Lifestyle
Magic, secrets, and urban legend: 3 new YA fantasy novels to read this spring
As the flowers bloom and the sun starts to spread more warmth this spring, we have three new YA fantasy novels for you.
All of these new releases keep one foot grounded in reality while examining what their protagonists can do if they embrace the magic within themselves. Enjoy!
A Tempest of Tea by Hafsah Faizal
Chosen-family siblings Arthie and Jin may be the proprietors of the Spindrift tea house in White Roaring, but that doesn’t make them respectable. They’ve earned a reputation for being the kind of underworld characters you don’t want to cross — and it’s not even a real secret that by night, Spindrift transforms from a tea house to an establishment that serves a different drink entirely, catering to the city’s population of vampires. When the city’s ruling power decides to shut them down, they have to assemble a motley crew to steal a well-guarded ledger book that may be the key to more than just saving their home.
Anyone who enjoys the rhythms of a heist will find a lot to love in this book. Arthie is a clever and determined leader, and the team she puts together includes unique characters like a vampire painter with ennui and a rich girl on the run from the law for her forging habit. The magic that creeps into the edges of the story is fairly subtle, and never feels like an easy answer to the problems and conflict at hand, making me genuinely worry that everyone wasn’t going to make it through to the end.
This heist also comes with a social conscience. Many historical-flavored fantasies peddle the trappings of wealthy European society without ever interrogating where the trappings of the genre come from. Characters sip their tea and wear their cotton lawn dresses, and we never have to think about who grew the tea or the cotton. A Tempest of Tea takes the opposite road, framing the lives of immigrants who are integrated into a society that exploits their homelands and who are intent on finding some way to take their power back.
The Vanishing Station by Ana Ellickson
Ever since her mother’s death, Ruby has had her hands full trying to keep things together. She and her father, who struggles with chronic pain and alcoholism, are living in the basement of her mother’s beloved house so the upper floors can be rented out to pay the bills. When she discovers that her father owes a debt to the mysterious people he works for, and that given his unreliability, they intend to call it in by taking away the house, she volunteers to take over his position and pay the debt in his place.
It comes as a shock when she finds out that her father works for a clandestine rail delivery business and uses magic to jump from one train line to another to move illicit goods and money around the world. As she learns how to do his job, she realizes that while the magic of the trains speaks to something inside her, the people she’s working for are ruthless and cruel. But what choice does she have but to do their bidding, if she wants to save her home?
I’ve always found that subways and trains intrinsically have a special magic to them, and it’s very exciting to see that used to such good effect in a fantasy novel. The Vanishing Station really captures that feeling of entering a liminal space and being swept through to darkness, destined to emerge once more in a new place. Ruby is one of those characters who is so accustomed to shouldering too much of the burden that she doesn’t realize when she’s in over her head, and it’s easy to root for her as she comes into her power and demands that the people around her do better.
I found that the middle of the story idles a bit in the station, but then rapidly picks up speed as romance builds between Ruby and her magical train mentor, Montgomery, who himself feels trapped in a role he never wanted. By the end, I was very invested in how they could escape a domineering power that can go anywhere the rail lines run, and what they might do with their own magic if they could be free.
The Bad Ones by Melissa Albert
In one night, four people go missing in Nora’s small town, and one of them is her best friend Becca. At first, Nora wonders if it’s just another way for Becca to hurt her in the wake of a fight that has fractured their relationship. But Nora senses that there is a connection between all the people who vanished, and she begins to believe that it may have something to do with the Goddess Game – an urban legend turned sleepover dare that the whole town seems to know about. Nora follows a trail of clues in search of Becca, and eventually realizes that in order to find her friend, she will have to play the Goddess Game and break a chain of tragedy and revenge that has been passed down through the decades.
Melissa Albert is an author I’ve followed since she made her debut with her dark fairytale series (beginning with The Hazel Wood). This book continues in the vein of taking familiar mythologies and patterns and doing something original with them. A haunting, a mystery, a goddess worshipped by teenaged girls: All of these elements blend together in The Bad Ones to create a missing persons supernatural thriller that feels like it has something new to say.
