Connect with us

Business

Hollywood Teamsters show their pride ahead of contract negotiations

Published

on

Hollywood Teamsters show their pride ahead of contract negotiations

The Hollywood Teamsters’ float at L.A. Pride was upholstered with sparkly blue fabric provided by a location manager who has worked on Peacock’s “Bel-Air” and Netflix’s “The Politician.”

The giant bubble letters were layered by a construction coordinator on Freeform’s “Good Trouble.” The horse heads were turned to gold by painters whose resumes include “Jerry Maguire” and “The Big Lebowski.” The rainbow jewels came directly from the set of Lionsgate’s upcoming Michael Jackson biopic.

Roughly one month after the International Alliance of Theatrical Stage Employees, or IATSE, the largest union representing Hollywood crew members, entered general contract negotiations with the major studios, a smaller coalition of below-the-line workers is stepping into the spotlight. And dozens of them took to the streets of Hollywood over the weekend to build LGBTQ+ and crew member solidarity ahead of their next round of bargaining.

“As far as you can see, there are people here who support equality, and that’s why we’re here,” said Chris Fuentes, a location manager and president of the Teamsters LGBTQ+ caucus. “In the end, it’s about equality and respect. We have to respect these workers and pay them what they’re worth.”

Teamsters Local 399 is part of the Hollywood Basic Crafts, which is scheduled to begin main contract talks with the Alliance of Motion Picture and Television Producers on Monday.

Advertisement

Union members are seeking wage increases, pension and health benefits, higher streaming residuals and protections against artificial intelligence and autonomous vehicles for some 7,600 crew members — including animal trainers, casting directors, drivers, location managers, mechanics, cement masons and plumbers — employed on film and TV sets.

In addition to Teamsters Local 399, the union side (known collectively as the Hollywood Basic Crafts) consists of the International Brotherhood of Electrical Workers Local 40, Laborers International Union of North America Local 724, United Assn. Plumbers Local 78 and the Operating Plasterers and Cement Masons International Assn. Local 755.

The studio side represents Amazon MGM, Apple, Disney, NBCUniversal, Netflix, Paramount, Sony, Warner Bros. Discovery and other companies. The AMPTP declined to comment for this story.

Members of Teamsters Local 399 — the labor union representing Hollywood drivers, animal trainers, location scouts and other crew members — pose for a group photo during the Los Angeles Pride parade.

(Dania Maxwell / Los Angeles Times)

Advertisement

In early March, Teamsters Local 399 and the Hollywood Basic Crafts joined forces with IATSE to negotiate updates to their shared pension and health plan jointly for the first time in 36 years. Efforts to reach an agreement on that package are ongoing; pension and health benefits remain a sticking point in IATSE negotiations.

Now, the Hollywood Teamsters and Basic Crafts are back to bargain simultaneously for six contracts covering different groupings of crew members. The current below-the-line agreements are set to expire July 31.

The pressure to secure substantial financial gains is high in the wake of the COVID-19 pandemic, the Hollywood strikes of 2023 and an ongoing industry contraction — all of which have reduced employment opportunities for entertainment workers in recent years. According to Lindsay Dougherty, principal officer and chief negotiator of Teamsters Local 399, wage increases are a priority for the union even more than in past contract negotiations, “coming off of years of financial distress.”

“When I first got into this business 22 years ago, you could be a location manager, and your significant other could stay home. It was that good of a job,” said Jason McCauley, a location manager whose credits include HBO’s “Westworld” and Warner Bros.’ “Joker: Folie à Deux.” “These days, I can barely pay our bills working 60 hours a week or more.”

Advertisement

Safety and the hazards of working marathon shifts that can last 20-plus hours are also issues the unions are hoping to address, mainly by setting compensation standards that would deter employers from requiring crews to work overtime.

“If there are productions out there that are working our members with excessive hours … they should know that they’re going to have to pay to play,” Dougherty said. “They will not film as many hours if they know it’s going to cost them more money.”

Fears of another Hollywood walkout have softened somewhat as IATSE negotiations have transpired largely without incident. Dougherty joked that in a perfect world, the AMPTP would agree to all of the Hollywood Teamsters and Basic Crafts proposals, yielding a resolution Monday.

But the unions are prepared to bargain down to the wire if necessary.

“We went on strike one time in our history with these companies, and that was in 1988, so it’s possible to … bargain without having to strike,” Dougherty said. “It’s gonna take as long as it needs to.”

