The music world was busy mourning David Bowie on the 10-year anniversary of his death on Saturday when the devastating word hit that we lost another icon of almost indescribable significance to rock history: Bob Weir. 

“He transitioned peacefully, surrounded by loved ones, after courageously beating cancer as only Bobby could,” the Weir family wrote in a public statement. “Unfortunately, he succumbed to underlying lung issues.”

The road was Weir’s home from the moment the Grateful Dead formed in 1965 all the way through last summer. His projects outside the Grateful Dead included RatDog, Furthur, Bob Weir and Wolf Bros, and Dead & Company. At almost any given time, he had shows on the books with at least one of them.

“The interesting thing is, I’ve never made plans,” he told Rolling Stone‘s Angie Martoccio last March. “And I’m not about to, because I’m too damn busy doing other stuff, trying to get the sound right, trying to get the right chords, trying to get the right words, trying to get all that stuff together for the storytelling. And really, making plans seems like a waste of time. Because nothing ever works out like you expected it to, no matter who you are. So why bother?”

Dead & Co. wrapped up a farewell tour in July 2023, but they continued to play residencies at Sphere in Las Vegas throughout 2024 and 2025. And they came together one last time in August 2025 for three shows in San Francisco’s Golden Gate Park to celebrate the Grateful Dead’s 60th anniversary. Throughout the three evenings, they were joined by Billy Strings, Trey Anastasio, Grahame Lesh, and Sturgill Simpson.

These were joyous concerts filled with Deadheads from around the globe, but Weir was holding a secret: He was diagnosed with cancer weeks earlier, and had just started treatment. “Those performances, emotional, soulful, and full of light, were not farewells, but gifts,” the Weir family wrote. “Another act of resilience. An artist choosing, even then, to keep going by his own design.”

The final night wrapped up with “Touch of Grey,” perhaps the most famous tune in the Dead songbook. Weir sang lead, and the band stretched it out for nearly eight minutes. At the end, Weir took a group bow with the full band, waved to the crowd, and then took a special bow with Mickey Hart, the only other original member of the Dead in Dead & Co., before they walked off together. It was his final live appearance. 

“There is no final curtain here, not really,” wrote the Weir family. “Only the sense of someone setting off again. He often spoke of a three-hundred-year legacy, determined to ensure the songbook would endure long after him. May that dream live on through future generations of Dead Heads. And so we send him off the way he sent so many of us on our way: with a farewell that isn’t an ending, but a blessing. A reward for a life worth livin’.”

It’s way too early to seriously contemplate the future of Dead & Co., but it’s somewhat hard to imagine them continuing outside of a tribute concert to Weir. He was the heart and soul of the group.

That said, Weir himself once said he hoped to see the band outlive him. “I had a little flash while we were playing one night,” Weir told Rolling Stone‘s David Fricke in 2016. “It was toward the end of the tour. I don’t remember what city it was in. We were getting into the second set, setting up a tune. We were all playing, but the tune hadn’t begun yet. We were all feeling out the groove, just playing with it. Suddenly I was 20 feet behind my own head, looking at this and kind of happy with the way the song was shaping up. I started looking around, and it was 20 years later. John’s hair had turned gray. Oteil’s had turned white. I looked back at the drummers, and it was a couple of new guys. I looked back at myself, the back of my head, and it was a new guy. It changed my entire perception of what it is we’re up to.”

The members of Dead & Co. will ultimately make the call. And no matter what happens, Grateful Dead music will continue to live on concert stages for decades and decades to come. They are responsible for a significant chapter of the Great American Songbook. 

SAN FRANCISCO – East Bay ferry commuters on Friday got some very special surprises during their evening commutes on one San Francisco Bay Ferry line. Soon, other commuters on other lines may get the same treatment.          

Sweet, soothing music

Beyond the beautiful views and cocktails, folks who took the ferry between San Francisco and Richmond on Friday evening got an extra treat; something they haven’t done in more than two decades: live music.

Lolah, a San Jose solo artist and band member, sang songs for fans and Friday commuters to their surprise and delight. “I think it’s very entertaining after a long day at work, and it makes the ferry really enjoyable compared to BART,” said commuter John Schmidt.

Jess Jenkins read about it online. “It’s a little bit out of my way. Yeah, but I was excited to try and check out the live music on the ferry. I think making public transit attractive to use is like, yeah, great for everybody,” said Jenkins. “Fantastic. I mean this is the most beautiful city in the world, sunset, a little music. What more could you want in the world?” said passenger Josh Bamberger.

Commuter and artist Marco Sorenson sketched Lolah. “It’s great. This was a real surprise tonight, fascinating; on the boat anyway, so this adds a little extra,” said Sorenson.

The singer loves her art and audiences. It’s an opportunity for musicians like me because we want to go out there and share your work, your art. So you feed on the energy from the audience and the audience feeds from the energy from you,” said Lolah who books her gigs through Lolahentertainment.com.

Bay ferries had music before

Twenty-five years ago, before the dot-com crash, it was a spontaneous twice-a-month Friday event. “It was just a group of enthusiastic ferry riders from Oakland that put it all together. So, it gathered a following. People would come, get on the boat and just never get off the boat, just continuously two round trips, and we were grateful for it,” said three-year SF Bay Ferry Captain Tim Patrick.

Ultimately, it interfered with the evening commute. “And then we kind of put a stop to it because it became too successful,” said Caprain Patrick.

This time, SF Bay Ferry itself is sponsoring even to bolster ridership at commute time as well as on weekends. “We’re definitely kind of testing the waters, experimenting with what we’re able to do in a venue such as the ferries; beautiful and scenic,” said SF Bay Ferry spokesperson Teo Saragi.

What’s next:

On Friday, January 16, entertainment will be provided by a DJ between the city and Vallejo. 

The Friday after, Lolah returns. “We’re also in the process of brainstorming potential trivia nights or comedy nights,” said spokesperson Saragi.

What was successful 25 years ago, could become successful again on a much bigger ferry system with a lot more lines, because people love live music, they love the ferries; throw in a cocktail and call it a party.