Most impressive is the complicated, deeply important depiction of the friendship between Nora and Becca. Their connection is one of adoration and ride-or-die dedication, but with all the trials that come with growing up alongside someone. Books depicting “toxic friendships” often fall into a trap of making one party the villain, but that’s not the case here. The Bad Ones shows a much more realistic version of this dynamic, where two friends love each other so much that they need space to grow into their own people, independent of who they are together. It’s only once they allow themselves to change that they come into the power they need to truly set things right.
Caitlyn Paxson is a writer and performer. She is a regular reviewer for NPR Books and Quill & Quire.
Lifestyle
How does the Kennedy Center board make decisions? This legal filing sheds some light
The Kennedy Center, the facade of which remains covered with a tarp, is seen in Washington, DC, on June 28, 2026. A US federal judge asked on June 24 for an explanation for why a tarpaulin continues to cover the facade of the Kennedy Center where President Donald Trump’s name was recently removed. District Judge Christopher Cooper gave the board of trustees of the performing arts venue until the end of July to explain “the purpose for and status of the tarp and scaffolding that Defendants have erected on the front portico of the Center.”
ALEX WROBLEWSKI/AFP via Getty Images
hide caption
toggle caption
ALEX WROBLEWSKI/AFP via Getty Images
More than two weeks ago, President Trump’s name was removed from the Kennedy Center facade though it is still covered by a tarp and the legal battle continues.
On Monday, a U.S. Department of Justice filing on behalf of the Kennedy Center included some surprises. The document was submitted in response to issues raised by lawyers for ex-officio board member Rep. Joyce Beatty of Ohio who is suing to remove President Trump’s name from the center and stop its closure for renovations.
Among the revelations, the Kennedy Center admitted that, during a board meeting on December 18, 2025, Beatty had been “muted and prevented from speaking.” It was at that meeting that the board voted to add President Trump’s name to the center. The filing later acknowledges the congresswoman was “prevented from voicing her opposition.”
The John F. Kennedy Center for the Performing Arts is a living memorial to its namesake. The guidelines for how the theatre complex spends federal dollars are very specific. Among other rules, it states that “no additional memorials or plaques shall be designated or installed.” Beatty argues adding Trump’s name runs afoul of those rules and that any change requires approval from Congress.
According to one of Beatty’s filings, “There was no advance notice in the agenda that the Board would be considering a name change,” a statement the Kennedy Center now does not deny. The center admits that, prior to voting, there was “no discussion about potential risks or downsides of the vote to adopt a secondary name for the Center.” Nor was there a board discussion “about any potential conflict of interest that might result from the vote.”
The center’s lawyers previously contended that if Trump’s name were to be removed, it would “lose money from donors who support” him and “impede the Center’s fundraising efforts.”
Closing for renovations
Earlier this year, Trump announced on social media that the Kennedy Center would close for two years for renovations. He wrote that he made the decision after “a one year review” with “Contractors, Musical Experts, Art Institutions, and other Advisors and Consultants.”
But, according to the center’s lawyers, Trump’s announcement “was made without presenting any plans, analyses, timelines, or funding information to his cotrustees and without any Board vote.”
The Kennedy Center has long denied reporting by The Washington Post that ticket sales plummeted after President Trump became the Center’s board chair. In Monday’s legal filing, the Center admits that, by October 2025, “nearly half of the Center’s tickets were going unsold.”
Lifestyle
ICICLE: Capturing Interest in Chinese Brands
Lifestyle
‘Dead but Dreaming of Electric Sheep’ is full of beautifully written grotesqueries
Paul Tremblay has made a career of pushing the horror genre – and the novel format – in strange and exciting new directions.
In his latest, Dead but Dreaming of Electric Sheep, the author offers an amalgamation of genre elements that can be best described as psychological-dystopian-science-fiction horror. It’s a mouthful, but the narrative does all of that and more in a way that defies categorization.
Julia Flang is a former semiprofessional gamer working two mediocre jobs she dislikes and living in a modest ranch house in a San Fernando Valley suburb with her retired uncle, whom she calls Uncle Fun. Julia likes movies and gaming but there’s little else going on in her life, so when her estranged mother, the CFO of a large tech company, contacts her with a possible job offer – a “once-in-a-lifetime thing” that pays handsomely just for doing the interview – she hesitantly agrees.

