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Issa Rae on Hollywood slowdowns: 'It's hard, it's challenging, but we'll make it through'

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Issa Rae on Hollywood slowdowns: 'It's hard, it's challenging, but we'll make it through'

For 28 years, the annual American Black Film Festival (ABFF) has served as a launchpad for aspiring and emerging Black talent across the TV and film industries. Fans from far and wide visit the festival to catch world premieres, indie screenings, contests and conversations and enjoy appearances from some of Hollywood’s most celebrated talent. Founded by Jeff and Nicole Friday in 1997, this year’s festival, held in Miami from June 12-16, was shepherded by longtime Angeleno and multihyphenate Issa Rae as the festival’s creative director.

For Rae, who has attended the ABFF in years past, one of her chief priorities for the role was “fostering a space of community.” In addition to the legendary white party, this year’s festival featured more events almost every night, as well as a chance for film contest winners to celebrate their achievements and network with other industry professionals.

“For me it was about centralizing it so that there were more spaces where we could meet each other and talk … [and] making sure the programming felt relevant to the needs of creators today,” Rae told The Times.

With the industry still recovering from last year’s strikes, festivals such as ABFF that spotlight Black talent prove all the more necessary. Even with successes that include the Peabody Award-winning series “Insecure” and recent roles in Oscar-nominated films such as “Barbie” and “American Fiction,” Rae said she’s not immune to the current industry slowdowns.

“It’s impacted me in the sense that you have to be more cognizant about how they’re thinking things will sell,” said Rae, who founded Hoorae Media, an independent media production company, in 2020. “They’re trying to create projects that have the most broad appeal and since we’re a very adaptable company, we’re putting ourselves in that mind-set. I also have to consider: What do I want to make? And who do I want to collaborate with to make that possible? It’s just a constant game. It’s hard, it’s challenging, but we’ll make it through.”

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In a candid panel discussion with Rae at ABFF, Kenya Barris, the producer behind the Netflix feature “You People” and popular series “Black-ish” and “Mixed-ish,” admitted that the current contraction in Hollywood feels different from past industry struggles.

Barris reminisced about the days when a potential series deal could be confirmed in a casual phone conversation. Now, he said, even in his current position as the producer of multiple award-winning shows on major networks and streaming platforms, studios want specific participating writers, actors, budgets and series length in order to move forward with a project.

“The industry at large is pulling back, and it makes it hard to create anything, so naturally creatives of color are going to be impacted by that,” said Rae. But she also sees the industry’s recession as a potential opportunity for a resurgence of independent films.

“Hollywood always needs a reminder that novel things can travel,” said Rae. “I would advise filmmakers, like I’ve said in the past, to pull resources together to collaborate and show on your own.”

She urged creators to use platforms such as TikTok and Instagram to bring awareness to the independent film scene, saying, “Finding new ways to showcase will only help the film industry at large.”

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This is why the Madonna biopic starring Julia Garner isn’t happening after all

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This is why the Madonna biopic starring Julia Garner isn’t happening after all

Madonna is just a material girl, living in a material world.

The “Vogue” hitmaker graced the cover of Interview magazine for the Summer 2026 issue and in the accompanying chat, the singer revealed the reason the ultra-hyped biopic with “Ozark” star Julia Garner was scrapped: not enough cold hard cash.

Turns out, Universal Studios was not Madonna’s Mr. Right. According to the pop star, the studio didn’t share her vision for a budget for the film.

“I worked on my script for two years and spent two years at Universal Studios with the line producers doing budgeting and casting,” she told the magazine. “We had a falling out, me and Universal, regarding budget because I needed — I’ve had an extraordinary life. I’ve had a huge life, so I needed a big budget. You know what I mean?”

The film had been in the works for years, and in 2021 Universal Pictures won a multi-studio auction to helm the biopic. According to Variety, the script followed Madonna from her upbringing in the suburbs of Detroit, her artistic awakening in 1980s New York City, and concluded around the 1998 release of “Ray of Light.”

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“I found a way to make it for less money in Serbia, but I don’t think they were into the idea of — I don’t know,” she said. “Maybe they just didn’t believe in me.”

Madonna said the studio couldn’t wrap its head around what she was suggesting and countered that she wouldn’t “stay in Serbia more than four days.”