Advertisement

Business

How We Cover the White House Correspondents’ Dinner

Published

on

How We Cover the White House Correspondents’ Dinner

Times Insider explains who we are and what we do, and delivers behind-the-scenes insights into how our journalism comes together.

Politicians in Washington and the reporters who cover them have an often adversarial relationship.

But on the last Saturday in April, they gather for an irreverent celebration of press freedom and the First Amendment at the Washington Hilton Hotel: The White House Correspondents’ Association dinner.

Hosted by the association, an organization that helps ensure access for media outlets covering the presidency, the dinner attracts Hollywood stars; politicians from both parties; and representatives of more than 100 networks, newspapers, magazines and wire services.

While The Times will have two reporters in the ballroom covering the event, the company no longer buys seats at the party, said Richard W. Stevenson, the Washington bureau chief. The decision goes back almost two decades; the last dinner The Times attended as an organization was in 2007.

Advertisement

“We made a judgment back then that the event had become too celebrity-focused and was undercutting our need to demonstrate to readers that we always seek to maintain a proper distance from the people we cover, many of whom attend as guests,” he said.

It’s a decision, he added, that “we have stuck by through both Republican and Democratic administrations, although we support the work of the White House Correspondents’ Association.”

Susan Wessling, The Times’s Standards editor, said the policy is a product of the organization’s desire to maintain editorial independence.

“We don’t want to leave readers with any questions about our independence and credibility by seeming to be overly friendly with people whose words and actions we need to report on,” she said.

The celebrity mentalist Oz Pearlman is headlining the evening, in lieu of the usual comedy set by the likes of Stephen Colbert and Hasan Minhaj, but all eyes will be on President Trump, who will make his first appearance at the dinner as president.

Advertisement

Mr. Trump has boycotted the event since 2011, when he was the butt of punchlines delivered by President Barack Obama and the talk show host Seth Meyers mocking his hair, his reality TV show and his preoccupation with the “birther” movement.

Last month, though, Mr. Trump, who has a contentious relationship with the media, announced his intention to attend this year’s dinner, where he will speak to a room full of the same reporters he often derides as “enemies of the people.”

Times reporters will be there to document the highs, the lows and the reactions in the room. A reporter for the Styles desk has also been assigned to cover the robust roster of after-parties around Washington.

Some off-duty reporters from The Times will also be present at this late-night circuit, though everyone remains cognizant of their roles, said Patrick Healy, The Times’s assistant managing editor for Standards and Trust.

“If they’re reporting, there’s a notebook or recorder out as usual,” he said. “If they’re not, they’re pros who know they’re always identifiable as Times journalists.”

Advertisement

For most of The Times’s reporters and editors, though, the evening will be experienced from home.

“The rest of us will be able to follow the coverage,” Mr. Stevenson said, “without having to don our tuxes or gowns.”

Continue Reading

Business

MrBeast company sued over claims of sexual harassment, firing a new mom

Published

on

MrBeast company sued over claims of sexual harassment, firing a new mom

A former female staffer who worked for Beast Industries, the media venture behind the popular YouTube channel MrBeast, is suing the company, alleging she was sexually harassed and fired shortly after she returned from maternity leave.

The employee, Lorrayne Mavromatis, a Brazilian-born social media professional, alleges in a lawsuit she was subjected to sexual harassment by the company’s management and demoted after she complained about her treatment. She said she was urged to join a conference call while in labor and expected to work during her maternity leave in violation of the Family and Medical Leave Act, according to the federal complaint filed Wednesday in the U.S. District Court for the Eastern District of North Carolina.

“This clout-chasing complaint is built on deliberate misrepresentations and categorically false statements, and we have the receipts to prove it. There is extensive evidence — including Slack and WhatsApp messages, company documents, and witness testimony — that unequivocally refutes her claims. We will not submit to opportunistic lawyers looking to manufacture a payday from us,” Gaude Paez, a Beast Industries spokesperson, said in a statement.

Jimmy Donaldson, 27, began MrBeast as a teen gaming channel that soon exploded into a media company worth an estimated $5 billion, with 500 employees and 450 million subscribers who watch its games, stunts and giveaways.

Mavromatis, who was hired in 2022 as its head of Instagram, described a pervasive climate of discrimination and harassment, according to the lawsuit.

Advertisement

In her complaint, she alleges the company’s former CEO James Warren made her meet him at his home for one-on-one meetings while he commented on her looks and dismissed her complaints about a male client’s unwanted advances, telling her “she should be honored that the client was hitting on her.”

When Mavromatis asked Warren why MrBeast, Donaldson, would not work with her, she was told that “she is a beautiful woman and her appearance had a certain sexual effect on Jimmy,” and, “Let’s just say that when you’re around and he goes to the restroom, he’s not actually using the restroom.”