The job is relatively simple and perfect for someone with gaming skills: using a controller built into a phone to get a man, who is stuck in a vegetative state, from California to the East Coast. It will require her to learn how to control his body – walking, moving, sitting, standing, using his arms – so she can maneuver him out of the facility where he is located and into cars and planes and through crowded airports. A fan of movies, Julia decides to call the man Bernie – after the movie Weekend at Bernie’s. When the ethics of the job start to bother her, Julia realizes it’s too late and she must go through with it. However, she’s soon contacted by people interested in sabotaging the whole thing, people who, like her, don’t align with the shady interests of conglomerates and those set to make “gobs of money” from this new, somewhat inhuman technology.
As with every Tremblay novel, any synopsis barely scratches the surface. The novel’s chapters alternate between Julia and you (yes, you). Julia’s chapters are “normal” in the sense that they obey a chronological order and have action, basic descriptions of movement and places, and dialogue. The chapters in second person are like fever dreams from a shadow world; the desperate experiences of a man trapped inside his own body with no control of it, no clue what’s happening to him, and only a few fragmented memories of his life. Also, Tremblay uses a similarly fragmented style of storytelling (including words and sentences trapped in boxes and/or “moving” on the page) to keep things interesting but also confusing and creepy.
This novel operates on several different levels and – planes of existence? Bernie has a head full of AI that controls his body, but his consciousness is still there and struggling to regain control, struggling to remember things. There are monsters, leeches, mysterious rabbits, and eerie shadows in his world, but the true horror comes from the lack of control, from being moved around against his will and having no clue what comes next. Bernie is the embodiment of losing control to AI, and when taken together with the commentary of creativity and AI and the meta interludes in which the author takes a wrecking ball to the fourth wall and addresses readers, this is the best anti-Generative AI story horror has produced so far.
Despite the horror of it, this is a very funny novel. Julia is sarcastic and struggles to keep her comebacks in line, but the conversations she has and messages she writes are always entertaining. However, the humor is far from the crown jewel here. That title belongs to a plethora of big ideas Tremblay juggles. The nature of life, death, and consciousness, the evils of conglomerates, inhuman practices in the name of capitalism, and AI, and even what it means to be human are all explored here: “Is Bernie alive? Is he feeling pain? Is he experiencing everything as a prisoner looking through the bars of his body? Has his consciousness been winnowed to a metaphysical keyhole? Where does consciousness begin or end?” There are no definite answers here, but the way Tremblay infuses humanity, love, the importance of relationships, and humor throughout the narrative provides the kind of answers that can’t and don’t need to be spelled out.
A genre-bender full of big ideas that constantly switches between a world full of real or uncomfortably plausible nightmares and a bizarre hellscape in which loss of self, memory, and autonomy are only the tip of the proverbial iceberg, Dead but Dreaming of Electric Sheep is a horrific and terrifyingly disorienting novel that invites readers to consider a future that already started. Tremblay has always been an innovator, but this beautifully written collection of real and imagined grotesqueries cements him not only as one of the most original and exciting voices in horror but also as one of the smartest, most engaging authors in contemporary fiction.
Gabino Iglesias is an author, book reviewer and professor living in Austin, Texas. Find him on X, formerly Twitter, at @Gabino_Iglesias.

-
Denver, CO3 minutes agoLavender festival, Tennyson Street Fair and more free and cheap things to do in July
-
Seattle, WA15 minutes agoSeattle’s solution for the middle-class housing squeeze: government housing | CNN Business
-
San Diego, CA18 minutes agoAn Apprentice Program for Commercial Fishing
-
Milwaukee, WI23 minutes ago
Connecting Milwaukee teens to summer work
-
Atlanta, GA30 minutes agoConference offers safe space for gay men to unpack the stigmas, challenges of adoption and surrogacy
-
Minneapolis, MN32 minutes agoWestbound I-94 reopens in Minneapolis after fatal crash
-
Indianapolis, IN38 minutes agoEdwards Checks Out At Indianapolis – SPEED SPORT
-
Pittsburg, PA39 minutes agoAnalysis: Here’s why the Pittsburgh Symphony’s budget just jumped by $7 million to $42 million