“I said, ‘Did you read the script?’ My whole life has been survival. I’m not going there for a holiday.’”

Madonna said that she was in “limbo” when the movie plans fell apart, and she considered telling her life story through a Netflix series when the streamer came knocking. But she wouldn’t be able to use the script she had penned for Universal without buying it from the studio for “an extortionist’s price,” even though she wrote it.

“That’s just the way it goes,” she continued. “I started trying to understand how making a series would work. It’s a very, very different process. You have to meet a lot of writers and find the right showrunner, and I couldn’t find one. This went on for another eight or nine months. I was like, ‘Good thing I have another job because I need to work, I need to create. I need to do what I was put on this earth to do.’”

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Representatives for Universal Pictures, Netflix and Garner did not immediately respond to The Times’ request for comment.

Through the process of writing the script, Madonna was bitten by the memoir bug, but she channeled that confessional energy into her forthcoming album, “Confessions on a Dance Floor: Part II,” which drops July 3. A 13-minute music video weaving together six tracks from the new album was released earlier this month and featured A-list cameos by Sabrina Carpenter, Kate Moss, Lourdes Leon, Benedict Cumberbatch and more.

While the biopic and buzz around Garner’s portrayal of the “Like a Virgin” star had fans of the two blondes chomping at the bit, all is not lost: Art captures life. Garner and Madonna were spotted filming scenes in Venice two weeks ago for the second season of “The Studio,” in which Madonna plays herself struggling to get her biopic made.

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‘Mr. Reset And The Society Of Turnbuckle And Bone’ – Movie Review – PopHorror

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‘Mr. Reset And The Society Of Turnbuckle And Bone’ – Movie Review – PopHorror

Mr. Reset and The Society of Turnbuckle and Bone is a gripping sci fi horror/comedy featuring Vinny Pacifico, who is an ex-Ring of Honor Wrestler. What’s it about? What did we think about it? Read on for our spoiler free review!

But first? Take a look at the trailer!

Synopsis

Former Ring of Honor talent Vinny Pacifico stars as a rising indie wrestler lured by the promise of fame and fortune into a dark world of intense trials and sacrifice.

Rob Ryzin (ex-AEW), Bobby Fish (ex-NXT), Nick “Percy Watson” McNeil (ex-NXT), and Nick “Jamie Stanley” Stuible also star alongside writer-director Jedi Koszewski.

From The Press Release

The spectacle of professional wrestling grapples with psychological dread in Mr. Reset and The Society of Turnbuckle & Bone.

Full of gauzy, gorgeous imagery, a kaleidoscope palette, and themes that blend science fiction, body horror, and dark comedy, the surreal horror film explores a secret society that manipulates the wrestling industry from behind the scenes under the enigmatic Mr. Reset’s watchful eye.

Produced by Audacity Complex Studios, the film strips away the glitz of sports entertainment to reveal its psychological toll, while never shying away from the darkly comic moments that lurk in the industry’s shadows.

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“This project holds special meaning for me because it brings together two of my greatest passions: horror and professional wrestling,” Pacifico commented. “Through this story, I’ve had the privilege of exploring authentic experiences within a fictional framework and shedding light on growing up in the entertainment industry.”

Here’s a look at the poster art!

My Thoughts

If you like movies that have a horror/conspiracy feel to them with a hint of creepy, this is the movie for you. The cast did a phenomenal job, and the storytelling was spot on. It also had a touch of breaking the 4th wall in there. This is a great film with a lot of drama, horror, and bad decisions. I will give a PSA to anyone who is sensitive to lights as it switches back and forth a lot. I like the news element to the movie and how it goes from 1st person to 4th person.

Final Thoughts

I wouldn’t recommend this movie to anyone under 13 because of the nature of the film and the tricks it can play on your mind. Also, it has body horror which younger viewers might not be able to handle. The gore and the trauma in the movie play on your mind and is not for the faint of heart. Excellent storytelling and the director did a phenomenal job. I highly recommend this B-list movie with a 9/10 for me based on the bizarreness of it and the great storytelling. Sometimes you need a reset.

Mr. Reset and The Society of Turnbuckle and Bone on VOD now!

