and public speaker who rose from borrowing money to release her first book to decades as a literary celebrity sharing her blunt and conversational takes on everything from racism and love to space travel and mortality, has died. She was 81.

Giovanni, subject of the prize-winning 2023 documentary “Going to Mars,” died Monday with her life-long partner, Virginia (Ginney) Fowler, by her side, according to a statement from friend and author Renée Watson

“We will forever feel blessed to have shared a legacy and love with our dear cousin,” Allison (Pat) Ragan, Giovanni’s cousin, said in a statement on behalf of the family.

Author of more than 25 books, Giovanni was a born confessor and performer whom fans came to know well from her work, her readings and other live appearances and her years on the faculty of Virginia Tech among other schools. Poetry collections such as “Black Judgement” and “Black Feeling Black Talk” sold thousands of copies, led to invitations from “The Tonight Show” and other television programs and made her popular enough to fill a 3,000-seat concert hall at Lincoln Center for a celebration of her 30th birthday.

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In poetry, prose and the spoken word, she told her story. She looked back on her childhood in Tennessee and Ohio, championed the Black Power movement, addressed her battles with lung cancer, paid tribute to heroes from Nina Simone to Angela Davis and reflected on such personal passions as food, romance, family and rocketing into space, a journey she believed Black women uniquely qualified for, if only because of how much they had already survived. She also edited a groundbreaking anthology of Black women poets, “Night Comes Softly,” and helped found a publishing cooperative that promoted works by Gwendolyn Brooks and Margaret Walker among others.

For a time, she was called “The Princess of Black Poetry.”

“All I know is the she is the most cowardly, bravest, least understanding, most sensitive, slowest to anger, most quixotic, lyingest, most honest woman I know,” her friend Barbara Crosby wrote in the introduction to “The Prosaic Soul of Nikki Giovanni,” an anthology of nonfiction prose published in 2003. “To love her is to love contradiction and conflict. To know her is to never understand but to be sure that all is life.”

Giovanni’s admirers ranged from James Baldwin to Teena Marie, who name-checked her on the dance hit “Square Biz,” to Oprah Winfrey, who invited the poet to her “Living Legends” summit in 2005, when other guests of honor included Rosa Parks and Toni Morrison. Giovanni was a National Book Award finalist in 1973 for a prose work about her life, “Gemini.” She also received a Grammy nomination for the spoken word album “The Nikki Giovanni Poetry Collection.”

In January 2009, at the request of NPR, she wrote a poem about the incoming president, Barack Obama:

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“I’ll walk the streets

And knock on doors

Share with the folks:

Not my dreams but yours

I’ll talk with the people

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I’ll listen and learn

I’ll make the butter

Then clean the churn”

____

Giovanni had a son, Thomas Watson Giovanni, in 1969. She never married the father, because, she told Ebony magazine, “I didn’t want to get married, and I could afford not to get married.” Over the latter part of her life she lived with her partner, Virginia Fowler, a fellow faculty member at Virginia Tech.

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She was born Yolande Cornelia Giovanni Jr. in Knoxville, Tennessee, and was soon called “Nikki” by her older sister. She was 4 when her family moved to Ohio and eventually settled in the Black community of Lincoln Heights, outside of Cincinnati. She would travel often between Tennessee and Ohio, bound to her parents and to her maternal grandparents in her “spiritual home” in Knoxville.

As a girl, she read everything from history books to Ayn Rand and was accepted to Fisk University, the historically Black school in Nashville, after her junior year of high school. College was a time for achievement, and for trouble. Her grades were strong, she edited the Fisk literary magazine and helped start the campus branch of the Student Non-Violent Coordinating Committee. But she rebelled against school curfews and other rules and was kicked out for a time because her “attitudes did not fit those of a Fisk woman,” she later wrote. After the school changed the dean of women, Giovanni returned and graduated with honors in history in 1967.

Giovanni relied on support from friends to publish her debut collection, “Black Poetry Black Talk,” which came out in 1968, and in the same year she self-published “Black Judgement.” The radical Black Arts Movement was at its height and early Giovanni poems such as “A Short Essay of Affirmation Explaining Why,” “Of Liberation” and “A Litany for Peppe” were militant calls to overthrow white power. (“The worst junkie or black businessman is more humane/than the best honkie”).

