Movie Reviews
Film Review: Venom: The Last Dance – SM Mirror
By Dolores Quintana
Venom: The Last Dance was very enjoyable and kind of sweet for a movie where a monster eats people’s heads. Don’t worry, it’s a PG-13 movie, so even those head crunches aren’t that gory or graphic. Basically, the movie is grounded in human emotion and characterization rather than spectacle which is why it is successful for me. Also, the thread of oddball humor, that blends well with the character of Venom, is very much appreciated.
All of the actors were terrific, but Tom Hardy was especially great in the dual role. It’s almost like Eddie has been turned into Job if Job was constantly robbed of his shoes by Fate. Hardy was so good as Venom and Eddie that the thought of it being The Last Dance was somewhat sad.
Juno Temple, Rhys Ifans, Chiwetel Ejiofor, Clark Backo, and Peggy Lu stood out but everyone did fine work.
It’s funny and full of wonder but the main theme is about personal identity and people (or symbiotes) doing things for the greater good. It’s timely, for sure. For a Marvel / Superhero film, it’s got a nice horror edge and the actors’ belief in what they are doing sells the CGI, which is admittedly good and cool-looking. It’s a fantastic multi-dimensional comedy of errors with an especially endearing monster and his mostly grumpy human self.
When you put the right actors who are committed to the film in a superhero movie, it works. The film is ably directed by Kelly Marcel, who has co-written the previous entries in the Venom franchise and penned Let There Be Carnage and Last Dance in collaboration with Hardy. The two founded a theater company in London, with writer Brett C. Leonard, called The Bad Dog Theater Company.
Some people have called it a bromance, but I see it more as a buddy comedy where the buddies are in the same body. It is the best Marvel movie that I’ve seen in a while for sheer entertainment value, weirdness, and emphasis on human (and symbiote) interaction.
Movie Reviews
Mana Shankara Vara Prasad Garu Review: USA Premiere Report
U.S. Premiere Report:
#MSG Review: Free Flowing Chiru Fun
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It’s an easy, fun festive watch with a better first half that presents Chiru in a free-flowing, at-ease with subtle humor. On the flip side, much-anticipated Chiru-Venky track is okay, which could have elevated the second half.
#AnilRavipudi gets the credit for presenting Chiru in his best, most likable form, something that was missing from his comeback.
With a simple story, fun moments and songs, this has enough to become a commercial success this #Sankranthi
Rating: 2.5/5
First Half Report:
#MSG Decent Fun 1st Half!
Chiru’s restrained body language and acting working well, paired with consistent subtle humor along with the songs and the father’s emotion which works to an extent, though the kids’ track feels a bit melodramatic – all come together to make the first half a decent fun, easy watch.
– Mana Shankara Vara Prasad Garu show starts with Anil Ravipudi-style comedy, with his signature backdrop, a gang, and silly gags, followed by a Megastar fight and a song. Stay tuned for the report.
U.S. Premiere begins at 10.30 AM EST (9 PM IST). Stay tuned Mana Shankara Vara Prasad Garu review, report.
Cast: Megastar Chiranjeevi, Venkatesh Daggubati, Nayanthara, Catherine Tresa
Writer & Director – Anil Ravipudi
Producers – Sahu Garapati and Sushmita Konidela
Presents – Smt.Archana
Banners – Shine Screens and Gold Box Entertainments
Music Director – Bheems Ceciroleo
Cinematographer – Sameer Reddy
Production Designer – A S Prakash
Editor – Tammiraju
Co-Writers – S Krishna, G AdiNarayana
Line Producer – Naveen Garapati
U.S. Distributor: Sarigama Cinemas
Mana Shankara Vara Prasad Garu Movie Review by M9
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1986 Movie Reviews – Black Moon Rising | The Nerdy
Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.
We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.
Yes, we’re insane, but 1986 was that great of a year for film.
The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.
This time around, it’s Jan. 10, 1986, and we’re off to see Black Moon Rising.
Black Moon Rising
What was the obsession in the 1980s with super vehicles?
Sam Quint (Tommy Lee Jones) is hired to steal a computer tape with evidence against a company on it. While being pursued, he tucks it in the parachute of a prototype vehicle called the Black Moon. While trying to retrieve it, the car is stolen by Nina (Linda Hamilton), a car thief working for a car theft ring. Both of them want out of their lives, and it looks like the Black Moon could be their ticket out.
Blue Thunder in the movies, Airwolf and Knight Rider on TV, the 1980s loved an impractical ‘super’ vehicle. In this case, the car plays a very minor role up until the final action set piece, and the story is far more about the characters and their motivations.
The movie is silly as you would expect it to be, but it is never a bad watch. It’s just not anything particularly memorable.
1986 Movie Reviews will continue on Jan. 17, 2026, with The Adventures of the American Rabbit, The Adventures of Mark Twain, The Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.
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