Apple says the iPhone had its “best-ever” quarter, with revenue hitting more than $85.3 billion over the past few months. The company announced the news as part of its Q1 2026 earnings report, which also revealed record-breaking revenue of $143.8 billion, up 16 percent when compared to the same time last year.

“iPhone had its best-ever quarter driven by unprecedented demand, with all-time records across every geographic segment, and Services also achieved an all-time revenue record, up 14 percent from a year ago,” Apple CEO Tim Cook says in the press release.

Apple’s services revenue, which includes subscriptions like Apple Music, iCloud, and Apple TV surged 14 percent year over year, while Mac and wearable revenue were down.

In the coming months, Apple will bring promised AI-powered personalization features to Siri. Apple is partnering with Google to power this upgrade, which will use a custom version of Google’s Gemini AI model.

The company is also acquiring an AI startup, called Q.ai, for $2 billion, according to the Financial Times. Though there aren’t any details on how Apple plans to use the startup’s technology, the Financial Times reports that Q.ai’s patents “show its technology being used in headphones or glasses, using ‘facial skin micro movements’ to communicate without talking.”

What happens when artificial intelligence (AI) moves from painting portraits to designing homes? That question is no longer theoretical. 

At the Utzon Center in Denmark, Ai-Da Robot, the world’s first ultra-realistic robot artist, has made history as the first humanoid robot to design a building.

The project, called Ai-Da: Space Pod, is a modular housing concept created for future bases on the Moon and Mars. CyberGuy has covered Ai-Da before, when her work focused on drawing, painting and performance art. That earlier coverage showed how a robot could create original artwork in real time and why it sparked global debate.

Now, the shift is clear. Ai-Da is moving beyond art and into physical spaces designed for humans and robots to live in.

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3D-PRINTED HOUSING PROJECT FOR STUDENT APARTMENTS TAKES SHAPE

Inside the ‘I’m not a robot’ exhibition

The exhibition “I’m not a robot” has just opened at Utzon Center and runs through October. It explores the creative capacity of machines at a time when robots are increasingly able to think and create for themselves. Visitors can experience Ai-Da’s drawings, paintings and architectural concepts. Throughout the exhibition period, visitors can also follow Ai-Da’s creative process through sketches, paintings and a video interview.

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How Ai-Da creates art and architecture

Ai-Da is not a digital avatar or animation. She has camera eyes, specially developed AI algorithms and a robotic arm that allows her to draw and paint in real time. Developed in Oxford and built in Cornwall in 2019, Ai-Da works across disciplines. She is a painter, sculptor, poet, performer and now an architectural designer whose work is meant to provoke reflection.

“Ai-Da presents a concept for a shared residential area called Ai-Da: Space Pod, a foreshadowing of a future where AI becomes an integrated part of architecture,” explains Aidan Meller, creator of Ai-Da and Director of Ai-Da Robot. “With intelligent systems, a building will be able to sense and respond to its occupants, adjusting light, temperature and digital interfaces according to needs and moods.”

A building designed for humans and robots

The Space Pod is intentionally modular. Each unit can connect to others through corridors, creating a shared residential environment.

Through a series of paintings, she envisions a home and studio for humans or robots alike. According to the Ai-Da Robot team, these designs could evolve into fully realized architectural models through 3D renderings and construction. They could also adapt to planned Moon or Mars base camps.

While the concept targets future bases on the Moon and Mars, the design can also be built as a prototype on Earth. That detail matters as space agencies prepare for longer missions beyond our planet.

“With our first crewed Moon landing in 50 years coming in 2027, Ai-Da: Space Pod is a simple unit connected to other Pods via corridors,” Meller said. “Ai-Da is a humanoid designing homes. This raises questions about where architecture may go when powerful AI systems gain greater agency.” The timing also aligns with renewed lunar exploration tied to NASA missions.

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Why this exhibition is meant to challenge you

According to Meller, the exhibition is meant to feel uncomfortable at times. “Technology is developing at an extraordinary pace in these years,“ he said, pointing to emotional recognition through biometric data, CRISPR gene editing and brain computer interfaces. Each carries promise and ethical risk. He references Brave New World and warnings from Yuval Harari about how powerful technologies may be used. 

In that context, Ai-Da becomes a mirror of our time. “Ai-Da is confrontational. The very fact that she exists is confrontational,” said Line Nørskov Davenport, Director of Exhibitions at Utzon Center. “She is an AI shaker, a conversation starter.”

What this means for you

This story goes beyond robots and space travel. Ai-Da’s Space Pod shows how quickly AI is moving from a creative tool to a decision-maker. Architecture, housing and shared spaces shape daily life. When AI enters those fields, questions about control, ethics and accountability become unavoidable. If a robot can design homes for the Moon, it may soon influence how buildings function here on Earth.

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Kurt’s key takeaways

A humanoid robot designing a building once sounded impossible. Today, Ai-Da’s work sits inside a major cultural institution and sparks real debate. She offers no easy answers. Instead, she pushes us to think more critically about creativity, technology and responsibility. As the line between human and machine continues to blur, those questions matter more than ever.

If AI can design the homes of our future, how much creative control should humans be willing to give up? Let us know by writing to us at Cyberguy.com.

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I’ve never been more optimistic about the future of Lux and Halide. Today we launched the public preview of Halide Mark III, and the reception is more positive than we possibly could have hoped.

As we mentioned in the announcement post today, we’ve been working with legendary team at The Iconfactory on Mark III. We’re also super excited to be collaborating with the renowned colorist Cullen Kelly on the new looks in Mark III.

Ten years ago I started Halide, and for ten years, I lead product, ran the business, and coded almost everything. Except for the paywall. I hate working on payment screens. But I built everything else, and design was always a collaborative experience.

So in short, Halide is going nowhere. This has been my full time job since 2019, and I couldn’t imagine doing anything else.