“I have been considered a writer who writes from rage and it confuses me. What else do writers write from?” she wrote in a biographical sketch for Contemporary Writers. “A poem has to say something. It has to make some sort of sense; be lyrical; to the point; and still able to be read by whatever reader is kind enough to pick up the book.”

Her opposition to the political system moderated over time, although she never stopped advocating for change and self-empowerment, or remembering martyrs of the past. In 2020, she was featured in an ad for presidential candidate Joe Biden, in which she urged young people to “vote because someone died for you to have the right to vote.”

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Her best known work came early in her career; the 1968 poem “Nikki-Rosa.” It was a declaration of her right to define herself, a warning to others (including obituary writers) against telling her story and a brief meditation on her poverty as a girl and the blessings, from holiday gatherings to bathing in “one of those big tubs that folk in chicago barbecue in,” which transcended it.

“and I really hope no white person ever has cause

to write about me

because they never understand

Black love is Black wealth and they’ll

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probably talk about my hard childhood

and never understand that

all the while I was quite happy”



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Scripps Oceanography granted $15M for deep sea, glacier science

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Scripps Oceanography granted M for deep sea, glacier science


The Fund for Science and Technology, a new private foundation, granted Scripps Institution of Oceanography at UC San Diego $15 million for ocean science Tuesday.

FFST, funded by the estate of the late Microsoft co-founder Paul Allen, was started in 2025 with a commitment to invest at least $500 million over four years to “propel transformative science and technology for people and the planet.”

“Scripps Institution of Oceanography at UC San Diego is pushing boundaries for exploration and discovery across the global ocean,” Chancellor Pradeep Khosla said. “This visionary support from the Fund for Science and Technology will enable Scripps researchers to advance our understanding of our planet, which has meaningful implications for communities around the world.”

The grant, the largest of its kind since Scripps joined UCSD in 1960, will go toward research in three areas: monitoring of environmental DNA and other biomolecules in marine ecosystems, adding to the Argo network of ocean observing robots, and enhancing the study of ocean conditions beneath Antarctica’s Thwaites Glacier, often referred to as the “Doomsday Glacier.”

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Scripps Institution of Oceanography has used Argo floats for more than two decades to track climate impacts in our oceans. NBC 7 meteorologist Greg Bledsoe reports.

“The Fund for Science and Technology was created to support transformational science in the search of answers to some of the planet’s most complex questions,” said Dr. Lynda Stuart, president and CEO at the fund. “Scripps has a long tradition of leadership at the frontiers of ocean and climate science, and this work builds on that legacy — strengthening the tools and insights needed to understand our environment at a truly global and unprecedented scale.”

Scripps Director Emeritus Margaret Leinen will use a portion of the grant in her analysis of eDNA — free-floating fragments of DNA shed by organisms into the environment — in understudied parts of the ocean to collect crucial baseline data on marine organisms, according to a statement from Scripps.

“In many regions, we know very little about the microbial communities that form the base of the ocean food web or that make deep sea ecosystems so unique,” Leinen said. “Without data, we can’t predict how these communities are going to respond to climate change or what the consequences might be. That’s a vulnerability — and this funding will help us begin to address it.”

Using autonomous samplers that can collect ocean water for eDNA analysis, as well as conventional sampling, scientists will use tools to “reveal the biology of the open ocean and polar regions.”

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According to Scripps, the international Argo program has more than 4,000 floats that drift with currents and periodically dive to measure temperature, salinity and pressure. Standard floats can record data up to depths of 2,000 meters (6,560 feet), while newer Deep Argo floats can dive to 6,000 meters (19,685 feet).

The grant funding announced Tuesday will allow for Scripps to deploy around 50 Deep Argo floats along with Woods Hole Oceanographic Institution and NOAA’s Pacific Marine Environmental Laboratory.

Sarah Purkey, physical oceanographer at Scripps and Argo lead, said this leap forward in deep ocean monitoring comes at a crucial time because the deep sea has warmed faster than expected over the last two decades.

