Entertainment
Bill Burr and Bill Maher think Louis C.K. should be uncanceled: ‘It’s been long enough’
Bill Burr says cancel culture is over. Bill Maher isn’t so sure. The one thing the two Bills in comedy can agree on? Louis C.K. should be welcomed back into their industry.
On Sunday’s episode of Maher’s podcast, “Club Random,” the political commentator and comic had a nearly two-hour conversation that touched on everything from self-driving cars to the Israel-Hamas war.
Disgraced comedian C.K. came up when Maher told Burr he had a bright future as a director and likened his work to C.K.’s directorial ventures. The pair agreed they enjoyed the 2022 film “Fourth of July,” which the “Louie” actor directed, independently produced and financed.
“Don’t get me started on that,” Maher said of C.K.’s struggle to successfully return to the entertainment industry after being accused by multiple women of sexual misconduct at the height of the #MeToo movement.
“Isn’t it time everyone just went, ‘OK, it wasn’t a cool thing to do, but it’s been long enough and welcome back?’” Maher said.
In a 2017 New York Times article, actors and comedians Dana Min Goodman, Julia Wolov, Abby Schachner, Rebecca Corry and a fifth woman who remained anonymous alleged that C.K. masturbated — or requested to — in front of them. He later admitted to the behavior and acknowledged there was a power imbalance between him and the female comics, saying he “wielded that power irresponsibly.”
Burr agreed with Maher’s assessment, and said, “They took $50 million from him, I think they punished him,” referring to the $35 million C.K. said he lost in “one hour” from the blow to his reputation, likely speaking hyperbolically.
“Enough! For Christ’s sake, it’s not the end of the world,” Maher added. “People have done so much worse things and gotten less. There’s no rhyme or reason to this #MeToo-type punishment.”
Burr and Maher agreed that C.K.’s future work should be embraced instead of avoided, as it has been since the allegations were made public. In the wake of the scandal, “I Love You, Daddy,” the 2017 movie that C.K. wrote, directed and starred in, was shelved. “Fourth of July” was a box office bomb, making just under $10,000 in its U.S. opening weekend.
They disagreed, however, when Burr declared that cancel culture was over, saying, “nobody cares anymore.” The comedian went on to say he doesn’t think about being canceled based on his comedy and disagrees with the idea that the content of a comic’s jokes are cancel-worthy.
“That’s so not true. Either one of us could get canceled in the next two minutes,” Maher said.
Even though his films following his Hollywood ouster were unsuccessful, C.K. has managed to make a somewhat quiet return to comedy. He started touring again in 2019 with an “anti-woke”-themed stand-up show meant to appeal to those fed up with cancel culture. He won a Grammy in 2022 for his comedy album “Sincerely Louis C.K.” and was nominated again in the same category last year.
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‘Clayface’ trailer teases DC Studios’ first proper horror movie
The DC universe is going full on body horror.
DC Studios released its first trailer for “Clayface” on Wednesday, giving audiences a glimpse of the gruesome origins of the shape-shifting Batman villain.
Set to an eerie rendition of the Flaming Lips’ “Do You Realize??,” the teaser flashes among various images of up-and-coming Hollywood actor Matt Hagen (portrayed by Tom Rhys Harries) before and after a violent encounter as the camera slowly zooms toward his haunted eyes and bloody, bandaged face as he is recovering on a hospital bed.
The clip also includes footage of Hagen’s clay-like, malleable face, which he appears to gain after some sort of scientific procedure.
According to the DC description, “Clayface” will see Hagen transformed into a “revenge-filled monster” and explore “the loss of one’s identity and humanity, corrosive love, and the dark underbelly of scientific ambition.”
“Clayface,” set for an Oct. 23 release, will be the third DCU film to hit theaters since James Gunn and Peter Safran took over DC Studios and reset (most of) its comic book superhero franchise. The studio’s upcoming slate also includes “Supergirl,” which will hit theaters June 26, as well as “Man of Tomorrow,” the sequel to Gunn’s 2025 blockbuster “Superman,” announced for 2027.