Paez refuted the claim.

“That’s ridiculous. This is an allegation fabricated for the sole purpose of sparking headlines,” Paez said.

Mavromatis said she endured a slate of other indignities such as being told by Donaldson that she “would only participate in her video shoot if she brought him a beer.”

Advertisement

“In this male-centric workplace, Plaintiff, one of the few women in a high-level role, was excluded from otherwise all-male meetings, demeaned in front of colleagues, harassed, and suffered from males be given preferential treatment in employment decisions,” states the complaint.

When Mavromatis raised a question during a staff meeting with her team, she said a male colleague told her to “shut up” or “stop talking.”

At MrBeast headquarters in Greenville, N.C., she said male executives mocked female contestants participating in BeastGames, “who complained they did not have access to feminine hygiene products and clean underwear while participating in the show.”

In November 2023, Mavromatis formally complained about “the sexually inappropriate encounters and harassment, and demeaning and hostile work environment she and other female employees had been living and experiencing working at MrBeast,” to the company’s then head of human resources, Sue Parisher, who is also Donaldson’s mother, according to the suit.

In her complaint, Mavromatis said Beast Industries did not have a method or process for employees to report such issues either anonymously or to a third party, rather employees were expected to follow the company’s handbook, “How to Succeed In MrBeast Production.”

Advertisement

In it, employees were instructed that, “It’s okay for the boys to be childish,” “if talent wants to draw a dick on the white board in the video or do something stupid, let them” and “No does not mean no,” according to the complaint.

Mavromatis alleges that she was demoted and then fired.

Paez said that Mavromatis’s role was eliminated as part of a reorganization of an underperforming group within Beast Industries and that she was made aware of this.

Advertisement
Continue Reading

Business

Heidi O’Neill, Formerly of Nike, Will Be New Lululemon’s New CEO

Published

on

Heidi O’Neill, Formerly of Nike, Will Be New Lululemon’s New CEO

Lululemon, the yoga pants and athletic clothing company, has hired a former executive from a rival, Nike, as its new chief executive.

Heidi O’Neill, who spent more than 25 years at Nike, will take the reins and join Lululemon’s board of directors on Sept. 8, the company announced on Wednesday.

The leadership change is happening during a tumultuous time for Lululemon, which had grown to $11 billion in revenue by persuading shoppers to ditch their jeans and slacks for stretchy leggings. But lately, sales have declined in North America amid intense competition and shifting fashion trends, with consumers favoring looser styles rather than the form-fitting silhouettes for which Lululemon is best known.

“As I step into the C.E.O. role in September, my job will be to build on that foundation — to accelerate product breakthroughs, deepen the brand’s cultural relevance, and unlock growth in markets around the world,” Ms. O’Neill, 61, said in a statement.

Lululemon, based in Vancouver, British Columbia, has also been entangled in a corporate power struggle over the company’s future. Its billionaire founder, Chip Wilson, has feuded with the board, nominated independent directors and criticized executives.

Advertisement

Lululemon’s previous chief executive, Calvin McDonald, stepped down at the end of January as pressure mounted from Mr. Wilson and some investors. One activist investor, Elliott Investment Management, had pushed its own chief executive candidate, who was not selected.

The interim co-chiefs, Meghan Frank and André Maestrini, will lead the company until Ms. O’Neill’s arrival, when they are expected to return to other senior roles. The pair had outlined a plan to revive sales at Lululemon, promising to invest in stores, save more money and speed up product development.

“We start the year with a real plan, with real strategies,” Mr. Maestrini said in an interview this year. “We make sure decisions are made fast.”

Lululemon said last month that it would add Chip Bergh, the former chief executive of Levi Strauss, to its board to replace David Mussafer, the chairman of the private equity firm Advent International, whom Mr. Wilson had sought to remove.

Ms. O’Neill climbed the organizational chart at Nike for decades, working across divisions including consumer sports, product innovation and brand marketing, and was most recently its president of consumer, product and brand. She left Nike last year amid a shake-up of senior management that led to the elimination of her role.

Advertisement

Analysts said Ms. O’Neill would be expected to find ways to energize Lululemon’s business and reset the company’s culture in order to improve performance.

“O’Neill is her own person who will come with an agenda of change,” said Neil Saunders, the managing director of GlobalData, a data analytics and consulting company. “The task ahead is a significant one, but it can be undertaken from a position of relative stability.”

Continue Reading
Advertisement

Trending