Thwaites Glacier is Antarctica’s largest collapsing glacier and contains enough ice to raise global sea level by roughly two feet if it were to collapse entirely. According to Scripps, prior expeditions led by scientist Jamin Greenbaum discovered anomalously warm water beneath the glacier’s ice shelf — contributing to melting from below. Greenbaum now seeks to collect water samples and other measurements from beneath Thwaites’ ice tongue to disentangle the drivers of its rapid melting.

This season’s Antarctic fieldwork will “test hypotheses about the drivers of Thwaites’ rapid melt with implications for sea-level rise projections,” the statement from Scripps said.

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“The ocean holds answers to some of the most pressing questions about our planet’s future, but only if we can observe it,” said Meenakshi Wadhwa, director of Scripps Institution of Oceanography and vice chancellor for marine sciences at UCSD. “This historic grant will help ocean scientists bring new tools and approaches to parts of the ocean we’ve barely begun to explore.”



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Southern California’s Jewish community reacts to war in the Middle East

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Southern California’s Jewish community reacts to war in the Middle East


The Jewish community in Southern California is sharing their fears and hopes following the weekend’s strikes on Iran and retaliatory attacks on Israel, U.S. military bases and other targets in the Middle East.

The exchange of missiles in the Middle East is having a devasting effect on Iran’s defense capability, but retaliatory strikes in the region are taking a toll. 

“Weapons of enormous capacity that are targeting civilian areas,” said Elan Carr, CEO of Los Angeles-based Israeli American Council.

Carr says toppling the Iranian regime, taking out its nuclear capabilities and freeing the Iranian people from this oppressive rule should have been done decades ago.

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“This is about seeing the most evil regime, the world chief state sponsored terrorism to no longer have the ability to do what it’s been doing,” Carr said.

Sara Brown, regional director of the American Jewish Committee, said the U.S. and Israel are concentrating strikes on Iran’s missile sites and military industrial complex. Iran’s retaliatory strikes are focused on many civilian targets.

“We are hearing from our partners from around the region, who are terrified,” Brown said. “Across the Middle East right now, I think there is a tremendous amount of fear, but also hope and also resolve.”

AJC is the advocacy arm for Jewish people globally. Many members and partner groups are in harm’s way. Brown says the risk is great, but the potential reward is world changing.

“That Iranian people will get to choose leadership for themselves, that we will finally see a pathway forward for peace across the Middle East,” Brown said.

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If wars of the past hadn’t produced lasting peace, then why now? Carr says Iran’s nuclear capabilities are destroyed and Iran’s military and proxies are weakened after Israel’s response to the Oct. 7 Hamas ambush.

“No more terrorist network throughout the Middle East. Think of what that could mean. Think of the normalization we could see,” Carr said.

President Donald Trump expects fighting to last several weeks. Some critics are concerned about a drawn-out conflict that could spread.

Carr is not convinced.

“Who is going to enter a war against the U.S. and Israel? Russia is plenty busy. China has no interest in jeopardizing itself this way,” Carr said.

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Besides the six Americans killed as of Monday night, government officials say 11 people were killed in retaliatory strikes in Israel.



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San Diego Zoo Safari Park’s Elephant Valley: Get closer to elephants

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San Diego Zoo Safari Park’s Elephant Valley: Get closer to elephants


San Diego — Before we see elephants at Elephant Valley in the San Diego Zoo Safari Park, we come face to face with destruction, only the wreckage is beautiful. A long, winding path takes guests around and under felled trees. Aged gray tree hunks form arches, for instance, over bridges that tower over clay-colored paths with hoof prints.

The design is meant to reorient us, to take us on a trail walked not by humans but traversed and carved by elephants, a creature still misunderstood, vilified and hunted for its cataclysmic-like ability to reshape land, and sometimes communities.

“It starts,” says Kristi Burtis, vice president of wildlife care for the Safari Park, “by telling the story that elephants are ecosystem engineers.”

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Elephant Valley will open March 5 as the newest experience at the Escondido park, its aim to bring guests closer than ever to the zoo’s eight elephants, which range in age from 7 to 36, while more heavily focusing on conservation. The centerpiece of the 13-acre-plus parkland is a curved bridge overlooking a savanna, allowing elephants to walk under guests. But there are also nooks such as a cave that, while not previewed at a recent media event, will allow visitors to view elephants on their level.