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‘All My Children’ actor Paul Avery and wife Sheila killed in house fire

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‘All My Children’ actor Paul Avery and wife Sheila killed in house fire

Paul Avery, a journeyman actor best known for his role on “All My Children,” and his wife, Sheila, have died following a house fire. He was 81 and she was 77.

The couple’s death was confirmed by their daughters Parker Sanchez and Kyle Avery, who said the fire broke out in their home in Blairstown, N.J., early last Tuesday morning. While firefighters were able to reach Paul and Sheila inside the Mohican Road home, the couple succumbed to smoke inhalation.

The cause of the fire is under investigation.

Paul had a recurring role playing Hughie the bartender at Foxy’s on the ABC daytime soap “All My Children” for 12 years. He also acted in the 1978 film “Superman,” “Three’s Company,” “Soap,” and appeared in more than 300 commercials. He also acted in theater productions and produced plays in both New York and Los Angeles.

According to his daughters, the actor joked that his “elastic face” landed him multiple national commercials that ran concurrently. Casting directors looking for a “Paul Avery type” would turn the actor away because he was in too many commercials.

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“He had a teeny tiny part — one line in Superman — but boy did he make a meal out of that,” Sanchez joked.

Kyle Avery added that at the Oscars, they played a clip from “Superman” that featured Paul reciting his line.

“His good friend ran into the kitchen and made him an Oscar out of tinfoil and handed it to him,” she said. “But I think the thing that he was proudest of was that he could make a living as an actor.”

Paul Avery was born Oct. 8, 1941; and Sheila Avery was born May 22, 1949. Paul was raised in Indianapolis, served in the Vietnam War in his 20s and moved to Los Angeles and then New York by his late 20s to try to make it as an actor. Sheila was raised in Kansas City, Mo., and moved to New York where she worked as a registered nurse but also had a background in theater.

She studied the craft in college, performed on a USO tour in Vietnam and worked as a costume mistress.

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According to the couple’s daughters, the two brought their Midwest charm and sensibilities to the East Coast.

The couple met while living in an apartment building filled with other journeymen actors in the late 1970s.

“They were all part of this theater community, people who would go from regional theater to regional theater with the season,” Kyle Avery said. “They were a whole troupe of people who’d be in New York for part of the year, but then they’d go and be in Lakewood, Ohio, or Kansas City or Chicago, just following the theater.”

Sheila was previously married to John Quincy Bruce Jr., also an actor in the New York theater community and the father of Sanchez. Sheila and Paul got together in 1982 and married in 1984. They celebrated their 42nd wedding anniversary in April.

Paul was a jack-of-all-trades and master of many. He was a small plane pilot who often flew into a tiny airport in Blairstown, N.J., which is how the couple discovered the town they’d call home. There, they opened a bookstore, Cabbages and Kings. Paul also launched a magazine: the Warren County Companion. According to the couple’s daughters, Paul was the first internet service provider in town. He also penned film reviews for the New Jersey Herald and some for the New York Times as well.

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Sheila found what her daughters called the “perfect job,” which brought together her work as a registered nurse and background in theater: speaking in schools about domestic violence and sexual assault. She also became a counselor who worked with survivors, and a trainer who worked with volunteers, teaching them how to interact with victims.

“People who took her training 20 years ago have been contacting us and saying, ‘Your mother changed the way I thought about the world, she is the basis for my feminism,’” Sanchez said. “It’s been so fascinating to hear the ripple effects of young women who took that training from her, and who are now middle-aged women who are still thinking about her.”

The daughters said that their parents were community icons who were dedicated to service. “They had a sense of duty to the people around them,” Kyle Avery said.

“They loved to throw parties,” Sanchez said. “They hosted an annual event called Faux Giving and they would have these insane traditions, like we would have a head-measuring contest and measure the circumference of people’s heads, and then a winner gets to eat their pie first, and a badge.

“Whoever had the smallest head, everyone there would shout, ‘Pin head! Pin head!’ at this person, and it was the silliest thing in the world, but everyone who attended that event, even if they came one time, would talk about it forever.”

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Kyle Avery added, “They were incredibly memorable.”

“They were community builders, they were people who wanted to nourish you in every way, and they were so good at it.”

They are survived by their children: Kyle Avery; Parker Sanchez and her husband, Pablo; Paul Avery’s son from a previous relationship, Stuart Sutherland; and their grandchildren, Avery, Duncan and Liana.

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