Who is Clayface?
Clayface is a DC Comics villain usually affiliated with Batman. The alias has been used by a number of different characters over the years, but they all usually possess shape-shifting abilities due to their clay-like bodies. Created by Bill Finger and Bob Kane, the original Clayface was a washed-up actor turned criminal who first appeared in a 1940 issue of “Detective Comics.”
Matt Hagen was the name of the second Clayface, who first appeared in an issue of “Detective Comics” in the 1960s. He was the first to have shape-shifting powers, which he gained after encountering a mysterious radioactive pool of protoplasm.
Other versions of Clayface have been introduced in various media since.
Who is in ‘Clayface’?
The upcoming film stars Tom Rhys Harries as rising Hollywood actor Hagen. The cast also includes Naomi Ackie, who is seen in the trailer, reportedly as the scientist Hagen turns to for help following his disfigurement. Also set to appear are David Dencik, Max Minghella and Eddie Marsan, as well as Nancy Carroll and Joshua James.
Who are the ‘Clayface’ filmmakers?
Director James Watkins, known for horror films including “Speak No Evil” (2024), is helming “Clayface.” The script was written by prolific horror scribe Mike Flanagan (“The Haunting of Hill House,” “Doctor Sleep”) and Hossein Amini (“The Snowman”).
The producers are Matt Reeves, Lynn Harris, James Gunn and Peter Safran. Exective producers include Michael E. Uslan, Rafi Crohn, Paul Ritchie, Chantal Nong Vo and Lars P. Winther.
Movie Reviews
Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC
Nintendo’s Shigeru Miyamoto says he’s surprised at the negative critical reception to the Super Mario Galaxy Movie.
As reported by Famitsu, Miyamoto conducted a group interview with Japanese media to mark the local release of The Super Mario Galaxy Movie.
During the interview, Miyamoto was asked for his views on the critical reception to the film in the West, where critics’ reviews have been mostly negative.
Miyamoto replied that while he understood some of the negative points aimed at The Super Mario Bros Movie, he thought the reception would be better for the sequel.
“It’s true: the situation is indeed very similar,” he said. “Actually, regarding the previous film, I felt that the critics’ opinions did hold some validity. “However, I thought things would be different this time around—only to find that the criticism is even harsher than it was before.
“It really is quite baffling: here we are—having crossed over from a different field—working hard with the specific aim of helping to revitalize the film industry, yet the very people who ought to be championing that cause seem to be the ones taking a passive stance.”
As was the case with the first film, opinion is divided between critics and the public on The Super Mario Galaxy Movie. On review aggregate site Rotten Tomatoes, the film currently has a critics’ score of 43% , while its audience score is 89%.
While this is down from the first film’s scores (which were 59% critics and 95% public) it does still appear to imply that the film’s target audience is generally enjoying it despite critical negativity.
The negative reception is unlikely to bother Universal and Illumination too much, considering the film currently has a global box office of $752 million before even releasing in Japan, meaning a $1 billion global gross is becoming increasingly likely.
Elsewhere in the interview, Miyamoto said he hoped the film would perform well in Japan, especially because it has a unique script rather than a simple localization as in other regions.
“The Japanese version is a bit unique,” he said. “Normally, we create an English version and then localize it for each country, but for the first film, we developed the English and Japanese scripts simultaneously. For this film, we didn’t simply localize the completed English version – instead, we rewrote it entirely in Japanese to create a special Japanese version.
“So, if this doesn’t become a hit in Japan, I feel a sense of pressure – as the person in charge of the Japanese version – to not let [Illumination CEO and film co-producer] Chris [Meledandri] down.
“However, judging by the reactions of the audience members who’ve seen it, I feel that Mario fans are really embracing it. I also believe we’ve created a film that people can enjoy even if they haven’t seen the previous one, so I’m hopeful about that as well.”
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