In a shift from, say, the Safari Park’s popular tram tour, there are no fences and visible enclosures. Captive elephants remain a sometimes controversial topic, and the zoo’s herd is a mix of rescues and births, but the goal was to create a space where humans are at once removed and don’t impede on the relative free-roaming ability of the animals by keeping guests largely elevated. As an example of just how close people can get to the herd, there was a moment of levity at the event when one of the elephants began flinging what was believed to be a mixture of dirt and feces up onto the bridge.

“Our guests are going to be able to see the hairs on an elephant,” Burtis says. “They can see their eyes. They can see the eyelashes. They can see how muscular their trunks are. It’s really going to be a different experience.”

Elephant Valley, complete with a multistory lodge with open-air restaurants and bars, boasts a natural design that isn’t influenced by the elephant’s African home so much as it is in conversation with it. The goal isn’t to displace us, but to import communal artistry — Kenyan wood and beadwork can be found in the pathways, resting spaces and more — as a show of admiration rather than imitation.

“We’re not going to pretend that we’re taking people to Africa,” says Fri Forjindam, now a creative executive with Universal’s theme parks but previously a lead designer on Elephant Valley via her role as a chief development officer at Mycotoo, a Pasadena-based experiential design firm.

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“That is a slippery slope of theming that can go wrong really fast,” she adds. “How do we recognize where we are right now, which is near San Diego? How do we populate this plane with plants that are indigenous to the region? The story of coexistence is important. We’re not extracting from Africa, we’re learning. We’re not extracting from elephants, we’re sharing information.”

But designing a space that is elephant-first yet also built for humans presented multiple challenges, especially when the collaborating teams were aiming to construct multiple narratives around the animals. Since meetings about Elephant Valley began around 2019, the staff worked to touch on themes related to migration and conservation. And there was also a desire to personalize the elephants.

“Where can we also highlight each of the elephants by name, so they aren’t just this huge herd of random gray creatures?” Forjindam says. “You see that in the lodge.”

That lodge, the Mkutano House — a phrase that means “gathering” in Swahili — should provide opportunities for guests to linger, although zoo representatives say reservations are recommended for those who wish to dine in the space (there will also be a walk-up, to-go window). Menus have yet to be released, but the ground floor of the structure, boasting hut-like roofing designed to blend into the environment, features close views of the elephant grazing pool as well as an indoor space with a centerpiece tree beneath constellation-like lighting to mimic sunrises and sunsets.

Throughout there are animal wood carvings and beadwork, the latter often hung from sculptures made of tree branches. The ceiling, outfitted with colorful, cloth tapestries designed to move with the wind, aims to create less friction between indoor and outdoor environments.

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There are, of course, research and educational goals of the space as well. The Safari Park works, for instance, with the Northern Rangelands Trust and Loisaba Conservancy in Kenya, with an emphasis on studying human-elephant conflict and finding no-kill resolutions. Nonprofits and conservation groups estimate that there are today around 415,000 elephants in Africa, and the African savanna elephant is listed as endangered by the International Union for Conservation of Nature.

Studies of the zoo’s young elephants is shared with the Reteti Elephant Sanctuary in the hopes of delivering care to elephant youth to prevent orphanage. Additionally, the Safari Park has done extensive examination into the endotheliotropic herpes virus. “The data that we collect from elephants here, you can’t simply get from elephants in the wild,” Burtis says.

One of the two entrances to Elephant Valley is outfitted with bee boxes; bees are known to be a natural elephant deterrent and can help in preventing the animals from disrupting crops or communities. To encourage more natural behavior, the plane is outfitted with timed feeders in an attempt to encourage movement throughout the acreage and establish a level of real-life unpredictability in hunting for resources. Water areas have been redesigned with ramps and steps to make it easier for the elephants to navigate.

With Elephant Valley, Forjindam says the goal was to allow visitors to “observe safely in luxury — whatever that is — but not from a position of power, more as a cohabitor of the Earth, with as much natural elements as possible. It’s not to impose dominance. Ultimately, it needed to feel natural. It couldn’t feel like a man-made structure, which is an antiquated approach to any sort of safari experience where animals are the product, a prize. In this experience, this is the elephant’s home.”

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And the resulting feel of Elephant Valley is that we, the paying customers, are simply their house guests.



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